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Short story by Chi Ta-wei available to read online at The Leeds Centre for New Chinese Writing website. English version also available to read on same site.
“地下鐵只剩最後一班。這時出門，恐怕要有徹夜不歸的決心罷。壓在箱底的那件西裝外套，塵黴氣味揮之不去，幸好穿上身還是有架勢。翻開架拉的日記，一張張名片顯現，披薩店，洗衣店，性玩具店，脫衣舞場。把脫衣舞場那真的地址記在心上。抹了髮膠，出門。”
“地下鐵只剩最後一班。這時出門，恐怕要有徹夜不歸的決心罷。壓在箱底的那件西裝外套，塵黴氣味揮之不去，幸好穿上身還是有架勢。翻開架拉的日記，一張張名片顯現，披薩店，洗衣店，性玩具店，脫衣舞場。把脫衣舞場那真的地址記在心上。抹了髮膠，出門。”
Unknown Binding
First published June 1, 1996
15 people want to read
About the author
紀大偉
26 books3 followers1972年生於台中縣大甲鎮。國立台灣大學外文系學士，台灣大學外文研究所碩士，美國加州大學洛杉磯分校（UCLA）比較文學博士。作品曾獲聯合報文學獎中篇小說首獎與極短篇首獎等等。
曾旅居美西（加州洛杉磯）六年，美東（康乃狄克州）五年。現為國立政治大學台灣文學研究所專任助理教授。
曾旅居美西（加州洛杉磯）六年，美東（康乃狄克州）五年。現為國立政治大學台灣文學研究所專任助理教授。
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Displaying 1 of 1 review
November 21, 2023
3.5
Very short story by taiwanese author Chi Ta-wei that can be found in translation and in its original Chinese here.
This short story was first published in 1996, and his debut novel The Membranes in 1995 - I keep wondering what stories the author has to say now, almost thirty years later.
The story opens on a gay strip club, where our protagonist (not a usual frequenter) is looking for one of the models in order to find a common acquaintance.
Much as the previous work of his that I read this year, it gives us a glance on the author's view of codependence and gender in what is a seemingly neat package at first, but leaves us with a kernel of doubt. It also depicts a chilling picture of the LGBT+ community in Taipei, which reminded me of another Taiwanese cult LGBT+ book from the 90s, Notes of a Crocodile by Qiu Miaojin, which uses the crocodile as an allegory for the lesbian protagonist and her community.
Chi Ta-wei's simple prose and matter of fact tone keep sucking me in - and I never know what to expect next. Best believe I'll keep reading whatever work of his I can get my hands on.
Very short story by taiwanese author Chi Ta-wei that can be found in translation and in its original Chinese here.
This short story was first published in 1996, and his debut novel The Membranes in 1995 - I keep wondering what stories the author has to say now, almost thirty years later.
The story opens on a gay strip club, where our protagonist (not a usual frequenter) is looking for one of the models in order to find a common acquaintance.
Much as the previous work of his that I read this year, it gives us a glance on the author's view of codependence and gender in what is a seemingly neat package at first, but leaves us with a kernel of doubt. It also depicts a chilling picture of the LGBT+ community in Taipei, which reminded me of another Taiwanese cult LGBT+ book from the 90s, Notes of a Crocodile by Qiu Miaojin, which uses the crocodile as an allegory for the lesbian protagonist and her community.
Chi Ta-wei's simple prose and matter of fact tone keep sucking me in - and I never know what to expect next. Best believe I'll keep reading whatever work of his I can get my hands on.
Displaying 1 of 1 review