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Kay Farrow, a professional photographer who was working on a photo book about the hustlers in the Gulch, is the only person who seems to care about the grisly murder, and she proceeds to investigate further, hoping to get to the bottom of this strange crime. Kay, an achromat suffering from an extreme color blindness, possesses a unique vision that informs her world as well as sharpens her skills as a talented photographer.
During Kay's quest for justice, the search takes her back in time to an unsolved serial murder case. This case has many similarities to Tim Lovesey's murder, but the police proceedings are what strike closest to home with Kay. Her father was one of the officers on the case and due to police mistakes the case was never solved, resulting in Kay's father getting ousted from the police force. Kay's further investigation of the murder takes her to Tim Lovesey's "uncle," who tells her the interesting tale of Tim's magician past. Kay learns more about Tim's mysterious history and discovers how he was teamed with his twin sister inamagic act that lasted for most of their childhood.
Risking her life and everything she holds sacred, Kay must sort through the riddles of the past and present before she can uncover the truth in Tim's death. Along her search she faces potential mental and bodily harm as her colorless vision shows her shades of lust, greed, jealousy, and desire.
401 pages, Mass Market Paperback
First published June 16, 1997
"[...] there's the fragrance of wild fennel and night-blooming shrubs mixed with the resin scent of the Monterey cypresses that compose the woods around Coit Tower. I'm so accustomed to viewing this place from a great distance through a lens that I'm surprised by the intimacy this sweet aroma conveys. Suddenly I feel heady. [...]"The long passage depicting Kay's photographic session with Tim is a piece of serious literature subtly evocative of erotic undercurrents. Furthermore, the author succeeds in conveying the specific San Francisco's sense of place:
"I like the Castro, its parade of purpose and flamboyance, tank tops and tattoos, tight asses, pert tits, piercings, muscles, leather, flesh."And of course there is the magician's tale, the story within the story. Those of us who, unlike me, read books for the stories they tell, will love it.
Partway through this I thought it might turn out to be one of the most stunning mysteries I'd ever read but I felt it trailed off a bit towards the end and perhaps went on a little too long to acheive its full potential
The gimmick here is that the narrator Kay Farrow suffers from an achromatic eye condition which means that she can only perceive shades of grey and no colour at all. She makes her living as a black and white photographer and is following a group of street children and sex workers in San Francisco as material for her next book. One teenage boy she gets very close to turns up dismembered and Kay feels that no one will investigate his death properly if she doesn't.
This is a cracking story on many levels, great descriptions of San Francisco, some very interesting characters, a fascinating premise for the story and a central character with a disability that becomes part of the tale and isn't just a hook to hang a moral on. I'm glad to learn that Hunt has written a followup book Trick Shot that also features Kay as I'd like to see her again but this did feel very much like a standalone.