2.5
There’s no doubt that one of our most prolific writers, Danielle Steele, is a master of storytelling. Just look at the dozens and dozens of titles in her bio. Not generally a fan (not since the ‘90s), the novel’s tie-in to filming and the English countryside lured me in. As with other romance tropes, I knew what I wanted and I was certain that Ms. Steele would deliver.
Sadly, for me, this book didn’t rise above “pleasant.” Worse, rather than being a part of the main character’s story, I felt like I was reading the longest book summary— the ways that the “show don’t tell” rule was broken throughout this novel was, well, novel.
Normally, with the kind of repetitive summarizing of our characters’ thoughts (for example, Winnie debated her lack of feelings for her long-time boyfriend over the first 5-6 chapters, which quite frankly should have been 2 at most and I just wanted to know when she’d finally break and head to England to escape her dull life). Why didn’t I DNF—because that’s more my style these days? Because I figured the action would pick up once she landed on British soil and got involved with the moviemaking crew. Nope, a lot more telling, a few interesting characters, and very little authentic conflict.
Where was the editor? Where was the action? It was just all so milk toast— this was certainly not the Danielle Steele I remembered nor was looking for (I wanted a soap opera read to make me forget, not that I could, the last, very dark read I had just finished).
Before anyone wonders where my editor is, I’ll say that for other readers this book worked better for them (I know, the 4-star reviews overwhelm on GR), but this is a case that I should know better than to trust a good book blurb, even from well-known writers.
Next time I want a Danielle Steele novel, I’m going back to their earlier titles. Because she really did define and influence the romance genre back in the day!