I used to read Coulter waaay long ago when she wrote historical romances, but I stopped reading her because I had pretty much grow out of that style of book and her writing was very much "old school" romance novel. But after she went into writing contemporary thrillers like this I picked her up again. I liked generally but for some reason my overall interest in her petered out.
So I saw this one as an audiobook and decided, what the heck. I needed something to listen to on a long commute and got this out.
First the plot: In this 8th book of Coulter's FBI thiller series, a young boy, Sam Kettering is kidnapped from his home and taken to a small cabin in the Tennessee mountains. During a storm he manages to escape and run into (fortuitously) the sheriff of the small town of Jessboro, Katie Benedict. Katie and her daughter, Keeley, had been driving along when they see Sam running out of the woods with his kidnappers in mad pursuit. Katie manages to pick up Sam, wound one of the kidnappers and get Sam away.
Sam's father is Miles Kettering a friend of series regulars Dillon Savith & Lacey Sherlock, two top FBI agents. Soon, Katie notifies them that Sam is safe and the FBI descend on the town. Soon is becomes clear that Sam was kidnapped for reasons other than money as the kidnappers continue to try to get at Sam even while he is surrounded by the sheriff, a slew of deputies and a bunch of FBI agents.
There is a B-plot surrounding a math teacher serial killer case that Savith and Sherlock are pursuing as well as a very, very (extremely superfluous) minor D-plot of a va-va-voomy gym-fly who keeps putting the moves on Savitch.
Also, since Coulter has her roots in romance, Miles and Katie end up getting together.
Second, the reading performance: The audiobook was read ably by Sandra Burr. Ms. Burr has a beautiful voice, rich and nicely inflected. She does a pretty good job in trying to distinguish the various players through altering her voice. There are only two really off-putting "voices" for me. 1) the kids, when she does the high piping thing to signify Sam or Kelley speaking --- just sounds awkward and 2) Katie. Burr's voice is almost too feminine, too soft for my vision of Katie. In the book, Katie comes off as a steely eyed, bad-ass. The voice for Katie seems to sweet, imo.
Third, my analysis: I gave this three stars which I think it might be a teensy bit generous. For the most part it is engaging and I did enjoy listening to it. However, I had some real plotting problems. For instance, the adults insisted on keeping Sam in the area where they knew the kidnappers and the danger still was because he had "bonded with Keeley" and they didn't want to separate the kids. Why not relocate him to a safe house far away from the threat? Take Keeley along if the bond was so deep (after just two days). Also, the ultimate motive for the kidnapping was just....lame. Okay, so we get why the person who wanted Sam orchestrated the kidnapping in the first place. What doesn't really wash is why the hired kidnappers insisted on continually going after Sam even while he was surrounded by so much law enforcement. The relentlessness of the kidnappers was seemingly all out of proportion to what they could expect as a reward for doing the dirty work. As hardened criminals, in the face of so much law, they should have cut and run. But they kept coming. And why? Well, my imaginings as the reader for why they were so determined to get Sam for the person who hired them were so much more dire and dangerous than the book eventually lays out. And finally, the bad guys were like the terminators...no matter how beat up, no matter how bashed up, no matter how incapacitated... they just manage to keep coming and keep escaping. One second they've been beaten into oblivion and then the next they are running spryly away. Or they've been knocked out by a car wreck but manage to wiggle out just before the car blows up (unseen by scads of watching law enforcement). Really, why not just let them dematerialize in front of everyone it would be just about as credible?