Okay, so, basically, there's this girl in this super famous nine-member girl group under a huge company, except at the height of their success, she starts to rethink how her life as an idol conflicts with other things she'd like to do, like pursue fashion and relationships..and then she writes this book.
Cards on the table, I loved reading this book. When I read Shine back in 2020 I wanted a shoddily-disguised one-sided retelling of the SNSD fallout, and that's exactly what Bright is. Jessica Jung is really fucking bold to slap an "all similarities to real people or events are entirely coincidental" on this one when Rachel laments the media calling her an "ice princess" in the first paragraph.
And, look, we'll never know exactly what went down when Jessica left/was removed from SNSD, but I'm certain it's not this, because real life is never this black and white. Let's forget that this is, in essence, a memoir and review it as a book of fiction, since that's what it was marketed as. As a novel, Bright absolutely fails at characters. I was trying to think of a better way to say that but this book just fails at having characters. Every single one is so one-beat, they're just names slapped onto archetypes and caricatures of reality, the most disappointing of which is definitely Rachel. Shine's cast genuinely had more nuance, which surprised me, because Shine's cast felt flat at the time. But, no, this time, we're presented a Rachel who can do no wrong, who is a little awkward or harsh at times, but who is never truly flawed and definitely never at fault because the entire world around her is cruel and petty and out to get her, even when they seemingly have no reason to feel that way. Mina, in Shine, went through an arc and then tragically regressed because she couldn't shake her father's expectations - Mina, here, makes a few Freudian slips about the pressure her dad puts her under, and then is just flat and mean and nasty, all the time. The fact that none of the girls make an appearance after Rachel (surprise) is unjustly and suddenly booted from the group tells you everything you need to know about how much forgiveness they get. This is clearly a red flag on a memoir side but also makes the latter half of the plot feel grossly unrealistic, because what does Rachel have that places her so far above literally every other character? She can't struggle, she can't fail, all she can do is tell the reader the sage life lessons she's learned that puts her so above everybody else, because she is Jessica Jung.
(On the line of the flat characters being bad for the book - yeah, Alex is dreamy, and serves his role as a love interest who can act as Rachel's support. But can you name three personality traits of his? I'm happy Jason wasn't the love interest this time, because his sudden heel-face turn in the first book frustrated me, but his character in Shine was a really interesting chance to look at double standards in the industry. There's a little bit of those kinds of discussions in Bright (i.e. DB strongarming other companies' groups out of the spotlight, Akari's being forced to get major plastic surgery and the trauma around it), but everything is so centered on Rachel getting booted from GF, the characters aren't given time to have unique flaws or traits that impact the story. I wonder if that's because in Shine, the cast are all teenagers, and here, they're adults. There's a sense of stagnancy in them all - like they're fully-formed, with designated general vibes but no real quirks or messy feelings influencing their behavior or getting in the way of the clear-cut, pre-set story that Jessica wants to tell.)
To the book's credit, Jessica is still doing some of the things that impressed me in Shine. Obviously, no current author has more insider info about being a kpop star than Jessica, but the world she paints is glamorous and indulgent and exciting. There's travel and fashion and lavish secret dates. Yeah, Alex is boring, but with the way he treats Rachel, he's a successfully dreamy love interest. I'm always impressed remembering Jessica is actually writing YA fiction, since she still feels so removed from that world, but the romance storyline is perfectly YA. Total successful fantasy fuel, and there's a lot of power in doing that well. Structurally, this book is actually super impressive - the way that events flow into each other and trigger other events and is tight, engaging, and feels almost too convenient at times. There's not a lot of scenes that just end - most of them pull really heavy weight plot-wise, twisting midway through to cue up another major plot point. It comes across as very intentional and well-handled. I read the bulk of this book today and that's because its flow was so strong, and it kept my attention so well. I usually let my scenes breathe too much and things end up dragging or coming out of nowhere, so this book felt like sort of a well-oiled machine to me.
In the end, though, that top review that calls this not even a book made me laugh because like. Yeah. No, this isn't really a book. The fact that Jessica wrote a book about a member of a famous nine-member girl group who gets a boyfriend and pursues fashion and leaves the group is hard to wrap my head around. It's literally so undeniable, and then on top of that, she makes her self-insert character a perfect angel who can only win and her members cruel, disloyal monsters who turn on her at the drop of a hat. And maybe the members of SNSD really did bully her in that time! But it's hard to believe what she's saying here when nobody but her is given any grace, any nuance, or any agency. God I'm so happy this book exists.