The early years of this journal weren't very interesting, and I let it sit for a while. The German draft made Klee a Private in the Kaiser's Army, and suddenly his observations about life become focused and concrete. He was very, very lucky, and assigned first to work maintaining airplanes--well, painting them, because when he signed up he said he was a painter. He got along very well with his noncom officers who got him reassigned to other duties, first escorting airplanes close to, and, on one trip, right at the front in Belgium. Then he was given an office job. He never rose higher than Pvt First Class although he did responsible administrative work as a paymaster. He was annoyed and frustrated by his service; and I find it astonishing that he willingly participated in the German draft--he could have gone home to Switzerland. Given that his friends August Macke, who he'd traveled to Tunis with not long before, and Franz Marc, both painters participating in the Blue Rider movement, were killed in action, maybe he felt some obligation to participate. If so, he doesn't say so, no detail at all as to why he served in the German army in WWI, other than that he and his wife had settled in Munich.
During the war he began to experience long-desired success in the art world, and he found time away from his office duties to go out and paint in the landscape. He loved nature and hiking, music and food. He had a happy family life, and got out of Germany back to his homeland of Switzerland in 1933, after a noted teaching career, owing to the urging of his wife. He'd lost his teaching post in Dusseldorf when the Nazis came to power and was considered one of the Degenerates.
There are some reproductions in this book of drawings and prints but they are really poor. I was kind of surprised to find that for much of the time up until 1920s, Klee was working from life in the landscape--there's a large catalogue raisonnee of his work I can get hold of with a trip to a research library. Reading these diaries has sparked my interest in seeing his development over time. One of his best friends was Kandinsky who returned to Russia during the war, but they reunited afterward at the Bauhaus and were next door neighbors. I didn't know any of that, but looking at their work side by side, and knowing how much Klee admired Kandinsky, it makes me think about his work differently. Klee was a true individual in art, and deeply devoted to making. He was also a professional musician for much of his life before the war, usually playing violin or viola. I had no idea!