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The Midwinter Dragon #1
The Ring Breaker: 1139: The Orkney Jar
Loyalty has a price the children pay.
In the twilight of the old gods, when the last Vikings rule the seas, two cursed orphans meet on an Orkney beach and their fates collide.
Stripped of honour, facing bleak loneliness ahead, Skarfr and Hlif forge an unbreakable bond as they come of age in the savage Viking culture of blood debts and vengeance. To be accepted as adults, Skarfr must prove himself a warrior and Hlif must learn to use women’s weapons. Can they clear their names and choose their destiny? Or are they doomed by their fathers’ acts?
The award-winning author of The Troubadours Quartet returns to the 12th century, with skalds instead of troubadours and Viking warriors instead of crusaders. Get ready for authentic medieval adventures steeped in poetry, politics and passion. Perfect for fans of Bernard Cornwell Matthew Harffy and Madeline Miller.
A skilfully written, beautifully researched coming-of-age story set in Viking Orkney.’ Lexie Conyngham, the Orkneyinga Murders series
‘Reads from start to finish like a saga straight from a skald's mouth.’ B.A. Morton, The Favour Bank
‘All the hallmarks of a Jean Gill novel - political intrigue, action and adventure, and a love story fraught with difficulties!’ Jane Davis, Small Eden
In the twilight of the old gods, when the last Vikings rule the seas, two cursed orphans meet on an Orkney beach and their fates collide.
Stripped of honour, facing bleak loneliness ahead, Skarfr and Hlif forge an unbreakable bond as they come of age in the savage Viking culture of blood debts and vengeance. To be accepted as adults, Skarfr must prove himself a warrior and Hlif must learn to use women’s weapons. Can they clear their names and choose their destiny? Or are they doomed by their fathers’ acts?
The award-winning author of The Troubadours Quartet returns to the 12th century, with skalds instead of troubadours and Viking warriors instead of crusaders. Get ready for authentic medieval adventures steeped in poetry, politics and passion. Perfect for fans of Bernard Cornwell Matthew Harffy and Madeline Miller.
A skilfully written, beautifully researched coming-of-age story set in Viking Orkney.’ Lexie Conyngham, the Orkneyinga Murders series
‘Reads from start to finish like a saga straight from a skald's mouth.’ B.A. Morton, The Favour Bank
‘All the hallmarks of a Jean Gill novel - political intrigue, action and adventure, and a love story fraught with difficulties!’ Jane Davis, Small Eden
328 pages, Paperback
Published September 1, 2022
291 people are currently reading
340 people want to read
About the author
Jean Gill
45 books239 followersJean Gill is a Welsh writer and photographer living in the south of France with two scruffy dogs, a beehive named 'Endeavour', a Nikon D750 and a man. For many years, she taught English in Wales and was the first woman to be a secondary headteacher in Carmarthenshire. She is mother or stepmother to five children so life was hectic.
Publications are varied, including prize-winning poetry and novels, military history, translated books on dog training, and a cookery book on goat cheese. With Scottish parents, an English birthplace and French residence, she can usually support the winning team on most sporting occasions.
Sign up for Jean's newsletter at www.jeangill.com for updates and a free book. If you review one of Jean's books you can add a dog to Jean's Readers Dogs Hall of Fame on her website. Contact Jean at jean.gill@wanadoo.fr with comments or questions. She loves to hear from readers.
Publications are varied, including prize-winning poetry and novels, military history, translated books on dog training, and a cookery book on goat cheese. With Scottish parents, an English birthplace and French residence, she can usually support the winning team on most sporting occasions.
Sign up for Jean's newsletter at www.jeangill.com for updates and a free book. If you review one of Jean's books you can add a dog to Jean's Readers Dogs Hall of Fame on her website. Contact Jean at jean.gill@wanadoo.fr with comments or questions. She loves to hear from readers.
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Displaying 1 - 30 of 68 reviews
November 10, 2022
Sakrfr is training to be skald but doesn’t seem to have the knack for it, which often leaves him getting beaten and abused. But one day, he meets Hilf, another orphan who believes that she is cursed by her father’s past actions. They quickly form a bond that will be tested time and time again as they both try to prove themselves to their communities and decide their own destinies.
This was a very thorough, very dense work of historical fiction. It’s set in the 1100s in Orkney while the Vikings were still active. There was a lot of mythology included which added to the setting, and the number of cultural details included showed that the author really did her research. I enjoyed that this was set during a time when Christianity was also becoming present in the area, which added some interesting juxtapositions throughout the work.
I can completely understand how readers gave this 4- and 5-star reviews – but I found this to book to be incredibly boring. The beginning of the work was strong, and I loved the incorporation of mythology with Skarfr’s character. I was so excited to read a book set during this period told from the POV of a skald-in-training. But after a few chapters, everything ground to a halt. Part of this was due to the characters. Skarfr wasn’t clearly defined as a character, so he never felt alive. Hlif, a secondary character, had much more personality than him but the book wasn’t focused on her. In fact, there were several secondary characters that would have made much more compelling protagonists. I also think my disconnect with the work was due to the plot, which didn’t seem to exist for large chunks of the work. There was so much historical information included that it weighed down the plot consistently. This work often read more like a history textbook than a novel, and since I came here for a novel, I was disappointed.
I usually like historical fiction, especially ones set in earlier historic periods. Unfortunately, this book just didn’t do it for me – it took me weeks to finish this because I could never become invested in it. I still recommend it to people who enjoy historical fiction (HUGE emphasis on the historical part). My thanks to BookSirens and the author for allowing me to read and review this work.
This was a very thorough, very dense work of historical fiction. It’s set in the 1100s in Orkney while the Vikings were still active. There was a lot of mythology included which added to the setting, and the number of cultural details included showed that the author really did her research. I enjoyed that this was set during a time when Christianity was also becoming present in the area, which added some interesting juxtapositions throughout the work.
I can completely understand how readers gave this 4- and 5-star reviews – but I found this to book to be incredibly boring. The beginning of the work was strong, and I loved the incorporation of mythology with Skarfr’s character. I was so excited to read a book set during this period told from the POV of a skald-in-training. But after a few chapters, everything ground to a halt. Part of this was due to the characters. Skarfr wasn’t clearly defined as a character, so he never felt alive. Hlif, a secondary character, had much more personality than him but the book wasn’t focused on her. In fact, there were several secondary characters that would have made much more compelling protagonists. I also think my disconnect with the work was due to the plot, which didn’t seem to exist for large chunks of the work. There was so much historical information included that it weighed down the plot consistently. This work often read more like a history textbook than a novel, and since I came here for a novel, I was disappointed.
I usually like historical fiction, especially ones set in earlier historic periods. Unfortunately, this book just didn’t do it for me – it took me weeks to finish this because I could never become invested in it. I still recommend it to people who enjoy historical fiction (HUGE emphasis on the historical part). My thanks to BookSirens and the author for allowing me to read and review this work.
November 10, 2022
A fantastic historical adventure spent in the Viking period, that show us the journey of two crused orphans that want to be accepted and loved. To be accepted as adults, Skarfr must prove himself a warrior and Hlif must learn to use women’s weapons. Together will forge an unbreakable bond that will change their destines.
Their friendship is so sweet, I really love they are always there for ech other and try to be the better version of themselfs. Skarft and his skalds was the other thing that made this book special, I reaaly apreciate to know more about viking culture and their poetry about his heroes were really beauthiful.
I received an advance review copy for free, and I am leaving this review voluntarily.
Their friendship is so sweet, I really love they are always there for ech other and try to be the better version of themselfs. Skarft and his skalds was the other thing that made this book special, I reaaly apreciate to know more about viking culture and their poetry about his heroes were really beauthiful.
I received an advance review copy for free, and I am leaving this review voluntarily.
August 20, 2022
Historical fiction at its best is an impossible combination of three key elements: epic scope, an immersive dive into the past achieved by meticulously researched detail, and an intimate story of real people who touch a reader’s heart. Jean Gill’s latest novel, THE RING BREAKER, masterfully achieves all three while telling the captivating story of a young man’s search for his true voice and struggle with forbidden love. Gill brings 12th century Orkney to life in this story of Skarfr, an orphan whose cruel foster father, ostensibly training him to be a bard, instead silences the poetry in his charge’s head. Skarfr’s journey to manhood and his friendship with the headstrong red-headed Hlif, a young girl cursed by her father’s deeds, take the reader on a journey that paints a vivid picture of the harsh beauty of Viking life—the grey, rough seas and the sailors who sail across them, the struggle among powerful rulers for control of their rocky kingdoms, the mysteries of runes, the weight of prophecy, and the lilt of Norse poetry, all woven together with threads of political intrigue, music, and magic. I will happily follow Jean Gill to whatever time and place she chooses to lead next!
September 24, 2022
“The Ring Breaker 1139: Orkneyjar” - (The Midwinter Dragon) is a new outing in a different era for bestselling author Jean Gill, whose previous historical fiction books have taken readers back in time to the ‘Troubadour’ quartet series in Provence.
1139 and two cursed orphans meet on an Orkney beach and their fates collide. As the last Vikings rule the seas, in the twilight of the old gods, this powerful and atmospheric story is a coming of age tale of survival, loyalty, faith and love, and with a resounding hint at the beginning of feminism.
As the orphans, Skarfr and Hilf form an unbreakable bond, they must prove themselves in the Viking way to be adults. Skarfr as a warrior and Hilf by using the weapons women hold. By doing so, they could clear their names, forge their own destiny and remove the curses that their father’s acts have been bestowed on them.
If you are a die hard and experienced historical fiction fan, I’d happily recommend this book. It’s remarkably intelligent. The author has carried out copious amounts of research and used her own knowledge of the Viking era to produce an epic style saga. Realistically plotted with factual events then seamlessly blended with a superb imagination, a young love story is formed, surrounded by a cold and barbaric setting alongside Norse mythology and folklore.
If you are expecting brutal and blood-thirsty battles from this book (like the Viking TV shows) you’ll be disappointed. There is the occasional violent fight scene but this is about so much more than what we perceive of the Vikings and their reputation. It’s about love, honour, erasing the sins of the fathers and seeing everyday human behaviour and natural emotions, living in a time of Jarls (Earls), Karls (lower class) and Thralls (slaves),
I very much need to see how the ending to the book will continue in a follow up since I was totally thrown by the final revelation. I hope Jean Gill doesn’t wait too long to write another book as I’m very keen to follow the orphans as they continue to grow as adults.
#TheRingBreaker - 4 stars
Thank you to the author and TBC Reviewer Group for my copy of the book in return for an honest review.
1139 and two cursed orphans meet on an Orkney beach and their fates collide. As the last Vikings rule the seas, in the twilight of the old gods, this powerful and atmospheric story is a coming of age tale of survival, loyalty, faith and love, and with a resounding hint at the beginning of feminism.
As the orphans, Skarfr and Hilf form an unbreakable bond, they must prove themselves in the Viking way to be adults. Skarfr as a warrior and Hilf by using the weapons women hold. By doing so, they could clear their names, forge their own destiny and remove the curses that their father’s acts have been bestowed on them.
If you are a die hard and experienced historical fiction fan, I’d happily recommend this book. It’s remarkably intelligent. The author has carried out copious amounts of research and used her own knowledge of the Viking era to produce an epic style saga. Realistically plotted with factual events then seamlessly blended with a superb imagination, a young love story is formed, surrounded by a cold and barbaric setting alongside Norse mythology and folklore.
If you are expecting brutal and blood-thirsty battles from this book (like the Viking TV shows) you’ll be disappointed. There is the occasional violent fight scene but this is about so much more than what we perceive of the Vikings and their reputation. It’s about love, honour, erasing the sins of the fathers and seeing everyday human behaviour and natural emotions, living in a time of Jarls (Earls), Karls (lower class) and Thralls (slaves),
I very much need to see how the ending to the book will continue in a follow up since I was totally thrown by the final revelation. I hope Jean Gill doesn’t wait too long to write another book as I’m very keen to follow the orphans as they continue to grow as adults.
#TheRingBreaker - 4 stars
Thank you to the author and TBC Reviewer Group for my copy of the book in return for an honest review.
October 23, 2022
Steeped in 12th century Orkney culture and politics, the story takes the reader immediately to the time when Vikings battled and fought for their place in the island’s hierarchy, a time of skalds where every word of the tale thrilled the listener, just as this tale does. Seen through the eyes of Skarfr and Hlif, two young orphans on the edge of their communities who must battle their way to adulthood, even as others conspire to prevent them. Both Hlif and Skarfr are compelled by circumstances and emotions to make choices that lead them on paths sometimes unexpected and dangerous.
This book is a wonderful read that is both atmospheric and evocative, giving the reader a really immersive experience of a time of blood lust and gods. I highly recommend this book.
This book is a wonderful read that is both atmospheric and evocative, giving the reader a really immersive experience of a time of blood lust and gods. I highly recommend this book.
August 4, 2023
I have originally reviewed this book for SPFBO, Self-Published Fantasy Blog-Off. The Ring Breaker is not a fantasy book, though, which is why I decided to write a separate review of what it is: very good historical fiction that could have been great.
As a Norse heathen, who likes his books slow-paced, well-researched, and free from bloody bloodbaths bleeding with bloodied blood, I was itching to love The Ring Breaker. And I nearly did. My original review was very, very long. For the needs of SPFBO I had to cut it to 1/4 of its length, and I won't subject you to the very, very long one here either. Maybe. Because when I really like a book, it's hard to shut up.
Skarfr and Hlif are wonderfully written. In fact, all of the characters are fully fleshed, three-dimensional, complex, imperfect. It’s not a “Universe will end” sort of book – the stakes are low, which makes them higher, as the protagonists are very loveable (if sometimes slappable) and I was invested in them throughout. The “important” historical figures play, at best, secondary roles, which reminded me of Karen Heenan’s fantastic The Tudor Court series, where the Tudors happen to be in the background. This is not a book about what's Big and Brave and Important. It's about two complex people in a complex world.
I loved the way Gill showed the faiths mingling. Some still lean towards the Old Gods, even though it's not always safe in the new, Christian world. Nevertheless, jarl Rognvald, a devout Christian, just so happens to have a vegvísir brooch (which he doesn’t believe in, of course, the old thing was just lying around). There is magic, but it's real magic – same as you won't find an Icelander willing to say with 100% certainty that elves don't exist, in The Ring Breaker you'll be greeted both with spirit animals and miracles over the graves of the Christian dead. Even the grumpy Saxo Grammaticus, who didn't exactly support the idea that the Northmen's beliefs could have been right, has accidentally written Freya into his The History of the Danes.
Gill's research has been meticulous. Unfortunately, the author really wants us to notice how meticulous it has been. “You’ve asked Bodil to explain the process to you?” asks jarl Rognvald.“Yes, sire,” Hlif answers, then proceeds to explain the process to the reader, as Skarfr muses “Rognvald nodded in approval but the whole conversation could have been in Latin as far as Skarfr was concerned.” This is never mentioned or important later on. Why do we need to know that the jarl has written "all 16 runes" on a cave wall? Because Younger Futhark used at the time had 16 runes, that's why. The scene that followed was my least favourite, because it was the least believable, unless I am underestimating the level of literacy among 12th century soldiers and the speed at which they could carve the runes. And yet, Gill saves it – almost – with Skarfr mansplaining a particular passage at Hlif. She is not amused by this particular example of skaldic wit, and while the example didn't make me laugh, Skarfr's belief that he has discovered the greatest secrets of the feminine sex (mostly when he says something really dumb) did.
So, here's the example of skaldic wit. A joke is made at the expense of Ragnarr lóðbrók, as a female pronoun is used, which is funny (Skarfr informs Hlif) because he was the most manly of men. The two are not speaking English, though, and Gill translates the by-name, which results in “it’s making fun of Hairy-Breeks’ hairy breeks.” (I nearly DNFed at this point.) This is not something most people would ever notice, same as the wildly inconsistent spelling, alternating between anglicised and over-anglicised versions. Why not “dóttir” or “Rögnvald” when the Old Norse “jǫtunn” gets with a version of “o” so rare my quadri-lingual keyboard layout doesn’t have it? Why does Óðinn get his ð (this should not be misinterpreted), but Þórr doesn't deserve the Þ, or Ægir – Æ? Again, a Norse world complaint, but one that I feel is justified, because Gill has really put a lot of work into this book, and those are essentially typos.
What puzzled me even more was the shortage of commas. Sentences like “He’d told her often enough that she was too old now to gad about alone but she still argued that the curse protected her and anyway Rognvald was her guardian” made me want to copy-edit as I was reading. To quote Grammarly, the book lacked “punctuation in compound/complex sentences.” All of it. Brigid randomly becomes Bridget every now and then. Vegvísir, mentioned earlier, turns into “visivigar” later on (I checked, just in case there was an alternative spelling – the only Google result is the preview of The Ring Breaker). Skarfr concocts elaborate scenarios in his head, planning what he will say or do next, followed by “but he didn’t.” (Nobody made him eat kale so he didn't, which made me relate.) This is confusing, because Gill's prose is really good almost all of the time, and it's not like this book needed padding.
My nitpicking aside, The Ring Breaker is this all-too-rare example of historical fiction where I know exactly what's going to happen, because I know the actual history, but I want to keep reading. History books focus on jarls and kings, not on the little people, and both Hlif and Skarfr felt to me much more exciting than any king would. I saw my faith reflected on those pages – I really wish this wasn't used as justification for the book being "fantasy" – and it was done well. I'm poking at missing ös and drawing commas on my iPad screen because The Ring Breaker COULD have been my book of the year if not for really minor problems that piled up dragging me out of the world I wanted to stay in and away from the people I wanted to be with. But it isn't.
My ratings:
5* = this book changed my life
4* = very good
3* = good
2* = I probably DNFed it, so I don't give 2* ratings
1* = actively hostile towards the reader
As a Norse heathen, who likes his books slow-paced, well-researched, and free from bloody bloodbaths bleeding with bloodied blood, I was itching to love The Ring Breaker. And I nearly did. My original review was very, very long. For the needs of SPFBO I had to cut it to 1/4 of its length, and I won't subject you to the very, very long one here either. Maybe. Because when I really like a book, it's hard to shut up.
Skarfr and Hlif are wonderfully written. In fact, all of the characters are fully fleshed, three-dimensional, complex, imperfect. It’s not a “Universe will end” sort of book – the stakes are low, which makes them higher, as the protagonists are very loveable (if sometimes slappable) and I was invested in them throughout. The “important” historical figures play, at best, secondary roles, which reminded me of Karen Heenan’s fantastic The Tudor Court series, where the Tudors happen to be in the background. This is not a book about what's Big and Brave and Important. It's about two complex people in a complex world.
I loved the way Gill showed the faiths mingling. Some still lean towards the Old Gods, even though it's not always safe in the new, Christian world. Nevertheless, jarl Rognvald, a devout Christian, just so happens to have a vegvísir brooch (which he doesn’t believe in, of course, the old thing was just lying around). There is magic, but it's real magic – same as you won't find an Icelander willing to say with 100% certainty that elves don't exist, in The Ring Breaker you'll be greeted both with spirit animals and miracles over the graves of the Christian dead. Even the grumpy Saxo Grammaticus, who didn't exactly support the idea that the Northmen's beliefs could have been right, has accidentally written Freya into his The History of the Danes.
Gill's research has been meticulous. Unfortunately, the author really wants us to notice how meticulous it has been. “You’ve asked Bodil to explain the process to you?” asks jarl Rognvald.“Yes, sire,” Hlif answers, then proceeds to explain the process to the reader, as Skarfr muses “Rognvald nodded in approval but the whole conversation could have been in Latin as far as Skarfr was concerned.” This is never mentioned or important later on. Why do we need to know that the jarl has written "all 16 runes" on a cave wall? Because Younger Futhark used at the time had 16 runes, that's why. The scene that followed was my least favourite, because it was the least believable, unless I am underestimating the level of literacy among 12th century soldiers and the speed at which they could carve the runes. And yet, Gill saves it – almost – with Skarfr mansplaining a particular passage at Hlif. She is not amused by this particular example of skaldic wit, and while the example didn't make me laugh, Skarfr's belief that he has discovered the greatest secrets of the feminine sex (mostly when he says something really dumb) did.
So, here's the example of skaldic wit. A joke is made at the expense of Ragnarr lóðbrók, as a female pronoun is used, which is funny (Skarfr informs Hlif) because he was the most manly of men. The two are not speaking English, though, and Gill translates the by-name, which results in “it’s making fun of Hairy-Breeks’ hairy breeks.” (I nearly DNFed at this point.) This is not something most people would ever notice, same as the wildly inconsistent spelling, alternating between anglicised and over-anglicised versions. Why not “dóttir” or “Rögnvald” when the Old Norse “jǫtunn” gets with a version of “o” so rare my quadri-lingual keyboard layout doesn’t have it? Why does Óðinn get his ð (this should not be misinterpreted), but Þórr doesn't deserve the Þ, or Ægir – Æ? Again, a Norse world complaint, but one that I feel is justified, because Gill has really put a lot of work into this book, and those are essentially typos.
What puzzled me even more was the shortage of commas. Sentences like “He’d told her often enough that she was too old now to gad about alone but she still argued that the curse protected her and anyway Rognvald was her guardian” made me want to copy-edit as I was reading. To quote Grammarly, the book lacked “punctuation in compound/complex sentences.” All of it. Brigid randomly becomes Bridget every now and then. Vegvísir, mentioned earlier, turns into “visivigar” later on (I checked, just in case there was an alternative spelling – the only Google result is the preview of The Ring Breaker). Skarfr concocts elaborate scenarios in his head, planning what he will say or do next, followed by “but he didn’t.” (Nobody made him eat kale so he didn't, which made me relate.) This is confusing, because Gill's prose is really good almost all of the time, and it's not like this book needed padding.
My nitpicking aside, The Ring Breaker is this all-too-rare example of historical fiction where I know exactly what's going to happen, because I know the actual history, but I want to keep reading. History books focus on jarls and kings, not on the little people, and both Hlif and Skarfr felt to me much more exciting than any king would. I saw my faith reflected on those pages – I really wish this wasn't used as justification for the book being "fantasy" – and it was done well. I'm poking at missing ös and drawing commas on my iPad screen because The Ring Breaker COULD have been my book of the year if not for really minor problems that piled up dragging me out of the world I wanted to stay in and away from the people I wanted to be with. But it isn't.
My ratings:
5* = this book changed my life
4* = very good
3* = good
2* = I probably DNFed it, so I don't give 2* ratings
1* = actively hostile towards the reader
December 26, 2023
Interesting Viking adventures, lives, details of life challenges and victories. I will not continue further in series, however.
99 cents from Amazon currently
99 cents from Amazon currently
August 15, 2022
Another challenging gem in Ms Gill’s historical fiction collection!
Having read plenty of books by this author, I was absolutely looking forward to her new historical fiction, Ring Breaker. Spoiler alert – the start of a series! (Fans will not mind this fact – I do believe they are expecting it:).)
The story is a Viking saga of Skarfr, a boy skald with a hint of more to come in the future. Adventure, magic, customs, bloodshed, endless political intrigue, brutal power struggle and my favourite – a slightly awkward acquaintance blossoming into a fated love (feels so weird to use ‘romance’ in a Viking saga like this one). The first chapter grabbed my attention instantly, with some brilliant lines by the author I have come to cherish so much, when she paints a detailed picture in a seemingly simple string of words.
Surprisingly, I must admit I struggled through the first third of the book, struggled to relax and get into the story and characters (with the exception of Hlif, the unusual girl with a knack for survival, not action-like, but diplomacy and knowing when to keep quiet). I wondered why it was taking it so long for me to get into the Viking world, especially remembering how enchanted I had been by Gill’s Troubadours and her ability to depict a world so different to ours in technology, yet similar in what drives people.
Ring Breaker has so many elements I deeply cherish in this author’s work – a meticulous understanding of the social, geographical and political elements of the era she writes about, deep dedication to character development, brilliantly paced events and the unfolding of relationships, brutality and passion depicted as plots unfold and not written in just to please the average reader with spectacle… She challenges the reader to learn while thinking, imagining and feeling all at once. She does it in Ring Breaker, too.
However, I was still struggling. Then it dawned on me – it was the language I had problems accepting. Not the author’s syntax style, but the Norse terminology and names. As always, Gill strives to be as authentic as possible, so in naming characters, places, customs, important objects, etc., she uses the Viking terminology appropriate for the time, respecting her duty to the readers and her mission as an author of historical fiction. It turns out it was the melody and sound of that language that represented an issue for me – it felt like trying to swim against huge, crashing waves. For me, the melody of that language is rough, rugged, almost brutal and merciless, just like the time of the e ents. Nevertheless, you live and you learn, so I did. Having discovered my own weakness (my sensitivity towards the sound of a language), I was able to adjust my swimming/reading technique, and read on. (Skarfr and Hlif have Estella and Dragonetz to thank for my persistence, the correlation between these series here not mentioned without reason, as Gill’s Troubadours will know.)
Naturally, Ms Gill’s plot did not disappoint – moreover, the ending of this first installment of the saga is fully promising and inviting for the fans who will wait in anticipation to see how Skarfr and Hlif move on in this turmoil of power struggles, bathed in blood, superstition and religion, and hope for a different life, in which they face a new mythical creature (one of my favourites but not spoiling here).
Overall, those who wish to learn about Viking history by being transported to the year 1139 should read Ring Breaker. Those who enjoy meeting a myriad of characters from those times, ranging from a beggar to a ruler, should read Ring Breaker. Those who wish to see how men treated women and how women treated men in poor and wealthy families then, and how much humanity has or has not progressed since then, should read Ring Breaker.Those who loved The Troubadours and would love to see the connection, should read Ring Breaker. Rise to the challenge – time travel with books!
Having read plenty of books by this author, I was absolutely looking forward to her new historical fiction, Ring Breaker. Spoiler alert – the start of a series! (Fans will not mind this fact – I do believe they are expecting it:).)
The story is a Viking saga of Skarfr, a boy skald with a hint of more to come in the future. Adventure, magic, customs, bloodshed, endless political intrigue, brutal power struggle and my favourite – a slightly awkward acquaintance blossoming into a fated love (feels so weird to use ‘romance’ in a Viking saga like this one). The first chapter grabbed my attention instantly, with some brilliant lines by the author I have come to cherish so much, when she paints a detailed picture in a seemingly simple string of words.
Surprisingly, I must admit I struggled through the first third of the book, struggled to relax and get into the story and characters (with the exception of Hlif, the unusual girl with a knack for survival, not action-like, but diplomacy and knowing when to keep quiet). I wondered why it was taking it so long for me to get into the Viking world, especially remembering how enchanted I had been by Gill’s Troubadours and her ability to depict a world so different to ours in technology, yet similar in what drives people.
Ring Breaker has so many elements I deeply cherish in this author’s work – a meticulous understanding of the social, geographical and political elements of the era she writes about, deep dedication to character development, brilliantly paced events and the unfolding of relationships, brutality and passion depicted as plots unfold and not written in just to please the average reader with spectacle… She challenges the reader to learn while thinking, imagining and feeling all at once. She does it in Ring Breaker, too.
However, I was still struggling. Then it dawned on me – it was the language I had problems accepting. Not the author’s syntax style, but the Norse terminology and names. As always, Gill strives to be as authentic as possible, so in naming characters, places, customs, important objects, etc., she uses the Viking terminology appropriate for the time, respecting her duty to the readers and her mission as an author of historical fiction. It turns out it was the melody and sound of that language that represented an issue for me – it felt like trying to swim against huge, crashing waves. For me, the melody of that language is rough, rugged, almost brutal and merciless, just like the time of the e ents. Nevertheless, you live and you learn, so I did. Having discovered my own weakness (my sensitivity towards the sound of a language), I was able to adjust my swimming/reading technique, and read on. (Skarfr and Hlif have Estella and Dragonetz to thank for my persistence, the correlation between these series here not mentioned without reason, as Gill’s Troubadours will know.)
Naturally, Ms Gill’s plot did not disappoint – moreover, the ending of this first installment of the saga is fully promising and inviting for the fans who will wait in anticipation to see how Skarfr and Hlif move on in this turmoil of power struggles, bathed in blood, superstition and religion, and hope for a different life, in which they face a new mythical creature (one of my favourites but not spoiling here).
Overall, those who wish to learn about Viking history by being transported to the year 1139 should read Ring Breaker. Those who enjoy meeting a myriad of characters from those times, ranging from a beggar to a ruler, should read Ring Breaker. Those who wish to see how men treated women and how women treated men in poor and wealthy families then, and how much humanity has or has not progressed since then, should read Ring Breaker.Those who loved The Troubadours and would love to see the connection, should read Ring Breaker. Rise to the challenge – time travel with books!
October 24, 2022
This is an excellent example of well-researched and fully immersive Historical Fiction! Gill certainly did her homework on the Viking age and it absolutely shows. It's grounded in truth, but it still gives us wonderfully impactful story-telling and elements of the fantastical. It's epic and thought-provoking and contains that incredibly adventurous Viking spirit, while not being too gory or violent, which I appreciated.
One very unique aspect to this book that I absolutely LOVED, was it's parallel to the structure of the Norse Epics and Sagas! I've read a handful of them and this was such a wonderful tribute to that form of storytelling. I especially loved Gill's use of poetry, reflective of the use of poetry in the great Epics. As a fan of the genre and a scholar of history, that was a nice treat!
The scope of this book is massive, the only thing that threw me a bit was the time jumps towards the end, but other than that it was relatively easy to follow. There's a lot of place names, and characters with similar names; but that's to be expected in this genre, and with the Vikings especially.
I would absolutely recommend this book to anyone interested in the Viking Age or in Historical Fiction, and I cannot wait for the next one!
Thank you Netgalley for the ARC to review!
One very unique aspect to this book that I absolutely LOVED, was it's parallel to the structure of the Norse Epics and Sagas! I've read a handful of them and this was such a wonderful tribute to that form of storytelling. I especially loved Gill's use of poetry, reflective of the use of poetry in the great Epics. As a fan of the genre and a scholar of history, that was a nice treat!
The scope of this book is massive, the only thing that threw me a bit was the time jumps towards the end, but other than that it was relatively easy to follow. There's a lot of place names, and characters with similar names; but that's to be expected in this genre, and with the Vikings especially.
I would absolutely recommend this book to anyone interested in the Viking Age or in Historical Fiction, and I cannot wait for the next one!
Thank you Netgalley for the ARC to review!
November 12, 2022
This historical fiction novel was absolutely wonderful, five star read!
⭐⭐⭐⭐⭐
I felt incredibly immersed in 1139 Orkney. The characters are rich and captivating. It reminds me so much of Robin Hobb's writing in terms of the strength of her characters, and in protagonist Skarfr's flaws blinding him to things like his effect on Hlif. Skarfr and Fitzchivalry have a lot in common.
I too got caught up in antagonist ThorBjorn's charisma, even after his actions made me say 'I could never like this man.' I love the hints at story going on with Inge, Hlif, and the other women outside of Skarfr's perception. The jarl Rognvald is fascinating and complex as well - I would love to read more about him.
The author's attention to detail and in-depth historical research added so much to this story. I highly recommend this book and will definitely be reading more of Jean Gill's work.
I received an advance review copy for free, and I am leaving this review voluntarily.
⭐⭐⭐⭐⭐
I felt incredibly immersed in 1139 Orkney. The characters are rich and captivating. It reminds me so much of Robin Hobb's writing in terms of the strength of her characters, and in protagonist Skarfr's flaws blinding him to things like his effect on Hlif. Skarfr and Fitzchivalry have a lot in common.
I too got caught up in antagonist ThorBjorn's charisma, even after his actions made me say 'I could never like this man.' I love the hints at story going on with Inge, Hlif, and the other women outside of Skarfr's perception. The jarl Rognvald is fascinating and complex as well - I would love to read more about him.
The author's attention to detail and in-depth historical research added so much to this story. I highly recommend this book and will definitely be reading more of Jean Gill's work.
I received an advance review copy for free, and I am leaving this review voluntarily.
October 17, 2022
The Ring Breaker - 1139: Orkneyjar, by Jean Gill
So good I read it twice!
Following the conclusion of her Troubadour quartet, Jean Gill treats us to another saga - this time transporting us to Orkney in the time of the vikings.
Two cursed orphans drive the story, from their awkward first meeting to their coming of age. Skarfr, “a life not meant to be”, and Hlif, a “rude and ugly” girl, forge an unlikely bond. Striving to be free of the curses brought on them by their fathers, Skarfr learns a warrior’s skills while Hlif uses her craft and creativity to earn respect.
Their story is set against the backdrop of Viking rule and political intrigue, populated by near-legendary characters who live for quest and conquer, always vying for power, all celebrated in the oral tradition by the scalds - the poets of their time.
Peace is fragile, allegiances fickle. Diplomacy is underrated but its quiet strength that prevails amidst the impulse and posturing.
Viking life is accurately depicted - a trademark of Jean Gill’s historical fiction is the depth of research. Only when all facts are known does the fiction seamlessly begin. It is easy to imagine the main characters are from real life and now, for me, they are. And real life is here in all its facets: the every day lives of jarls, servants, slaves, tradesmen and, of course, warriors. All beautifully shown in the easy progress of the narrative. Our heroes are imperfect, our villains have admirable qualities or, at least, laudable talents. Real characters.
I found myself engaged with plot and character from the opening chapter and quickly invested in the developing lives of Skarfr and Hlif - a historical romance in the real world. The story ends with the same energy as it begins… suffice to say that there is trouble afoot and plenty of scope for this saga to run to several books. I can’t wait!
So good I read it twice!
Following the conclusion of her Troubadour quartet, Jean Gill treats us to another saga - this time transporting us to Orkney in the time of the vikings.
Two cursed orphans drive the story, from their awkward first meeting to their coming of age. Skarfr, “a life not meant to be”, and Hlif, a “rude and ugly” girl, forge an unlikely bond. Striving to be free of the curses brought on them by their fathers, Skarfr learns a warrior’s skills while Hlif uses her craft and creativity to earn respect.
Their story is set against the backdrop of Viking rule and political intrigue, populated by near-legendary characters who live for quest and conquer, always vying for power, all celebrated in the oral tradition by the scalds - the poets of their time.
Peace is fragile, allegiances fickle. Diplomacy is underrated but its quiet strength that prevails amidst the impulse and posturing.
Viking life is accurately depicted - a trademark of Jean Gill’s historical fiction is the depth of research. Only when all facts are known does the fiction seamlessly begin. It is easy to imagine the main characters are from real life and now, for me, they are. And real life is here in all its facets: the every day lives of jarls, servants, slaves, tradesmen and, of course, warriors. All beautifully shown in the easy progress of the narrative. Our heroes are imperfect, our villains have admirable qualities or, at least, laudable talents. Real characters.
I found myself engaged with plot and character from the opening chapter and quickly invested in the developing lives of Skarfr and Hlif - a historical romance in the real world. The story ends with the same energy as it begins… suffice to say that there is trouble afoot and plenty of scope for this saga to run to several books. I can’t wait!
October 25, 2022
A thoroughly enjoyable read. Every now and again I find myself happily enmeshed in a story I love so much that I read slower and slower to make the experience last as long as possible. This novel is beautifully written bringing all the beauty of the Orkneys to life complete with dirt, discomfort and religious ambiguity. The detail is fascinating. We learn about the habits of cormorants, cathedral building, copying manuscripts, sea-faring, running a large household, fighting skills and weapons, musical instruments, marriage contracts, hospitality, political power, slavery, cooking and clothing. I do love to read such a well-researched book.
In fact the whole book is very well presented from its intricate cover design to all the extras a lover of history enjoys. Maps, family tree, glossary etc. are, I believe, as much at home in fiction as in a biography or academic tome. Jean Gill does not stint her audience. I had only read one small novelette of hers before (Nici's Christmas Tale) and I found that too a much more intense and moving story than I anticipated.
In fact the whole book is very well presented from its intricate cover design to all the extras a lover of history enjoys. Maps, family tree, glossary etc. are, I believe, as much at home in fiction as in a biography or academic tome. Jean Gill does not stint her audience. I had only read one small novelette of hers before (Nici's Christmas Tale) and I found that too a much more intense and moving story than I anticipated.
November 3, 2022
I really enjoyed this novel and want to know what happens next. It grabbed me more than I expected at first and I really enjoyed that it was in a location I know little about. There were some odd auto-correct looking issues sometimes that took me out of the story, but that happens with e-books. I highly recommend this book for anyone who loves a good viking era story!
October 19, 2022
Set in Orkney during the 12thC, this is the story of Skarfr, a skald, and Hlif, the Jarl’s ward and housekeeper. It’s a tale of forbidden love, hate, betrayal, and courage mixed in with adventures on the high seas and a little bit of magic.
It took me some time to get into this book. I’ve never read a story about the Vikings so thought I’d give this one a go. It’s well written, very vivid and atmospheric. I found the culture aspect surrounding the Vikings interesting, it’s not something I know a lot about. The research that has gone into writing this saga is admirable. I did get a little confused by all the different Jarls at first and wish the list of characters had been at the front of the book for ease of checking. I got a little lost on the timescales as it suddenly seemed to skip years. All in all, however, it’s a fascinating and impressive read. If you enjoy historical fiction combined with fact and are a fan of the Viking era, you should find this one very engaging. 3.5⭐️
It took me some time to get into this book. I’ve never read a story about the Vikings so thought I’d give this one a go. It’s well written, very vivid and atmospheric. I found the culture aspect surrounding the Vikings interesting, it’s not something I know a lot about. The research that has gone into writing this saga is admirable. I did get a little confused by all the different Jarls at first and wish the list of characters had been at the front of the book for ease of checking. I got a little lost on the timescales as it suddenly seemed to skip years. All in all, however, it’s a fascinating and impressive read. If you enjoy historical fiction combined with fact and are a fan of the Viking era, you should find this one very engaging. 3.5⭐️
October 10, 2022
The Ring Breaker by Jean Gill is a well-crafted historical story that evokes the brutal but rich Viking world. It is based during a time when there was a great deal of tension between the fading religion of the old gods and the growing Christian faith, as well as the uneasy alliance between the ruling Jarls of Orkney.
Against this backdrop, we are introduced to Skarfr, an orphan who is initially placed in the care of a Skald (like a Bard) until he is introduced to the intrigue of the Jarl Court. There he meets another orphan, Hlif and they forge a bond, determined to step out of the shadows of the sins of their fathers.
I made the decision this year to read more historical novels and I am pleased to say, I very much enjoyed this book. I think it helped that I knew very little about the Vikings and the history going into this story. It is beautifully written, immersive and manages to capture the dramatic and stunning landscape of Orkney well. I found myself completely lost in the story and adored the character development of Hlif with her quiet intelligence and perseverance.
The story weaves historical fact and fiction seamlessly, and I really appreciated how much research has gone into this novel. Although, it uses old place names and language from the time, I didn’t particularly find this off putting.
I would caution any reader who is expecting a typical blood thirsty Viking fantasy (this is not it). Any fantasy elements are intertwined with the cultural and political beliefs of the time, providing a richness to story.
I am very much looking forward to reading the sequel!
Thank you to Netgalley for providing a digital arc to review.
Against this backdrop, we are introduced to Skarfr, an orphan who is initially placed in the care of a Skald (like a Bard) until he is introduced to the intrigue of the Jarl Court. There he meets another orphan, Hlif and they forge a bond, determined to step out of the shadows of the sins of their fathers.
I made the decision this year to read more historical novels and I am pleased to say, I very much enjoyed this book. I think it helped that I knew very little about the Vikings and the history going into this story. It is beautifully written, immersive and manages to capture the dramatic and stunning landscape of Orkney well. I found myself completely lost in the story and adored the character development of Hlif with her quiet intelligence and perseverance.
The story weaves historical fact and fiction seamlessly, and I really appreciated how much research has gone into this novel. Although, it uses old place names and language from the time, I didn’t particularly find this off putting.
I would caution any reader who is expecting a typical blood thirsty Viking fantasy (this is not it). Any fantasy elements are intertwined with the cultural and political beliefs of the time, providing a richness to story.
I am very much looking forward to reading the sequel!
Thank you to Netgalley for providing a digital arc to review.
October 21, 2022
This book tells the story of Skarfr, a boy forged in the cruelty of his foster father, and Hlif, a young girl forever marked by her father’s actions. Both of them will fight to leave behind their past and shape a new future, one without their fathers' shadows that are constantly haunting them.
I really loved the story, the strength of the characters, how they fight to change what’s written. Totally recommend!!
I really loved the story, the strength of the characters, how they fight to change what’s written. Totally recommend!!
October 21, 2022
Thank you to NetGalley and The 13th Sign for the advance reader copy.
Beautifully written and engaging. A fantastic take on the viking lore of the Orkneys. Really looking forward to reading the rest of the series.
Beautifully written and engaging. A fantastic take on the viking lore of the Orkneys. Really looking forward to reading the rest of the series.
October 13, 2022
I enjoyed this very much and am glad I was given the opportunity to read this. The blend of fact and fiction, as discussed in the novel's afterword, is masterful in its skillful handling of Viking lore, language, imagery, family ties, societal relationships and cultural norms. The story is simply told with lovely detail, and all in all it made for a highly readable story. I would gladly recommend this to fans of good historical fiction, and particularly novels that focus on Viking culture.
October 11, 2022
this was a really well done viking novel, it had what I enjoyed about the genre. It was what I was expecting from the author. It was a great start to the Midwinter Dragon series. I was invested in what was happening and really glad I read this.
I received an advance review copy for free, and I am leaving this review voluntarily.
I received an advance review copy for free, and I am leaving this review voluntarily.
August 19, 2022
The story follows Skarfr, a young boy in twelfth-century Orkney who’s rejected by his father at birth. He soon meets Hlif, a girl similarly cursed by family beyond her control. Her help saves Skarfr, but also inserts him in the middle of the savage politics of Viking Orkney, which, for better or for worse, has two jarls. As Skarfr grows up, his understanding of these curses evolves and matures until they’re revealed to be prophecies instead.
In spite of having a basis in true historical events, this novel is delightfully unpredictable, perhaps aided by the surprising details Gill is able to pull out of this faraway culture. In this novel, the reader will enjoy poetic imagery that often veers into cheekiness, the expertise of building a cathedral, especially evocative sailing scenes, fear and determination before threats earthly and divine, the excitement of stumbling upon an abandoned funeral barrow, and a slow-burn enemies-to-friends-to-lovers story that is as suspenseful as real life.
The way Gill has crafted the mysterious historical evidence into a coherent story gives the reader an unforgettable world, harsh and startling, but tinged with magic.
In spite of having a basis in true historical events, this novel is delightfully unpredictable, perhaps aided by the surprising details Gill is able to pull out of this faraway culture. In this novel, the reader will enjoy poetic imagery that often veers into cheekiness, the expertise of building a cathedral, especially evocative sailing scenes, fear and determination before threats earthly and divine, the excitement of stumbling upon an abandoned funeral barrow, and a slow-burn enemies-to-friends-to-lovers story that is as suspenseful as real life.
The way Gill has crafted the mysterious historical evidence into a coherent story gives the reader an unforgettable world, harsh and startling, but tinged with magic.
September 15, 2022
I’m a total newcomer to anything to do with Vikings, but picked The Ring Breaker on the strength of Jean Gill’s Troubadour titles. I was delighted to discover it had all the hallmarks of a Jean Gill novel. Political intrigue, action and adventure, and a love story fraught with difficulties! This is set in a landscape where great warriors are almost mythical beings whose stories go before them and where magic seems possible, and a time when old religion and new Christianity clashes.
The novel works on so many levels. Those familiar with the Viking sagas will no doubt be drawn into the divided politics and infighting but the real interest for me came with the relationship between Skarfr and Hlif, the two main characters, described in the book description as ’two cursed orphans’, whose lives and futures are not their own to choose.
The will- they-won’t-they? aspect worked really well, and we know that even if they do get together, we don’t know if they can ever be husband and wife. I particularly loved Hlif’s feistiness. She certainly fits Shakespeare’s description of, ‘Though she be but little she is fierce’!
The novel works on so many levels. Those familiar with the Viking sagas will no doubt be drawn into the divided politics and infighting but the real interest for me came with the relationship between Skarfr and Hlif, the two main characters, described in the book description as ’two cursed orphans’, whose lives and futures are not their own to choose.
The will- they-won’t-they? aspect worked really well, and we know that even if they do get together, we don’t know if they can ever be husband and wife. I particularly loved Hlif’s feistiness. She certainly fits Shakespeare’s description of, ‘Though she be but little she is fierce’!
September 15, 2022
Deeply researched, deeply authentic, deeply exciting
My impressions are of a rigorously researched authentic story with well-developed characters. The author’s core theme of intertwining human and nature is present, perhaps not to the level of bee sex in her Natural Forces series, but in a spiritual and visceral level.
The book conveys how important connections to the spirit world were to these people, particularly in a period of transition, but also how basic and dangerous people's lives were at this time.
I'm not at all poetic, but even I enjoyed the relevance of the poetry woven into the tale. The writing is beautiful and so vivid; reading the sea voyages made me almost sea-sick.
Hlif is a very strong character and her complex off/on relationship with Skarfr develops beautifully. Added to their personal story are political intrigue, action and adventure. Altogether a great book and a literary one as well.
My impressions are of a rigorously researched authentic story with well-developed characters. The author’s core theme of intertwining human and nature is present, perhaps not to the level of bee sex in her Natural Forces series, but in a spiritual and visceral level.
The book conveys how important connections to the spirit world were to these people, particularly in a period of transition, but also how basic and dangerous people's lives were at this time.
I'm not at all poetic, but even I enjoyed the relevance of the poetry woven into the tale. The writing is beautiful and so vivid; reading the sea voyages made me almost sea-sick.
Hlif is a very strong character and her complex off/on relationship with Skarfr develops beautifully. Added to their personal story are political intrigue, action and adventure. Altogether a great book and a literary one as well.
September 7, 2022
We meet Scarfr in his childhood when the skald Botolf is chosen to be foster-father to the boy. It’s not a happy union. He meets Hlif, a fellow loner and their connection sharpens in the course of the book. Scarfr is trained to be a skald, to write sagas and celebratory poems, but an unfortunate early experience scars him. In the course of the book, he becomes a man, and Hlif a woman, and I really love the way their stories mingle. If you’re a lover of Viking history this book will tick all the boxes. It’s got a well-researched basis in historical characters, but with plenty of imaginative writing intertwined. The characters are believable and many are appealing – but not all! A great read.
August 25, 2022
When Orphans Skarfr and Hlif are thrown together in this harsh but fascinating and authentic medieval Viking setting, you know that this book is going to be something pretty special.
No spoilers here, but suffice to say The Ring Breaker has saga of epic proportions written all over it and stands alone as a one-off, well-researched novel. However, breathe a sigh of relief as this is the first in the series and I can't wait to read the next instalment in this extraordinary Viking adventure.
Most highly recommended.
No spoilers here, but suffice to say The Ring Breaker has saga of epic proportions written all over it and stands alone as a one-off, well-researched novel. However, breathe a sigh of relief as this is the first in the series and I can't wait to read the next instalment in this extraordinary Viking adventure.
Most highly recommended.
October 30, 2022
The Ring Breaker was a well crafted viking story, a coming-of-age journey for two outcast characters set within the volatile and hard-to-navigate viking culture.
Her portrayel of the culture was excellently done, and I commend her research and her style, not just presenting us with a story, but leading us to understand it from the persepctive of the people of the time.
Although somewhat foreign at first to westernized palates, the prose and art of the viking sagas and their love for spoken literature was a beauty to behold, and I enjoyed the very many passages, intrigued with the style and layered meaning.
I frequently lament at the exclusion of native cultures and their art to satisfy the limited understanding of us western readers, but I cheered to see it unapologetically carried through the story, not sanitising or compromising the true spirit of it.
I loved the character of Hlif, and her determination to make the best of a bad situation, and raise herself into respect despite her lineage. Skarfr was a woe-begotten boy to begin with, and though his developement seemed to take quite some time to complete, I enjoyed watching his progression.
My only regret is that it seemed to not have very driving stakes, or pace, but alas, I must admit that that is probably not the focus in a coming-of-age story, and I am not wholly accustomed to reading that format.
I really love how the author took isolated events, barrow graffiti, and marrriage records to spin such a tale of what could have been. As a historian and writer, myself, I applaud her cunning.
I also would like to thank the author for not going into graphic detail with the elements of gore and sex. I know these things were definitely prevelant in the viking culture, but I appreciate her restraint, and hope further books do not exceed the tact here shown.
I do look forward to coming books!
[I recieved a free copy of this book from BookSirens in exchange for leaving an honest review! If you would like to become a review reader, I encourage you to sign up with them!]
Her portrayel of the culture was excellently done, and I commend her research and her style, not just presenting us with a story, but leading us to understand it from the persepctive of the people of the time.
Although somewhat foreign at first to westernized palates, the prose and art of the viking sagas and their love for spoken literature was a beauty to behold, and I enjoyed the very many passages, intrigued with the style and layered meaning.
I frequently lament at the exclusion of native cultures and their art to satisfy the limited understanding of us western readers, but I cheered to see it unapologetically carried through the story, not sanitising or compromising the true spirit of it.
I loved the character of Hlif, and her determination to make the best of a bad situation, and raise herself into respect despite her lineage. Skarfr was a woe-begotten boy to begin with, and though his developement seemed to take quite some time to complete, I enjoyed watching his progression.
My only regret is that it seemed to not have very driving stakes, or pace, but alas, I must admit that that is probably not the focus in a coming-of-age story, and I am not wholly accustomed to reading that format.
I really love how the author took isolated events, barrow graffiti, and marrriage records to spin such a tale of what could have been. As a historian and writer, myself, I applaud her cunning.
I also would like to thank the author for not going into graphic detail with the elements of gore and sex. I know these things were definitely prevelant in the viking culture, but I appreciate her restraint, and hope further books do not exceed the tact here shown.
I do look forward to coming books!
[I recieved a free copy of this book from BookSirens in exchange for leaving an honest review! If you would like to become a review reader, I encourage you to sign up with them!]
October 16, 2022
3.5 stars!
The writing style of this book reminded me of G. A. Henty's historical fiction books, but slightly more modern. It's told in third person point of view with glimpses into Skarfr's thoughts, but there is an essence of detachment as well, like the reader is floating above all of the scenes rather than standing nearby. However, I found it fitting for the story!
One of my favorite things about this book is that there were lots of facts and true-to-the-time elements. Many modern historical fiction books tend to keep a lot of 21st century attitudes and lifestyle elements. The Ring Breaker felt like I was stepping right into the time of the Vikings in 1139 in an accessible way! (I especially loved the author's note at the end explaining where some of the storyline came from.)
Skarfr was a strong character, and he definitely grew by the end of the book. It was interesting watching his opinion of women formulate over time due to his own experiences rather than what others say. I really liked Hlif as a character, but she was not in focus for a lot of the later portions of the book, which made it harder to see much growth on her end. Also, I'm going to be honest, it took me a while to finally solidify the difference between Thorbjorn, Rognvald, and Sweyn in my mind.
There was a lot of time-jumping, where years would go by. The only time it felt a little odd was near the end, when it just felt like a lot was happening all at once, but we were also skipping several months at a time.
I also appreciated how generally clean this book was, especially since it was told in the time of the Vikings who were notoriously nasty. However, there was one scene near the beginning (that a lot of the book is hinged on), and I felt like it could have been slightly more vague and the readers would have understood what was happening.
Overall, this is a grand adventure type of book, where the reader follows Skarfr as he grows into a man over many years. I never felt the story lag and I always felt compelled to read more. I feel like I stepped into one of the saga's that the skalds talked about!
The ending was a bit of a cliffhanger, so I would be interested to read the next book and see more of Skarfr and Hlif's lives!
Trigger warnings: sexual violence is mentioned, one vague scene of assault.
The writing style of this book reminded me of G. A. Henty's historical fiction books, but slightly more modern. It's told in third person point of view with glimpses into Skarfr's thoughts, but there is an essence of detachment as well, like the reader is floating above all of the scenes rather than standing nearby. However, I found it fitting for the story!
One of my favorite things about this book is that there were lots of facts and true-to-the-time elements. Many modern historical fiction books tend to keep a lot of 21st century attitudes and lifestyle elements. The Ring Breaker felt like I was stepping right into the time of the Vikings in 1139 in an accessible way! (I especially loved the author's note at the end explaining where some of the storyline came from.)
Skarfr was a strong character, and he definitely grew by the end of the book. It was interesting watching his opinion of women formulate over time due to his own experiences rather than what others say. I really liked Hlif as a character, but she was not in focus for a lot of the later portions of the book, which made it harder to see much growth on her end. Also, I'm going to be honest, it took me a while to finally solidify the difference between Thorbjorn, Rognvald, and Sweyn in my mind.
There was a lot of time-jumping, where years would go by. The only time it felt a little odd was near the end, when it just felt like a lot was happening all at once, but we were also skipping several months at a time.
I also appreciated how generally clean this book was, especially since it was told in the time of the Vikings who were notoriously nasty. However, there was one scene near the beginning (that a lot of the book is hinged on), and I felt like it could have been slightly more vague and the readers would have understood what was happening.
Overall, this is a grand adventure type of book, where the reader follows Skarfr as he grows into a man over many years. I never felt the story lag and I always felt compelled to read more. I feel like I stepped into one of the saga's that the skalds talked about!
The ending was a bit of a cliffhanger, so I would be interested to read the next book and see more of Skarfr and Hlif's lives!
Trigger warnings: sexual violence is mentioned, one vague scene of assault.
August 22, 2022
Disclaimer: I’ve known and admired Jean Gill’s work for some years, and collaborated with her in an anthology work. I was thrilled when she offered a free copy of The Ring Breaker in exchange for an honest review.
If you’re a fan of the Viking Age, the television shows Vikings and Valhalla, or the excellent works of authors Kristian Giles and Peter Gibbons, the world of The Ring Breaker will feel familiar. Even if the names of several historical figures and the setting, windswept coastal Orkney in the 1100s, are not as well known. My emphasis on the emotions this work elicits is deliberate; rich details of the medieval experience stir all of a reader’s senses. Mythical elements remain intertwined with vivid realism and political intrigue. World-building is key for immersing readers, and Jean Gill skillfully depicts a transformational period. Old Norse religious beliefs linger alongside the new fervor of Christianity. As I quickly replied to the author’s request, she “had me at Viking Orkney.” A sentiment I believe her readers will share.
The would-be skald or poet Skarfr, named for the cormorant, is a boy reluctantly abandoned by custom with little hope for his survival. Despite his mother’s quick retrieval, life’s lessons come hard to him after the deaths of both parents occur. His inheritance, including a longhouse, must wait until he comes of age. Apprenticed for years as a ward to a sour-faced foster father, also a gifted skald, Skarfr struggles to navigate the harsh currents of an existence closely bound to the sea.
So too does Hlif, who meets Skarfr in a chance encounter. Introducing herself as the daughter of a sainted Norse ruler’s murderer, it’s a burden she would like lifted. While it remains, she is cursed to endure one fate. Although he’s intrigued, the arrival of strangers briefly separates him and Hlif. Until their next encounter at the home of her noble master, one of Orkney’s rulers, in whose service Skarfr’s father died.
The strangers have come with plans for marriage and mayhem, heralding a change to the drudgery of Orkney life. For Skarfr as well, who joins the household of Hild’s master thanks to her intervention and role as a future housekeeper. An ambitious, enigmatic ruler, Jarl Rognvald officially shares the position with a younger, much more ignorant claimant, patiently abiding by a dictate often repeated throughout the novel. “…Two jarls must heed their people,” hearkening to Orkney’s political traditions.
Even as Skarfr wonders if men can serve more than one master faithfully, his worries are much more pressing than those “high-born matters,” as he terms them. Something he saw but should not have seen has earned him more than one enemy. Unless he finds a clever way, as Hlif has throughout her life, to allay the consequences and change fate. She has unusual talents, for more than storytelling too, abilities Skarfr thinks he may never gain. But will he try the same?
Words have significance, rivaling deeds. One of the themes pervading Gill’s novel. Words may inspire and entertain, as Skarfr’s skilled foster-father knows from weaving poetic recitations, or distract from rising threats, and even cause the ruin of those who hear. Most of all, the right usage and understanding of them opens up new opportunities for Skarfr. His most timely words might even save a precious life.
But what makes for the best Viking tales? The adventures, of course, found in this novel too. Across frigid waters in quests that at times take him away from his homeland and Hlif, Skarfr gains the experience he once longed for; sailing the seas. He’s surprised to find that the prospects of raids, battles, and sieges are not as skalds would have his people believe. With Hlif seemingly cursed to remain alone, due to her father’s act, it seems the only bright hope of happiness Skarfr has for the future may be the attainment of his inheritance. Will that be enough for him?
Find out more in The Ring Breaker, available October 2022.
October 24, 2022
The ring breaker by Jean Gill.
The Midwinter Dragon Book 1.
Stripped of honour, facing bleak loneliness ahead, Skarfr and Hlif forge an unbreakable bond as they come of age in the savage Viking culture of blood debts and vengeance. To be accepted as adults, Skarfr must prove himself a warrior and Hlif must learn to use women’s weapons. Can they clear their names and choose their destiny? Or are they doomed by their fathers’ acts?
Really enjoyable read. I liked the story and characters especially Skarfr. I'm looking forward to the next book. 4*.
The Midwinter Dragon Book 1.
Stripped of honour, facing bleak loneliness ahead, Skarfr and Hlif forge an unbreakable bond as they come of age in the savage Viking culture of blood debts and vengeance. To be accepted as adults, Skarfr must prove himself a warrior and Hlif must learn to use women’s weapons. Can they clear their names and choose their destiny? Or are they doomed by their fathers’ acts?
Really enjoyable read. I liked the story and characters especially Skarfr. I'm looking forward to the next book. 4*.
October 24, 2022
This book is skilfully written. It for me has all the characteristics of a Jean gill novel .. drama. Political intrigue.a love story which definitely is fraught with troubles .. undoubted action and adventure and I love the feel of the fierce Viking’s weaving this story .. I recommended it to friends also remarked on enjoying this novel and looking for more from this author .. definite a five star read
September 2, 2022
This is a tale which takes place in Orkney at the time of the vikings, where life was harsh and dominated by men. Skarfr was a weak baby upon birth, so his father tried to let him die on the beach but this was not his destiny. His mother searched high and low for her babe and found him in a cormorant nest being mothered by the cormorant along with her fledglings. She said the god’s had returned him and he was to stay, and that sagas would be written about him. However he was soon orphaned and fostered by a skald who treated him badly, so he left and sought work with Jarl Rognvald. He always felt inferior, as he was jeered at by the Jarl’s men but his wish was to become a worthy man and to learn everything this entailed, so he learned how to battle and how to travel on the open seas and he knew how to make up poems but only in his head. He was still different to the other brutish men he tried to emulate and learn from, as he was kind and honorable especially in the way he treated women. His best friend was Hlif, an angry and troubled girl, who was said to be cursed and who had the sight, later making her act like a witch. Those he had considered to be heroes when he was growing up were Sveyn and Thorbjorn who were rivals, and who he realized were not worth emulating at all. One was a pirate who was willing to give his sister to his rival to serve his needs, and the other was a swaggering rapist full of rage and jealousy who took out his anger on his wife Inge. But the women in this book are portrayed as strong in character and belonging to a sisterhood which looked out for one another. I love the very well researched book which brought to life in great detail the day to day life of the characters portrayed, the treachery, savagery, as well as the belief in the old gods and fear of witchery as the idea of Christianity was dawning in Orkney. I mostly loved the love and loyalty Skarfr and Hlif showed towards one another. The world building is excellent as it depicts life in the harshness of winter especially on the North sea in all it’s brutality. Ms. Gill has done it again!
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