Thank you to Aria Fiction/Head of Zeus for sending me a copy of the brilliant 𝐀𝐟𝐭𝐞𝐫 𝐏𝐚𝐫𝐢𝐬 by Nicole Kennedy 🇫🇷🥐
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𝐖𝐚𝐬 𝐬𝐡𝐞 𝐝𝐨𝐢𝐧𝐠 𝐭𝐡𝐞 𝐫𝐢𝐠𝐡𝐭 𝐭𝐡𝐢𝐧𝐠? 𝐑𝐚𝐤𝐢𝐧𝐠 𝐮𝐩 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐭𝐡𝐚𝐭 𝐡𝐚𝐝 𝐡𝐚𝐩𝐩𝐞𝐧𝐞𝐝 𝐨𝐯𝐞𝐫 𝐚 𝐝𝐞𝐜𝐚𝐝𝐞 𝐚𝐠𝐨? 𝐘𝐞𝐬, 𝐬𝐡𝐞 𝐭𝐨𝐥𝐝 𝐡𝐞𝐫𝐬𝐞𝐥𝐟, 𝐲𝐞𝐬. 𝐈𝐭 𝐜𝐚𝐧'𝐭 𝐛𝐞 𝐚 𝐝𝐚𝐫𝐤 𝐬𝐞𝐜𝐫𝐞𝐭 𝐟𝐞𝐬𝐭𝐞𝐫𝐢𝐧𝐠 𝐚𝐰𝐚𝐲 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐩𝐚𝐬𝐭 𝐚𝐧𝐲𝐦𝐨𝐫𝐞. 𝐘𝐨𝐮 𝐧𝐞𝐞𝐝 𝐭𝐨 𝐜𝐨𝐧𝐟𝐫𝐨𝐧𝐭 𝐢𝐭.
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After Paris is a fantastic character-driven story that centres around three women: Alice, Nina, and Julia.
The story is told from their individual PoVs, and showcases the ups and downs of their lives, loves, and friendship.
I absolutely loved the meet-cute of how these three friends met, and how their meeting set their lives on a different course to what it might have otherwise been.
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𝐒𝐡𝐞 𝐟𝐨𝐮𝐧𝐝 𝐚 𝐫𝐞𝐬𝐭𝐫𝐨𝐨𝐦 𝐚𝐰𝐚𝐲 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐦𝐚𝐢𝐧 𝐥𝐨𝐛𝐛𝐲, 𝐭𝐮𝐜𝐤𝐞𝐝 𝐝𝐨𝐰𝐧 𝐚 𝐬𝐦𝐚𝐥𝐥 𝐜𝐨𝐫𝐫𝐢𝐝𝐨𝐫. 𝐈𝐭 𝐰𝐚𝐬 𝐚𝐧 𝐨𝐚𝐬𝐢𝐬 𝐨𝐟 𝐜𝐚𝐥𝐦 𝐜𝐨𝐦𝐩𝐚𝐫𝐞𝐝 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐞𝐥𝐞𝐞 𝐢𝐧 𝐭𝐡𝐞 𝐜𝐞𝐧𝐭𝐫𝐚𝐥 𝐚𝐭𝐫𝐢𝐮𝐦 ... 𝐒𝐡𝐞 𝐧𝐞𝐞𝐝𝐞𝐝 𝐡𝐞𝐫 𝐭𝐨𝐨𝐥𝐛𝐨𝐱, 𝐬𝐡𝐞 𝐭𝐡𝐨𝐮𝐠𝐡𝐭, 𝐫𝐞𝐚𝐜𝐡𝐢𝐧𝐠 𝐟𝐨𝐫 𝐡𝐞𝐫 𝐡𝐞𝐟𝐭𝐲 𝐛𝐚𝐠, 𝐠𝐥𝐚𝐝 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐭𝐡𝐢𝐬 𝐛𝐚𝐭𝐡𝐫𝐨𝐨𝐦 𝐭𝐨 𝐡𝐞𝐫𝐬𝐞𝐥𝐟.
𝐎𝐡.
𝐒𝐡𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐝 𝐚𝐭 𝐭𝐡𝐞 𝐮𝐧𝐦𝐢𝐬𝐭𝐚𝐤𝐚𝐛𝐥𝐞 𝐬𝐨𝐮𝐧𝐝 𝐨𝐟 𝐜𝐫𝐲𝐢𝐧𝐠.
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Each of our three friends are strong characters in their own right, with their own voices, desires, and flaws.
I loved how each character was intoduced to us within the book.
Julia - with her foundation of self-consciousness, bad skin, and desire to fit in. She loves to observe people, but often feels like an outsider. No spoilers, but rereading our introduction to Julia after finishing the book does highlight some clues that were always there in Julia's character, and I love being able to spot details like that in a reread:
𝐉𝐮𝐥𝐢𝐚 𝐅𝐫𝐞𝐲 𝐰𝐚𝐬 𝐝𝐨𝐢𝐧𝐠 𝐭𝐡𝐚𝐭 𝐭𝐡𝐢𝐧𝐠 𝐬𝐡𝐞 𝐚𝐥𝐰𝐚𝐲𝐬 𝐝𝐢𝐝 𝐚𝐟𝐭𝐞𝐫 𝐭𝐚𝐥𝐤𝐢𝐧𝐠 𝐭𝐨 𝐚 𝐛𝐨𝐲. 𝐑𝐮𝐧𝐧𝐢𝐧𝐠 𝐚𝐧𝐝 𝐫𝐞𝐫𝐞𝐮𝐧𝐧𝐢𝐧𝐠 𝐭𝐡𝐞𝐢𝐫 𝐞𝐱𝐜𝐡𝐚𝐧𝐠𝐞 𝐢𝐧 𝐡𝐞𝐫 𝐡𝐞𝐚𝐝, 𝐜𝐫𝐢𝐧𝐠𝐢𝐧𝐠 𝐚𝐭 𝐭𝐡𝐞 𝐭𝐡𝐢𝐧𝐠𝐬 𝐬𝐡𝐞'𝐝 𝐬𝐚𝐢𝐝, 𝐚𝐝𝐦𝐨𝐧𝐢𝐬𝐡𝐢𝐧𝐠 𝐡𝐞𝐫𝐬𝐞𝐥𝐟 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐰𝐢𝐭𝐭𝐲, 𝐢𝐧𝐭𝐞𝐫𝐞𝐬𝐭𝐢𝐧𝐠 𝐭𝐡𝐢𝐧𝐠𝐬 𝐬𝐡𝐞 𝐜𝐨𝐮𝐥𝐝 𝐡𝐚𝐯𝐞 𝐬𝐚𝐢𝐝. 𝐖𝐡𝐲 𝐰𝐚𝐬 𝐬𝐩𝐞𝐚𝐤𝐢𝐧𝐠 - 𝐬𝐮𝐜𝐡 𝐚 𝐛𝐚𝐬𝐢𝐜, 𝐩𝐞𝐫𝐟𝐮𝐧𝐜𝐭𝐨𝐫𝐲 𝐭𝐡𝐢𝐧𝐠 - 𝐬𝐨 𝐝𝐢𝐟𝐟𝐢𝐜𝐮𝐥𝐭 𝐬𝐨𝐦𝐞𝐭𝐢𝐦𝐞𝐬?
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Nina - with her cool looks and attitude, who doesn't fit in at the swanky ball she has been invited to by her famous father, who she has only recently reconciled with. And I'm dying to try one of her croissants:
'𝐈 𝐨𝐧𝐥𝐲 𝐣𝐮𝐬𝐭 𝐟𝐨𝐮𝐧𝐝 𝐨𝐮𝐭. 𝐇𝐞'𝐬 𝐦𝐲 𝐝𝐚𝐝, 𝐈 𝐦𝐞𝐚𝐧. 𝐖𝐞𝐥𝐥, 𝐬𝐢𝐱 𝐦𝐨𝐧𝐭𝐡𝐬 𝐚𝐠𝐨 𝐰𝐡𝐞𝐧 𝐡𝐞 𝐢𝐧𝐯𝐢𝐭𝐞𝐝 𝐦𝐞 𝐭𝐨 𝐭𝐡𝐢𝐬.'
𝐒𝐡𝐞'𝐬 𝐚 𝐝𝐞𝐛 𝐰𝐢𝐭𝐡 𝐚 𝐩𝐢𝐱𝐢𝐞 𝐜𝐮𝐭 𝐚𝐧𝐝 𝐝𝐮𝐧𝐠𝐚𝐫𝐞𝐞𝐬 𝐚𝐧𝐝 𝐚𝐧 𝐞𝐬𝐭𝐫𝐚𝐧𝐠𝐞𝐝 𝐦𝐨𝐯𝐢𝐞-𝐬𝐭𝐚𝐫 𝐟𝐚𝐭𝐡𝐞𝐫. 𝐆𝐨𝐨𝐝 𝐠𝐫𝐢𝐞𝐟, 𝐭𝐡𝐨𝐮𝐠𝐡𝐭 𝐀𝐥𝐢𝐜𝐞, 𝐭𝐡𝐢𝐬 𝐰𝐚𝐬 𝐠𝐞𝐭𝐭𝐢𝐧𝐠 𝐛𝐞𝐭𝐭𝐞𝐫 𝐛𝐲 𝐭𝐡𝐞 𝐬𝐞𝐜𝐨𝐧𝐝.
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And Alice - with her internal conflict of wanting to conform to expectations, and wanting to be the same as the other debutantes in her social circle, but also having a rebellious streak and wanting to break free of what everyone expects of her:
𝐀𝐥𝐢𝐜𝐞 𝐫𝐞𝐩𝐥𝐢𝐞𝐝, 𝐚 𝐲𝐚𝐰𝐧 𝐢𝐧 𝐡𝐞𝐫 𝐯𝐨𝐢𝐜𝐞, 𝐚𝐬 𝐭𝐡𝐨𝐮𝐠𝐡 𝐓𝐞𝐝𝐝𝐲'𝐬 𝐩𝐫𝐨𝐛𝐥𝐞𝐦𝐬 𝐰𝐞𝐫𝐞 𝐣𝐮𝐬𝐭 𝐬𝐨 𝐭𝐞𝐝𝐢𝐨𝐮𝐬 𝐭𝐨 𝐡𝐞𝐫 𝐚𝐧𝐝 𝐭𝐡𝐞𝐫𝐞 𝐰𝐚𝐬𝐧'𝐭 𝐚 𝐝𝐞𝐥𝐢𝐜𝐢𝐨𝐮𝐬 𝐣𝐮𝐬𝐭𝐢𝐜𝐞 𝐢𝐧 𝐡𝐢𝐦 𝐛𝐞𝐢𝐧𝐠 𝐬𝐭𝐨𝐨𝐝 𝐮𝐩 𝐚𝐭 𝐭𝐡𝐞 𝐬𝐨𝐜𝐢𝐞𝐭𝐲 𝐟𝐮𝐧𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐲𝐞𝐚𝐫. 𝐂𝐡𝐮𝐧𝐤𝐲, 𝐡𝐞'𝐝 𝐜𝐚𝐥𝐥𝐞𝐝 𝐡𝐞𝐫. 𝐂𝐡𝐮𝐧𝐤𝐲. 𝐀𝐧𝐝 𝐬𝐡𝐞 𝐡𝐚𝐝𝐧'𝐭 𝐟𝐨𝐫𝐠𝐨𝐭𝐭𝐞𝐧 𝐢𝐭.
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The story plays out over time, but is not linear, which keeps it interesting. Our three friends meet in Paris in 1999, and we are then propelled into their lives in present day, which is 20 years later, with the time in-between being gradually filled in and key elements of their lives being revealed to us slowly.
Kennedy does a fantastic job of portraying the friendship as one that is both an easy camaraderie that is only experienced in deep friendships - where one can easily slot in with their friends and pick up where they left off, even if time has passed since their last meeting - and one that is simultaneously peppered with tension, because our three friends have conflicting desires in life, and conflicting struggles based on their own history and background.
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𝐀𝐥𝐢𝐜𝐞, 𝐍𝐢𝐧𝐚 𝐚𝐧𝐝 𝐉𝐮𝐥𝐞𝐬 𝐬𝐥𝐞𝐩𝐭 𝐝𝐞𝐞𝐩𝐥𝐲, 𝐡𝐚𝐩𝐩𝐲 𝐢𝐧 𝐭𝐡𝐞𝐢𝐫 𝐏𝐚𝐫𝐢𝐬 𝐛𝐮𝐛𝐛𝐥𝐞, 𝐜𝐨𝐧𝐭𝐞𝐧𝐭 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫 𝐭𝐰𝐨 𝐰𝐨𝐦𝐞𝐧 𝐰𝐞𝐫𝐞 𝐧𝐞𝐚𝐫, 𝐭𝐡𝐞𝐢𝐫 𝐟𝐫𝐢𝐞𝐧𝐝𝐬𝐡𝐢𝐩 𝐚𝐬 𝐬𝐭𝐫𝐨𝐧𝐠 𝐚𝐬 𝐢𝐭 𝐡𝐚𝐝 𝐞𝐯𝐞𝐫 𝐛𝐞𝐞𝐧.
𝐄𝐚𝐜𝐡 𝐨𝐟 𝐭𝐡𝐞𝐦 𝐮𝐧𝐚𝐰𝐚𝐫𝐞 𝐭𝐡𝐚𝐭 𝐢𝐭 𝐰𝐨𝐮𝐥𝐝 𝐛𝐞 𝐚 𝐥𝐨𝐧𝐠 𝐭𝐢𝐦𝐞 𝐮𝐧𝐭𝐢𝐥 𝐭𝐡𝐞𝐲 𝐬𝐥𝐞𝐩𝐭 𝐭𝐡𝐚𝐭 𝐰𝐚𝐲 - 𝐨𝐫 𝐬𝐚𝐰 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 - 𝐚𝐠𝐚𝐢𝐧.
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After Paris explores some really important themes and topics within the story.
From the trials of motherhood, internalised and externalised misogyny, and the emotional immaturities and insecurities of 'playground mums', to gambling addiction, baby loss, and deep-seated grief.
I especially loved Nina's character arc, and how she came to recognise (with therapy, self love/acceptance, and time) that what she thought was love for Ted, was far from it. They had common trauma and loneliness, and sometimes a codependency like this can feel intense and all-encompassing, but this doesn't mean that two people are really right for each other.
And don't get me started on Ted because he is a character I loved to hate! I actually gasped aloud at some parts of the story, which is real testament to Kennedy's ability to write fantastic characters and how she kept me guessing and surprised with the plot.
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𝐈𝐭 𝐰𝐚𝐬 𝐚 𝐟𝐚𝐢𝐫𝐲𝐭𝐚𝐥𝐞, 𝐡𝐞𝐫 𝐚𝐧𝐝 𝐓𝐞𝐝. 𝐈𝐭 𝐰𝐚𝐬 𝐧𝐞𝐯𝐞𝐫 𝐦𝐞𝐚𝐧𝐭 𝐭𝐨 𝐛𝐞, 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐢𝐟 𝐢𝐭 𝐰𝐞𝐫𝐞, 𝐢𝐭 𝐰𝐨𝐮𝐥𝐝 𝐡𝐚𝐯𝐞 𝐡𝐚𝐩𝐩𝐞𝐧𝐞𝐝, 𝐰𝐨𝐮𝐥𝐝𝐧'𝐭 𝐢𝐭?
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I also loved the thread within the story relating to autism, ADHD, and navigating the world with the challenges this presents, whether with or without a diagnosis.
Alice's daughter, Charlotte, fortunately receives a diagnosis, but not before she is branded as a 'naughty' and 'disruptive' child. There are reflections on the internal damage caused to children who receive such messaging; that when trying to do their best, but struggling, the adults in their life often shame and punish them instead of seeking to understand and support them.
Receiving true diagnoses for autism, ADD and ADHD is still a difficult area of life for many people, and not just children, but it is a timely and relevant topic that I hope will give some insight and understanding to readers who may not have dealt with this in their own lives, or who may not have met anyone with autism before.
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𝐀𝐥𝐢𝐜𝐞 𝐟𝐞𝐥𝐭 𝐡𝐞𝐫 𝐡𝐞𝐚𝐫𝐭 𝐩𝐮𝐦𝐩𝐢𝐧𝐠, 𝐡𝐞𝐫 𝐚𝐧𝐠𝐞𝐫 𝐛𝐮𝐢𝐥𝐝𝐢𝐧𝐠. 𝐃𝐨𝐧'𝐭 𝐥𝐨𝐬𝐞 𝐢𝐭 𝐢𝐧 𝐟𝐫𝐨𝐧𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐜𝐡𝐢𝐥𝐝𝐫𝐞𝐧, 𝐬𝐡𝐞 𝐭𝐨𝐥𝐝 𝐡𝐞𝐫𝐬𝐞𝐥𝐟. 𝐒𝐡𝐞 𝐥𝐞𝐚𝐧𝐞𝐝 𝐝𝐨𝐰𝐧 𝐚𝐧𝐝 𝐤𝐢𝐬𝐬𝐞𝐝 𝐂𝐡𝐚𝐫𝐥𝐨𝐭𝐭𝐞'𝐬 𝐡𝐞𝐚𝐝. 𝐖𝐡𝐚𝐭 𝐦𝐮𝐬𝐭 𝐢𝐭 𝐛𝐞 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐬𝐩𝐞𝐧𝐝 𝐚𝐥𝐥 𝐝𝐚𝐲 𝐚𝐩𝐨𝐥𝐨𝐠𝐢𝐬𝐢𝐧𝐠 𝐟𝐨𝐫 𝐰𝐡𝐨 𝐲𝐨𝐮 𝐚𝐫𝐞, 𝐬𝐡𝐞 𝐭𝐡𝐨𝐮𝐠𝐡𝐭.
...
'𝐈𝐭'𝐬 𝐫𝐢𝐝𝐢𝐜𝐮𝐥𝐨𝐮𝐬. 𝐇𝐢𝐝𝐢𝐧𝐠 𝐭𝐡𝐢𝐧𝐠𝐬 𝐚𝐧𝐝 𝐩𝐚𝐧𝐝𝐞𝐫𝐢𝐧𝐠 𝐭𝐨 𝐡𝐞𝐫. 𝐒𝐡𝐞 𝐡𝐚𝐬 𝐭𝐨 𝐥𝐞𝐚𝐫𝐧-'
'𝐍𝐨!' 𝐀𝐥𝐢𝐜𝐞 𝐬𝐚𝐢𝐝 𝐟𝐢𝐫𝐦𝐥𝐲. '𝐍𝐨, 𝐘𝐨𝐮! 𝐘𝐨𝐮 𝐡𝐚𝐯𝐞 𝐭𝐨 𝐥𝐞𝐚𝐫𝐧. 𝐘𝐨𝐮 𝐜𝐚𝐧'𝐭 𝐬𝐞𝐭 𝐭𝐫𝐚𝐩𝐬 𝐟𝐨𝐫 𝐡𝐞𝐫 𝐭𝐨 𝐟𝐚𝐥𝐥 𝐢𝐧𝐭𝐨 𝐚𝐧𝐝 𝐭𝐡𝐞𝐧 𝐠𝐞𝐭 𝐜𝐫𝐨𝐬𝐬 𝐰𝐢𝐭𝐡 𝐡𝐞𝐫 𝐰𝐡𝐞𝐧 𝐬𝐡𝐞 𝐝𝐨𝐞𝐬! 𝐘𝐨𝐮'𝐯𝐞 𝐡𝐮𝐫𝐭 𝐡𝐞𝐫.'
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After Paris is an excellent novel that I would recommend to all readers. It started as a romantic comedy, and did retain some elements of this genre, but evolved into so much more. It wonderfully depicts the rich tapestries of the lives of three women: their highs, their lows, and throughout it all their love and acceptance of each other as they truly are.
I would definitely read more books by Nicole Kennedy.