Writing a novel can be a long process; Sharon Mabry, a natural storyteller, has held this story of her homeland and its people, in her heart and mind for several years, and its publication is a victory for her readers. I enjoyed hearing several versions of this compelling tale in her writers group, and am so thrilled it is finally available for all to read. One can almost hear Lila Mae, a 12-year-old girl living in eastern Tennessee in the early 20th century, reading her stories aloud to her best friend, Maxi, her dog, and to her older sister, Janine, who was engaged to the county's most eligible young man. Janine was Lila Mae’s biggest fan and encouraged her by giving her a journal in which to write her stories. Janine’s tragic death, not long before her wedding day, catapults the reader into the mystery of why each family member and friend may have not wanted to see Janine marry her sweetheart. The county sheriff, Jed Taggert, uses his "good old boy" tactics to delve into the motivations behind various theories of Janine's death, following his Aunt Ethel's revelations at their weekly luncheon and his deputy's earnest attempts to keep track of the clues. The investigation is stymied when Jason Cantrell, Janine's betrothed, takes his life after her funeral, leaving both families grief-stricken and Lila Mae mute. Only after she has been able to record the events in order is she able to relate her experience to Sheriff Taggert, who trails each lead further until the killer is revealed.
Sharon's depiction of country life in the mountains evokes a strong sense of Southern culture that values church, family, home cooking, and honesty. Those who try to keep secrets or who are not born to that region become potential suspects, so the reader is kept guessing until the end as to who committed the county's infamous murder. The descriptions of Jack Cantrell's classic car collection adds to the narrative and makes the reader want to Google images of the expensive models. While searching, the reader may also want to research "sweet meats", a glass dish used to serve small portions of delicacies; Aunt Ethel's collection is pertinent to the story as well. Sharon adds such insightful details throughout the mystery that allow careful readers to postulate the identity and motive of the murderer. And then, there’s the kitchen knife…
The postlude wraps up the consequences of years of secrets, and the intriguing interludes sprinkled throughout the saga are explained in a way that even the most erudite reader may have been fooled as to their author or purpose. I am looking forward to Sharon’s next novel or essay collection from her young years in east Tennessee. Stay tuned!