I am rounding this up from 1.5 stars because some of the students I assigned this to liked it *a lot.* I had to force myself to finish it.
This isn't really the story of AVID. It's the story of Mary Catherine Swanson, and therefore a story where AVID is described. I almost put it down for good when, on pg. 196 of 409--in a book about empowering under-served students--a tutor is described as having the following internal monologue about a reporter who is attempting to create a tempest in a teapot, "Guilt gave way to rage. You scum bag! She wanted to strangle the reporter, tie his belt around his neck and lynch him from the flagpole." WTF! Wanting to strangle someone who's wronged you? OK. That happens. Wanting to lynch someone? FROM A FLAGPOLE!?!?! Who the hell are we? The KKK? Now, these are Freedman's words put into this tutor's head, but I'm supposed to find her to be one of the most sympathetic people in the book, and all I can think is, "You think it's OK to lynch people" when her name comes up from that point forward.
It's the most immediate example of Freedman's oblivious-whiteness in the book, one which literally made me hurl the book to the floor of the car in disgust, but it's far from his only moment of white savior worship. The most glaring example of that is the first chapter of Part 4: One to the Power of Four, "A Day in Hell." Mary Catherine's day in hell is having two people quit her organization "without even telling her that they're sorry" (seriously, that's a quote) for higher paying, higher profile jobs. These people who lack "loyalty" are juxtaposed against the wife of Mary Catherine's former gardener, who is standing by her husband who recently suffered a debilitating injury during a surgery that Mary Catherine assisted in paying for when the "other gringos" forgot him (seriously, that's also a line from the book). I'm sorry, was Filomela offered a better paying job as a wife elsewhere? I'm not aware that that's a thing. Note, this is the first and last time we hear of these characters. Their entire purpose is to convince us that Mary Catherine is a good-white-person who pays for things that Medicare won't, and that she understands staying on mission better than those "greedy" career-climbers. This is not a crusade! People have a right to leave their jobs, and even to be excited about it! Freedman's construction of Mary Catherine as both white savior and white martyr is especially complete in this chapter.
The most glaring example of Freedman's non-understanding of race came a few chapters prior to the lynching comment, though, when he decided to juxtapose standing up to white supremacy to standing up to black supremacy, which would be possible, if the teenager in question were standing up to any kind of black power movement, but then he wasn't. No, after standing up to a white supremacist who was invited to speak to his class--who, for inexplicable reasons, is not named in the text, because protecting bigots is a worthwhile venture, while using both the first and last names of people who 'betrayed' Mary Catherine by leaving AVID is cool--Clarence has to confront his peers from his zone school in the city championship football game. Some of the people from his neighborhood call him out for choosing to go to a richer, whiter, high school, but none of them are doing anything that an average sports fan wouldn't do. This is not black supremacy, and to juxtapose regular rivalry behavior with white supremacy is frankly insulting. But Freedman doesn't seem to have any appreciation that he uses race like this all the time. In the white supremacy chapter he injected a nameless, faceless, track coach who was simmering with so much anger he couldn't speak, but who congratulates Clarence afterward for his cool-headed take-down of the visitor. Clarence, who runs track and therefore should know the coach, betrays no other relationship with this character. He's just the foil to Clarence's AVID-honed calm. We also get nameless minority students at every student forum, and the only character we follow who quits AVID is depicted as an angry black girl. Further, since Mary Catherine lost touch with Berenice prior to senior year, that character is completely a composite of Freedman's imagination and 3rd party recollections. Seriously.
I initially cut Freedman a lot of slack by telling myself that the book was just showing its dated-ness, but as he just kept doubling down, I couldn't take it anymore. The feel-good anecdotes about Mary Catherine overcoming all roadblocks, despite the odds!, and due to some amazing connections, serendipity & personal wealth, are balanced up against students who really are overcoming amazing roadblocks despite structural inequality. Despite being told over and over again that AVID is all about these kids, they virtually drop out of the book for over 100 pages as we get regaled with yet more accolades and anecdotes about Mary Catherine.
Mary Catherine worries about her personality eclipsing AVID, and in this book, it literally does.