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304 pages, Hardcover
First published March 17, 2009
I received this book through the Goodreads First Reads giveaway that I entered. As soon as it arrived in the mail, I put it at the top of my reading queue. At the time I entered the giveaway, I had never heard of Cadillac Man, nor read any of his excerpted works, which have apparently been stirring up quite a bit of attention for homelessness. Living on the streets Cadillac Man was his own life chronicler, writing about his daily life, both the little things like going canning, receiving free meals and clothes from churches, getting harassed and beaten and the bigger things like the death of a friend, a fellow homeless man.
The Introduction at the beginning of the books reads like a disclaimer from the narrator. Cadillac Man makes no excuses for the nature or content of the stories that he tells, because those stories are his life. One common thread that arises throughout the book is Cadillac Man's refusal to be pitied. He accepts that he made choices in the past that have led to where he is now, and he acknowledgeds that he has always consciously chosen to stay where he is: on the streets.
The nature of Cadillac Man's nature is very approachable. It has a clear storytelling element that most likely derives from the habit of sharing stories on the streets. Each chapter stands alone as its own anecdotal account, often linked to a particular figure in Cadillac Man's life or a certain character on the streets. At the same time each chapter is labeled with the year and burrough, to give a general sense of time and place. Since the chapters are not directly linked, nor even organized chronologically, reading the book straight through can result in some confusion. An event mentioned in an early chapter as having occurred in the is related in a later chapter as though in the present. The reader consequently feels the need to double-check the chronology, or else read the chapters in a different order other than that presented in the published form.
Perhaps the best element about this book is its candor. It isn't that Cadillac Man has no sense of privacy; it's more like he really understands basic human nature. Essentially, we all do have the same biological drives and needs- food, clothing, shelter of some kind, and human interaction. Cadillac Man shows us that this last thing, the need for human interaction, is seemingly the strongest of all. Each chapter of this book is about a connection, a human interaction of some kind. Some chapters are about the loss, erosion or destruction of a human connection.
In the chapter "Irish", Cadillac Man tells about a man called Irish that Cadillac Man met soon after becoming homeless. In a way, Irish saved Cadillac Man from himself and reconnected him to humanity. When Cadillac Man lost Irish, he developed a gaping hole of grief inside just as any other human being would. Also, this loss reverberates in Cadillac Man's relationships with other individuals on the streets, and the threat of this loss is woven throughout the chapter "Penny" and motivates Cadillac Man's decision about the young runaway who inspired love and true human connection in him.
Land of the Lost Souls collects the unabashed stories of Cadillac Man, a thirteen-year veteran of the New York City streets. If his longevity on the streets is not enough to suggest the depth and wealth of his experiences, one need only listen to his words. His character and very identity shine through the stories he tells, and although he does not seem to intend that his stories, the chapters in this book, be read as parables , they often subtly convey certain powerful life lessons.
I ain’t no scholar.
I ain’t no bum.
I have never been good in grammar, so there will be misspellings and perhaps some passages that make no sense to you.
But hey, I’m a street person, not a Rhodes Scholar. You, the reader, will just have to bear with me. You’ll see vulgar language, nudity, street jargon, romance, etc. You may laugh or cry or both. You may even say this guy is nuts and should be committed to a padded room with Demerol cocktails. And in a way you’re right. You have to be crazy to live out here, but craziness is a way of survival, which I’ll explain to you later.
These are my people, my friends, my enemies […] This is my story, their story.
Empathy!