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City of Stolen Magic
An action-packed, inclusive and breathtakingly magical middle-grade adventure, for fans of THE UNADOPTABLES and THE GIRL WHO STOLE AN ELEPHANT
A spellbinding, epic and heart-racing magical adventure from an exquisite new storytelling talent.
'An unexpected gem of a story . . . A stellar setting, a gut-punch of a twist, and an unforgettable heroine. This has all the hallmarks of classic children's storytelling' - Nizrana Farook author, The Girl Who Stole an Elephant
'A wonderful writer who paints a thoroughly convincing heroine' - The Daily Telegraph
India, 1855. The British rule, and all across the country, Indian magic is being stamped out. More terrifying still, people born with magic are being snatched from their homes. Rumor is that they are being taken across the sea - to England - by the all-powerful, sinister Company.
When Chompa's home is attacked and her mother viciously kidnapped, Chompa - born with powerful and dangerous magic that she has always been forbidden from using - must travel to the smoky, bustling streets of East London in search of her. But Chompa will discover far more treachery in London than she had bargained for - and will learn that every act of her rare magic comes with a price . . .
'A gripping and spellbinding fantasy woven together with threads of magic, secrets and colonial history . . . An incredible cast of characters and a truly multicultural Victorian London that we don't see often enough' - Rashmi Sirdeshpande, author, Dadaji's Paintbrush
'A wonderfully vibrant debut . . . A vivid magical adventure' - Jasbinder Bilan, author, Ash and the Spirit Bird
A spellbinding, epic and heart-racing magical adventure from an exquisite new storytelling talent.
'An unexpected gem of a story . . . A stellar setting, a gut-punch of a twist, and an unforgettable heroine. This has all the hallmarks of classic children's storytelling' - Nizrana Farook author, The Girl Who Stole an Elephant
'A wonderful writer who paints a thoroughly convincing heroine' - The Daily Telegraph
India, 1855. The British rule, and all across the country, Indian magic is being stamped out. More terrifying still, people born with magic are being snatched from their homes. Rumor is that they are being taken across the sea - to England - by the all-powerful, sinister Company.
When Chompa's home is attacked and her mother viciously kidnapped, Chompa - born with powerful and dangerous magic that she has always been forbidden from using - must travel to the smoky, bustling streets of East London in search of her. But Chompa will discover far more treachery in London than she had bargained for - and will learn that every act of her rare magic comes with a price . . .
'A gripping and spellbinding fantasy woven together with threads of magic, secrets and colonial history . . . An incredible cast of characters and a truly multicultural Victorian London that we don't see often enough' - Rashmi Sirdeshpande, author, Dadaji's Paintbrush
'A wonderfully vibrant debut . . . A vivid magical adventure' - Jasbinder Bilan, author, Ash and the Spirit Bird
384 pages, Paperback
First published June 29, 2023
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Displaying 1 - 30 of 130 reviews
September 23, 2023
Chompa always knew she had powers, as her mother’s a witch. Her mother trains her a little bit, but she’s not allowed to use her powers as much as she would like. And her mother always tells everyone else that Chompa has no powers. Because the British rulers are taking everyone with powers and shipping them to England.
But Chompa is a girl who feels shackled by her mother’s protection. She is a witch and she wants to use her powers. When she does, things quickly get out of control. Chompa’s mother has to use magic to fix it. When her mother’s arrested by the British, Chompa can’t help but feel responsible. She trains her powers as quickly as possible, with the help of a friend of her mother’s. And she goes to London, hoping to rescue her mother. But she quickly realizes that she’s walked into the lion’s den.
The story takes place in the past and it starts in the then Bengal province of India, which was under British rule. Now the story, the characters and the magic are fictional. But this story is most definitely inspired by true historic events and is well researched, like the Bengal famines and people forcefully being taken to another country. This is a story for children, so the true horrors of the past are of course not mentioned. But enough is said to make this painful part of history come to life.
What I really appreciate here is that we see the story through the eyes of a young person who doesn’t know anything about Western society whatsoever. Because it puts things in a fresh and rather authentic perspective. For example, the little girl sees British people for the first time in her life. And she is surprised by not only the color of their skin, but also by the lack of taste in their food, as Western food is less spicy than Indian food. The latter really made me chuckle as I know this from personal experience. And the story also does a good job of showing how multicultural London already was back then.
Even though we’re supposed to root against the antagonist from the start simply because he’s British, it takes quite a long time before he actually starts to feel like a proper antagonist. When the story shifts to Tipu’s point of view, the transition feels a bit awkward. And it also feels like the story incorporated one or two ideas too many. Less is more in this case. With more focus on fewer ideas, those core ideas would have stood out more.
There might still be some room for improvement, but it’s nonetheless a solid debut story by a promising author. And it’s an enjoyable story from start to finish, with a little important history lesson as an added bonus.
But Chompa is a girl who feels shackled by her mother’s protection. She is a witch and she wants to use her powers. When she does, things quickly get out of control. Chompa’s mother has to use magic to fix it. When her mother’s arrested by the British, Chompa can’t help but feel responsible. She trains her powers as quickly as possible, with the help of a friend of her mother’s. And she goes to London, hoping to rescue her mother. But she quickly realizes that she’s walked into the lion’s den.
The story takes place in the past and it starts in the then Bengal province of India, which was under British rule. Now the story, the characters and the magic are fictional. But this story is most definitely inspired by true historic events and is well researched, like the Bengal famines and people forcefully being taken to another country. This is a story for children, so the true horrors of the past are of course not mentioned. But enough is said to make this painful part of history come to life.
What I really appreciate here is that we see the story through the eyes of a young person who doesn’t know anything about Western society whatsoever. Because it puts things in a fresh and rather authentic perspective. For example, the little girl sees British people for the first time in her life. And she is surprised by not only the color of their skin, but also by the lack of taste in their food, as Western food is less spicy than Indian food. The latter really made me chuckle as I know this from personal experience. And the story also does a good job of showing how multicultural London already was back then.
Even though we’re supposed to root against the antagonist from the start simply because he’s British, it takes quite a long time before he actually starts to feel like a proper antagonist. When the story shifts to Tipu’s point of view, the transition feels a bit awkward. And it also feels like the story incorporated one or two ideas too many. Less is more in this case. With more focus on fewer ideas, those core ideas would have stood out more.
There might still be some room for improvement, but it’s nonetheless a solid debut story by a promising author. And it’s an enjoyable story from start to finish, with a little important history lesson as an added bonus.
July 22, 2025
Historical Fantasy of India and England
Nazneen Ahmed Pathak's City of Stolen Magic begins in a small village in what was then India and is now (I believe) Bangladesh. Chompa and her mother Amina live there. They are witches, and that, Amina knows, is a dangerous thing to be. Chompa, a rebellious kid, is difficult to convince, but learns the hard way when her Ammi is kidnapped. Her mother's old friend Mohsin shows up to take Chompa away to the city of Dacca (modern Dhaka). Chompa and Mohsin hear rumors that Ammi is being held in London, and make arrangements to travel there. London is the City of Stolen Magic named in the title.
As explained in an extensive Author's Note, City of Stolen Magic, although a fantasy, is firmly rooted in the real history of India and Britain. The main villain is The Company, instantly recognizable as the East India Company, whose business was the economic exploitation of India by Britain. In City of Stolen Magic exploitation takes a magical twist -- the Company intends to steal magic from Indians, there being none native to England itself (which felt implausible to me). The magic system is also historically based -- it is founded on djinn, magical spirits that, in one form or another, appear in the folklore of many nations.
It's a good, exciting story. Chompa is a good heroine, active and intelligent. If I have one criticism, it is that the story is heavy-handed. The bad guys are very bad, all dark with little or no hint of light in them. They are also personally repulsive in their treatment of others. I suspect that Pathak might argue that historical accuracy demands that the personnel of the East India Company be presented so. I cannot say that she is wrong. But, purely from an entertainment perspective, it felt overdone to me.
Blog review.
Nazneen Ahmed Pathak's City of Stolen Magic begins in a small village in what was then India and is now (I believe) Bangladesh. Chompa and her mother Amina live there. They are witches, and that, Amina knows, is a dangerous thing to be. Chompa, a rebellious kid, is difficult to convince, but learns the hard way when her Ammi is kidnapped. Her mother's old friend Mohsin shows up to take Chompa away to the city of Dacca (modern Dhaka). Chompa and Mohsin hear rumors that Ammi is being held in London, and make arrangements to travel there. London is the City of Stolen Magic named in the title.
As explained in an extensive Author's Note, City of Stolen Magic, although a fantasy, is firmly rooted in the real history of India and Britain. The main villain is The Company, instantly recognizable as the East India Company, whose business was the economic exploitation of India by Britain. In City of Stolen Magic exploitation takes a magical twist -- the Company intends to steal magic from Indians, there being none native to England itself (which felt implausible to me). The magic system is also historically based -- it is founded on djinn, magical spirits that, in one form or another, appear in the folklore of many nations.
It's a good, exciting story. Chompa is a good heroine, active and intelligent. If I have one criticism, it is that the story is heavy-handed. The bad guys are very bad, all dark with little or no hint of light in them. They are also personally repulsive in their treatment of others. I suspect that Pathak might argue that historical accuracy demands that the personnel of the East India Company be presented so. I cannot say that she is wrong. But, purely from an entertainment perspective, it felt overdone to me.
Blog review.
July 8, 2023
This story has a super premise, a fantastic magic system, great characters, nice plot twists, and a wonderful setting. I loved that the story is set in India during British rule, and to be honest, I wished the entire story was set there (although I also enjoyed reading about the many migrant communities in London).
I loved the magic system, and the distinction between finger magic and written charms, djinn born versus djinn speakers. The latter are people who can communicate with Djinn who are trapped and bound to some natural element. One of the characters, Tipu, talks to a Djinn called Aaliya trapped by a palm tree (and later a date stone) and forced to do his will. Tipu promises to free her but first she has to do magic for him. Tipu is one of our heroes, one of the children exploited for their magical ability, and Aaliya helps the good side. I though it was an interesting addition to the story, raising the question regarding whether his actions (albeit on a much smaller and kinder scale) really differ from the villains.
In general, the characters were well drawn, from Chompa (determined, feisty, undaunted) to Tipu and Laurie (Djinn speakers she meets on the way to England) to Leeza, Mohsin’s servant, to Millie, the English maid whose weakness is her sweet tooth. Although I guessed the plot twist, it is still a good one.
However my enjoyment of the book was marred by Chompa's mother's story line.
SPOILER TO FOLLOW:.
The villain is holding Chompa’s mother, Amina, to force Chompa to do what he wants. Amina therefore uses her magic to self-immolate in front of her daughter so that she can’t be used as leverage against Chompa. I was really disappointed by this plot point. Depicting suicide as a good thing (Amina says she is setting Chompa free), particularly in a children's book, is really inappropriate. Suicide is an extremely serious, despairing act, and passing over it lightly does not make it okay (actually it's worse). It was totally unnecessary and ineffective from the story's perspective, so I consider it poor story telling as well as inappropriate. I don’t like the end justifying the means in any case, but a parent committing suicide should not be thrown into a story so lightly.
After this scene, it was a real struggle to finish the book. It's a pity because it had a lot of good points but Amina’s story line complete ruined it for me.
I loved the magic system, and the distinction between finger magic and written charms, djinn born versus djinn speakers. The latter are people who can communicate with Djinn who are trapped and bound to some natural element. One of the characters, Tipu, talks to a Djinn called Aaliya trapped by a palm tree (and later a date stone) and forced to do his will. Tipu promises to free her but first she has to do magic for him. Tipu is one of our heroes, one of the children exploited for their magical ability, and Aaliya helps the good side. I though it was an interesting addition to the story, raising the question regarding whether his actions (albeit on a much smaller and kinder scale) really differ from the villains.
In general, the characters were well drawn, from Chompa (determined, feisty, undaunted) to Tipu and Laurie (Djinn speakers she meets on the way to England) to Leeza, Mohsin’s servant, to Millie, the English maid whose weakness is her sweet tooth. Although I guessed the plot twist, it is still a good one.
However my enjoyment of the book was marred by Chompa's mother's story line.
SPOILER TO FOLLOW:.
The villain is holding Chompa’s mother, Amina, to force Chompa to do what he wants. Amina therefore uses her magic to self-immolate in front of her daughter so that she can’t be used as leverage against Chompa. I was really disappointed by this plot point. Depicting suicide as a good thing (Amina says she is setting Chompa free), particularly in a children's book, is really inappropriate. Suicide is an extremely serious, despairing act, and passing over it lightly does not make it okay (actually it's worse). It was totally unnecessary and ineffective from the story's perspective, so I consider it poor story telling as well as inappropriate. I don’t like the end justifying the means in any case, but a parent committing suicide should not be thrown into a story so lightly.
After this scene, it was a real struggle to finish the book. It's a pity because it had a lot of good points but Amina’s story line complete ruined it for me.
This entire review has been hidden because of spoilers.
December 22, 2023
This was a cultural explosion of fantasy and delight. I throughly enjoyed this middle grade adventure for two reasons. One it was magical and mystical and filled with suspense and heart but I also loved it because of its exploration into another culture that I know very little about which I found not only intriguing but also enlightening. I will definitely be checking out more of Ahmed Pathak’s work!
June 26, 2023
Chompa lives with her mother in a small village in India. Her mother is teaching her to write charms and learn her Farsi, whilst sternly encouring Chompa to never use her 'finger magic'.
One night Chompa decides to disregard her mother's plight and almost sets the village on fire in the process. To combat the fire Chompa created, Ammi uses her OWN finger magic to stop the raging fire. Chompa NEVER knew her mother could also do magic like her.
That night the 'pale ones' come to their home and take Ammi against her will, before then she hides Chompa and makes her PROMISE that she will stay hidden no matter what.
With Ammi gone, Chompa ventures out of the village on her own, in search of someone her mother once knew to help her get Ammi back.
Fun middle grade, filled with adventure, friendship and magic.
I LOVE a good middle grade but because the story is told by Chompa's POV as a VERY young girl, it feels almost a bit... Too young... For me 🌸
It was fun though, watching a sheltered little spitfire, venture out into the world, learning new things meeting new people and finding not only her mother, but herself and her magic in the process ♥️
One night Chompa decides to disregard her mother's plight and almost sets the village on fire in the process. To combat the fire Chompa created, Ammi uses her OWN finger magic to stop the raging fire. Chompa NEVER knew her mother could also do magic like her.
That night the 'pale ones' come to their home and take Ammi against her will, before then she hides Chompa and makes her PROMISE that she will stay hidden no matter what.
With Ammi gone, Chompa ventures out of the village on her own, in search of someone her mother once knew to help her get Ammi back.
Fun middle grade, filled with adventure, friendship and magic.
I LOVE a good middle grade but because the story is told by Chompa's POV as a VERY young girl, it feels almost a bit... Too young... For me 🌸
It was fun though, watching a sheltered little spitfire, venture out into the world, learning new things meeting new people and finding not only her mother, but herself and her magic in the process ♥️
March 5, 2024
This is a book I had a really hard time getting into, but I persevered because my kid liked it. Transitions between character viewpoints were clunky, and it just didn't feel polished. It's also not nuanced at all, and I believe children are capable of reading and interpreting nuanced characters and plots. I'm also not a fan of the magical theme that pervades children's literature right now (but my child is).
However, the *biggest* problem with this book is the fact that 12 year old Chompa's mother commits suicide via self-immolation in front of her, while telling Chompa to trust her. The mother is also described as "serene" at this time.
Presenting suicide as a serene means of escaping one's problems, while asking your loved one to trust you, was a shocking thing to find in a children's book. As the child of a parent who committed suicide, I'm even more concerned about it's inclusion in the manner that it is--as something that was essentially positive (Chompa's mother "rescued" her by self-immolating). I was, and am appalled. This is dangerous, especially for children with mental health struggles. The reader doesn't reach this point until one has made it 85% of the way through the book.
It's clear from reading other reviews that this is not an issue for many, but I wish I had been forewarned. This is a book we would have passed on without hesitation or regret.
However, the *biggest* problem with this book is the fact that 12 year old Chompa's mother commits suicide via self-immolation in front of her, while telling Chompa to trust her. The mother is also described as "serene" at this time.
Presenting suicide as a serene means of escaping one's problems, while asking your loved one to trust you, was a shocking thing to find in a children's book. As the child of a parent who committed suicide, I'm even more concerned about it's inclusion in the manner that it is--as something that was essentially positive (Chompa's mother "rescued" her by self-immolating). I was, and am appalled. This is dangerous, especially for children with mental health struggles. The reader doesn't reach this point until one has made it 85% of the way through the book.
It's clear from reading other reviews that this is not an issue for many, but I wish I had been forewarned. This is a book we would have passed on without hesitation or regret.
This entire review has been hidden because of spoilers.
July 31, 2024
A clunky difficult and disjointed read for my kid.
I was keen on exploring a different culture with him and colonialism. However, this book was really negative and I don’t think it’s necessary for a little boy to read about how bad, dull and awful his culture is. If the author feels this way then fine, but it’s a children’s book for them to enjoy.
Instead of talking about the richness of Indian food and making it a fun sensory part of the book, it talks about how bad English food is.
There could have been a lovely passage about Indian chai, and yet it was just another point about how English people don’t drink that’s as nice.
There’s even a bit in there about how tasteless scones are. Like why write about that and assume people will find it exciting?
The constant dreary and negative descriptions made the overall story dreary and negative.
The cover looks rich and magical. And yet the protagonist has the personality of a bitter 40 year old woman. And it makes it hard to really root for her or her friendships.
I was keen on exploring a different culture with him and colonialism. However, this book was really negative and I don’t think it’s necessary for a little boy to read about how bad, dull and awful his culture is. If the author feels this way then fine, but it’s a children’s book for them to enjoy.
Instead of talking about the richness of Indian food and making it a fun sensory part of the book, it talks about how bad English food is.
There could have been a lovely passage about Indian chai, and yet it was just another point about how English people don’t drink that’s as nice.
There’s even a bit in there about how tasteless scones are. Like why write about that and assume people will find it exciting?
The constant dreary and negative descriptions made the overall story dreary and negative.
The cover looks rich and magical. And yet the protagonist has the personality of a bitter 40 year old woman. And it makes it hard to really root for her or her friendships.
March 30, 2025
Naz has done a fantastic job of making a tricky historical topic accessible for younger readers. Colonial Britain was propped up on the foundations of degradation - categorised by a plethora of horrific mediums. Naz is able to touch on many of these in a way that children will be able to process. As a teacher, I feel the book could offer valuable application to education settings!
Couple in the exploration of identity, both physical and emotional. Chompa is a fantastic representation of how adversity can condition our souls for the better.
We can always choose.
I’ve been poor with my reading this year, so this was a nice one to roll back into routine!
Couple in the exploration of identity, both physical and emotional. Chompa is a fantastic representation of how adversity can condition our souls for the better.
We can always choose.
I’ve been poor with my reading this year, so this was a nice one to roll back into routine!
June 7, 2023
The children loved this book, adventure, travel, history and magic, what more could you want. My granddaughters appreciated the strong female lead. Suitable for family reading together.
October 14, 2023
Melhor livro que li nos últimos anos.
July 14, 2025
quite boring didn't finish lol
August 1, 2023
Fabulous! This book was gorgeously written and all of the characters were so charming and intriguing. It was so cool how this novel tackles unsettling and disturbing subject matter- the British colonial impact on India and the rest of the world- in a way that demystifies the subject for children yet doesn’t shy away from the horrors and brutality that actually existed within the colonial project. Chompa was a brilliant protagonist; I loved her djinnborn powers and how she made realistic and honest decisions that made her not just a hero, but a relatable hero. Moreover, I found the interweaving of folklore and Bengali traditions into the story seamless and that they really enriched the world that was being created!
January 26, 2024
Ok so this wasn't a bad book however I do have too many issues with it to be considered good. Clearly it is a debut novel and and author did an ok attempt at writing it, however I'm sure with some more experience it would not have felt so clunky or amateur in places. I also found it problematic how ALL British character were depicted as 'bad' (arguably not Sal but she still runs a ring of child pickpockets sooooo?) I think it's great how this darker side of British History was shown in a, easilydigestible way for the 9-12 category but I think the author strays too far into the 'all British people are bad' mindset. Characters are well written. Story ended abrupt, weird 'I am your father twist' and felt unfinished.
May 28, 2023
City of Stolen Magic is a fantastic middle-grade fantasy adventure. With a well-imagined magical system, enchanting worldbuilding and compelling characters, I was swept up in Chompa's story. Her journey, from a small village in India to the seat of the Victorian empire in London allows for an interesting exploration of British colonialism for a young audience, with a fantasy twist.
Vivid and fast-paced with a courageous young heroine, City of Stolen Magic is a spellbinding debut and I couldn't put it down.
*Thank you to Netgalley for the arc in exchange for an honest review*
Vivid and fast-paced with a courageous young heroine, City of Stolen Magic is a spellbinding debut and I couldn't put it down.
*Thank you to Netgalley for the arc in exchange for an honest review*
June 4, 2024
Opening Line: "Chompa wrinkled her nose as her mother ran the wooden comb firmly through her ever-knotted mass of hair and dipped her toes into the river to distract herself."
Chompa has always known that she possesses powers, as both she and her mother, Ammi are witches. She has the ability to move and transform small objects, yet her mother has forbidden her from utilizing her powers. Instead, encouraging her to concentrate on learning her Farsi letters and assisting in writing the charms that her mother sells.
Ammi has been desperately hiding Chompa's abilities, claiming she has no powers, to protect her from the British rulers who are searching for individuals to capture and ship off to England to use their talents. Eager to prove herself to her mother, Chompa uses her powers and ignites a flame that spirals out of control, compelling her mother to extinguish it with her finger magic. Unfortunately, Chompa's display catches the attention of the British, leading to Ammi's capture.
Shortly afterward Mohsin arrives. He's an old friend of her mother's, who offers to assist Chompa in rescuing her mother. Together they travel to London, where they become intertwined with Sir Clive Devaynes, a British man who plans to exploit Chompa's powers for his own schemes.
City of Stolen Magic draws inspiration from Nazneen Ahmed Pathak's work as a historian, researching the history of Muslim communities in the East End. The character of Sir Clive Devaynes is the combination of two of the East India Trading Company directors, Clive and Devayne who were responsible for the stealing of about thirty-six trillion dollars' worth of goods from India. The author also relates in her author's note that she drew upon stories that were told to her by her family and her meticulous research into the historical events of the forcefully removal of people from India and the indentureship of its children. Further themes include colonialism, imperialism, and resistance.
Chompa is an excellent heroine; she's feisty and determined in her quest to save her mother. Children may resonate with the idea of a protective mother and Chompa's sense of being restrained. The story's premise is captivating, filled with unexpected twists. Observing Chompa's first encounter with London was entertaining, while also illustrative of how people attempt to blend in by conforming to various styles of dress, in her case by wearing a frock.
I enjoyed the magic system which incorporated both finger magic, written charms and djinn speakers (Tipu and Laurie, who aid her in her quest). A type of magic which admittedly I'm less familiar with but was eager to learn more about. The illustrations by Sandhya Prabhat at the beginning of each part of the book and chapter were very nicely done and I also found the map illustrations for Bengal and London by Lisa Visirin to be very helpful.
Overall, I thought the story was fast paced, has interesting characters and settings, while providing meaningful perspectives on this historical time period. My only caution is that there is a death which could be distressing to certain children and therefore should be taken into consideration when picking out the right reader.
Chompa has always known that she possesses powers, as both she and her mother, Ammi are witches. She has the ability to move and transform small objects, yet her mother has forbidden her from utilizing her powers. Instead, encouraging her to concentrate on learning her Farsi letters and assisting in writing the charms that her mother sells.
Ammi has been desperately hiding Chompa's abilities, claiming she has no powers, to protect her from the British rulers who are searching for individuals to capture and ship off to England to use their talents. Eager to prove herself to her mother, Chompa uses her powers and ignites a flame that spirals out of control, compelling her mother to extinguish it with her finger magic. Unfortunately, Chompa's display catches the attention of the British, leading to Ammi's capture.
Shortly afterward Mohsin arrives. He's an old friend of her mother's, who offers to assist Chompa in rescuing her mother. Together they travel to London, where they become intertwined with Sir Clive Devaynes, a British man who plans to exploit Chompa's powers for his own schemes.
City of Stolen Magic draws inspiration from Nazneen Ahmed Pathak's work as a historian, researching the history of Muslim communities in the East End. The character of Sir Clive Devaynes is the combination of two of the East India Trading Company directors, Clive and Devayne who were responsible for the stealing of about thirty-six trillion dollars' worth of goods from India. The author also relates in her author's note that she drew upon stories that were told to her by her family and her meticulous research into the historical events of the forcefully removal of people from India and the indentureship of its children. Further themes include colonialism, imperialism, and resistance.
Chompa is an excellent heroine; she's feisty and determined in her quest to save her mother. Children may resonate with the idea of a protective mother and Chompa's sense of being restrained. The story's premise is captivating, filled with unexpected twists. Observing Chompa's first encounter with London was entertaining, while also illustrative of how people attempt to blend in by conforming to various styles of dress, in her case by wearing a frock.
I enjoyed the magic system which incorporated both finger magic, written charms and djinn speakers (Tipu and Laurie, who aid her in her quest). A type of magic which admittedly I'm less familiar with but was eager to learn more about. The illustrations by Sandhya Prabhat at the beginning of each part of the book and chapter were very nicely done and I also found the map illustrations for Bengal and London by Lisa Visirin to be very helpful.
Overall, I thought the story was fast paced, has interesting characters and settings, while providing meaningful perspectives on this historical time period. My only caution is that there is a death which could be distressing to certain children and therefore should be taken into consideration when picking out the right reader.
December 28, 2024
“Love doesn’t die - it’s the fire that burns forever, within everything.”
I was lucky enough to be taught by Nazneen during my undergraduate English Literature degree. I was thrilled to learn she had written a story of her own!
City of Stolen Magic is a wonderful and magical adventure. The characters have great depth and the story, and its twists and turns, unfold naturally. This is an important and educational read for children and adults alike!
I THOROUGHLY enjoyed this book and eagerly await the release of its sequel ☺️.
I was lucky enough to be taught by Nazneen during my undergraduate English Literature degree. I was thrilled to learn she had written a story of her own!
City of Stolen Magic is a wonderful and magical adventure. The characters have great depth and the story, and its twists and turns, unfold naturally. This is an important and educational read for children and adults alike!
I THOROUGHLY enjoyed this book and eagerly await the release of its sequel ☺️.
June 24, 2023
When Chompa uses her finger-magic to light a fire, little does she know that she has started a series of events that will endanger the lives of many. When her mother is kidnapped, Chompa uses the magic she was always forbidden from using to try and rescue her. But she will learn that not everyone can be trusted and that using her powerful magic comes at a price…
I enjoyed City of Stolen Magic because of the strong characters and the intense action. This is great choice for older children who love stories involving magic and strong female lead characters.
I loved how there was more than one kind of magic in the story, and each character had different skills and strengths and every one of them was important in how the action played out.
Chompa was a wonderful female heroine. She was brave and smart but also very caring and put the needs of others before her own.
Here is one of my favourite quotes:
“Hair was what princesses worried about, but in real life, it got in your eyes and mouth… Chompa threw the scarf aside. She was never going to be a princess. And she didn’t want to be one, either. She was something far more powerful. She was a witch.”
I also have a soft spot for Tipu, who proved he could stand up for himself and was an amazing and kind-hearted friend.
This is Nazneed Ahmed Pathak’s first novel, and I can’t wait to read what she dreams up next.
Note: Since this is a children’s book, I think it is important to let readers know that the story includes a death scene.
My thanks go to Puffin for sending me an ARC via NetGalley.
#CityofStolenMagic #NetGalley
I enjoyed City of Stolen Magic because of the strong characters and the intense action. This is great choice for older children who love stories involving magic and strong female lead characters.
I loved how there was more than one kind of magic in the story, and each character had different skills and strengths and every one of them was important in how the action played out.
Chompa was a wonderful female heroine. She was brave and smart but also very caring and put the needs of others before her own.
Here is one of my favourite quotes:
“Hair was what princesses worried about, but in real life, it got in your eyes and mouth… Chompa threw the scarf aside. She was never going to be a princess. And she didn’t want to be one, either. She was something far more powerful. She was a witch.”
I also have a soft spot for Tipu, who proved he could stand up for himself and was an amazing and kind-hearted friend.
This is Nazneed Ahmed Pathak’s first novel, and I can’t wait to read what she dreams up next.
Note: Since this is a children’s book, I think it is important to let readers know that the story includes a death scene.
My thanks go to Puffin for sending me an ARC via NetGalley.
#CityofStolenMagic #NetGalley
March 6, 2024
Enjoyable middle grade historical fantasy, which gives us a glimpse of British colonial history with a magical spin. The characters were well drawn and overall the story was interesting, but the pacing and plot of the story could have been stronger in places. But definitely a good debut which I would recommend.
August 21, 2023
This is a charming and delightful children's book , I loved howit was full of family and friendship, with such a beautiful mother daughter relationship. I also appreciated the emphasis on colonialism and the British Empire affect and injustices they imposed. So refreshing to read the truth and hopefully many more to follow
I received an advance review copy for free, and I am leaving this review voluntarily.
I received an advance review copy for free, and I am leaving this review voluntarily.
July 5, 2023
An adventurous and magical found family middle grade.
A young girl with magical abilities that she has yet to fully discover and master, embarks on a journey to find her mother.
After her mother is taken away by ‘pale men’ (the British), Chompa travels from her Indian village to the big city to find help. Via an eventful boot trip on a djinn-powered ship she ends up in London. In Dickensian London she teams up with a band of street urchins to fight some powerful enemies.
I loved the discovery of the different magic systems and the changing setting.
Thank you to NetGalley and Puffin for the ARC
A young girl with magical abilities that she has yet to fully discover and master, embarks on a journey to find her mother.
After her mother is taken away by ‘pale men’ (the British), Chompa travels from her Indian village to the big city to find help. Via an eventful boot trip on a djinn-powered ship she ends up in London. In Dickensian London she teams up with a band of street urchins to fight some powerful enemies.
I loved the discovery of the different magic systems and the changing setting.
Thank you to NetGalley and Puffin for the ARC
July 17, 2023
Words have power!
Thank you to netgalley for a digital copy of this book!
I loved it,
Growing up in India Chompa has been watching her mother make magic by writing. However Chompa has finger-magic.
When a spell goes awry Chompa must travel far to save her family and learn more about her magic.
The story also tackles colonialism and slavery - it's illuminating and a side of history that isn't often told! A story that needs to be told.
Thank you to netgalley for a digital copy of this book!
I loved it,
Growing up in India Chompa has been watching her mother make magic by writing. However Chompa has finger-magic.
When a spell goes awry Chompa must travel far to save her family and learn more about her magic.
The story also tackles colonialism and slavery - it's illuminating and a side of history that isn't often told! A story that needs to be told.
June 15, 2024
Upon reflection, months after my first review (which was 4 stars), I am in two minds whether i actually liked this book. The ending for me was too dark for midde grade, and having Chompa's mother self-immolate infront of her daughter whilst asking her to 'trust her' made me so appalled, there was absolutely no need. As a bookseller I struggle to pitch this book to children on the basis of trigger warnings for both the child and parents. It comes with a full disclaimer for parents everytime!
I feel like it's for much older middle grade reader- borderline YA due to content and writing style (the changing POV sometimes didn't work for me) and although I liked the twist at the end, I didnt like the outcome for Chompa and her mother. I felt that it wasnt necessary and dampened my enjoyment for the remainder of the book and ultimately my rating. Real shame as I was really enjoying it.
I feel like it's for much older middle grade reader- borderline YA due to content and writing style (the changing POV sometimes didn't work for me) and although I liked the twist at the end, I didnt like the outcome for Chompa and her mother. I felt that it wasnt necessary and dampened my enjoyment for the remainder of the book and ultimately my rating. Real shame as I was really enjoying it.
This entire review has been hidden because of spoilers.
August 30, 2024
3.5⭐️
Really cute story and characters. I was a little confused by the ending but overall I really liked the message of the story and, of course, the fantasy element.
Really cute story and characters. I was a little confused by the ending but overall I really liked the message of the story and, of course, the fantasy element.
December 31, 2024
3.5⭐
In 1855, with India under the rule of the British, Chompa and her mother live on the outskirts of a rural village. To earn a living, Chompa's mother, Amina, provides the villagers with spells and amulets, for which the two of them are barely tolerated. Chompa can do magic too, of a different kind from her mother's, but she has been expressly forbidden from practising it. Of course, the best way to get a kid to do something you don't want them to is to tell them not to do it, so naturally Chompa tries out her magic, it goes horribly wrong, her mother has to intervene, certain villainous characters become aware of their whereabouts with the result being that Amina is taken away and Chompa is left all alone. That is until the arrival of Mohsin, a friend of her mother's, who turns up at the right time, and the two of them set off together to find Amina and free her from the nefarious Company, who have been capturing magic users from across the country. Their journey takes them all the way across the ocean to England and brings some new friends into Chompa's life.
There are things about this book I love and things that are keeping me from enthusiastically recommending it to a certain audience.
On the plus side, it's a fun and thoroughly entertaining story of friendship and magic. It provides a glimpse into life in India under the rule of their British colonizers as well as showing the existence of Asian and African communities in London even way back when this story was set. Readers are introduced to lascars, the exploitation of people under the name of indentureship and for the first time ever, I encountered a character with alopecia. Jinn are all the rage in fantasy stories these days and there are plenty in this one as well. Overall it is a well thought-out and well written story with interesting characters.
Now I can see Muslim parents getting excited about this book, given the author's name and the cover illustration of the main character in the dupatta. Let me just say that you might want to read the book first before deciding whether to pass it on to your kids. Prophet Suleiman (peace be upon him) is mentioned here but he is portrayed as a legendary sorcerer. The magic in the story is largely dependent on the aid of jinns or the use of amulets; from the author's note, the latter is based on the belief that amulets containing verses from the Qur'an will somehow protect its wearer, which she evidently believes is Islamically accurate.
And finally, something for all parents to take note, there is a character who commits su!cide by self immolation. The topic of death is not something entirely foreign to MG books but I feel like the act here was addressed too casually and even portrayed in a positive light. Taking all this into consideration, I would say it is more suitable for older kids and even then may be better when read and discussed with a parent.
In 1855, with India under the rule of the British, Chompa and her mother live on the outskirts of a rural village. To earn a living, Chompa's mother, Amina, provides the villagers with spells and amulets, for which the two of them are barely tolerated. Chompa can do magic too, of a different kind from her mother's, but she has been expressly forbidden from practising it. Of course, the best way to get a kid to do something you don't want them to is to tell them not to do it, so naturally Chompa tries out her magic, it goes horribly wrong, her mother has to intervene, certain villainous characters become aware of their whereabouts with the result being that Amina is taken away and Chompa is left all alone. That is until the arrival of Mohsin, a friend of her mother's, who turns up at the right time, and the two of them set off together to find Amina and free her from the nefarious Company, who have been capturing magic users from across the country. Their journey takes them all the way across the ocean to England and brings some new friends into Chompa's life.
There are things about this book I love and things that are keeping me from enthusiastically recommending it to a certain audience.
On the plus side, it's a fun and thoroughly entertaining story of friendship and magic. It provides a glimpse into life in India under the rule of their British colonizers as well as showing the existence of Asian and African communities in London even way back when this story was set. Readers are introduced to lascars, the exploitation of people under the name of indentureship and for the first time ever, I encountered a character with alopecia. Jinn are all the rage in fantasy stories these days and there are plenty in this one as well. Overall it is a well thought-out and well written story with interesting characters.
Now I can see Muslim parents getting excited about this book, given the author's name and the cover illustration of the main character in the dupatta. Let me just say that you might want to read the book first before deciding whether to pass it on to your kids. Prophet Suleiman (peace be upon him) is mentioned here but he is portrayed as a legendary sorcerer. The magic in the story is largely dependent on the aid of jinns or the use of amulets; from the author's note, the latter is based on the belief that amulets containing verses from the Qur'an will somehow protect its wearer, which she evidently believes is Islamically accurate.
And finally, something for all parents to take note, there is a character who commits su!cide by self immolation. The topic of death is not something entirely foreign to MG books but I feel like the act here was addressed too casually and even portrayed in a positive light. Taking all this into consideration, I would say it is more suitable for older kids and even then may be better when read and discussed with a parent.
June 11, 2023
Chompa and her mother live in a small village in India in 1855. The country is under British rule, and magical people are being kidnapped across the country in an effort to stamp out the magic so feared by the British. Chompa doesn't understand why her mother forbids her to use her finger magic, not realising the dangers, until one night when her mother is taken. Realising her mother has been kidnapped by the all powerful Company, Chompa is heartbroken and alone as she sets out on a journey to try and rescue her.
I loved this book! It's a wonderful exploration of magic and also friendship, perfect for younger readers.
Chompa is a brilliant lead and one I think a lot of readers will resonate with. She doesn't understand her mother's rules at the start which I think is something that children everywhere will identify with! She grows to be a strong character though, and one who will do everything she can to protect and help her friends and family. I enjoyed seeing her friendships with Tipu, Laurie and Leeza blossom.
I thought all of the characters were well developed to be honest. Chompa is the one we get to know the best being the protagonist, but the others were still detailed enough for them to have their own personalities and be strong characters in their own rights.
Plot wise I thought the story was fantastic. There is enough danger here for it to feel like a real adventure, but without being too graphic or scary for younger readers. The magic systems are really well described, and I particularly enjoyed that we get to see several different types of magic and how they worked. There is a lot of detail in the world building, and it really helped to bring the story to life.
As an English reader I thought Nazneen Ahmed Pathak did a brilliant job of exploring some uncomfortable truths. The book touches on the devastation caused by the British colonialism in India, and certainly doesn't shy away from showing the damage it caused, without being too upsetting for younger readers to read about.
I thought this was a wonderful novel, and one of my highlights of the year so far. I would love a chance to see return to India with Chompa and her friends and see where their adventures take them next.
Thanks to NetGalley and Penguin Random House Childrens UK for an arc in exchange for an honest review.
I loved this book! It's a wonderful exploration of magic and also friendship, perfect for younger readers.
Chompa is a brilliant lead and one I think a lot of readers will resonate with. She doesn't understand her mother's rules at the start which I think is something that children everywhere will identify with! She grows to be a strong character though, and one who will do everything she can to protect and help her friends and family. I enjoyed seeing her friendships with Tipu, Laurie and Leeza blossom.
I thought all of the characters were well developed to be honest. Chompa is the one we get to know the best being the protagonist, but the others were still detailed enough for them to have their own personalities and be strong characters in their own rights.
Plot wise I thought the story was fantastic. There is enough danger here for it to feel like a real adventure, but without being too graphic or scary for younger readers. The magic systems are really well described, and I particularly enjoyed that we get to see several different types of magic and how they worked. There is a lot of detail in the world building, and it really helped to bring the story to life.
As an English reader I thought Nazneen Ahmed Pathak did a brilliant job of exploring some uncomfortable truths. The book touches on the devastation caused by the British colonialism in India, and certainly doesn't shy away from showing the damage it caused, without being too upsetting for younger readers to read about.
I thought this was a wonderful novel, and one of my highlights of the year so far. I would love a chance to see return to India with Chompa and her friends and see where their adventures take them next.
Thanks to NetGalley and Penguin Random House Childrens UK for an arc in exchange for an honest review.
June 13, 2025
New Words Learnt - 2
Let me first say, that this book is definitely not for me, so if you have enjoyed it, that is great. I will try to keep my review as respectful as possible, even though some of the language I want to use is more colourful than the cast of characters. With that said, let's start with some positives.
Mentions of Farsi and Newcastle. Some of the twists were half-entertaining too. Let's see... anything else? Hmm, what about... nope sorry, that's it.
THE NEGATIVES
I could not stand Chompa as a main character. She was somewhat tolerable in the first three parts, but in the second half of the book became a Marie Sue character . Her group of friends were as bland as the supposedly tasteless British food. The only interesting characters were the villains and if I'm stretching things, Tipu and Aaliya. Lady Inglis (read Lady England as a direct translation) is just the author's embodiment of every single white British person into one character and only exists so that Chompa can prove them wrong. I cannot take this book serious at all.
The world-building was serviceable, wished there was more of that in the book. The story could've been semi-decent if it was not drowned in the ocean of bitterness and resentment not from Chompa, but the author herself. But what would I know? Anything that comes out of my Britisher mouth is bokosh, magar nah refigh?
Let me first say, that this book is definitely not for me, so if you have enjoyed it, that is great. I will try to keep my review as respectful as possible, even though some of the language I want to use is more colourful than the cast of characters. With that said, let's start with some positives.
Mentions of Farsi and Newcastle. Some of the twists were half-entertaining too. Let's see... anything else? Hmm, what about... nope sorry, that's it.
THE NEGATIVES
I could not stand Chompa as a main character. She was somewhat tolerable in the first three parts, but in the second half of the book became a Marie Sue character . Her group of friends were as bland as the supposedly tasteless British food. The only interesting characters were the villains and if I'm stretching things, Tipu and Aaliya. Lady Inglis (read Lady England as a direct translation) is just the author's embodiment of every single white British person into one character and only exists so that Chompa can prove them wrong. I cannot take this book serious at all.
The world-building was serviceable, wished there was more of that in the book. The story could've been semi-decent if it was not drowned in the ocean of bitterness and resentment not from Chompa, but the author herself. But what would I know? Anything that comes out of my Britisher mouth is bokosh, magar nah refigh?
August 2, 2023
Disclaimer: I did read the book with the eye of an adult, rather than that of a teenager, which I suspect is the targeted audience. This is too bad, because I enjoy the genre and was unaware of this age limitation. Yet, I stand by my assessment as I do believe it is possible to both achieve depth in character and play with the rhythm and pace of a book, without losing the calm simplicity that flows throughout.
While the book reads easily, the pace is in my honest opinion too quick, problems get resolved too easily, and the characters are almost annoyingly superficial and archetypical. The plot was quite predictable, and the ease with which I was able to discern very early on who betrayed whom undermined the entire plot twist at the end. The premise of the book is amazing though, and I would actually want to tell the author to rewrite it, to make it more detailed, allow for the characters to be more developed and deepened, for the historical particularities of the times to seep through much more in the narrative.
The pace of the book is also not on par with the events that take place. While I appreciate the urgency of the increased rhythm during chapters that deal with particularly time sensitive events (an escape, a ruse, etc.), it makes the book feel rushed when for example dealing with longer sea voyages that see characters develop friendships, or parts that see characters' struggle through uncertainty and survival for the lesser part of a day, which is played off as acceptable and logical. Tipu finds shelter within a day, in the chaos of London, but is exhausted and hungry nonetheless, and then finds his best friend within another day. It all seems too easy, and too quick. While the author uses the structure of the chapters to keep the reader guessing a little longer about the whereabouts of other characters, it is insufficient to create the tension necessary for the reader to actually empathise with the characters and the plot. The whole book therefore in its totality feels rushed and superficial, even if the magical premise is extremely promising.
While the book reads easily, the pace is in my honest opinion too quick, problems get resolved too easily, and the characters are almost annoyingly superficial and archetypical. The plot was quite predictable, and the ease with which I was able to discern very early on who betrayed whom undermined the entire plot twist at the end. The premise of the book is amazing though, and I would actually want to tell the author to rewrite it, to make it more detailed, allow for the characters to be more developed and deepened, for the historical particularities of the times to seep through much more in the narrative.
The pace of the book is also not on par with the events that take place. While I appreciate the urgency of the increased rhythm during chapters that deal with particularly time sensitive events (an escape, a ruse, etc.), it makes the book feel rushed when for example dealing with longer sea voyages that see characters develop friendships, or parts that see characters' struggle through uncertainty and survival for the lesser part of a day, which is played off as acceptable and logical. Tipu finds shelter within a day, in the chaos of London, but is exhausted and hungry nonetheless, and then finds his best friend within another day. It all seems too easy, and too quick. While the author uses the structure of the chapters to keep the reader guessing a little longer about the whereabouts of other characters, it is insufficient to create the tension necessary for the reader to actually empathise with the characters and the plot. The whole book therefore in its totality feels rushed and superficial, even if the magical premise is extremely promising.
May 28, 2024
I feel like this book could and should have been a three part series, not because middle grade can't handle the depth and layers and triggers that this book presents, but because the inconsistent pacing, heavy handedness and holes make it hard to immerse yourself in, and it is a world that one really could enjoy spending time exploring. The premise of the book: British colonialism stripping the subcontinent of resources, particularly magic, is fantastic. The world building isn't bad, but at times is a bit confusing even with the glossary at the back, and thus often feels rushed with the action and then slow with the explanations. I saw the author's name, a scarf/dupatta on the protagonist, and the word djinn, so I read it thinking there might be some Islamic representation, and there is not. It is a cultural book with Bangladeshi and Indian representation, there are Islamic names, but when the main character Champa pulls off her scarf it seems more to show the effects of her magic than in defiance of a religious/cultural practice. Djinn are fairly mainstream these days, there is brief mention of Suleiman (AS) but he is regarded as a human sorcerer (astaghfirullah). A lot of the story also takes place in a pub, so it definitely is about the equivalent of a Muslim in the illustration type representation, if that. That isn't to say it isn't a decent read, but I think middle school readers might be able to understand the commentary a little bit better than most 3rd graders. There is child trafficking, kidnapping, abuse, imprisonment, racism, slavery, exploitation, suicide, assault, and oppression throughout.
Chompa and her mother live outside of Dacca, when her finger magic goes awry, her charm writing mother is kidnapped, Chompa is determined to piece together why she was taken, where she is gone, and how to get her back. The trail takes her to London, where The Company that is exploiting crops is also kidnapping people with magic. With a ragtag group of friends, it just might take a bunch of kids, fighting back to make changes occur and save the day.
Chompa and her mother live outside of Dacca, when her finger magic goes awry, her charm writing mother is kidnapped, Chompa is determined to piece together why she was taken, where she is gone, and how to get her back. The trail takes her to London, where The Company that is exploiting crops is also kidnapping people with magic. With a ragtag group of friends, it just might take a bunch of kids, fighting back to make changes occur and save the day.
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