I’ve been slowly reading the stories in this book for AGES and now I’ve finally finished the collection! Let’s go let’s go let’s GO review it, finally.
Chicken. Film. Youth.: 3/5
I loved the writing and the nested storylines were really interesting but I just wish it had been more made clear what exactly was going on. Is Mr Kang’s movie a masterpiece that moved the narrator so deeply, or is it just a really bad no budget movie (as implied from the dialogue of the other characters)?? I think it would make a lot of thematic sense if the movie was just a low quality passion project that the narrator happened to be extremely moved by. But I also liked the extra surreal possibility of this average man just spontaneously having the means to make a high budget high quality biopic of himself somehow…
That last sentence came out of nowhere and (spoiler) if the narrator was going to kiss someone unexpected, it definitely shouldn’t have been the rando who has been mentioned once and literally just appeared like? What? Also I feel like she should’ve said something unexpected instead. That just came across as a bit immature and it was anticlimactic/bathos which would be fine if that was the intention (but I don’t think it was).
Monitor World: 4/5
Huh this was a quite compelling for a short story that I paused halfway through for like a month to read other stuff (oops).
The plot is basically detached woman meets creepy man and belatedly realizes he is too creepy for her own good. And this premise is executed really well.
But I’m not sure about the “twist” with the aviator at the end. Like, what’s that supposed to symbolise? I can guess, but I don’t really know.
Zeroes:Ones: 4/5
I loved the voice of our disaffected protagonist. Some really interesting threads in this one, but they could’ve been tied together a little more.
ADORE the ambivalent ending. Yes yes yes ask a question, leave it unanswered.
Wing and the Radio: 3/5
Okay, what was THIS. The Chinese radio station girl and the K-pop star?!
I love that concept.
But honestly I found the radio station perspective much more interesting than the K-pop star one. The K-pop industry is so famously secretive and the idols are always surrounded by a billion staff so I actually didn’t find the Wing being mostly alone with just his manager thing accurate. Also the fact he was allowed to openly(?) date his makeup artist? And to date during idol training?! I am a pretty low key K-pop fan but even o think this is not accurate.
Wing as a character also wasn’t very compelling. If he had been then the magical realism karaoke room conclusion might’ve been emotionally resonant.
The Girl With the Double Eyelids: 3/5
Okay, I’m noticing a real trend with these stories. There’s so much potential and so many interesting threads but sometimes it doesn’t quite connect. Or there’s too much.
What was going on with the magic symbolic tattoos? Did that ever go anywhere? Did the narrator even LEARN anything from the tattoos she didn’t already know?
Additionally, the plastic surgery thing was a big theme at the start and then completely disappeared partway through this long story.
I don’t know if it felt long cause I intermittently read it over many days or because it really is that long.
Also, that relatable teen girl struggle! Don’t you hate it when the older male teacher you kind of used to have a crush on turns out to be inappropriately involved with your underage female best friend who you also have a crush on?
The Virtuoso: 2/5
Lol I used to play piano like this main character except I played super badly. This made me want to go practice again. It didn’t really make me feel anything for neurotic Nora though or her humdrum life. It just felt kind of boring and all the side characters felt flat. Except for the radio moment at the end, which really did feel cathartic.
Let’s Go Let’s Go Let’s Go: 3/5
Ahhh this felt like it had a lot of potential and it really picked up in the last few pages with that whole theme of whether you can really know anyone but is that all just self-imposed and what about the alienation and loneliness etc etc etc.
But ONLY in those last few pages! Too many unanswered questions… what about Goto and Emi’s relationship? What’s up with Reiya? Why did Lily disappear in high school and why is she disappearing now? I honestly think this story should’ve just begun with them in the house right before Lily’s disappearance. And then the rest of the story would’ve been so much more interesting.
Power and Control: 3/5
LMAO I would be pissed if my girlfriend basically psyopped me into liking her and also nicknamed me KEYCHAIN(!!!) in her head and used MAGIC (which is real in this story) as part of her creepy psyop.
Greta is the worst girlfriend…
She’s so manipulative! And jealous! And self-delusional!! AND a cheater to boot!!! But it was so fun to read from her (terrifying) perspective.
Idk why some conversations of were written as a script instead lol. It ended up feeling like the writer got lazy and copied and pasted in part of her plan instead of writing actual prose lol
But the ending just felt so flat ugh. Nothing really escalated and nothing really happened.
We Were There: 4/5
Ooh finally a real goodie!
Idk I just found this lonely directionless twentysomething really compelling, and I liked reading about her not-all-that anti-romance. Felt more like real-life.
Messages From Earth: 4/5
Omg this was so good?
I loved this childhood and high school story. Wish it had been a bit more of a character portrait of Vicky though.
Tail end of the collection finally pulling through? Let’s go let’s go let’s GO?
Seagull Village: 2/5
This draaaaaagged on and on and I didn’t feel enough chemistry between Aimee and Ghost Woman to even care about the plot twist that Ghost Woman was a ghost.
Or is she even a ghost. That’s left unresolved. And I don’t care about Aimee and I don’t care about whatever moral this story is trying to get across about loving and letting go or moving on and staying cause I don’t care about the characters… and I didn’t even find the setting that atmospheric although I was feeling the Ghibli vibes at first…
What a mid story to end with. Let’s NOT go to Seagull Village.
Overall: 3/5
Qian is clearly a really talented writer but I feel like some of the concepts and the emotional arcs and especially the endings of her stories just weren’t quite there yet.
I think the best stories that felt the most complete were the mostly realistic “slice of life-ish” stories about disaffected young Asian American women and technology. BUT I LOVED the ideas behind the other more surreal concepts, especially the ones that tooled around with art and the meaning/making/receiving of it (the first story and the title story). Those concepts and their emotional resonance / endings just didn’t fully pull through for me.
However, this collection as a whole still has so much potential and Qian is so talented and hyperspecific in the worlds she crafts.
She reminds me of a younger, lonelier, queer and screen-obsessed Elaine Hsieh Chou.
I like Qian’s writing style. Interested to see what she produces next.