The fourth and final novel in a series by Richard Stark featuring actor and theater-owner Alan Grofield, an occasional character in Stark's 24-book Parker series. Parker is a tough, no-nonsense criminal, so adding the clever joker Grofield proved to be a popular addition, popular enough for Stark (a pseudonym for Donald Westlake) to create a spin-off series featuring Grofield. The four books are generally not as well-plotted or as tightly constructed as his Parker books, but the more leisurely pace and iighter tone allows Westlake/Stark to try his Dashiell Hammett hat on).
In spite of the fact that they are not quite up to the level of the Parker books, I really like all of the Grofield novels pretty well, since I like Grofield. I really like the Thin Man level of patter in the first third of The Damsel, the first of the series, but the plot is thin. I think this fourth book is overall my favorite; it has just enough Grofield cleverness and wit and charm coupled with an infusion of Parker-level suspense (and violence).
Grofield is a (starving) actor and small theater-owner from Indiana who also does jobs with Parker to make his Real Money. He goes to Vegas--which is where the lemons first come in, as he isn't lucky at the slots--to check out his own side-job, but finds this guy, Myers, has a bad plan to knock off a brewery in upstate New York, so he walks away, makes money at the casinos, goes home and is followed by the resentful Myers, who decides (for no obvious reason to me) to exact revenge om Grofield and others for laughing off his heist plan. He steals the casino winnings, for instance.
Grofield also actually does do a job near home, taking home the profits from a grocery store, and then has them stolen by Myers. The big finale is well-done as Grofield goes up to take down Myers on the finally executed brewery job in NY, with more violence than happens in the previous three books combined, which is surprising since Grofield really hates violence. He's an actor! He prefers fake swords to real bullets!
One great feature of this one makes it look as if this one should have been first in the series, because it gives more background into Grofield's acting life. We see the relationship between the life of a thief and an actor. Grofield sometimes "gets into his role" in action sequences, and prefers highly scripted jobs. It's pretty fun. But note the title again in case you think it's a completely happy ending. But read Parker first. Or Westlake, whose books are typically lighter and funnier than the Stark books.