Whilst highly rating Dunant's historical works (The Birth of Venus is a perennial favourite), these, her bubble-gum private eye series featuring the allegedly feisty Hannah Wolfe are less impressive. I'm not quite sure if she's trying to be to appeal primarily to a female audience given that the topic of the two Wolfe adventures I've read deal with surrogacy and now plastic (or, as she has it, aesthetic,) surgery and of course all women are obsessed with babies and appearance, aren't they? Well, no, actually they are not.
I think I might have a better opinion of these if Wolfe were given (by her creator) less obviously female areas of investigation and I don't care if anyone cries that she would be given precisely this type of case to investigate as 'she's a woman in a man's world'. ZZZ Perhaps it is because this series was written in the 90s that the attitudes appear somewhat dated, but from what I recall of the days of Brit Pop and New Labour, women were able to do so much more than Wolfe's adventures.
And of course, this is yet another London-based Private Eye, as was Anna Lee (a close relative of Hannah Wolfe) and it would make a change to set such a tale outside of the great metropolis. Raymond Chandler this most certainly isn't, in spite of the pretentious allusions Dunant slips into her narrative.
Overall, this wasn't particularly bad, neither was it particularly good. Only read if a suitable alternative cannot be located.