A gruff man with a sordid past steps off a familiar train, and into a very rushed script...
This pilot episode is a fairly good gothic horror story bringing back the world of "Dark Shadows” to those who know what it is. It all starts with a man named Quentin Collins stepping off a train and back into his hometown of Collinsport. The story does a great job showcasing post-TV Collinsport, but it skirts around explaining any events of the TV show. Leaving those new to the franchise wondering why the people of Collinsport act the way they do to each other. The episode's primary focus is on re-introducing the old characters and planting them into new situations. So, you can still pick up on enough to keep yourself interested. You won't be completely lost hearing this without any knowledge of Dark Shadows, you'll just be missing pieces of context throughout.
The script nails the emotion of each event using Quentin's perspective. The town hates him, and you can tell he has many regrets he wishes he could erase. The concept of "The Lost" is also incredibly interesting and the main antagonist gave me chills. The cast does a brilliant job. This villain is played with just enough venom to be believable and threatening! The music was classic but sadly overused. One track, in particular, ran for around 5 minutes straight in a scene that didn't necessarily need music even. Fortunately, this issue was no longer present by story's end.
Now, onto the negatives. There are two main reasons why this episode didn't get a higher score.
1) It's hard to get into for newcomers. The episode doesn't tell you about the past events the characters went through during the TV show. The script’s only focus seemed to be on showing the characters not liking each other, but never states why. Angelique is constantly seen as an untrustworthy witch, but we don't know why. Barnabus is cursed by Angelique, but we don't know why. Willie is hated by the townsfolk, but we don't know why. Stuff like that crops up throughout the hour-long adventure. The script treats you as if you've already seen the hundreds of episodes of this 1960's Soap Opera, so no explanation is needed. This is mainly due to the fact that this Big Finish adaptation was written by fans of the original for fans of the original, instead of properly re-tooling it for a new audience.
2) The plot was inconsistent and somewhat messy. This single episode felt like it could've been an entire four-hour set. Granted, this continuation was created before Big Finish came up with the concept of box sets, but it would've made more sense to make this grand re-introduction to the universe of Dark Shadows a longer, more in-depth affair. What ends up happening instead is the plot becomes rushed in certain places, and some of the intriguing mysteries/story concepts get brushed to the side to focus on the characters only. For instance, we never explore "the Lost” at all. Heck, we never even see them. We are just told they exist in one scene, and then an explanation is conveniently given in the final act. Sadly, this episode is another situation where the incredibly interesting villain is beaten in just a few minutes. Much like Series 12's "Can You Hear Me?" for the Doctor Who fans reading this. I hope that the other 3 episodes in this mini-series will flesh out past events more and fix the issues I mentioned here. Although, having not heard any of them yet, I can't say for certain.
All in all, this episode is a decent start to the series. Not the best, but it could've been much worse *cough* Dorian Gray *cough.* If you have an interest in Gothic horror, or want to try something new on Big Finish that isn't just a straight Doctor Who story again, this 4 episode mini-series seems like a good option.