This review delves into slight spoiler territory. Thank you to Netgalley and the publisher for the advanced copy. All thoughts are my own.
This book follows Tess, a twelve year old girl who recently lost her mother to breast cancer. Her father is “a zombie.” Her cat, Tessa believes, is depressed. After Alice the cat runs in front of a car, Tess decides to run away in an attempt to save her cat. She is joined and aided by Eddie, the neighborhood outcast; and Cotter, a boy who has a crush on her.
Alice the Cat had potential to be a beautiful examination of grief and loss written for a middle grade audience. The foundation is there in the plot, with our young protagonist often filled with rage and unable to find outlets for it. She frequently explodes on others and then immediately apologizes. This anger associated with the loss of a loved one can be hard to understand, especially for younger people, and it was depicted well in this book. Tess often describes herself like a volcano, with a sudden onset of anger bursting out of her. The phrases used will be easy for middle grade readers to understand, and possibly to relate to.
There was also an opportunity to discuss how we project our own feelings of grief onto others–this could have been an explanation for why Tess thought that Alice was suicidal. This is where I had the highest hopes, and this is where the book fell flat. The story of what was wrong with the cat took a steep deviation from the path I thought we were on, and from the plot summary itself: “Tess will do whatever it takes to save Alice the cat, help the ghost, heal her dad…” Saving Alice is certainly part of the story, but not in the direction the synopsis would lead you to believe. And Tess spends the majority of the book angry with her father for the way he grieves. Rather than explore the different ways people grieve–her father just moves through the motions, while Tess is always angry–most of the time is spent with her saying she hates him. So much could have been done here.
***mild spoiler***
There is an issue that in another book would likely be nitpicky, but because a large part of the plot hinges on it, I feel the need to bring it up. The feline leukemia virus (FeLV) is not leukemia in the sense that we know it for humans; it is a retrovirus. Calling it cancer is inaccurate. This could have been done by having Tess misunderstand because leukemia is associated with cancer in humans, and her mother died of cancer, so she connects the dots herself. However, this is not the case; a veterinarian is the one who tells Tess that FeLV is cancer. Again, if a major plot point did not rely on this, I would have written it off as a small error.
***end spoiler***
Some of the language used around mental health was troublesome. Early on, Tess is thinking about the rumors about what happened to Eddie, a 17-year-old who suffered from what sounds like a traumatic brain injury, and said he “became a druggie freakazoid.” While this is how some younger people may think in relation to behavior after a TBI, the language is still harmful. Additionally, Cotter, the boy who has a crush on Tess, says that when Tess’s mom died, “I cried so hard that my dad said he was going to admit me to a mental hospital if I didn’t stop.” There are so many people who have had terrible experiences in mental institutions, and also people who truly need to be hospitalized for their mental illness, so using it as a throwaway line feels reductive.
Lastly, there was one line on the very first page that didn’t sit right with me. Tess is lamenting the fact that she told a girl in her class that she has DD cups, when she actually has C cup breasts, and that it led to the boys on her school bus making comments about it. This had no relevance later in the book. It just felt gross for a male author to write the inner thoughts of a preteen thinking about her breasts.
This book had both potential and room for improvement. As far as the language issues, that could easily be fixed by using less harmful phrasing and handling mental illness/trauma with a little more care. While the representation of confusing anger was well-done, the handling of the subject of grief itself could have been done better. I think if the book had been maybe 10 pages longer, more time could have been spent on Tess understanding her anger as well as her father’s sadness. I do think that younger readers will still get something out of this book, just maybe not as much as they could have.
2.5 stars, rounded down