What do you think?
Panini Comics' Captain Britain #3
Captain Britain: The Lion and The Spider
This is the third volume in the series of Captain Britain TPBs published by Panini UK. It reprints the Captain Britain stories which originally appeared in "Super Spider-Man and Captain Britain" #239-247, "Marvel Team-Up" #65-66, and "Hulk Comic Weekly" #1, 3-30.
- GenresComicsGraphic Novels
204 pages, Paperback
First published November 2, 2008
About the author
Chris Claremont
3,334 books930 followersChris Claremont is a writer of American comic books, best known for his 16-year (1975-1991) stint on Uncanny X-Men, during which the series became one of the comic book industry's most successful properties.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 5 of 5 reviews
October 31, 2010
Full review on Badelynge
It's the late 1970s. I'd spent the decade absorbing Marvel's back catalogue of reprints, learning to read along the way from the day my aunt handed the four year old me my first Spider-man issue. Okay - four year old me got my dad to do the reading initially but you get the idea. I reread those early Lee/Ditko & the Lee/Kirby (back-up strip was The Mighty Thor) stories time and time again. Not too long after - In 1976 to be exact - I fell in love with Marvel UK's new hero: Captain Britain was born. Unfortunately, most of the other kids were more impressed with The Beano, TV Comic, Look-in or all those war comics. Captain Britain was dead. After 39 weekly issues Marvel UK's British experiment was laid to rest. The UK just wasn't in tune with America's love of the super-hero comic genre. At this time Marvel had got used to cancelling comics after the shine had worn off the launch glitz. These titles usually ended with just a small loyal following which the publishers would try to tempt over to another title by merging the defunct title with one of the more viable titles. In this case Captain Britain's loyal die-hards would have to start collecting Marvel's flagship unsinkable British reprint title: Super Spider-man. The 11 year old me was a big fan of both. This archive volume begins with those post cancellation stories.The Captain Britain series was already deeply flawed even before the merger. It inhabited a Britain that only existed in the lampoon influenced American psyche. The first instalment is pretty eye-watering as the writer tries to fit every perceived Brit cliché and mannerism into that first 5 page segment. I'm guessing there were some editorial memos on the fly following this as they did attempt to tone it down a bit in following instalments. Two arcs of fairly lacklustre story-telling followed, getting wackier by the week, which seemed to have more in common with vintage titles like Batman from a decade or two earlier. The entirety of Claremont's Captain Britain/Spider-man Team-Up with the original splash pages (included here) would complete the phase-out for our hero. This team-up is quite decent, even considering it features Marvel's 'filler' villain - Arcade.
Captain Britain was dead. Or was he? In 1978 the new Hulk Weekly, designed to cash-in on the popular tv-series but without the use of Marvel's Hulk back catalogue, was looking for British produced back-up titles. One of these was the Steve Parkhouse written Black Knight series that would feature a mysterious stranger who would turn out to be an amnesiac Brian Braddock. The brief was to write a Tolkienesque quest, while drawing on British mythology. It would be packed with mythical creatures and magic, most notably the diminutive feral looking elves commanded by master archer Moondog. At this stage there is no sign of Jackdaw (Captain Britain's future fated side-kick) though I guess we should assume he is one of Moondog's troop. Paul Neary would provide the startling and distinctive black and white art, ably assisted in inks by John Stokes. Sometimes something astounding just comes together by people coming together at just the right moment in time. It was destiny I suppose. For the first time since his launch Captain Britain gained an identity that wasn't just an amalgam of successful American comic book characters. The first 29 instalments are included here for the first time in over 30 years. It's a shame the series has been split up with the concluding parts kicking off the next volume. Early concept art closes the book as well as some memos from Stan Lee and bizarrely Neil Tennant (the then Marvel UK London editor of latterly Pet Shop Boys fame).
For British comic book nostalgists this book is a dream and for those who know Captain Britain's history they'll know this was to be the stepping stone that would bring our hero under the triumphant pen of the master himself - Alan Moore. The Best was yet to come.
Captain Britain was alive.
It's the late 1970s. I'd spent the decade absorbing Marvel's back catalogue of reprints, learning to read along the way from the day my aunt handed the four year old me my first Spider-man issue. Okay - four year old me got my dad to do the reading initially but you get the idea. I reread those early Lee/Ditko & the Lee/Kirby (back-up strip was The Mighty Thor) stories time and time again. Not too long after - In 1976 to be exact - I fell in love with Marvel UK's new hero: Captain Britain was born. Unfortunately, most of the other kids were more impressed with The Beano, TV Comic, Look-in or all those war comics. Captain Britain was dead. After 39 weekly issues Marvel UK's British experiment was laid to rest. The UK just wasn't in tune with America's love of the super-hero comic genre. At this time Marvel had got used to cancelling comics after the shine had worn off the launch glitz. These titles usually ended with just a small loyal following which the publishers would try to tempt over to another title by merging the defunct title with one of the more viable titles. In this case Captain Britain's loyal die-hards would have to start collecting Marvel's flagship unsinkable British reprint title: Super Spider-man. The 11 year old me was a big fan of both. This archive volume begins with those post cancellation stories.The Captain Britain series was already deeply flawed even before the merger. It inhabited a Britain that only existed in the lampoon influenced American psyche. The first instalment is pretty eye-watering as the writer tries to fit every perceived Brit cliché and mannerism into that first 5 page segment. I'm guessing there were some editorial memos on the fly following this as they did attempt to tone it down a bit in following instalments. Two arcs of fairly lacklustre story-telling followed, getting wackier by the week, which seemed to have more in common with vintage titles like Batman from a decade or two earlier. The entirety of Claremont's Captain Britain/Spider-man Team-Up with the original splash pages (included here) would complete the phase-out for our hero. This team-up is quite decent, even considering it features Marvel's 'filler' villain - Arcade.
Captain Britain was dead. Or was he? In 1978 the new Hulk Weekly, designed to cash-in on the popular tv-series but without the use of Marvel's Hulk back catalogue, was looking for British produced back-up titles. One of these was the Steve Parkhouse written Black Knight series that would feature a mysterious stranger who would turn out to be an amnesiac Brian Braddock. The brief was to write a Tolkienesque quest, while drawing on British mythology. It would be packed with mythical creatures and magic, most notably the diminutive feral looking elves commanded by master archer Moondog. At this stage there is no sign of Jackdaw (Captain Britain's future fated side-kick) though I guess we should assume he is one of Moondog's troop. Paul Neary would provide the startling and distinctive black and white art, ably assisted in inks by John Stokes. Sometimes something astounding just comes together by people coming together at just the right moment in time. It was destiny I suppose. For the first time since his launch Captain Britain gained an identity that wasn't just an amalgam of successful American comic book characters. The first 29 instalments are included here for the first time in over 30 years. It's a shame the series has been split up with the concluding parts kicking off the next volume. Early concept art closes the book as well as some memos from Stan Lee and bizarrely Neil Tennant (the then Marvel UK London editor of latterly Pet Shop Boys fame).
For British comic book nostalgists this book is a dream and for those who know Captain Britain's history they'll know this was to be the stepping stone that would bring our hero under the triumphant pen of the master himself - Alan Moore. The Best was yet to come.
Captain Britain was alive.
August 13, 2026
3.5 stars
March 7, 2018
This collection is a bit of a mixed bag.
It starts with two story arcs from the Super Spider-Man and Captain Britain Weekly anthology title which were ok, but nothing special.
Then has a fantastic two-part Marvel Team-Up story by Chris Claremont and John Byrne where Captain Britain actually teams up with Spider-Man (as opposed to just sharing title duties on a book) and they face off against Arcade in his first appearance ever. It's amazing seeing how many of the classic Arcade story beats and iconic character points are present right from this first story.
Then, finally, we move to Hulk Comic (another anthology title) and its Black Knight stories because, after the cancellation of Super Spider-Man and Captain Britain Weekly, CB was not seen as a viable or interesting character. But editor Dez Skin, writer Steve Parkhouse and artists Paul Neary and John Stokes wanted to give CB another shot so reintroduced him as a side character in the Black Knight series. They grounded the character further into Arthurian legend and successfully set him up for the upcoming seminal run by Alan Moore and Alan Davis and the introduction of the Marvel-616 designation for the main Marvel universe as part of the Jasper Warp storyline (coming up in volume 4).
Overall, worth the read for the Arcade story in the middle and the Captain Britain backstory which helps setup the best X-book ever: Excalibur!
It starts with two story arcs from the Super Spider-Man and Captain Britain Weekly anthology title which were ok, but nothing special.
Then has a fantastic two-part Marvel Team-Up story by Chris Claremont and John Byrne where Captain Britain actually teams up with Spider-Man (as opposed to just sharing title duties on a book) and they face off against Arcade in his first appearance ever. It's amazing seeing how many of the classic Arcade story beats and iconic character points are present right from this first story.
Then, finally, we move to Hulk Comic (another anthology title) and its Black Knight stories because, after the cancellation of Super Spider-Man and Captain Britain Weekly, CB was not seen as a viable or interesting character. But editor Dez Skin, writer Steve Parkhouse and artists Paul Neary and John Stokes wanted to give CB another shot so reintroduced him as a side character in the Black Knight series. They grounded the character further into Arthurian legend and successfully set him up for the upcoming seminal run by Alan Moore and Alan Davis and the introduction of the Marvel-616 designation for the main Marvel universe as part of the Jasper Warp storyline (coming up in volume 4).
Overall, worth the read for the Arcade story in the middle and the Captain Britain backstory which helps setup the best X-book ever: Excalibur!
October 6, 2023
Claremont/Byrne Arcade first appearance in Marvel Team-up is funnish. The Black Knight team-up involving Otherworld is certainly better than what has come before, but the 3-page stories feel like they hold it back when you have to have action every “issue”
October 6, 2023
This is an uneven collection by all counts; story, artwork, and restoration. The SSMCBW stories range in quality from scans to washed out artwork, with the stories ranging from passable to laughable. The material from Hulk Comic is the best in the book, where Captain Britain essentially takes a back seat to strip headliner the Black Knight. The team of writer Steve Parkhouse and artist Paul Neary turn in a huge arc that could only be British. Very Dungeons and Dragons-esque, all medieval type stuff with gorgeously detailed black and white artwork, and worth the price of admission alone.
Displaying 1 - 5 of 5 reviews