Interviews with American Artists

by David Sylvester

David Sylvester has been called "the best living writer in English about modern art" (Daily Telegraph). With his expertise, sympathy, and provocative style, he is unique in his ability to talk freely with influential artists. This astounding book includes 21 interviews, recorded over the past forty years, with leading American artists. Together they illuminate all the great developments in American art. Here are the views of David Smith, Richard Serra, Willem de Kooning, Barnett Newman, Franz Kline, Philip Guston, Robert Rauschenberg, Jasper Johns, Frank Stella, Claes Oldenburg, Roy Lichtenstein, Helen Frankenthaler, Louise Nevelson, and more. Conversations from the 1960s vividly conjure up the New York art scene immediately after the war, when the newly arrived Europeans met the Americans who had worked together in the Depression, their different traditions colliding and fusing as they walked the city, talked and worked together. Others, like those with Carl Andre, Cy Twombly, Alex Katz, and Jeff Koons, speak straight from today. No one but Sylvester could have produced this intricate collage, this chorus of voices that blend to create one of the most revealing and unusual histories of American art in the twentieth century.

Genres: Art, Nonfiction

320 pages, Hardcover

First published January 1, 2001

About the author

Anthony David Bernard Sylvester CBE, (21 September 1924; London – 19 June 2001; London) was a British art critic and curator. During a long career David Sylvester was influential in promoting modern art in Britain, in particular the work of Lucian Freud and Francis Bacon.

Born into a well connected north-London Jewish family, Sylvester had trouble as a student at University College School and was thrown out of the family home. He wrote for the paper Tribune and went to Paris in 1947 where he met Alberto Giacometti one of the strongest influences on him. Though writing for a range of publications as a critic including The Observer and New Statesman the main thrust of his writing that direct response to the artwork was most important remained constant. Sylvester is credited with coining the term kitchen sink originally to describe a strand of post-war British painting typified by John Bratby. Sylvester used the phrase negatively but it was widely applied to other art forms including literature and theatre. During the 1950s Sylvester worked with Henry Moore, Freud and Bacon but also supported Richard Hamilton and the other 'Young Turks' of British pop art. This led him to become a prominent media figure in the 1960s. During the 1960s and 70s Sylvester occupied a number of roles at the Arts Council of Great Britain serving on advisory panels and on the main panel. In 1969 he curated a Renoir exhibition at the Hayward Gallery for which he was assisted by a young Nicholas Serota.

Reviews

[Joann · Rating 3 out of 5]

A good addition to the history of American art in the 1960s and 1970s. The artists interviewed were important players in the developing art scene in America at that time. I enjoyed reading about the thought processes of the artists.