Damn it, I have to retype this review. So excuse me if it's not as nice as it could be. Let's bullet point it because I can't remember everything I said.
--Odd writing style. For example, Clay calls his sister by their last name, which makes no sense to me. Characters are often referred to by their first and last names, which is unnecessary, and when it happens all the time, it takes away any meaning it might have had.
--Very 90s ideologically at points. Uncomfortably so.
--Paul is unlikable. He's just plain unlikable. He's obsessed with Annie. He knows he's obsessed and he keeps going to where she is. It's portrayed like an addiction, which I guess is possible, but it often feels like author is trying to excuse it to make this plot line. Later, we learn Annie and Paul have a history together (one there's no reason for the author to hide, and in fact, makes no sense for the author to hide) but I can't help but wonder if it would have worked better if they didn't.
Paul's treatment of Olivia is appalling for a variety of reasons. His love for her never feels genuine, especially given his 'addiction' to Annie. As soon as he comes in contact with Annie again, Olivia is all but forgotten. He has zero problems lying to his wife--she has no idea he has a history with Annie--he doesn't tell her his ex is living in the town his wife has been offered a job, and he blames her for her long hours as a doctor. This is later shown to happen before their move even. He doesn't realize Olivia's pregnant, although it should be obvious, I thought. Her body would be changing, but I guess it's presumptuous to assume this guy has ever paid attention to his wife. A huge amount of his plot revolves around Annie, to the point where his relationship with his WIFE seems unimportant by comparison in the narrative.
--Alec's refusal to actually parent his children. Even after learning his FOURTEEN year old daughter is sleeping around, he refuses to limit where she's going or who she's with. Because Annie. Annie didn't make her children do anything or limit them or anything. She always offered unconditional support. Whatever. The obsession with her is ridiculous. My point here is: her mother just died, and she was there. She saw her get shot. Lacy has issues, and while I don't expect a book from the nineties to advocate for therapy, I do expect some parenting beyond "you're too special to give it anyone." SHE IS A CHILD. SHE SHOULDN'T BE SLEEPING AROUND AT ALL. AND YOU ARE HER FATHER. YOU NEED TO PROTECT YOUR CHILD. It takes Olivia possibly overstepping and telling him flat out he's being an idiot for him to get it. He wanted to do things Annie's way--but Annie's way comes from her being neglected by her parents. Annie was over restricted as a child, but that doesn't mean no rules is the way to go. It's nice that Clay appeared to turn out just fine, but he was older when Annie dies, and he's clearly more responsible than his father.
Point here: The argument that well, Annie lost her virginity when she was 15 and she turned out fine is a stupid argument. One could argue Annie clearly did not end up fine, even though her husband didn't know. One could argue that she was obsessed with being desired, wanted, and admired because of her childhood, and could not function normally.
--On that, Annie. I think the author is trying to portray her as a damaged woman who is nonetheless attractive, whimsical, and unconventional. Instead, she comes across as needy, flaky, and phony. Or maybe that's just because we see Annie through the eyes of a man who loved her, a man who was obsessed with her, and a woman whose husband was obsessed with her. And Paul's and Alec's point of views are severely biased. We see that she lies--even though the lies are unnecessary--and we learn that she has secrets. Instead of making her feel fully formed, with both bad and good traits, she just seems two-faced. Possibly because none of the story is from her point of view, and possibly because it seems like literally everyone loved her.
--I would have liked Olivia if she wasn't so desperate to have her husband back despite his mistreatment of her. I also would have liked Olivia and Alec together more if it wasn't for the situation they were in. Olivia's traumatic backstory feels unnecessary and gratuitous. It adds very little to the story, even in the Lacy plot line, which I think it was trying to connect to. Olivia in general feels a little hazy--she has very little character and only serves as a counterpoint to Annie for both men.