On the implications of computer-generated music for live performance In the performance of computer-generated music, a tangibly causal relationship between action and sound has been cut. Looking at Music how important is live action to the future of musical performance?
In their own way, a collection of important texts that work as a generation's statement towards today’s situation in music, especially in niche genres and discourses (cool seeing ambient getting some more writing these days). Love all the DAW screenshots!