As with her debut (YA crossover) novel, Catching the Light, this is another beautifully crafted novel that gets to the heart of the matter. The author explores similar themes - family, community, trauma, and the burden of being a survivor - this time focusing on the women in three (3) generations of one family. Again, as in Catching the Light, this is a love letter to Newfoundland, St. John’s in particular this time out.
Using Liz’s dementia as an organising framework, this novel is reminiscent of Emma Healey’s Elizabeth is Missing. Memory is elusive... What we remember and how we remember morphs over time… and the importance we place on those memories changes also. As Liz loses her voice - and her sense of self - Rosie and Eve find theirs, and themselves.
This time, the characters have to overcome the misconceptions and perceptions that they have of themselves… how their own internalisations influence the way they look at the world, and how they treat others. As I commented in my review of Catching the Light: They are sometimes hard to move past. But when we do… oh the worlds that open up to us.
While there is no question that the events here are tragic on one level, this is really, at heart, a story of joy. This novel is a testament to the strength - and courage - of women, of kinship bonds, of knowing what you want out of life (and also of not knowing). It is a reminder that we all have the capacity for change - in ourselves and in the world - and that we don’t have to do it all on our own… we are stronger when we are together. This is like a recipe for building strong women, and by default, strong communities.
All in all, this is another beautifully crafted, unabashedly Canadian novel… down to its very core… Savour it also as you read.