Why I read this:
Wanting to read more Australian fiction. Dipping my toe into horror's various sub-genres.
My Impression:
I feel divided about this one. I loved Cut to Care–its originality and heart– yet there were parts that didn't work for me at all. Let me explain... Dries is a brilliant writer, make no mistake. What he is able to conjure on the first page of a short story is nothing short of magic. I found myself drawn into worlds that felt familiar (as a fellow Aussie), yet strange. In each story I enjoyed it until the 75% mark when THE HORRIBLE THING would happen. At that point, with everything turned up to eleven, I drew back from the story, repelled by the horror of the scene or, at times, a tone of absurdity. I wanted to go back to that earlier style and pace where my heart and mind were receptive. I suppose some of this comes from the fact that I am one of those people who cover their face at the sight of gore and don't enjoy body horror at all. Also, this collection goes for the soft spots, and there is real pain there. I'm talking grannies, children, kittens, guilt ridden gays, victims of domestic violence, and none of them really deserve their fate.
This collection comprises an impressive variety of stories with interesting twists. Nothing here feels derivative. Cut to Care will make you face your trauma, and while things may not end well for all the characters, the afterword (where the author explains the inspiration for each story) will hearten you as you close the book. Many of the stories draw on Dries' work in hospices caring for the aged, where compassion and horror are always holding hands. In all of these stories you can feel the authenticity of some personal experience or feeling. It is not horror for horror's sake, but a certain love for the genre (in all its bloody and murderous glory) helps in appreciating this collection to the fullest.
Craft-Related Notes:
-I would love to see Dries write a non-horror novel. I want to spend more time in Dries general style (where it is not so amped up) because it is here that you get all the great character work, local flavour and the feeling of menace. Menace and mood are more my cup of tea. It is for this reason that the last (and longer) story, Shadow Debt, is my favourite.