In many ways, Firewall is classic Wallander. The crime at the center of the story weaves seemingly disparate narratives together, and draws on African interests and matters of Third World inequality (Henning Mankell, himself, divided his time between Mozambique and Sweden). Wallander is in his typical haggard form, though perhaps the angriest we've seen the often depressed detective. Years of gut-punching, sleep-depriving work is finally boiling over.
For the reader, there is that genuine sense of being in the dark, lost in a sea of conflicting facts, that makes these books so fun and rewarding. There are more action-packed mysteries out there, but few hold their answers this close. The reader knows what the investigative team knows, and in this eighth installment of the series, Mankell still manages to avoid the almost narcissistic tendency some writers possess for essentially spoiling their own plots for the love of them.
And then there's the hero. There is no more a fragile or empathetic detective than Kurt Wallander, and Henning Mankell was simply a master at placing you in the midst of his central character's confusion. It's not the action that turns the pages, it is the need to pull Wallander through to the other side. To do whatever it takes to stop the next tragedy from taking place. I love Kurt Wallander. I've said it in past reviews, and still, there is hardly a character in all of serialized literature I care more about.
And yet, in other ways, Firewall struggles to stand up to the quality of prior novels in the series. Almost all the Wallander books were written in the 1990s, and as an English reader, translations were not available for certain installments until several years later. For instance, it was a 2003 review on NPR of The Dogs of Riga that introduced me to Wallander—11 years after it was published in Sweden. The plots of these books are often rooted in cultural concerns, and the characters routinely reference "Sweden today," and yet the narratives feel timely. Have an almost quantum capacity to exist in two eras: the one in which it was written and the one in which it is read; They function in both. But Firewall is the first, and possibly only, book in the series to be concerned with technology. It does not date well. The various pre-Y2K explanations of the internet, hackers, computer systems, and so on have a strong sense of novelty that makes the plot, and the stakes, feel trite (Wallander's consistent refrain of "I don't understand so don't bother explaining it to me" doesn't help). And yet, the stakes are quite high, and a similar event in the present would still be catastrophic, perhaps even more so than when this was written.
But, this all matters little, as I would rather disappear into Wallander's Ystad for a few weeks than turn on the TV. In fact, I'm feeling a bit melancholy that there is only one book left in the series. But then again, I can always go back to the beginning. And I probably will.