Comic book novelization, graphic novel in prose form? Check.
Badass BIPOC female teenage protagonist (prior to her more familiar, commanding big screen persona) - something new and a little different, particularly in terms of perspective? Check.
A fast, fun (and, frankly, not particularly taxing) read; a little escapist action (as a nice follow up to the heavily researched non-fiction that I just finished)? Check
For better or worse, YA (... and, in this case, this one skewed a little more towards the Y, rather than the A)? Yup. Also, consistent with the light/easy (and entertaining) reading theme, this was (surprisingly) straightforward, without much in the way of detour or derailment or deception (or complexity)....
But, again, fun? Yup. And isn't that the point?
Reviewer's Achilles Heel?: I make no apologies that I consume a healthy diet of prose super-hero literature, not only in graphic novel form (which I enjoy), but also in novel form (which, for whatever reason, really pushes my buttons). Since these books are, ultimately, suspended in that space between sci-fi and fantasy and adventure and mystery, I find that I prefer having my imagination free to roam rather than being skewed by the visual representations (even though, at times, I've found the artists (for example, during Alex Ross' heyday) ... and the color ... enhance the experience).... But, like in all things, the quality and the target audiences vary widely.... And, these days, the market is heavily skewed to younger readers (YA and teen), and ... it is what it is ... that stuff doesn't always work for me. (OK, OK, I wish the market would generate more A-without-Y superhero novelizations, but ..., my sense is that market played out nearly 20 years ago, so, it is what it is...) But I'm rarely sorry that I buy and (promptly) consume this kind of stuff.