The Roald Dahl Omnibus gives the reader insights into the most brilliant works of the famous writer Roald Dahl. In the book, the author masterfully entwines cliffhangers, flashbacks, and descriptive wording to immerse the reader into the story at hand, with the end goal of aligning the mind of the author and reader as one.
Throughout the various short stories, a common theme can be found in the use of the cliffhanger. The suspenseful tactics used by the author demonstrate a masterclass in how to induce anxiety into the mind of the reader, yet ultimately leaving the reader either laughing or crying by the end of the story. A perfect example of this can be found in the short story “Galloping Foxley”. In this story, the main character, Perkins, believes that he has found his long-lost boarding school torturer, known solely as “Galloping Foxley”, on his morning commute. Perkins then goes into detail about the atrocities committed by Foxley for the entire story and fantasizes about the shock on Foxley’s face if Perkins told him who he was. At the end of the story, Perkins tells the man who he thinks is Foxley his name, and it is revealed to the reader that the man on the train is not Foxley at all, and Perkins is left feeling awkward and dissatisfied.
Now, the use of cliffhangers is somewhat overused. When I read the short story, “Dip in the Pool”, the sheer stupidity of one of the characters at the end left me wondering if it was even possible to be as ignorant as the character. It left me feeling angrier at the cliffhanger rather than laughing at how the main character’s plan failed miserably. The moral of that short story, however, is very applicable. It exemplifies that reliance on others cannot always be counted on in a life-or-death situation, especially if they are a stranger. On the other hand, the short story “Taste” is definitely the most well-articulated short story I have ever read. The little details in the story seamlessly connect to the end of the story, and to the observant reader, the ending may be deduced. The use of cliffhangers must be the most defining quality of the compilation.
To conclude, the omnibus is an excellent read for both the Roald Dahl fan and the casual reader. It’s a useful book both to pass the time and to deeply explore, however, it is important to note that this is not a read for children under the age of thirteen. If you are expecting the Roald Dahl style of The BFG, then you may be disappointed.