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Exiled Shadow
A virtuoso collage novel about narrative, identity, and exile, from international literary sensation Norman Manea
In this vibrant mosaic of voices, sources, and stories, the protagonist, known only as the Nomadic Misanthrope, leaves communist Romania and is reunited with his friend Gunther, an unrepentant Marxist exiled in Berlin. Their meeting sparks a spirited dialogue that endures throughout the Nomadic Misanthrope’s subsequent decades in the United States. At the center of the plot is the figure of the shadow—the insubstantial shape of the exile, the wandering Jew, the death camp survivor, the individual under totalitarianism, the dark side of the Jungian personality—a figure that calls into question the boundaries of the human condition.
Recalling the beloved nineteenth-century German tale of Peter Schlemihl, the man who sold his shadow for a bag of gold, this is Norman Manea’s most daring work an intimate record of alienation and endurance.
In this vibrant mosaic of voices, sources, and stories, the protagonist, known only as the Nomadic Misanthrope, leaves communist Romania and is reunited with his friend Gunther, an unrepentant Marxist exiled in Berlin. Their meeting sparks a spirited dialogue that endures throughout the Nomadic Misanthrope’s subsequent decades in the United States. At the center of the plot is the figure of the shadow—the insubstantial shape of the exile, the wandering Jew, the death camp survivor, the individual under totalitarianism, the dark side of the Jungian personality—a figure that calls into question the boundaries of the human condition.
Recalling the beloved nineteenth-century German tale of Peter Schlemihl, the man who sold his shadow for a bag of gold, this is Norman Manea’s most daring work an intimate record of alienation and endurance.
376 pages, Hardcover
First published October 1, 2021
4 people are currently reading
102 people want to read
About the author
Norman Manea
66 books77 followersNorman Manea is a Jewish Romanian writer and author of short fiction, novels, and essays about the Holocaust, daily life in a communist state, and exile. He lives in the United States, where he is the Francis Flournoy Professor of European Culture and writer in residence at Bard College.
He left Romania in 1986 with a DAAD-Berlin Grant and in 1988 went to the US with a Fulbright Scholarship at the Catholic University in Washington DC.
Manea's most acclaimed book, The Hooligan’s Return (2003), is an original novelistic memoir, encompassing a period of almost 80 years, from the pre-war period, through the Second World War, the communist and post-communist years to the present.
Manea has been known and praised as an international important writer since early 1990s, and his works have been translated into more than 20 languages. He has received more than 20 awards and honors.
Born in Suceava (Bukovina, Romania), Manea was deported as a child, in 1941, by the Romanian fascist authorities, allied with Nazi Germany, to the concentration camp of Transnistria in the Ukraine with his family and the entire Jewish population of the region. He returned to Romania in 1945 with the surviving members of his family and graduated with high honors from the high school in his home town, Suceava. He studied engineering at the Construction Institute in Bucharest and graduated with master’s degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research. He has devoted himself to writing since 1974.
Manea’s literary debut took place in Povestea Vorbii (The Tale of Word, 1966), an avant-garde and influential magazine that appeared in the early years of cultural liberalization in communist Romania and was suppressed after six issues. Until he was forced into exile (1986) he published ten volumes of short fiction essays and novels. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country’s most important literary critics.
After the collapse of the Ceaușescu dictatorship, several of his books started to be published in Romania. The publication in a Romanian translation of his essay Happy Guilt, which first appeared in The New Republic, led to a nationalist outcry in Romania, which he in turn has analysed in depth in his essay Blasphemy and Carnival. Echoes of this scandal can still be found in some articles of the current Romanian cultural press.
Meantime, in the United States and in European countries, Manea’s writing was received with great acclaim. Over the past two decades he has been proposed as a candidate for the Nobel Prize for Literature by literary and academic personalities and institutions in the United States, Sweden, Romania, Italy and France. Important contemporary writers expressed admiration of the author’s literary work and his moral stand before and after the collapse of communism: the Nobel laureates Heinrich Böll, Günter Grass, Octavio Paz, Orhan Pamuk, as well as Philip Roth, Claudio Magris, Antonio Tabucchi, E. M. Cioran, Antonio Munoz Molina, Cynthia Ozick, Louis Begley and others.
He left Romania in 1986 with a DAAD-Berlin Grant and in 1988 went to the US with a Fulbright Scholarship at the Catholic University in Washington DC.
Manea's most acclaimed book, The Hooligan’s Return (2003), is an original novelistic memoir, encompassing a period of almost 80 years, from the pre-war period, through the Second World War, the communist and post-communist years to the present.
Manea has been known and praised as an international important writer since early 1990s, and his works have been translated into more than 20 languages. He has received more than 20 awards and honors.
Born in Suceava (Bukovina, Romania), Manea was deported as a child, in 1941, by the Romanian fascist authorities, allied with Nazi Germany, to the concentration camp of Transnistria in the Ukraine with his family and the entire Jewish population of the region. He returned to Romania in 1945 with the surviving members of his family and graduated with high honors from the high school in his home town, Suceava. He studied engineering at the Construction Institute in Bucharest and graduated with master’s degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research. He has devoted himself to writing since 1974.
Manea’s literary debut took place in Povestea Vorbii (The Tale of Word, 1966), an avant-garde and influential magazine that appeared in the early years of cultural liberalization in communist Romania and was suppressed after six issues. Until he was forced into exile (1986) he published ten volumes of short fiction essays and novels. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country’s most important literary critics.
After the collapse of the Ceaușescu dictatorship, several of his books started to be published in Romania. The publication in a Romanian translation of his essay Happy Guilt, which first appeared in The New Republic, led to a nationalist outcry in Romania, which he in turn has analysed in depth in his essay Blasphemy and Carnival. Echoes of this scandal can still be found in some articles of the current Romanian cultural press.
Meantime, in the United States and in European countries, Manea’s writing was received with great acclaim. Over the past two decades he has been proposed as a candidate for the Nobel Prize for Literature by literary and academic personalities and institutions in the United States, Sweden, Romania, Italy and France. Important contemporary writers expressed admiration of the author’s literary work and his moral stand before and after the collapse of communism: the Nobel laureates Heinrich Böll, Günter Grass, Octavio Paz, Orhan Pamuk, as well as Philip Roth, Claudio Magris, Antonio Tabucchi, E. M. Cioran, Antonio Munoz Molina, Cynthia Ozick, Louis Begley and others.
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