The long-awaited deluxe hardcover collection of the Eisner Award-nominated, despondent fantasy series from GLAAD Media Award-winning author Simon Spurrier and EW’s 2019 Artist of the Year, Matías Bergara!
After an apocalypse which wiped out nearly all magic from a once-wondrous fantasy world, an antisocial former bard named Hum seeks a way to save the soul of his wife with nothing but a foul-tempered mutant unicorn and his wits to protect him. But in the process, he is unwillingly drawn into a brutal power struggle which will decide forever who rules the weird wasteland... Written by GLAAD Media Award-winning author Simon Spurrier ( The Dreaming, Star Wars ) and lavishly illustrated by Eisner Award-nominated artist Matías Bergara ( Step By Bloody Step, John Hellblazer ), Coda is the Eisner Award-nominated relentless kaleidoscope of visual wonders, exploring high fantasy and the post-apocalypse through the lens of a curmudgeonly loner in search of his lost love. Collects Coda #1-12.
CODA is a high fantasy that has a sense of place and history. Concerning the story, the author stated that it's about “what happens when the magic is gone”. The world is full of goblins, dragons, orcs, wizards, and other general elements that are associated with high fantasy literature. Furthermore, it feels heavily influenced by both Mad Max and Fist of the North, not just aesthetically with the setting but with elements of even the cast.
Step by Bloody Step is still my favourite work from this duo (Simon Spurrier & Matías Bergara), yet this series is bloody great. I was a bit concerned about the writing, as you would know Step by Bloody Step is a wordless comic, yet I shouldn’t have been concerned as it’s excellent. The artwork is beautiful as expected, what makes Matías Bergara artwork delightful is the varied art styles depicting certain moods and atmospheres utlising a dynamic colour scheme, especially the use of dark red hues. Reading Step by Bloody Step beforehand, you realise how much the team has improved on their craft from a technical perspective. CODA, unfortunately, at times faces issues of busyness. Some moments don't flow super naturally or are difficult to see. In comparison, Step by Bloody Step, I never faced that situation, which is probably good in hindsight as it just shows they improved upon their craft. Serka might be my favourite character, and the general character dynamic is sweet to observe. The general themes I thought were explored nicely were: what’s the meaning of life after a disaster?
In conclusion, this is a fun and imaginative high-fantasy comic book series that’s worth checking out.
Story is bland and very predictable. Every thought was narrated, which was great for the first few issues to build the world, but quickly becomes tiresome and felt more like prose as I was barely looking at the art between the excessive amount of narration boxes. Overall it felt boring, its just the same old stuff I read in things like Ether, Fear Agent others. There are a few interesting moments but thats all they were, brief moments. Lots of bright colours drew me in to check this out but having read it, it was dull.
This is my 1st reread of the entire series. One of the best books in the business! Story is 10 out of 10. Art is 9.5 out of 10. Super glad I got the deluxe edition.
Absolutely BEAUTIFUL art and colors. Creative, interesting, and wonderful world-building. The story was great and it took me a while to understand for some reason, but it's all about love and facing what's next. Definitely recommend this one to people who are into high fantasy!
I'm not a high fantasy guy, so I didn't fall in love with it like others, but even then I can see how great this was. I really did fall in love with the world multiple times with the beautiful panels.
Great read, seriously. Those final panels were fantastic!
Almost like Breath of the Wild if Link was an asshole who rode a “uni”corn with a potty mouth.
Somehow a loveletter to storytelling and love itself, but also undeniably antithetical to The Lord of the Rings, Coda works in such a way that were any piece to be removed, be it the art, the monologuing, or even the lettering, everything would fall apart. Paraphrasing, but I think the author described this book best: “Coda takes High Fantasy out behind the shed and shoots it in the head.”
Up to half the book is just a generic post-apocalypse fantasy, with some interesting elements like the scarcity of magic and some moster evolution in such deprived environment. The last half is a rollercoaster that captalizes on carefully planted plot seeds during the first half, with astonishing plot twists and an incredibly epic resolution!
I actually thought I already read this series? But I'm excited to see what this story is about. I know nothing about it but the cover looked cool on the Trade Paperbacks.
What if High Fantasy but make it Post Apocalyptic ? At the very end of the book, Spurrier writes a small self imbued end note about how High Fantasy died off a century ago and he's the messiah who brought it back to life (I'm paraphrasing here). I don't think this book is quite all that. It follows some fairly expected codes, though it does us them in clever ways, and comes with it's fair share of twists and turns. But most importantly, it's fun as hell.
Set in a world of Orcs and Elves. Sorry, Urken and Ylfs... In the aftermath of a war where the Urken killed of all the Ylfs, and cut off the world's magic supply with it.
We follow a bard with a seemingly constant hungover as he tries to save his wife. I'm not going to say much more about the story as it's easy to fall into spoiler territory here. But I'll just say that it features a wheeled city dragged by an armored giant, a flying battleship that looks straight out of a Druillet comic and a mutant unicorn that swears instead of neighing. It's utter chaos, but in the best of ways. It strikes a good balance between serious and comedic, both in the writing and I'm the designs.
And much like their other collaboration, Step By Bloody Step, the art is the real star of the show. It's simultaneously scratchy and lush. The coloring is pure unadulterated psychedelia and I'm here for it.
This was hard to get through up until the last few issues.
The setting is a post apocalyptic fantasy world, but the book does an utterly poor job of explaining the so called 'Quench'. Also, the story needs very long to get going and become interesting.
I do however really like the character of Serka and her internal conflict. Unfortunately the book is told from the POV of her bland husband, with his cynical view on the world and his schemes that I really don't care about.
And the artwork? I hate it, since I cannot understand what is happening in half of the panels. Everyone looks slightly different in each panel and characters are hard to recognize. There's a lot of landscapes and shots of a large group of people and you can hardly make out any details. That said, the colouring is very well done at least.
I can't really recommend this unfortunately, because there is some potentail here, but you have to bring a shovel to find it!
Rereading this. First: the art. Man, do I love Matias’s art. Complex and beautiful. Each page can be stared at. Each panel seems filled with details and fluidity. The colors are a perfect addition to everything he draws. I love it. The story: is very fun. Dark and tragic and funny and interesting. The main, unnamed, character is a bard in a post-“apocalyptic “ fantasy world. The Quench left the fantasy world with minimal magic. No more heroes and quests and wizards and what magic is left is a precious resource that everyone fights over. Plus the bard is married to a warrior cursed to be an ogre like creature? Anyway, there are skeletal dragons with itchy bums, giants pulling cities, a swearing unicorn (with extra horns), a delusional illusionist, a mermaid trapped in a desert and more. But man… the art.
Al igual que con Godshaper y The Spire, quedo completamente maravillada con la manera tan natural y multidimensional en la que Simon Spurrier escribe fantasía. Los tropos están ahí: los seres fantásticos, la magia, los lugares de ensueño, pero la manera en la que los conjuga centrándose en la humanidad de sus personajes y en hacer que el mundo se sienta como un lugar habitado es increíble.
Igualmente siento que su elección de trabajar con ilustradores que entienden y complementan la historia es impresionante, en este caso lo hace con el uruguayo Matías Bergara y el resultado es un torbellino de colores, criaturas y paisajes que parecen sacados de una obra de Moebius.
Likable, fun fantasy series with distinctive art and character designs.
I started it because I liked the coloring, I kept reading because I wanted to see how the couple would work out.
It's quirkiness appealed to me as well, but I have a feeling some will find it a bit forced.
It does do some things you've seen elsewhere, but with it's humor and style I was charmed. Its like seeing a good version of that romantic action comedy that the film industry keeps making. You can revisit it often and still have fun. Maybe even see something fresh.
A misguided campaign by a warrior clan leads to an apocalyptic event that renders a fantastical world nearly devoid of magic. A jaded bard ventures from one settlement to another, alongside his pentacorn steed, in search of means to save his loved one from the forces that hold her captive. He soon finds himself entangled in the quarrels between warring factions before a underground actor manipulates the conflict in an attempt to take absolute control of the domain.
This was excellent, a well crafted blend of apocalyptic fantasy and character drama. The story took itself just serious enough, which is to say not too much, and had a really compelling blend of humor, cynicism, and heart. It's rare a book utilizes D&D tropes without making me roll my eyes, which this not only avoided but succeeded in making subversions of said tropes compelling. Kick ass art to boot, with some stellar art direction in the city and character designs. Some of the compositions can become a bit crowded and unclear in spots, but the overall aesthetic is damn attractive.
Absolutely fantastic book. Strong art, incredible story with just the right amount of humour injected into it.
This one I had been looking forward to reading, but it really caught me off guard how much I enjoyed it. Basically a post apocalyptic fantasy setting that gets fleshed out as you go along. Lots of interesting twists to keep things fresh and interesting.
(recensisco la collezione totale globale invece dei tre TPB)
Ho adorato tutto: personaggi, storia, testi, disegni. Parte un po' lento forse, ma ogni tassello che si aggiunge va a comporre uno splendido mosaico narrativo, e i soliloqui di Hum/Husband sono delle piccole gemme. Una storia che prende il canone tipico dell'high fantasy e ci monta sopra un serie di disperati alla Mad Max, che lettura goduriosa.
This book deserves to be read for the art and colors alone by Matías Bergara. I can’t stress enough how beautiful this is. THE COLORS. It does help that Spurrier’s writing is so good. The premise itself is so creative. Life after the fantasy world ends. Wow. This book uses this setting as of commentary about self, life, reflection, honesty, and so much more. This was such a worthwhile read.
Wow. That was. Insanely good. A self contained graphic novel that has something to say with an original story and world that plays in the high fantasy genre but not really? Wow. Just wow. This makes my top 5 comics of all time, easily. I got this out from the library but I might just need my own copy because that. that was something worth rereading. Rereading again and again. Highly recommend.
Much better than what I expected. I would call this the best comic of the year, except the original story is several years old and I had missed the original release in single issue form. CODA is to high fantasy what Saga is to Scifi for me. An absolute must read with really good art.
Me lo tengo que volver a leer en Español ya que en Inglés se me hacía bastante complejo a veces. Pero pude pillar las ideas generales del argumento. El worldbuilding es muy imaginativo y el arte de Matías le viene como anillo al dedo. Tiene ese toque a cómic de los años 90.
In a world with magic dying, people are desperate and will do anything to survive. Incredibly original story with jaw-dropping art. Beautiful colours contrast with the moral greyness of the characters.
One of my favorite graphic novels. The world of Coda is wonderful, equal parts satire of popular fantasy and deeply inspired and original. Hums story is engaging and emotional. Matias Bergara's art is absolutely phenomenal as well, and I put him in my pantheon of great comic artists.
What a treat!! Very enjoyable ratio of world building to character-driven content. The protagonist's mount is a five-horned "pentacorn" that swears profusely? Don't ask questions, friend - you're along for the ride, and it's going to be a good one. And the art, especially the colors? Sublime.
This felt like a lightning of pure energy cursing through my mind. It is rare to encounter such display of originality and fresh ideas in a world filled with overworked topics. The fantasy to be found in Coda is something out of the ordinary, more like a masterpiece of art and heartfelt narrative.