⭐ Corporate Espionage Without Suspense or Substance
If I could have given this book less than one star, I would have. Ruthless.com is marketed as a techno-thriller, but it is difficult to classify it as a thriller at all. It contains none of the tension, momentum, structure, or narrative coherence that define the genre. I read this because I committed to revisiting the Power Plays series after rereading Politika, but this installment does nothing to justify continuing.
The book’s one redeeming quality is its proximity to real-world themes. Issues like communication vulnerabilities, data protection, corporate espionage, and international economic competition are genuinely compelling. These ideas should anchor a meaningful story. Instead, they are treated as decorative background while the novel collapses under its own structural incoherence.
The narrative is chaotic from beginning to end. Scenes are abruptly spliced together with no clear transitions, often shifting continents mid-page with no spacing or markers to signal the change. As the book moves into its final third, this structural weakness becomes overwhelming: locations bleed into one another, characters appear abruptly without context, and simultaneous global events are presented with such poor formatting that the reader must repeatedly stop and reconstruct the action. This is not complexity. It is disorganization, and it turns what should be tension into confusion.
Characterization is virtually nonexistent. The book introduces dozens of people, then refuses to develop any of them. Gordian, Nimec, Noriko, and Kirsten Chu are all reduced to flat placeholders. Kirsten, who appears positioned for a larger role, is sidelined for most of the narrative. Gordian himself becomes an afterthought. The villains have no presence, no weight, and no psychological depth. There is nothing to connect to, nothing to invest in, and nothing to care about.
The implausibility of the security behavior is staggering. SWORD is supposed to be an elite corporate security apparatus, yet they behave with the inconsistency and carelessness of amateurs. Missing personnel are treated with indifference. Critical information is withheld for no logical reason. Police wander freely through the most secure corporate facility in the series. Operational decisions contradict even the most basic principles of real-world security. The book demands constant suspension of disbelief simply to excuse the characters’ incompetence and the plot’s arbitrary progress.
What makes this even more disappointing is that Politika, for all its flaws, at least had moments of legitimate tension rooted in geopolitical realism. Ruthless.com has none. It is a thriller without thrill, a story without structure, and a novel without a center. Even the title is misleading. Nothing in the book meaningfully relates to “ruthlessness” or to “.com.” The name functions more as marketing than meaningful thematic connection.
Ruthless.com is an empty book: empty of tension, empty of character, empty of insight, and empty of narrative purpose. It offers ideas without development, events without cohesion, and characters without dimension.
Readers deserved better. The genre deserved better. The story that could have been told here, about genuine corporate warfare and global technological vulnerability, deserved far better than this disappointing and shapeless novel.