With the base under siege and the captain away, Vice-Captain Hoshina steps up to the plate. He’s got the skills, but those skills might not be enough. And when everything is forced into the open, will Kafka have a place left to call home?
Shonen is (always) gonna shonen, and this volume is another massive throwdown between kaiju and man, focused on Hoshina’s efforts to keep the base and its soldiers from harm. It’s pretty genre standard, honestly, with the continued escalation of conflict to what will undoubtedly become ludicrous levels at some point.
Kaiju No.8 keeps me coming back because it has such strong art - I say this every time, this series isn’t exactly a creativity wellspring, but few series can convey what the hell is going on as well as this one. I’ve read enough terrible action sequences to know quality and these do the job and then some. It doesn’t hurt that it has strong female leads too.
The mangaka also remembers to do something besides please the eye and we get a lot of backstory into the nature of why Hoshina is who he is and his loyalty to Mina, the base commander and Kafka’s raison d’être. It’s not high art, but giving us a reason for what’s going on is smart.
There’s also a brilliant double bluff where it looks like Kafka will have no choice but to reveal himself, then gets a last minute reprieve in the form of some classic action movie stuff… then it turns out that the situation was worse than expected.
I have to say, I figured that would be strung out a little longer, but it definitely takes the story in a whole other direction. Kafka turns out to have won the trust of his squad just in time for the greater administration to decide he’s a danger and take him in.
Does this lead to yet another action sequence? It does, fight books are gonna fight, but, again, sometimes you have to accept your genre. It’s not deep stuff - the bulk of this story is easily just panels of stuff blowing up, but it’s still good at doing what it sets out to do. Not as easy as you think.
3.5 stars - I don’t have much else to say, really. I miss the broad comedy from the first volume, honestly, but this isn’t bad and, given my track record with shonen, that’s actually pretty strong praise.