3,5 (rounded up)
Beautiful Undone is an elegantly written re-telling of Edgar Allen Poe’s The Fall of the House of Usher, a queer gothic romantasy with curses, mysteries and a villainous antagonist.
First things first: The book starts with a dream sequence that didn't work for me as an introduction and it almost put me off reading on. I read it anyway and I'm glad I did, because I was then quickly drawn into the plot.
After a decade of separation, Quade receives a letter informing him his former lover Victor, Lord of Suriyel, is ill and wants to see him. Quade immediately travels to Suriyel where he's confronted with one oddity after another: His arrival clearly wasn't expected, the master of the house seems to be avoiding him, and the estate is run-down. Not enough: When Quade and Victor finally meet, it turns out Victor has never written such a letter. Quade learns that Victor's sister Danica is suffering from a curse-induced disease, that the women of Victor's family are magically bound to the land as guardians and that the tarn is a gateway to an alternate world. A world from which Tristan Armoni, a power-hungry lord, threatens to take over Victor's world.
With the unwavering help of Quade and relying on his own magic, Victor must find a way to save both his sister and his world – all this without getting too distracted by the rekindled love and passion for Quade and their deepening relationship.
Most of the time, this story feels like a kind of fantasy chamber play that captures the feeling of being isolated perfectly. Apart from a few scenes with Quade in the beginning, the entire plot takes place at Suriyel or its counterpart estate in the parallel world; the number of characters is limited.
Fans of gothic literature will enjoy the many references to Poe's tale: a brother and sister as the only remaining family members, a lonely manor house in a remote area, an adjacent tarn, a progressive illness, the siblings' fate connected to their estate and lands, lightnings storms, and above all the sense of impending doom. Whereas in Poe's short story, however, the evil manifests itself in the human psyche and comes from within, here we have a clear – external– antagonist in the form of Tristan.
The story is told via three POVs, namely the two lovers and the antagonist. Tristan getting his own POV is certainly a good decision, as this gives the reader an insight into his mind. Still, I had problems with seeing more than the “villain” in him, but then overall I found it hard to connect with the characters from the “other” world; Quade and Victor trusting some of them and forging alliances felt a bit rushed to me.
The main protagonists are relatable characters with flaws and strengths alike, and I enjoyed spending time with them. Beyond that, I felt myself particularly drawn to some of the side characters: Suriyel's endearing staff, consisting of a maid, a footman and a cook. Loyal and deeply caring, sharing the reclusive life of their lordships, they appear more like found family than mere servants. The softened hierarchy between nobles and servants shows, for example, by Victor eating in the kitchen in the company of Cook who has taken over the role of mother when the siblings' real mother died, Victor helping footman Harris cutting wood or Ann, the maid, lovingly caring for the often bed-ridden Danica, reading novels to her and all.
When we talk about great characters, we must not forget Uriel, Quade's cheeky but adorable cat. He's a character in his own right who not only appears as comic relief, but also repeatedly influences the plot.
One issue I did not like at all: At one point, some characters sit together in a sort of crisis meeting. While Danica is talking about a traumatic experience in the past, our POV character's attention is divided between listening to her narration and lusting after his partner, then the two start to flirt with each other. I understand that hormones can go crazy when you're freshly in love (again). Still, I found the timing for this definitely wrong and the flirting out of place, and it put me off quite a bit.
(This example aside, I very much loved the relationship between the siblings, their protectiveness over each other, their love and understanding.)
I thought the pacing was well-balanced with the expected drop once the pining was over. Of course, this has only to do with my personal preference. While I crave slow-burn and wouldn't mind if it went on (almost?) forever, my attention usually drops when it's over and the more steamy passages begin so that I ask myself: “Plot, where art thou?“ ;-)
All the more so when, as here, the stakes are high and (more?) important things are to be done. Funnily, at one point even the characters themselves seem to be aware of that; the following quote sums up nicely my feelings: “Shall we, then? I fear we're rather later than we planned, what with your delightful interlude in bed earlier.”
Polk's beautiful, lush prose deserves a special mention. To give just one example: “Quade weaved between groups of men and women like an eel through banks of seaweed.“
Overall, I enjoyed this book and would recommend it in particular to fans of mystery, M/M romantasy as well as gothic fantasy.
Fun fact: Quade's cat Uriel definitely belongs to a place called Suriyel, right? Small wonder he immediately feels at home. ;-)