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Gael Song Trilogy #1
The Children of Gods and Fighting Men
The first in a gripping new historical fantasy series that intertwines Irish mythology with real-life history, The Children of Gods and Fighting Men is the thrilling debut novel by Shauna Lawless.
They think they've killed the last of us...
981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son—and herself—but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world—like the Tuatha Dé Danann, a race of warriors who are sworn to kill Fomorians. Fódla is one of the Tuatha Dé Danann with the gift of healing. Her kind dwell hidden in a fortress, forbidden to live amongst the mortals. Fódla agrees to help her kin by going to spy on Brian Boru, a powerful man who aims to be High King of Ireland. She finds a land on the brink of war—a war she is desperate to stop. However, preventing the loss of mortal lives is not easy with Ireland in turmoil and the Fomorians now on the rise...
They think they've killed the last of us...
981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son—and herself—but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world—like the Tuatha Dé Danann, a race of warriors who are sworn to kill Fomorians. Fódla is one of the Tuatha Dé Danann with the gift of healing. Her kind dwell hidden in a fortress, forbidden to live amongst the mortals. Fódla agrees to help her kin by going to spy on Brian Boru, a powerful man who aims to be High King of Ireland. She finds a land on the brink of war—a war she is desperate to stop. However, preventing the loss of mortal lives is not easy with Ireland in turmoil and the Fomorians now on the rise...
464 pages, Paperback
First published September 1, 2022
619 people are currently reading
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Displaying 1 - 30 of 1,224 reviews
May 14, 2025
I've taken to Youtubing (11 years after getting an account there) and have done a video critique of page 1 of this book:
https://www.youtube.com/watch?v=OzJ-G...
--------------------------------------------------
On to the review proper:
I started this review with what the book's about, but I've jumped back to the beginning and decided to open with how much I liked it and to talk about the writing. The 'stuff' of the book may appeal to some more than others, but the fact that it's very well written and really engaging should be the headline and of interest to all.
There are, of course, lots of types of good writing, different writers have different primary strengths. Josiah Bancroft for example has world-class prose, Brandon Sanderson is great at pacing and accelerating to an exciting end, George R.R. Martin delivers wonderful characters. Lawless, is good at all those things, but what appealed to me most was her understanding of people, and the ability to bring that understanding to life through interactions within what is a pretty basic society where most people’s energy is directed at not dying from the million ways the world wants to kill them, and there’s little time for navel-gazing.
Lawless has written what I’d called an understated book, one where there’s significant restraint both on the part of the characters and in the story itself. Understatement and restraint are in fact powerful tools of writing, that are often neglected – I don’t use them enough. It takes a brave writer to employ them, most of us want to rush for the shouting and the fight scenes and the stuff exploding, because that feels safer in terms of entertaining people. But biding your time and trusting the reader is a good path.
I really enjoyed the book. It’s an excellent read. Let’s move on to what it’s about:
The majority of this book reads like historical fiction - it's set in Ireland ~1000AD and although my ignorance prevents me from having an opinion on the accuracy of the tussles between Vikings and Irish kings (of whom there were many at the same time), I'm led to believe it's all firmly rooted in fact.
The two point of views are both written in the first person and belong to two women, one seemingly in her 30s, the other in her 40s. This brings us to the magic, which is seldom seen, low key, but important. One women belongs to a group of long-lived, magic-using people called the Descendants, and the other to a smaller group of long-lived fire-magic-using people called the Formorians. So, both women are older than they look and have gifts that help offset the low status and minimal influence that seems to be the lot of regular women in this society.
There are no clear cut “goodies and baddies” in the story, the Descendants and the Formorians want to extinguish each other, the Descendants are hands-off where humans are concerned, but spy on them. The Formorians are interested in power and wealth and exploiting humans. Both the Descendants and Formorians breed with humans (though this isn’t allowed in the hands-off policy) and whilst the Fomorians seem far more selfish and cruel, they’re not moustache-twirling villains – they love their children and want to protect them. When seeing the world through the Formorian woman’s eyes in first person narrative, it’s very easy to overlook her cruelties and callous nature, and instead to share her victories as she manoeuvres in a man’s world to protect and advance her human son’s fortunes.
This isn’t a book about battles and personal combat, but we do see some and by the time we do we’re invested in the outcome, worried for the participants on both sides.
The book reaches a crescendo, some resolutions are given, some relationships sour, some solidify. It’s a good place to end, but clearly not the end of the story. It’s not a cliff hanger, but I’m definitely left with plenty of reasons to want book 2.
Well worth a read!
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Join my 3-emails-a-year newsletter #prizes
...
https://www.youtube.com/watch?v=OzJ-G...
--------------------------------------------------
On to the review proper:
I started this review with what the book's about, but I've jumped back to the beginning and decided to open with how much I liked it and to talk about the writing. The 'stuff' of the book may appeal to some more than others, but the fact that it's very well written and really engaging should be the headline and of interest to all.
There are, of course, lots of types of good writing, different writers have different primary strengths. Josiah Bancroft for example has world-class prose, Brandon Sanderson is great at pacing and accelerating to an exciting end, George R.R. Martin delivers wonderful characters. Lawless, is good at all those things, but what appealed to me most was her understanding of people, and the ability to bring that understanding to life through interactions within what is a pretty basic society where most people’s energy is directed at not dying from the million ways the world wants to kill them, and there’s little time for navel-gazing.
Lawless has written what I’d called an understated book, one where there’s significant restraint both on the part of the characters and in the story itself. Understatement and restraint are in fact powerful tools of writing, that are often neglected – I don’t use them enough. It takes a brave writer to employ them, most of us want to rush for the shouting and the fight scenes and the stuff exploding, because that feels safer in terms of entertaining people. But biding your time and trusting the reader is a good path.
I really enjoyed the book. It’s an excellent read. Let’s move on to what it’s about:
The majority of this book reads like historical fiction - it's set in Ireland ~1000AD and although my ignorance prevents me from having an opinion on the accuracy of the tussles between Vikings and Irish kings (of whom there were many at the same time), I'm led to believe it's all firmly rooted in fact.
The two point of views are both written in the first person and belong to two women, one seemingly in her 30s, the other in her 40s. This brings us to the magic, which is seldom seen, low key, but important. One women belongs to a group of long-lived, magic-using people called the Descendants, and the other to a smaller group of long-lived fire-magic-using people called the Formorians. So, both women are older than they look and have gifts that help offset the low status and minimal influence that seems to be the lot of regular women in this society.
There are no clear cut “goodies and baddies” in the story, the Descendants and the Formorians want to extinguish each other, the Descendants are hands-off where humans are concerned, but spy on them. The Formorians are interested in power and wealth and exploiting humans. Both the Descendants and Formorians breed with humans (though this isn’t allowed in the hands-off policy) and whilst the Fomorians seem far more selfish and cruel, they’re not moustache-twirling villains – they love their children and want to protect them. When seeing the world through the Formorian woman’s eyes in first person narrative, it’s very easy to overlook her cruelties and callous nature, and instead to share her victories as she manoeuvres in a man’s world to protect and advance her human son’s fortunes.
This isn’t a book about battles and personal combat, but we do see some and by the time we do we’re invested in the outcome, worried for the participants on both sides.
The book reaches a crescendo, some resolutions are given, some relationships sour, some solidify. It’s a good place to end, but clearly not the end of the story. It’s not a cliff hanger, but I’m definitely left with plenty of reasons to want book 2.
Well worth a read!
Join my Patreon
Join my 3-emails-a-year newsletter #prizes
...
February 8, 2023
i love irish history. and i honesty think a reader has to love it in order to appreciate this story.
its slow paced, very heavy on the history of war and viking settlement of the area, and doesnt really utilise the fantasy elements that are promised in the synopsis. so if you are wondering what typical life might have been like during the 900s for the various clans and kingdoms of ireland, then this book is exactly what you want.
however, the thing that bothered me was how modern the story feels. i dont need historical fiction novels to be written in the style of the time period in which the story is set, but i also dont want to be reminded of the present day. for example, i have no idea why the author consistently refers to the city/settlement as dublin when its name at the time would have been duibhlinn. similarly with the river liffy, that wasnt its name until centuries later. it was an ruirthech. even using liphe instead would have been more accurate. its just weak world-building, in my opinion.
but overall, i enjoyed reading about the irish kingdoms and viking settlements of ireland and im pretty sure i am interested enough to continue the series.
↠ 3.5 stars
its slow paced, very heavy on the history of war and viking settlement of the area, and doesnt really utilise the fantasy elements that are promised in the synopsis. so if you are wondering what typical life might have been like during the 900s for the various clans and kingdoms of ireland, then this book is exactly what you want.
however, the thing that bothered me was how modern the story feels. i dont need historical fiction novels to be written in the style of the time period in which the story is set, but i also dont want to be reminded of the present day. for example, i have no idea why the author consistently refers to the city/settlement as dublin when its name at the time would have been duibhlinn. similarly with the river liffy, that wasnt its name until centuries later. it was an ruirthech. even using liphe instead would have been more accurate. its just weak world-building, in my opinion.
but overall, i enjoyed reading about the irish kingdoms and viking settlements of ireland and im pretty sure i am interested enough to continue the series.
↠ 3.5 stars
February 28, 2024
SO EXCITED THAT WE GOT TO INTERVIEW SHAUNA LAWLESS! Check it out here - The Brothers Gwynne
I am very lucky to have received an ARC of one of my most anticipated releases of 2022! I received this in return for an honest review. And here it is...
Two leading female characters of incredible depth operating in 10th century Ireland, weaving historical events, political intrigue, mythology and a sprinkling of fantastical elements into a truly fascinating story. Can it get much better? Oh wait, it can when it is accompanied by the brilliant yet understated prose of Shauna Lawless, who displays a masterful grip on plot progression and character development.
The Children of Gods and Fighting Men is a new historical fantasy tale that takes place in Ireland, exploring the state of this land in the 10th century, showing us the clash of cultures between the Norse and the Irish, as well as the religious split growing ever more prominent. Then, on top of that, we have our fantastical elements which are taken and inspired by Irish Mythology.
Our two PoV characters are part of different magical groups that have both abilities, and the gift (or curse) of long life. The groups they belong to are the Tuatha Dé Danann and then the Fomorians, but these are rivals who both yearn to destroy the other.
There is no 'good' or 'bad' side in this book. There are a group of characters in the middle. Some whose motivations are admirable, but the course they take most decidedly not, and others of the opposite nature, and then some who have immoral motivations and also take an evil path.
Gormflaith was probably my favourite character. One of our leading female PoVs, her main intention and motivation is to keep her son alive and aid him in his endeavours. She takes a leading role in the politics aiming to make her son King of Dublin, acting as a Machiavellian politician who concedes rarely to moral obligations. She is a fantastic character who has to operate in a patriarchal society, yet uses her almost supreme wisdom to dominate and mould the events unfolding around her. She is most certainly a force of nature, and a joy to follow on the page.
One more thing I will mention before I wrap up is that there is little action, but the constant threat of it breaking out and the fragile political nature of this book keeps you so engaged. And then, the action we are shown is written expertly, with the suspense built so well and then erupting into a crescendo of brutality, adrenaline and fear from our characters who witness these events.
In The Children of Gods and Fighting Men we have a book that hits high high levels in every aspect of storytelling. The plot is thoroughly engaging. Shauna Lawless builds a vivid world and conveys the fragile state of the land, also exploring the constant presence of death. The themes of war, patriarchy, grief and more are built on subtly and powerfully through the understated, efficient prose which had an enchanting quality about it. In short, it is safe to say that I loved this, and I am pretty sure that most people will.
5/5 STARS
I review this with my brother on our book channel - The Brothers Gwynne
I am very lucky to have received an ARC of one of my most anticipated releases of 2022! I received this in return for an honest review. And here it is...
Two leading female characters of incredible depth operating in 10th century Ireland, weaving historical events, political intrigue, mythology and a sprinkling of fantastical elements into a truly fascinating story. Can it get much better? Oh wait, it can when it is accompanied by the brilliant yet understated prose of Shauna Lawless, who displays a masterful grip on plot progression and character development.
The Children of Gods and Fighting Men is a new historical fantasy tale that takes place in Ireland, exploring the state of this land in the 10th century, showing us the clash of cultures between the Norse and the Irish, as well as the religious split growing ever more prominent. Then, on top of that, we have our fantastical elements which are taken and inspired by Irish Mythology.
Our two PoV characters are part of different magical groups that have both abilities, and the gift (or curse) of long life. The groups they belong to are the Tuatha Dé Danann and then the Fomorians, but these are rivals who both yearn to destroy the other.
There is no 'good' or 'bad' side in this book. There are a group of characters in the middle. Some whose motivations are admirable, but the course they take most decidedly not, and others of the opposite nature, and then some who have immoral motivations and also take an evil path.
Gormflaith was probably my favourite character. One of our leading female PoVs, her main intention and motivation is to keep her son alive and aid him in his endeavours. She takes a leading role in the politics aiming to make her son King of Dublin, acting as a Machiavellian politician who concedes rarely to moral obligations. She is a fantastic character who has to operate in a patriarchal society, yet uses her almost supreme wisdom to dominate and mould the events unfolding around her. She is most certainly a force of nature, and a joy to follow on the page.
One more thing I will mention before I wrap up is that there is little action, but the constant threat of it breaking out and the fragile political nature of this book keeps you so engaged. And then, the action we are shown is written expertly, with the suspense built so well and then erupting into a crescendo of brutality, adrenaline and fear from our characters who witness these events.
In The Children of Gods and Fighting Men we have a book that hits high high levels in every aspect of storytelling. The plot is thoroughly engaging. Shauna Lawless builds a vivid world and conveys the fragile state of the land, also exploring the constant presence of death. The themes of war, patriarchy, grief and more are built on subtly and powerfully through the understated, efficient prose which had an enchanting quality about it. In short, it is safe to say that I loved this, and I am pretty sure that most people will.
5/5 STARS
I review this with my brother on our book channel - The Brothers Gwynne
Read
December 2, 2024If you want to add either book to your Goodreads TBR, here are the links
The Children of Gods and Fighting Men
The Words of Kings and Prophets
So... how do you write a review for your own book?
I guess I won't do that. I'll leave the reviews to everyone else.
However, I thought I'd come here to say a big thanks to everyone who has given my book a chance. I'm very grateful you took the time.
If you are thinking of reading my book and have come here to check it out - this is what you can expect:
- 10th century Ireland setting
- Two magical tribes at war with each other - the Descendants of the Tuatha Dé Danann and the Fomorians - both who conceal their magic from the mortals in the story
- Two very different female POV characters
- Vikings
- Irish politics and feuds
- Witches, druids, healers, and fire-magic
This is historical fantasy - and while it is based on real historical characters and events (and a huge amount of research has gone into making sure this is accurate) there are also magical characters, based on Irish mythology.
So... don't be revising for your Irish history exams using this novel as your guide.
To those unfamiliar with Irish history and mythology - don't worry. I've written it so that anyone can understand the story. I've also included a glossary of names (with a pronunciation guide) so you can follow all the characters and say their names correctly, if you so wish.
If you want to know anything more about me or my books - please visit my website at www.shaunalawless.com - where I also run a blog. I post about Irish mythology, Irish history, and fantasy and historical fiction books.
For my newsletter - where every so often I will do a giveaway - here is the link!!
https://dashboard.mailerlite.com/form...
Shauna Lawless
September 30, 2024
With The Children of Gods and Fighting Men, Shauna Lawless combines Irish mythology, fantasy, and real Irish history from just over 1000 years ago. Her writing brilliantly transports the reader to 10th century Ireland while remaining accessible and compulsively readable.
My most succinct description of The Children of Gods and Fighting Men would be that it's like an Irish version of A Game of Thrones, full of epic clashes and raw personal struggles. Lawless's debut is more restricted in scope than A Game of Thrones, with only two point-of-view characters. But both of these characters are compellingly developed, strong female leads.
As in A Game of Thrones, there is no easily classified good vs. evil here, as Lawless's characters occupy the spectrum of gray morality. The characters' interactions are full of nuance and restraint, embodying a "less is more" approach.
The Children of Gods and Fighting Men is a brilliant debut and highly recommended for fans of fantasy, mythology, historical fiction, and medieval enthusiasts. I look forward to reading more from Shauna Lawless.
My most succinct description of The Children of Gods and Fighting Men would be that it's like an Irish version of A Game of Thrones, full of epic clashes and raw personal struggles. Lawless's debut is more restricted in scope than A Game of Thrones, with only two point-of-view characters. But both of these characters are compellingly developed, strong female leads.
As in A Game of Thrones, there is no easily classified good vs. evil here, as Lawless's characters occupy the spectrum of gray morality. The characters' interactions are full of nuance and restraint, embodying a "less is more" approach.
The Children of Gods and Fighting Men is a brilliant debut and highly recommended for fans of fantasy, mythology, historical fiction, and medieval enthusiasts. I look forward to reading more from Shauna Lawless.
August 14, 2025
This is a prime example of how to craft a historical fantasy novel. Every element—from the intricate political scheming and the nuanced relationships among characters, to the richly developed cast and the vividly depicted setting—has been meticulously executed. The author’s ability to convey information and emotion in just the first book is truly impressive. The immersive quality of the writing makes it easy for me to imagine myself right alongside the characters, experiencing the world as they do.
The narrative delves deeply into the rich tapestry of Irish mythology and history, revealing layers that I had previously overlooked. I found myself captivated by the enchanting and sometimes dark history of Ireland, which is presented with both authenticity and a sprinkle of magic. The author’s writing style strikes a balance between simplicity and elegance, allowing the story to flow smoothly while still engaging my imagination.
Describing the plot is somewhat challenging because it encompasses more than just a power struggle; it is a complex conflict between two immortal clans who have been embroiled in a bitter feud for centuries. Central to this tale are two compelling women, each striving to defy the traditional expectations placed upon them and forge their own destinies. The narrative explores the lengths to which individuals will go for power and peace, revealing deep-seated desires and the consequences of ambition. The intricacy of the plot kept me riveted throughout; I found it impossible to set the book down, as it maintained a gripping tension that held my interest at every turn.
The character development in this book is nothing short of remarkable. Each character is beautifully rendered, allowing them to come to life on the page in a way that evokes a mix of admiration, frustration, and empathy. Fódla, one of the protagonists, captured my heart from the very beginning. She starts the story burdened by her fear of mortals and is initially quite restrained in her actions and emotions. However, as the story progresses, she embarks on a journey of self-discovery and empowerment. Although Fódla may not attain complete freedom by the end of the book, she certainly begins to break free from her previous constraints. As a descendant of the Tuatha Dé Danann, she possesses the profound gift of healing, yet despite her ancient lineage, her sheltered upbringing on the Island of the Descendants has left her somewhat naïve. Her prevailing distrust and disdain for mortals create an emotional barrier that she must confront on her journey.
On the other side is Gormflaith, the second protagonist. An Irish princess and also a Fomorian, she wields the fiery power of flame with fierce authority. Married to the King of Dublin, her singular determination to place her son on the throne drives much of her character arc. At the beginning of the story, she is depicted as arrogant and self-centered, displaying a troubling internalized misogyny that colors her interactions. While she does not undergo a complete transformation, her journey leads her to moments of clarity and growth that I found compelling. There were times when I wanted to shake her for her choices, yet when she triumphed, I couldn't help but cheer for her tenacity and cunning spirit. Gormflaith is portrayed as intelligent and capable of charming those around her, leveraging her allure to navigate the world of power plays she inhabits.
The relationships throughout the novel—whether they take the form of romance, friendship, or deeper platonic connections—are rendered with a sense of realism that drew me in. Although I usually favor more fantastical depictions of relationships, the grounded approach here enhances the overall narrative. The story leans heavily toward historical fiction, with fantasy elements that are subtly but effectively interwoven into the plot. These magical threads are always present, serving to enrich the storytelling without overshadowing the intricate human experiences. The author has a remarkable talent for making the magical aspects of the world feel organic, blending seamlessly with the characters’ lives in a way that resonates with authenticity.
In conclusion, this book was nothing short of magnificent. It has swiftly ascended to the ranks of my favorite series, and my excitement to dive into the second installment knows no bounds.
The narrative delves deeply into the rich tapestry of Irish mythology and history, revealing layers that I had previously overlooked. I found myself captivated by the enchanting and sometimes dark history of Ireland, which is presented with both authenticity and a sprinkle of magic. The author’s writing style strikes a balance between simplicity and elegance, allowing the story to flow smoothly while still engaging my imagination.
Describing the plot is somewhat challenging because it encompasses more than just a power struggle; it is a complex conflict between two immortal clans who have been embroiled in a bitter feud for centuries. Central to this tale are two compelling women, each striving to defy the traditional expectations placed upon them and forge their own destinies. The narrative explores the lengths to which individuals will go for power and peace, revealing deep-seated desires and the consequences of ambition. The intricacy of the plot kept me riveted throughout; I found it impossible to set the book down, as it maintained a gripping tension that held my interest at every turn.
The character development in this book is nothing short of remarkable. Each character is beautifully rendered, allowing them to come to life on the page in a way that evokes a mix of admiration, frustration, and empathy. Fódla, one of the protagonists, captured my heart from the very beginning. She starts the story burdened by her fear of mortals and is initially quite restrained in her actions and emotions. However, as the story progresses, she embarks on a journey of self-discovery and empowerment. Although Fódla may not attain complete freedom by the end of the book, she certainly begins to break free from her previous constraints. As a descendant of the Tuatha Dé Danann, she possesses the profound gift of healing, yet despite her ancient lineage, her sheltered upbringing on the Island of the Descendants has left her somewhat naïve. Her prevailing distrust and disdain for mortals create an emotional barrier that she must confront on her journey.
On the other side is Gormflaith, the second protagonist. An Irish princess and also a Fomorian, she wields the fiery power of flame with fierce authority. Married to the King of Dublin, her singular determination to place her son on the throne drives much of her character arc. At the beginning of the story, she is depicted as arrogant and self-centered, displaying a troubling internalized misogyny that colors her interactions. While she does not undergo a complete transformation, her journey leads her to moments of clarity and growth that I found compelling. There were times when I wanted to shake her for her choices, yet when she triumphed, I couldn't help but cheer for her tenacity and cunning spirit. Gormflaith is portrayed as intelligent and capable of charming those around her, leveraging her allure to navigate the world of power plays she inhabits.
The relationships throughout the novel—whether they take the form of romance, friendship, or deeper platonic connections—are rendered with a sense of realism that drew me in. Although I usually favor more fantastical depictions of relationships, the grounded approach here enhances the overall narrative. The story leans heavily toward historical fiction, with fantasy elements that are subtly but effectively interwoven into the plot. These magical threads are always present, serving to enrich the storytelling without overshadowing the intricate human experiences. The author has a remarkable talent for making the magical aspects of the world feel organic, blending seamlessly with the characters’ lives in a way that resonates with authenticity.
In conclusion, this book was nothing short of magnificent. It has swiftly ascended to the ranks of my favorite series, and my excitement to dive into the second installment knows no bounds.
May 31, 2022
Original review posted on my blog Out of This World SFF:
https://outofthisworldrev.blogspot.co...
I absolutely love it when I end up being blown away by a book that I had virtually no knowledge about before reading it. Such is exactly the case with THE CHILDREN OF GODS AND FIGHTING MEN by Shauna Lawless. All I knew going into it was that it dealt a good deal with Irish mythology/history and also had a solid basis in the pagan vs Christian split in Ireland at that time. And yes, there are Vikings, so I had some inkling that this book would be right up my alley. But I wasn't prepared for just how "up my alley" it was.
So many things kept me glued this story. One in particular was the amazingly executed political maneuvering and intrigue. I mentioned in one of my updates that it is really hard to pull off a story with lots of political intrigue because you have to make it interesting or you will quickly lose the reader. Well, this is some of the most tightly written and compelling maneuvering that I've come across quite honestly. The newly widowed Gormflaith is determined almost to the point of obsession to help her only son Sitric rise to become King of Dublin. And the lengths that she goes to try and place him on the throne are limitless. I was inspired by her dedication and yes, also her calculated scheming at times. But we all know that a mother's love can sometimes lead to extraordinary measures being taken in defense of their children, am I right? (See Orka from John Gwynne's Bloodsworn trilogy).
As the story goes on we get introduced to other characters who are on the complete opposite side of the coin in their motivations and desires. And that is really what made this book such a captivating read, both sides are given equal time through the alternating POVs and we get to view how the ensuing conflict develops through each of their perspectives. One thing is very clear, both sides think they are the "good guys" despite the growing feeling that neither one of them may be in actuality. And yet each has a strong sense that they should lead, resulting in many a violent altercation as you would expect.
I feel like there is so much that I want to say about this book but nothing seems profound enough or nearly sufficient to do it justice. All I can say is as I was reading it, with every passing chapter, I got the sense that I was reading the start of a series that is going to make big waves once it is released into the world. There's so much crossover appeal here with plenty to enjoy for fantasy fans, historical fiction aficionados, and those who love a good dose of folklore. Honestly, I can't wait until more people get an opportunity to experience it.
Lawless writes historical fiction steeped in fantasy and mythology like Bernard Cornwell, Mary Stewart, and Stephen Lawhead at the top of their games. I don't say this lightly either, I'm aware of the track record and accomplishments of these authors. But I have to say that Lawless more than holds her own among that lofty company. If you are an admirer of those books, you will absolutely love this.
Okay, i'm done gushing. Maybe. I'll just finish by saying that I was so impressed with every single aspect of this book. Shauna Lawless has loudly and triumphantly announced her presence to the world with this unforgettable debut and first book in the Gael Song series. Preorder it now because this is just one of those books that you must read the moment it is available. THE CHILDREN OF GODS AND FIGHTING MEN is truly an epic tale that nobody is going to want to miss. Now I just have to figure out how I'm going to deal with waiting for book two!
https://outofthisworldrev.blogspot.co...
I absolutely love it when I end up being blown away by a book that I had virtually no knowledge about before reading it. Such is exactly the case with THE CHILDREN OF GODS AND FIGHTING MEN by Shauna Lawless. All I knew going into it was that it dealt a good deal with Irish mythology/history and also had a solid basis in the pagan vs Christian split in Ireland at that time. And yes, there are Vikings, so I had some inkling that this book would be right up my alley. But I wasn't prepared for just how "up my alley" it was.
So many things kept me glued this story. One in particular was the amazingly executed political maneuvering and intrigue. I mentioned in one of my updates that it is really hard to pull off a story with lots of political intrigue because you have to make it interesting or you will quickly lose the reader. Well, this is some of the most tightly written and compelling maneuvering that I've come across quite honestly. The newly widowed Gormflaith is determined almost to the point of obsession to help her only son Sitric rise to become King of Dublin. And the lengths that she goes to try and place him on the throne are limitless. I was inspired by her dedication and yes, also her calculated scheming at times. But we all know that a mother's love can sometimes lead to extraordinary measures being taken in defense of their children, am I right? (See Orka from John Gwynne's Bloodsworn trilogy).
As the story goes on we get introduced to other characters who are on the complete opposite side of the coin in their motivations and desires. And that is really what made this book such a captivating read, both sides are given equal time through the alternating POVs and we get to view how the ensuing conflict develops through each of their perspectives. One thing is very clear, both sides think they are the "good guys" despite the growing feeling that neither one of them may be in actuality. And yet each has a strong sense that they should lead, resulting in many a violent altercation as you would expect.
I feel like there is so much that I want to say about this book but nothing seems profound enough or nearly sufficient to do it justice. All I can say is as I was reading it, with every passing chapter, I got the sense that I was reading the start of a series that is going to make big waves once it is released into the world. There's so much crossover appeal here with plenty to enjoy for fantasy fans, historical fiction aficionados, and those who love a good dose of folklore. Honestly, I can't wait until more people get an opportunity to experience it.
Lawless writes historical fiction steeped in fantasy and mythology like Bernard Cornwell, Mary Stewart, and Stephen Lawhead at the top of their games. I don't say this lightly either, I'm aware of the track record and accomplishments of these authors. But I have to say that Lawless more than holds her own among that lofty company. If you are an admirer of those books, you will absolutely love this.
Okay, i'm done gushing. Maybe. I'll just finish by saying that I was so impressed with every single aspect of this book. Shauna Lawless has loudly and triumphantly announced her presence to the world with this unforgettable debut and first book in the Gael Song series. Preorder it now because this is just one of those books that you must read the moment it is available. THE CHILDREN OF GODS AND FIGHTING MEN is truly an epic tale that nobody is going to want to miss. Now I just have to figure out how I'm going to deal with waiting for book two!
September 1, 2022
There's a new Cersei in town ... and she's Irish.
This is a truly remarkable historical-fiction meets fantasy.
981AD, Ireland, amidst the Norse occupation - throw a few Celtic mythological families in, sprinkle it with a scheming mother, political machinations that would scare even Machiavelli, then end with an awesome battle. You now have The Children of Gods and Fighting Men!
Shauna Lawless is the new Madeline Miller and I am so here for it. What a fantastic, tense and brutal read.
Buy it!
This is a truly remarkable historical-fiction meets fantasy.
981AD, Ireland, amidst the Norse occupation - throw a few Celtic mythological families in, sprinkle it with a scheming mother, political machinations that would scare even Machiavelli, then end with an awesome battle. You now have The Children of Gods and Fighting Men!
Shauna Lawless is the new Madeline Miller and I am so here for it. What a fantastic, tense and brutal read.
Buy it!
December 22, 2025
And thus was the Deadly DNF Curse of Doom and Oblivion (DDCoDaO™) to end all Deadly DNF Curses of Doom and Oblivion finally lifted! Shauna Lawless, forever full of grate to thee I am and worship thee to my dying day I shall.
So what is so special about this book and why is it the ultimate cure for the DDCoDaO™, you ask? Well because Medieval Ireland + political scheming galore + Vikings + deliciously ruthless characters + Fomorians (Kate Daniels, where art thou?!) + Machiavellian shenanigans aplenty + the Tuatha Dé Danann (I tend tohate have a slight aversion for this silly bunch but quite like the way they are represented here which seems to indicate that Shauna Lawless sold her soul to the devil in exchange for magical writing powers) + and the most heartwarming display of motherly love ever delightfully vengeful, evil ladies = squeeeeeeee and stuff. Need I say more? Didn't think so. Let's dance and stuff.
P.S.
· Book 0.5: Dreams of Fire ★★★★★
· Book 0.6: Dreams of Chaos ★★★★★
· Book 2: The Words of Kings and Prophets ★★★★★
· Book 2.5: Dreams of Sorrow ★★★★★
· Book 3: The Land of the Living and the Dead ★★★★★
Gael Song Era 2:
· Book 1: Daughter of the Otherworld ★★★
[Pre-review nonsense]
I guess you could say that this book is Slightly Very Good (SVG™) and that I enjoyed it a teensy little bit. Yes, I guess you could.
➽ Super Extra Short Review to come and stuff.
So what is so special about this book and why is it the ultimate cure for the DDCoDaO™, you ask? Well because Medieval Ireland + political scheming galore + Vikings + deliciously ruthless characters + Fomorians (Kate Daniels, where art thou?!) + Machiavellian shenanigans aplenty + the Tuatha Dé Danann (I tend to
P.S.
· Book 0.5: Dreams of Fire ★★★★★
· Book 0.6: Dreams of Chaos ★★★★★
· Book 2: The Words of Kings and Prophets ★★★★★
· Book 2.5: Dreams of Sorrow ★★★★★
· Book 3: The Land of the Living and the Dead ★★★★★
Gael Song Era 2:
· Book 1: Daughter of the Otherworld ★★★
[Pre-review nonsense]
I guess you could say that this book is Slightly Very Good (SVG™) and that I enjoyed it a teensy little bit. Yes, I guess you could.
➽ Super Extra Short Review to come and stuff.
October 16, 2022
"The bonds of friendship can be a greater bind than the threat of a sword."
I had pretty high expectations going into this, but Shauna Lawless blew me away.
“Powerful men never did like to be shown
up by women.”
From the two powerful female POV’s, beautiful prose, great side characters, political intrigue, and the combination of Norse, Celtic, and Irish mythologies, I fell in love with her writing style.
If you combined elements of: Bernard Cornwell’s The Last Saxon series, the heartfelt characters of John Gwynne, a little of George R.R. Martin’s ruthlessness, and then add Lawless’s own uniquely feminine perspective, you might get something like this gorgeous book.
“Why does a man have the right to die with honour, but a woman not?“
This felt so authentic yet refreshingly new, from a female perspective, (considering this story takes place in 10th century Ireland) and this time period has generally only been portrayed from the male gaze. I have to admit I found myself loving Fodla’s chapters more, but often Gormflaith’s chapters contained the most action. I’ve heard Gormflaith compared to Cersei from ASOIAF/GOT and I have to admit she’s an absolute force to be reckoned with. But I personally preferred Fodla’s depth and morality.
And then the mythology... There’s a long violent history between the Tuatha Dé Danann and The Fomorians, and with the increasing presence of Norse Vikings, and the “new” religion of Christianity, everything seems to be on the cusp of war. I’ve heard only brief mentions of the Tuatha Dé Danann in other series, mostly just about the Four Treasures, and I can’t wait to learn more about this beautiful early Irish mythology.
A few other aspects that really put me over the edge were: mentions of Uhtred of North Umbria, the brutality of these women, an intelligent man with two swords, and maybe even a shield wall… I’m already looking forward to the next installment in this series and whatever Shauna Lawless writes next.
I’m so glad I was able to get a stunning signed & numbered copy from The Broken Binding. The sprayed edges with Celtic design have made it one of my favorite special editions I own! It feels like I have a little piece of history… but I suppose that’s how I look at most of the books on my shelves.
I had pretty high expectations going into this, but Shauna Lawless blew me away.
“Powerful men never did like to be shown
up by women.”
From the two powerful female POV’s, beautiful prose, great side characters, political intrigue, and the combination of Norse, Celtic, and Irish mythologies, I fell in love with her writing style.
If you combined elements of: Bernard Cornwell’s The Last Saxon series, the heartfelt characters of John Gwynne, a little of George R.R. Martin’s ruthlessness, and then add Lawless’s own uniquely feminine perspective, you might get something like this gorgeous book.
“Why does a man have the right to die with honour, but a woman not?“
This felt so authentic yet refreshingly new, from a female perspective, (considering this story takes place in 10th century Ireland) and this time period has generally only been portrayed from the male gaze. I have to admit I found myself loving Fodla’s chapters more, but often Gormflaith’s chapters contained the most action. I’ve heard Gormflaith compared to Cersei from ASOIAF/GOT and I have to admit she’s an absolute force to be reckoned with. But I personally preferred Fodla’s depth and morality.
And then the mythology... There’s a long violent history between the Tuatha Dé Danann and The Fomorians, and with the increasing presence of Norse Vikings, and the “new” religion of Christianity, everything seems to be on the cusp of war. I’ve heard only brief mentions of the Tuatha Dé Danann in other series, mostly just about the Four Treasures, and I can’t wait to learn more about this beautiful early Irish mythology.
A few other aspects that really put me over the edge were: mentions of Uhtred of North Umbria, the brutality of these women, an intelligent man with two swords, and maybe even a shield wall… I’m already looking forward to the next installment in this series and whatever Shauna Lawless writes next.
I’m so glad I was able to get a stunning signed & numbered copy from The Broken Binding. The sprayed edges with Celtic design have made it one of my favorite special editions I own! It feels like I have a little piece of history… but I suppose that’s how I look at most of the books on my shelves.
July 3, 2023
Historical fantasy full of fascinating female perspectives, deliciously morally grey characters, sumptuous Irish folklore and mythology, wonderful political intrigue, mysticism, and smoothly flowing prose, “The Children of Gods and Fighting Men” (book one in “Gael Song”) by Shauna Lawless, is a beautiful novel that will suck you into its pages, and refuse to let you wriggle away from its grasp.
This book is one of 2023’s most heralded fantasy releases, and I was not dissatisfied AT ALL about this novel not living up to the hype. Let the superlatives begin, and let’s dive into what this book is all about.
Set in Lawless’ version of 10th century Ireland, the novel is told from two contrasting POVs.
The first POV is that of Gormflaith, an incredibly beautiful, charismatic, and utterly ruthless woman, who is hiding a huge secret: she is a Fomorian.
According to Irish legend, the Fomorians are a paranormal race, and the opponents of Ireland’s first settlers, which consisted of six categories of people. Among those categories are the Gaels, Irish mortals. Included among the categories are also the Tuatha Dé Danann, a competing supernatural group.
Gormflaith is immortal, in that, unless killed or dying by misadventure, she lives forever, masquerading as a mortal, faking her death, and changing identities when the span of a natural life should be at it’s end, to avoid suspicion being drawn to her, that she is anything other than what she seems.
For the Tuatha Dé Danann have defeated the Fomorians, believing all of Gormflaith’s people hunted into extinction. Yet Gormflaith and several members of her family remain alive, surreptitiously plotting to turn the tables on their ancient enemies, and rise to power once again.
But were the Tuatha Dé Danann to become aware that any Fomorians still existed, they would track their old foes down, and destroy them. Thus Gormflaith lives in constant danger.
Gormflaith is the wife of Amlav, the King of Dublin. Formerly a great warrior, the aged Amlav has passed, and with him has passed Gormflaith’s nominal influence in his court. Still, the succession of Dublin’s throne is far from guaranteed, even thought a new monarch assumes power. There are many contenders among Amlav’s heirs who could rule, and Gormflaith is determined that her son, Sitric, ends up in the king’s seat.
The second main POV is that of Fódla. Fódla is a Descendant of the Tuatha Dé Danann. She lives with the other Descendants, hidden from the eyes of mortals, and is a healer among her people. Fódla, generally kind-hearted, and passionate, but guarded, and somewhat melancholy, as she copes with grief over the death of her human offspring. She once was romantically involved with the leader of the Descendants – Tomas - but that relationship now more tenuous, and fraught with tension and mistrust.
Fódla’s sister has been inserted as a spy among humans to help ensure the Descendants can help circumvent human conflicts, which they see as their mandate. But Fódla's sister has broken the rules of the Descendants while on her covert mission. She has had relations with a human and is bearing a human child. Her punishment for doing so will be severe.
For love of her sister, Fódla not only agrees to foster her sister’s offspring, but also engages in a spy operation too, at the behest of Tomas. Fódla, in disguise as a disfigured commoner, will snoop on a famous mortal king that the Descendants see as a threat to peace, because that king believed to be a scheming warmonger.
Two women, with magical abilities, destined to be sworn enemies due to the timeless feud between their peoples, neither whom know of the existence of the other, cleaving a path through a severely patriarchal, medieval world, to influence major events, and play important parts in an Ireland at a pivotal point in history, where cultures and faiths will clash, wars will erupt, and the primeval gods and mythical creatures of yore are not ready to relinquish their hold on Ireland yet.
As always, I begin my review speaking about the characters. The two mesmeric main characters in “The Children of Gods and Fighting Men” entranced me from the start. My admiration for and interest in both these incredibly addictive female leads was equal.
Though I must admit, Gormflaith was my favourite, because she was so categorically unremitting, cold, merciless, cunning, and ingenious in her wily plots. I adore highly flawed characters, and the devious yet alluring Gormflaith definitely fits the bill.
Gormflaith holds as high a role in society as a woman can have, but is still in many ways completely stymied by the patriarchy. She can only use her magical abilities so far to have sway over mortals, so she must rely on her charm, her wits, and her powers of persuasion, gentle or otherwise. Manipulating and steering primarily the men surrounding her, Gormflaith’s single-minded obsession to see Sitric on the throne is driven by more than maternal love, though that is surely at the heart of why she takes the extreme actions she does.
Not opposed to seduction, lies, and even bloody murder to achieve her ends, Gormflaith needs her son to be in power to secure her position as well, and keep her relevant. Even though she knows any such relevance can only be fleeting, as, eventually, she must contrive her death, give up her position as a dowager queen and mother of a king, and start over, in another phase of her immortal life.
Gormflaith is often thwarted in her schemes by the power plays of the dominant males around her. She is also at their mercy to a degree, used as commodity for her looks or her womb, and a pawn for the political alliances being married to her can forge, for the benefit of whichever man controls her. So she fights back the only ways she knows how, and she is a force to be reckoned with.
Fódla is the more pleasant character that readers who need a nicer person to root for will find. In her courage, intelligence, nurturing, protective, yet suspicious nature and damaged past, Fódla’s willingness to risk and sacrifice herself for others, yet face the pragmatism that comes with being an immortal, that, in the end, the mission must take precedence over any one human life, will make the reader mourn for her.
Fódla can be judgmental, but she also is quick to care as well. Her compassion for the humans she must spy on is admirable, and her fierce guarding of her sister and nephew – who she essentially adopts – makes her very likable.
She is also more passive, compared to Gormflaith, but while more docile, it does not mean that she is weak. She is more an observer, and cerebral, in her approach than Gormflaith, though she can be impetuous, at times. But while she is not a complete bystander, she is not willing to put herself wholly in the middle of happenstance, as Gormflaith is. She does not want turmoil, in fact Fódla wants to stop turmoil, as is consistent with her task bequeathed to her by the Descendants.
That said, Fódla is an independent thinker who begins to doubt the methods her people are using for the stated sake of preservation of peace, and if the ends justify the means. Contrasting Fódla, Gormflaith thrives on being at the centre of any turmoil, for it is within turmoil that the Queen of Dublin best operates, being able to take advantage of the uncertainly and tumult.
The secondary characters are wonderful. Rónnat, Tomas, Sitric, Murchad, and Olaf really stood out for me, amongst a great auxiliary cast, many of whom, along with Gormlaith and Fódla, are based on either legendary or real historical figures.
Lawless expertly and inventively weaves lore with historical accounts of these characters, to create vivid, well-fleshed out, very memorable people who leap out of the dimness of antiquity onto the pages of her book with flair and gusto, refusing to fade into the past.
Most of the characters are amoral at best, wholly unscrupulous at worst, with a few genuinely noble ones sprinkled in. Just the way I like my fantasy – the presence of unprincipled characters always tend to keep things interesting in a fantasy novel.
Let's talk thematic: the topics broached in this novel are quite absorbing. Found family, family bonds, sacrifice, gods intervening in the fate of mortals, patriarchy, suppression of women and misogyny (and women fighting back), betrayal, lust, grasping for power, maternal love, grief, loss, and more, permeate this novel. I loved the exploration of the turbulence where the Irish and the Vikings face an clash of cultures and violent conflict.
This is upheaval amongst the mortals mirrors the secret immortal war between the Fomorians and the Tuatha Dé Danann, in itself reminiscent of other divine wars from various cultural traditions, such as the Norse gods with the Æsir versus Vanir conflict. Religious conversion, and the option to chose one faith or another for political expedience rather than genuine faith, I also found to be a fascinating topic that was explored in the book.
The court politics, jockeying for power, double-crosses, misinformation, endless plots, and ‘moral flexibility’ in this book was remarkable, and the kind of stuff I absolutely love about both fantasy and historical fiction. I also adored the soft magic, which features Fódla’s healing powers and Gormflaith’s wielding of fire.
While the battle scenes are somewhat muted, with more reported than actual witnessed, there is plenty of high engaging drama, collusion and conniving, to keep the entertainment value of this book quite high. It was a compulsive read, as we go back and forth between the two protagonists’ POVs, wondering what will happen to them, what they will do next.
The pacing is wonderful, not a lag in the narrative to be found, and a very unpredictable story, that takes some marvellous turns I did not expect. A hard book to put down for any length of time.
No secret, I love my flowery, even somewhat dense prose. Yet for me the effectiveness of writing is always more about how it’s said than how much is said. Lawless’ prose is graceful, fluid, efficient yet delightful, and it really worked for me.
The author is to be commended for her first-rate research of Irish history and mythology. Lawless has twined the arcane with the factual, without obvious seams, clumsiness or confusion.
While the worldbuilding focuses more on the historical aspects, and the legends, rather than more ornate descriptions of scenery and setting to ground the reader, the reader will definitely FEEL like they are in 10th century Ireland, in a land of the occult, tempestuous warlords, shifting allegiances, chaos, and yet beauty and wonder.
“The Children of Gods and Fighting Men” is a perspicacious, epic, enchanting, ambitious first installment, centered on fabulous female main characters, in what promises to be a lauded and exciting historical-fantasy series.
There were plenty of unresolved plot threads that will convince readers to eagerly anticipate the next book, which is – thankfully – coming this fall, entitled “The Words of Kings and Prophets”. Personally, I can’t wait to continue the story of Fódla and Gormflaith, and return to the Ireland of the time of the Fomorians and the Tuatha Dé Danann.
This novel is surely worthy of the plaudits it has been receiving, and should wind up on many ‘best of’ lists for 2023 fantasy books, including mine.
This book is one of 2023’s most heralded fantasy releases, and I was not dissatisfied AT ALL about this novel not living up to the hype. Let the superlatives begin, and let’s dive into what this book is all about.
Set in Lawless’ version of 10th century Ireland, the novel is told from two contrasting POVs.
The first POV is that of Gormflaith, an incredibly beautiful, charismatic, and utterly ruthless woman, who is hiding a huge secret: she is a Fomorian.
According to Irish legend, the Fomorians are a paranormal race, and the opponents of Ireland’s first settlers, which consisted of six categories of people. Among those categories are the Gaels, Irish mortals. Included among the categories are also the Tuatha Dé Danann, a competing supernatural group.
Gormflaith is immortal, in that, unless killed or dying by misadventure, she lives forever, masquerading as a mortal, faking her death, and changing identities when the span of a natural life should be at it’s end, to avoid suspicion being drawn to her, that she is anything other than what she seems.
For the Tuatha Dé Danann have defeated the Fomorians, believing all of Gormflaith’s people hunted into extinction. Yet Gormflaith and several members of her family remain alive, surreptitiously plotting to turn the tables on their ancient enemies, and rise to power once again.
But were the Tuatha Dé Danann to become aware that any Fomorians still existed, they would track their old foes down, and destroy them. Thus Gormflaith lives in constant danger.
Gormflaith is the wife of Amlav, the King of Dublin. Formerly a great warrior, the aged Amlav has passed, and with him has passed Gormflaith’s nominal influence in his court. Still, the succession of Dublin’s throne is far from guaranteed, even thought a new monarch assumes power. There are many contenders among Amlav’s heirs who could rule, and Gormflaith is determined that her son, Sitric, ends up in the king’s seat.
The second main POV is that of Fódla. Fódla is a Descendant of the Tuatha Dé Danann. She lives with the other Descendants, hidden from the eyes of mortals, and is a healer among her people. Fódla, generally kind-hearted, and passionate, but guarded, and somewhat melancholy, as she copes with grief over the death of her human offspring. She once was romantically involved with the leader of the Descendants – Tomas - but that relationship now more tenuous, and fraught with tension and mistrust.
Fódla’s sister has been inserted as a spy among humans to help ensure the Descendants can help circumvent human conflicts, which they see as their mandate. But Fódla's sister has broken the rules of the Descendants while on her covert mission. She has had relations with a human and is bearing a human child. Her punishment for doing so will be severe.
For love of her sister, Fódla not only agrees to foster her sister’s offspring, but also engages in a spy operation too, at the behest of Tomas. Fódla, in disguise as a disfigured commoner, will snoop on a famous mortal king that the Descendants see as a threat to peace, because that king believed to be a scheming warmonger.
Two women, with magical abilities, destined to be sworn enemies due to the timeless feud between their peoples, neither whom know of the existence of the other, cleaving a path through a severely patriarchal, medieval world, to influence major events, and play important parts in an Ireland at a pivotal point in history, where cultures and faiths will clash, wars will erupt, and the primeval gods and mythical creatures of yore are not ready to relinquish their hold on Ireland yet.
As always, I begin my review speaking about the characters. The two mesmeric main characters in “The Children of Gods and Fighting Men” entranced me from the start. My admiration for and interest in both these incredibly addictive female leads was equal.
Though I must admit, Gormflaith was my favourite, because she was so categorically unremitting, cold, merciless, cunning, and ingenious in her wily plots. I adore highly flawed characters, and the devious yet alluring Gormflaith definitely fits the bill.
Gormflaith holds as high a role in society as a woman can have, but is still in many ways completely stymied by the patriarchy. She can only use her magical abilities so far to have sway over mortals, so she must rely on her charm, her wits, and her powers of persuasion, gentle or otherwise. Manipulating and steering primarily the men surrounding her, Gormflaith’s single-minded obsession to see Sitric on the throne is driven by more than maternal love, though that is surely at the heart of why she takes the extreme actions she does.
Not opposed to seduction, lies, and even bloody murder to achieve her ends, Gormflaith needs her son to be in power to secure her position as well, and keep her relevant. Even though she knows any such relevance can only be fleeting, as, eventually, she must contrive her death, give up her position as a dowager queen and mother of a king, and start over, in another phase of her immortal life.
Gormflaith is often thwarted in her schemes by the power plays of the dominant males around her. She is also at their mercy to a degree, used as commodity for her looks or her womb, and a pawn for the political alliances being married to her can forge, for the benefit of whichever man controls her. So she fights back the only ways she knows how, and she is a force to be reckoned with.
Fódla is the more pleasant character that readers who need a nicer person to root for will find. In her courage, intelligence, nurturing, protective, yet suspicious nature and damaged past, Fódla’s willingness to risk and sacrifice herself for others, yet face the pragmatism that comes with being an immortal, that, in the end, the mission must take precedence over any one human life, will make the reader mourn for her.
Fódla can be judgmental, but she also is quick to care as well. Her compassion for the humans she must spy on is admirable, and her fierce guarding of her sister and nephew – who she essentially adopts – makes her very likable.
She is also more passive, compared to Gormflaith, but while more docile, it does not mean that she is weak. She is more an observer, and cerebral, in her approach than Gormflaith, though she can be impetuous, at times. But while she is not a complete bystander, she is not willing to put herself wholly in the middle of happenstance, as Gormflaith is. She does not want turmoil, in fact Fódla wants to stop turmoil, as is consistent with her task bequeathed to her by the Descendants.
That said, Fódla is an independent thinker who begins to doubt the methods her people are using for the stated sake of preservation of peace, and if the ends justify the means. Contrasting Fódla, Gormflaith thrives on being at the centre of any turmoil, for it is within turmoil that the Queen of Dublin best operates, being able to take advantage of the uncertainly and tumult.
The secondary characters are wonderful. Rónnat, Tomas, Sitric, Murchad, and Olaf really stood out for me, amongst a great auxiliary cast, many of whom, along with Gormlaith and Fódla, are based on either legendary or real historical figures.
Lawless expertly and inventively weaves lore with historical accounts of these characters, to create vivid, well-fleshed out, very memorable people who leap out of the dimness of antiquity onto the pages of her book with flair and gusto, refusing to fade into the past.
Most of the characters are amoral at best, wholly unscrupulous at worst, with a few genuinely noble ones sprinkled in. Just the way I like my fantasy – the presence of unprincipled characters always tend to keep things interesting in a fantasy novel.
Let's talk thematic: the topics broached in this novel are quite absorbing. Found family, family bonds, sacrifice, gods intervening in the fate of mortals, patriarchy, suppression of women and misogyny (and women fighting back), betrayal, lust, grasping for power, maternal love, grief, loss, and more, permeate this novel. I loved the exploration of the turbulence where the Irish and the Vikings face an clash of cultures and violent conflict.
This is upheaval amongst the mortals mirrors the secret immortal war between the Fomorians and the Tuatha Dé Danann, in itself reminiscent of other divine wars from various cultural traditions, such as the Norse gods with the Æsir versus Vanir conflict. Religious conversion, and the option to chose one faith or another for political expedience rather than genuine faith, I also found to be a fascinating topic that was explored in the book.
The court politics, jockeying for power, double-crosses, misinformation, endless plots, and ‘moral flexibility’ in this book was remarkable, and the kind of stuff I absolutely love about both fantasy and historical fiction. I also adored the soft magic, which features Fódla’s healing powers and Gormflaith’s wielding of fire.
While the battle scenes are somewhat muted, with more reported than actual witnessed, there is plenty of high engaging drama, collusion and conniving, to keep the entertainment value of this book quite high. It was a compulsive read, as we go back and forth between the two protagonists’ POVs, wondering what will happen to them, what they will do next.
The pacing is wonderful, not a lag in the narrative to be found, and a very unpredictable story, that takes some marvellous turns I did not expect. A hard book to put down for any length of time.
No secret, I love my flowery, even somewhat dense prose. Yet for me the effectiveness of writing is always more about how it’s said than how much is said. Lawless’ prose is graceful, fluid, efficient yet delightful, and it really worked for me.
The author is to be commended for her first-rate research of Irish history and mythology. Lawless has twined the arcane with the factual, without obvious seams, clumsiness or confusion.
While the worldbuilding focuses more on the historical aspects, and the legends, rather than more ornate descriptions of scenery and setting to ground the reader, the reader will definitely FEEL like they are in 10th century Ireland, in a land of the occult, tempestuous warlords, shifting allegiances, chaos, and yet beauty and wonder.
“The Children of Gods and Fighting Men” is a perspicacious, epic, enchanting, ambitious first installment, centered on fabulous female main characters, in what promises to be a lauded and exciting historical-fantasy series.
There were plenty of unresolved plot threads that will convince readers to eagerly anticipate the next book, which is – thankfully – coming this fall, entitled “The Words of Kings and Prophets”. Personally, I can’t wait to continue the story of Fódla and Gormflaith, and return to the Ireland of the time of the Fomorians and the Tuatha Dé Danann.
This novel is surely worthy of the plaudits it has been receiving, and should wind up on many ‘best of’ lists for 2023 fantasy books, including mine.
December 23, 2024
RATING BREAKDOWN
Characters: 4⭐️
Setting: 5⭐️
Plot: 4⭐️
Themes: 5⭐️
Emotional Impact: 3⭐️
Personal Enjoyment: 5⭐️
Total Rounded Average: 4.5⭐️
This book is a beautiful blend of fantasy and historical fiction, giving us a multi-point-of-view narrative featuring women in the 11th century in Ireland. Lawless tactfully weaves Irish folklore, mythology, and history to share a story about war, motherhood, prejudice, love, and loss against a breathtaking setting, in a gripping plot. She delivers something every classic any epic fantasy lover will devour, and she did it in such a fresh way!
I love that Gormflaith and Fódla are two women with magic, concealing their powers while wielding them in a world dominated by men. Both fiercely loving mothers—one faces the world with cunning and manipulation, while the other is more submissive and peace-keeping. The juxtaposition of the two women is fascinating and shows so much range in Lawless's character work.
The plot is a combination of political machinations, strategizing, relational upheaval, and action. Based on actual historical events and figures, history comes to life as mythology and folklore come into play. The betrayals, coups, espionage, battles, and secrets all play out both intimately and for all of Ireland. The stakes felt akin to something like A Song of Ice and Fire. What feels like factions and families squabbling and living in their own worlds, coalesces into a game with much more impact for everyone.
The setting is so grounded, as it is not fantastical at all. This takes place in Ireland in the 10th and 11th centuries, and so of course it all feels real. It's so clear from the writing that Lawless is Irish and knows this country intimately.
Such an impressive debut and an explosive start to a series. I am so excited for the next book!
Characters: 4⭐️
Setting: 5⭐️
Plot: 4⭐️
Themes: 5⭐️
Emotional Impact: 3⭐️
Personal Enjoyment: 5⭐️
Total Rounded Average: 4.5⭐️
This book is a beautiful blend of fantasy and historical fiction, giving us a multi-point-of-view narrative featuring women in the 11th century in Ireland. Lawless tactfully weaves Irish folklore, mythology, and history to share a story about war, motherhood, prejudice, love, and loss against a breathtaking setting, in a gripping plot. She delivers something every classic any epic fantasy lover will devour, and she did it in such a fresh way!
I love that Gormflaith and Fódla are two women with magic, concealing their powers while wielding them in a world dominated by men. Both fiercely loving mothers—one faces the world with cunning and manipulation, while the other is more submissive and peace-keeping. The juxtaposition of the two women is fascinating and shows so much range in Lawless's character work.
The plot is a combination of political machinations, strategizing, relational upheaval, and action. Based on actual historical events and figures, history comes to life as mythology and folklore come into play. The betrayals, coups, espionage, battles, and secrets all play out both intimately and for all of Ireland. The stakes felt akin to something like A Song of Ice and Fire. What feels like factions and families squabbling and living in their own worlds, coalesces into a game with much more impact for everyone.
The setting is so grounded, as it is not fantastical at all. This takes place in Ireland in the 10th and 11th centuries, and so of course it all feels real. It's so clear from the writing that Lawless is Irish and knows this country intimately.
Such an impressive debut and an explosive start to a series. I am so excited for the next book!
March 29, 2023
Re-read March '23: After reading this for a second time, I definitely enjoyed it more. The character interactions and intrigue are so well layered together that my interest stays piqued the entire time. The mythology is what drew my attention the first time around, the politics and characters got me the second time around. My enjoyment is definitely a 5/5 stars and I'm very excited to dig into book 2.
Original Review:
I was lucky enough to get an advanced reader copy of The Children of Gods and Fighting Men. It was great! I have a small fascination with mythology, and this book is an excellent blend of Irish history and mythology that really was satisfying for me. It is filled with rich characters, magic and lots of action that all blend in such a believable way. I was left at the end not only wanting to know more about these characters and their future, but also wanting to know more in general about the mythology upon which this is based. I definitely recommend giving this book a shot. 4.5/5.0 stars rounded up for me.
Original Review:
I was lucky enough to get an advanced reader copy of The Children of Gods and Fighting Men. It was great! I have a small fascination with mythology, and this book is an excellent blend of Irish history and mythology that really was satisfying for me. It is filled with rich characters, magic and lots of action that all blend in such a believable way. I was left at the end not only wanting to know more about these characters and their future, but also wanting to know more in general about the mythology upon which this is based. I definitely recommend giving this book a shot. 4.5/5.0 stars rounded up for me.
December 9, 2022
If you loved The Last Kingdom series on Netflix and have been in mourning since the final season aired - friends, THIS is the book for you. (Or should I say series? Speaking of series, have you seen the cover for the second book yet?!! FIRE! I digress...lol)
Shauna Lawless knocked it out of the park with this book. Factual historical events combined with Irish mythology swirling with magic and fantasy, THE CHILDREN OF GODS AND FIGHTING MEN is historical fiction at its peak. I love when authors write about actual events that occurred, but they create fictional characters to provide some umph to it. These characters are able to immerse me into the time period, help me understand what it was like to live in this time: the culture, religious beliefs, society. Throw in some magic, political scheming and backstabbing and that's all cream on the top!
If you prefer video reviews, I do have a non-spoiler review on my YouTube channel, The Nerdy Narrative, that you can watch here: https://youtu.be/ebwwsGCHGy0
The author has a beautiful map of Ireland included as well as a list of the characters and what tribe/family they belong to. This was extremely helpful to me starting out. If you're an audiobook lover, I encourage you to snag a copy either to be your primary read or to immersion read because the narrator, Aoife McMahon, did an outstanding job. In fact, the audiobook was a huge help to me since I was struggling with pronunciations of places and people.
It's hard to say what I loved most about THE CHILDREN OF GODS AND FIGHTING MEN. The first thing that caught my interest was the magic. We follow two POVs in this book, both women, each with their own type of magic and each hiding their magic from public knowledge for different reasons. Gormflaith is one of the Fomorians, an immortal race that wields fire magic. She keeps her magic hidden for fear she will be discovered by another race of immortals, the Tuatha De Danann, warriors sword to eradicate Fomorians. Our other POV, Fodla, as you may have guessed, belongs to the other immortal race, the Tuatha De Danann. Fodla has the gift of healing, which she keeps secret because her people swore a New Agreement years ago to never help mortals again.
Honestly, just reading about these two women would have been enough to keep me turning the pages, but when you also have the different Kings scheming for each other's lands and thrones, allies who switch sides at the most inopportune times, even family members murdering each other for gain - it just becomes an obsession at that point. I began favoring Fodla's POV, but Gormflaith quickly won me over because this woman would make Cersei Lannister nervous! (I wager Gormflaith was a bit more cunning than Cersei...you'll see why!) Gormflaith was vile and would stop at nothing and Fodla was willing to put herself at risk spying on a mortal king...for the same thing: Love for their family, their children.
We're in Ireland, around 980-999 AD. Another piece of kindling on the fires of turmoil is religion. Christianity is making its way through, converting some while others remain true to the old gods. Which means those that would stay in power or take power must walk a razor's edge to appease those who worship the old gods and those bearing the cross of Christ on their chests. I just eat this type of stuff UP.
A riveting tale full of vivid imagery that brings myth and legend to life - THE CHILDREN OF GODS AND FIGHTING MEN is the start of what I believe will be an excellent series!
I did accept a physical copy of this book from the publisher for review consideration, for which I am so grateful because this book was one of my anticipated reads!
Shauna Lawless knocked it out of the park with this book. Factual historical events combined with Irish mythology swirling with magic and fantasy, THE CHILDREN OF GODS AND FIGHTING MEN is historical fiction at its peak. I love when authors write about actual events that occurred, but they create fictional characters to provide some umph to it. These characters are able to immerse me into the time period, help me understand what it was like to live in this time: the culture, religious beliefs, society. Throw in some magic, political scheming and backstabbing and that's all cream on the top!
If you prefer video reviews, I do have a non-spoiler review on my YouTube channel, The Nerdy Narrative, that you can watch here: https://youtu.be/ebwwsGCHGy0
The author has a beautiful map of Ireland included as well as a list of the characters and what tribe/family they belong to. This was extremely helpful to me starting out. If you're an audiobook lover, I encourage you to snag a copy either to be your primary read or to immersion read because the narrator, Aoife McMahon, did an outstanding job. In fact, the audiobook was a huge help to me since I was struggling with pronunciations of places and people.
It's hard to say what I loved most about THE CHILDREN OF GODS AND FIGHTING MEN. The first thing that caught my interest was the magic. We follow two POVs in this book, both women, each with their own type of magic and each hiding their magic from public knowledge for different reasons. Gormflaith is one of the Fomorians, an immortal race that wields fire magic. She keeps her magic hidden for fear she will be discovered by another race of immortals, the Tuatha De Danann, warriors sword to eradicate Fomorians. Our other POV, Fodla, as you may have guessed, belongs to the other immortal race, the Tuatha De Danann. Fodla has the gift of healing, which she keeps secret because her people swore a New Agreement years ago to never help mortals again.
Honestly, just reading about these two women would have been enough to keep me turning the pages, but when you also have the different Kings scheming for each other's lands and thrones, allies who switch sides at the most inopportune times, even family members murdering each other for gain - it just becomes an obsession at that point. I began favoring Fodla's POV, but Gormflaith quickly won me over because this woman would make Cersei Lannister nervous! (I wager Gormflaith was a bit more cunning than Cersei...you'll see why!) Gormflaith was vile and would stop at nothing and Fodla was willing to put herself at risk spying on a mortal king...for the same thing: Love for their family, their children.
We're in Ireland, around 980-999 AD. Another piece of kindling on the fires of turmoil is religion. Christianity is making its way through, converting some while others remain true to the old gods. Which means those that would stay in power or take power must walk a razor's edge to appease those who worship the old gods and those bearing the cross of Christ on their chests. I just eat this type of stuff UP.
A riveting tale full of vivid imagery that brings myth and legend to life - THE CHILDREN OF GODS AND FIGHTING MEN is the start of what I believe will be an excellent series!
I did accept a physical copy of this book from the publisher for review consideration, for which I am so grateful because this book was one of my anticipated reads!
July 3, 2025
4.5 stars
The audiobook was a completely immersive experience; I was gripped from start to finish. It's a brilliant mix of Irish mythology and folklore and historical fiction, with characters so vivid whether you love or hate them! I finished Book 1 and immediately added Books 2 and 3 to my wishlist.
The audiobook was a completely immersive experience; I was gripped from start to finish. It's a brilliant mix of Irish mythology and folklore and historical fiction, with characters so vivid whether you love or hate them! I finished Book 1 and immediately added Books 2 and 3 to my wishlist.
February 4, 2023
Good, but not for me!
The Children of Gods and Fighting Men was one of my wife’s favourite reads last year, so I knew I had to give it a read. I was fortunate to meet Shauna Lawless in September 2022, which also sparked my curiosity! So what did I think?
Firstly, I think this is a good book. The writing is excellent, the plot is fascinating, and the characters are great. I thoroughly enjoyed how we follow two characters on opposite sides of a conflict, which added tension and intrigue. I also loved how motherhood is a big theme in this book. I haven’t read many fantasies that analyse motherhood in such ways, so that is definitely an element I appreciate. Also, this book is inspired by Irish mythology – how cool is that?
However, while I enjoyed many aspects of this book, I will not continue this series for two primary reasons. Firstly, I don’t think historical fantasy is a subgenre I enjoy. This point is very much a “me-thing”, but I usually prefer fantasies set in other worlds and where the fantastical elements play a significant role. Secondly, I also found the setting a bit too bleak for my taste. I don’t doubt Lawless made a great effort into making the world feel historically accurate, but the world felt a bit too grey.
I highly recommend this book to anyone who enjoys historical fantasies and Irish mythology or finds the concept of having mothers at the forefront intriguing. While I appreciate this book, ultimately, I think I am not the target audience for this type of story.
3.5 / 5 stars
A special thanks to the Head of Zeus for a physical copy in exchange for an honest review.
The Children of Gods and Fighting Men was one of my wife’s favourite reads last year, so I knew I had to give it a read. I was fortunate to meet Shauna Lawless in September 2022, which also sparked my curiosity! So what did I think?
Firstly, I think this is a good book. The writing is excellent, the plot is fascinating, and the characters are great. I thoroughly enjoyed how we follow two characters on opposite sides of a conflict, which added tension and intrigue. I also loved how motherhood is a big theme in this book. I haven’t read many fantasies that analyse motherhood in such ways, so that is definitely an element I appreciate. Also, this book is inspired by Irish mythology – how cool is that?
However, while I enjoyed many aspects of this book, I will not continue this series for two primary reasons. Firstly, I don’t think historical fantasy is a subgenre I enjoy. This point is very much a “me-thing”, but I usually prefer fantasies set in other worlds and where the fantastical elements play a significant role. Secondly, I also found the setting a bit too bleak for my taste. I don’t doubt Lawless made a great effort into making the world feel historically accurate, but the world felt a bit too grey.
I highly recommend this book to anyone who enjoys historical fantasies and Irish mythology or finds the concept of having mothers at the forefront intriguing. While I appreciate this book, ultimately, I think I am not the target audience for this type of story.
3.5 / 5 stars
A special thanks to the Head of Zeus for a physical copy in exchange for an honest review.
August 30, 2023
If you're looking for a book that both venerates and despises mothers, that centers and obviates women, look no further!
It's charming and clunky, blunt like a curb to the face yet shadowy, and, I'm sad to say, largely forgettable.
CONTENT WARNING:
Things that were cool:
-The setting. I love Viking era Ireland! So much room for cool culture clashes!
-Beloved children. We need more moms in SFF and the kids in this one were all right.
-Mythology. Like I said, love this era for all the interconnecting things we get to see.
Things that were tedious:
-Women hating women. *rubs eyes* don't we all grow out of this by 8th grade? Also for prioritising moms in this book we sure seem to have a low opinion of them. Do better, Lawless.
-Art imitating art. I think most of this book is...absolute nonsense based on nonsense that some dude wrote 50 years ago.
-An unending prequel. This whole freakin' book is just a prelude to the story.
-Boring. A real sin in books.
2.5 rounded up because I think it had some merit on its own, I'm just hard pressed to tell you what it is, exactly.
-
It's charming and clunky, blunt like a curb to the face yet shadowy, and, I'm sad to say, largely forgettable.
CONTENT WARNING:
Things that were cool:
-The setting. I love Viking era Ireland! So much room for cool culture clashes!
-Beloved children. We need more moms in SFF and the kids in this one were all right.
-Mythology. Like I said, love this era for all the interconnecting things we get to see.
Things that were tedious:
-Women hating women. *rubs eyes* don't we all grow out of this by 8th grade? Also for prioritising moms in this book we sure seem to have a low opinion of them. Do better, Lawless.
-Art imitating art. I think most of this book is...absolute nonsense based on nonsense that some dude wrote 50 years ago.
-An unending prequel. This whole freakin' book is just a prelude to the story.
-Boring. A real sin in books.
2.5 rounded up because I think it had some merit on its own, I'm just hard pressed to tell you what it is, exactly.
-
June 19, 2024
Damn it, but I was sick of being nothing, a woman beholden to male plans.
Gormflaith is the recently widowed Queen of Dublin and has great plans for her son - and herself - but she must play a game reserved for men to see her son become King. Gormflaith is also from the Fomorian line - an immortal race who can do fire-magic.
Opposing the Fomorians are the Descendants of the Tuatha Dé Danann who believe they have wiped out the last of the Fomorians. They live according to the New Agreement, removed from the mortals but keeping a close eye.
Fódla has been taught mortal men are dangerous, only good for blood-thirst and pillage, however she always sees the good in everything and recently has started questioning the council and their decisions.
”But if you don't do something counter to expectations, nothing will ever change, right?"
This seemed daunting to start - opening with a huge list of character names and places, however ignore this and just get reading the story!
Gormflaith is a mother who must come to grips with wanting more for her son and realising he cannot be the little boy she wants and remembers him to be if he, and she, is to succeed.
She is extremely devious and manipulative and seems five steps ahead of every other character.
I let him tease me. It was all I could do. But as I gazed at the top table full of warriors, all I saw was a group of little boys, longing for words of praise and lingering glances from the women serving them.
This seamlessly weaves Irish mythology, history, with a hint of magical beliefs to create a riveting story about Irish history, unmarked by rose-tinted characters.
If you like strong women characters, older characters who are the main features, and complicated relationships with children and sibling, read this!
Bookstagram
Gormflaith is the recently widowed Queen of Dublin and has great plans for her son - and herself - but she must play a game reserved for men to see her son become King. Gormflaith is also from the Fomorian line - an immortal race who can do fire-magic.
Opposing the Fomorians are the Descendants of the Tuatha Dé Danann who believe they have wiped out the last of the Fomorians. They live according to the New Agreement, removed from the mortals but keeping a close eye.
Fódla has been taught mortal men are dangerous, only good for blood-thirst and pillage, however she always sees the good in everything and recently has started questioning the council and their decisions.
”But if you don't do something counter to expectations, nothing will ever change, right?"
This seemed daunting to start - opening with a huge list of character names and places, however ignore this and just get reading the story!
Gormflaith is a mother who must come to grips with wanting more for her son and realising he cannot be the little boy she wants and remembers him to be if he, and she, is to succeed.
She is extremely devious and manipulative and seems five steps ahead of every other character.
I let him tease me. It was all I could do. But as I gazed at the top table full of warriors, all I saw was a group of little boys, longing for words of praise and lingering glances from the women serving them.
This seamlessly weaves Irish mythology, history, with a hint of magical beliefs to create a riveting story about Irish history, unmarked by rose-tinted characters.
If you like strong women characters, older characters who are the main features, and complicated relationships with children and sibling, read this!
Bookstagram
December 3, 2023
A debut novel: a historical/fantasy novel based on the history and myths of tenth century Ireland, the first in a series. This was a time of great flux and tension. Viking raids were still occurring. Christianity and paganism were still battling it out, with Christianity in the ascendant. As always there was rivalry and contention between the various kings in Ireland: Dublin, Leinster, Munster to name a few and kings vie to be the high king. The various significant players are all historical figures. So there is a built in plot structure. Lawless also makes use of two mythical races; the Fomorians and the Tuatha De Danann. They are known as immortals, although in this case their life span is several hundred years. The Fomorians use fire magic and the Tuatha De Danaan are sworn to destroy them. They have a variety of gifts.
The novel follows two characters. Gormflaith, a Fomorian, widow of the king of Dublin trying to ensure future power for her son. Fodla a Tuatha de Danann and a healer, sent on a mission to get close to Brian Boru, then King of Munster. The storyline alternates between the two. There’s plenty of plotting, tension, double-crossing, match-making and what you would expect of a decent historical novel.
It is well written and well-paced with plenty of loose threads for follow on novels. The fantasy and historical elements seem to be well intertwined and so it reads well too. It was interesting to learn about a part of Irish history I knew only a little about.
The novel follows two characters. Gormflaith, a Fomorian, widow of the king of Dublin trying to ensure future power for her son. Fodla a Tuatha de Danann and a healer, sent on a mission to get close to Brian Boru, then King of Munster. The storyline alternates between the two. There’s plenty of plotting, tension, double-crossing, match-making and what you would expect of a decent historical novel.
It is well written and well-paced with plenty of loose threads for follow on novels. The fantasy and historical elements seem to be well intertwined and so it reads well too. It was interesting to learn about a part of Irish history I knew only a little about.
November 13, 2024
5/5
Holy crap! This was so fucking good.
We have a historical fantasy set in Ireland in the late IX century, with the Irish, the Saxon and the Vikings fighting for the land, and hidden between them, the last members of a race of descendants of the Irish gods and a secret race of their sworn enemies.
We follow 2 female main characters with difficult lives trying to follow their secret missions as the members of both races, both with magical powers, both pretending to be simple human women in a world of fighting men.
One of them is a mix between Cersei Lannister and Glokta (First Law World), merciless, cunning and DANGEROUS. Her being a character I'd never cheer on but I absolutely love to read her POVs.
The audiobook narrator has the perfect Irish accent to accompany the story, and I jumped to book 2 after I finished cause I needed more of this.
This is shaping to be a new obsession of mine.
Holy crap! This was so fucking good.
We have a historical fantasy set in Ireland in the late IX century, with the Irish, the Saxon and the Vikings fighting for the land, and hidden between them, the last members of a race of descendants of the Irish gods and a secret race of their sworn enemies.
We follow 2 female main characters with difficult lives trying to follow their secret missions as the members of both races, both with magical powers, both pretending to be simple human women in a world of fighting men.
One of them is a mix between Cersei Lannister and Glokta (First Law World), merciless, cunning and DANGEROUS. Her being a character I'd never cheer on but I absolutely love to read her POVs.
The audiobook narrator has the perfect Irish accent to accompany the story, and I jumped to book 2 after I finished cause I needed more of this.
This is shaping to be a new obsession of mine.
December 3, 2022
This book is set in Ireland in the 10th century and is based on Irish mythology/folklore and it was really good! We followed two perspectives, Gormflaith and Fodla, who are different types of magic users that keep themselves hidden from the general population and from each other. Gormflaith has married a king and is very deep into the politics of the region after that king dies and she tries to make his son king of Dublin, whereas Fodla is a healer and keeps herself more low profile, but has been tasked by her leader to infiltrate the inner circle of King Brian Boru, a historical renowned king of Ireland. The historical stuff felt very well done, and these two main characters and their supporting cast were interesting, particularly Gormflaith's. Gormflaith has to use all her political wiles as well as her previous relationships and potentiality for a new marriage in order to manipulate as many people as she can into helping her son become the uncontested king of Dublin. She's kinda like a magical, competent Cersei and I loved following this character., even if she is difficult to root for.
It was kinda fun to imagine this series as a pseudo-sequel to the Last Kingdom series by Bernard Cornwell, just because they take place like a century later and Uhtred the Bold (the person Cornwell is an ancestor of, who gave him the idea to do his Uhtred) makes a small appearance in this book. TLK being my favorite historical fiction series, the similar vibes from Children of Gods was a welcome one for me. It's not a very action heavy book, as it primarily follows the political maneuvering of the kings of Ireland through Gormflaith and Fodla's interactions, with the secondary plot thread of the magical groups trying to stay hidden from each other, but the ending is really awesome and has some good battles scenes. The magic is sparely handled in this book, almost nonexistent, but it feels like it will be used much more in the following books.
On a personal level, this is the first book I've read with dual first person perspectives, and I never really got used to it, which detracted from my enjoyment. While the chapters are named with each POV character, I just had a hard time fully orientating myself as to whose perspective I was in because I'm used to first person POVs being all one character. The writing of each character felt the same to me, so maybe with more differentiation it would have been easier. This was particularly an issue if I had to stop reading in the middle of a chapter, when I picked up the book I would struggle to remember who I was reading about until context clues came in. Other people may not have this issue.
I also thought Fodla was just kindof annoying. Her character is very passive and basically does what other people tell her for most of the book, and when she does have opinions and her own agency, it's just so emotion based that I was constantly frustrated with her (this is probably intentional, but it made her hard for me to care about). She also hated mortal men to a degree I found frustrating. She is very old, several hundred years I think, and while she has obviously been heavily propagandized by her leader, she has presumably interacted with men occasionally and seems likely to have developed some form of nuance or insight about them. But every time a man does anything, she thinks "MEN CAN'T BE TRUSTED" or when a man is nice she's like "He's nice now, BUT EVENTUALLY HE'LL DO BAD THINGS" and it was somewhat exhausting. So I definitely preferred Gormflaith's perspective, even if I think the storyline happening in Fodla's chapters is also very interesting.
My final negative for this book is that it uses the word Viking incorrectly, which I hate with my whole heart. It's probably an intentional choice for readership, but the rest of the historical stuff seems so good, to casually call everyone Vikings all the time and say things like "That's the VIking way" just takes me out of the story and perpetuates a phraseology that I wish people would stop doing, so for that I had to take off a full point. Sorry, I'm pedantic, it can't be helped.
But with that said, I really enjoyed reading this book and the above problems are gripes. I would recommend this to anybody who likes historical fiction, especially for people who like the Viking Age but want some more female representation at the center, this is absolutely going to be a hit.
8/10
It was kinda fun to imagine this series as a pseudo-sequel to the Last Kingdom series by Bernard Cornwell, just because they take place like a century later and Uhtred the Bold (the person Cornwell is an ancestor of, who gave him the idea to do his Uhtred) makes a small appearance in this book. TLK being my favorite historical fiction series, the similar vibes from Children of Gods was a welcome one for me. It's not a very action heavy book, as it primarily follows the political maneuvering of the kings of Ireland through Gormflaith and Fodla's interactions, with the secondary plot thread of the magical groups trying to stay hidden from each other, but the ending is really awesome and has some good battles scenes. The magic is sparely handled in this book, almost nonexistent, but it feels like it will be used much more in the following books.
On a personal level, this is the first book I've read with dual first person perspectives, and I never really got used to it, which detracted from my enjoyment. While the chapters are named with each POV character, I just had a hard time fully orientating myself as to whose perspective I was in because I'm used to first person POVs being all one character. The writing of each character felt the same to me, so maybe with more differentiation it would have been easier. This was particularly an issue if I had to stop reading in the middle of a chapter, when I picked up the book I would struggle to remember who I was reading about until context clues came in. Other people may not have this issue.
I also thought Fodla was just kindof annoying. Her character is very passive and basically does what other people tell her for most of the book, and when she does have opinions and her own agency, it's just so emotion based that I was constantly frustrated with her (this is probably intentional, but it made her hard for me to care about). She also hated mortal men to a degree I found frustrating. She is very old, several hundred years I think, and while she has obviously been heavily propagandized by her leader, she has presumably interacted with men occasionally and seems likely to have developed some form of nuance or insight about them. But every time a man does anything, she thinks "MEN CAN'T BE TRUSTED" or when a man is nice she's like "He's nice now, BUT EVENTUALLY HE'LL DO BAD THINGS" and it was somewhat exhausting. So I definitely preferred Gormflaith's perspective, even if I think the storyline happening in Fodla's chapters is also very interesting.
My final negative for this book is that it uses the word Viking incorrectly, which I hate with my whole heart. It's probably an intentional choice for readership, but the rest of the historical stuff seems so good, to casually call everyone Vikings all the time and say things like "That's the VIking way" just takes me out of the story and perpetuates a phraseology that I wish people would stop doing, so for that I had to take off a full point. Sorry, I'm pedantic, it can't be helped.
But with that said, I really enjoyed reading this book and the above problems are gripes. I would recommend this to anybody who likes historical fiction, especially for people who like the Viking Age but want some more female representation at the center, this is absolutely going to be a hit.
8/10
February 12, 2023
For the longest time, I thought historical fiction/fantasy wasn’t the genre for me, but The Children of Gods and Fighting Men threw that notion straight out of the window. This story was everything I was hoping it would be, and then so much more.
Just give me two incredibly complex, cunning and bad-ass female leads, throw in some compelling Irish history and mythology, add some cutthroat political intrigue and top it off with a flair of magic. Now, I don’t know about you, but I was sold!
I think what made this story work so well for me is the fact that it’s so character-driven and relatively low in action. Many historical fiction stories focus heavily on the battle scenes, which I just don’t tend to care about. But here, the story is carried by two amazing female leads whose journeys I just couldn’t stop reading about. Both Gormflaith and Fodla are extremely compelling characters who are so different and yet so similar to each other. They are both very strong, cunning, ambitious and morally complex characters and they both have magical abilities that they have to hide from the world for their own reasons. Also, they will stop at nothing to protect their family, even if that means resorting to less than savoury business. I know I am not the first one to say this, but Gormflaith absolutely gives Cersei Lannister a run for her money; she was so cunning and vile, but all for the benefit of her own son. I just loved that there truly are no clear good and bad guys here, it made the story all the more compelling!
Now, even though this isn’t an action-packed or battle heavy book, that doesn’t mean that it’s a boring story. In fact, it’s one of the most engaging and captivating stories I have read in a while. The tension is high from the start and you will just be filled with anticipatory dread the entire way through. This book contains some of the most intense and cutthroat political scheming and there are some brutal back stabbings and betrayals, which I was all here for.
My only quibble with the story would be that I sometimes struggled a bit to distinguish between Gormflaith and Fodla’s POV (even though they are named at the start of each chapter), because their voices occasionally felt a bit similar to me. But luckily that didn't end up hindering my enjoyment all that much, because I was so engrossed in the story overall.
Lawless’ prose was just utterly captivating, not because it’s overly poetic or lush, but because it was so effective and understated in just the right way. And I also simply adored how Irish mythology was seamlessly woven into the story. That magical flair just made the whole thing even more entrancing.
This book really does deserve all the high praise it’s been getting, it was absolutely fantastic and I will forever love it for making me realise that historical fiction is indeed a genre that I can enjoy.
What a way to kickstart your writing career, Lawless is an author to watch for sure. I can’t wait to see where this series goes next! HIGHLY recommend!
Just give me two incredibly complex, cunning and bad-ass female leads, throw in some compelling Irish history and mythology, add some cutthroat political intrigue and top it off with a flair of magic. Now, I don’t know about you, but I was sold!
I think what made this story work so well for me is the fact that it’s so character-driven and relatively low in action. Many historical fiction stories focus heavily on the battle scenes, which I just don’t tend to care about. But here, the story is carried by two amazing female leads whose journeys I just couldn’t stop reading about. Both Gormflaith and Fodla are extremely compelling characters who are so different and yet so similar to each other. They are both very strong, cunning, ambitious and morally complex characters and they both have magical abilities that they have to hide from the world for their own reasons. Also, they will stop at nothing to protect their family, even if that means resorting to less than savoury business. I know I am not the first one to say this, but Gormflaith absolutely gives Cersei Lannister a run for her money; she was so cunning and vile, but all for the benefit of her own son. I just loved that there truly are no clear good and bad guys here, it made the story all the more compelling!
Now, even though this isn’t an action-packed or battle heavy book, that doesn’t mean that it’s a boring story. In fact, it’s one of the most engaging and captivating stories I have read in a while. The tension is high from the start and you will just be filled with anticipatory dread the entire way through. This book contains some of the most intense and cutthroat political scheming and there are some brutal back stabbings and betrayals, which I was all here for.
My only quibble with the story would be that I sometimes struggled a bit to distinguish between Gormflaith and Fodla’s POV (even though they are named at the start of each chapter), because their voices occasionally felt a bit similar to me. But luckily that didn't end up hindering my enjoyment all that much, because I was so engrossed in the story overall.
Lawless’ prose was just utterly captivating, not because it’s overly poetic or lush, but because it was so effective and understated in just the right way. And I also simply adored how Irish mythology was seamlessly woven into the story. That magical flair just made the whole thing even more entrancing.
This book really does deserve all the high praise it’s been getting, it was absolutely fantastic and I will forever love it for making me realise that historical fiction is indeed a genre that I can enjoy.
What a way to kickstart your writing career, Lawless is an author to watch for sure. I can’t wait to see where this series goes next! HIGHLY recommend!
December 29, 2024
Although The Children of the Gods and Fighting Men was not a perfect read, I reckon it was a pretty strong debut. With a riveting blend of Irish mythology and history, Shauna Lawless seamlessly weaved a compact story full of politics, betrayals and merciless scheming.
⚔️ Plot ⚔️
The Children of the Gods and Fighting Men essentially follows the war between the Tuatha Dé Danann (an ancient race of warriors) and the Fomorians (an "immortal" race with fire magic) in medieval Ireland during a time of tumultous upheaval where the Vikings and Irish were fighting for land and power, and the pagans were at odds with the fervent rise of Christianity.
⚔️ Characters ⚔️
This book was full of compelling characters. Gormflaith, the Fomorian Queen, and Fódla, a Tuatha Dé Danann healer, were strong female characters. I enjoyed seeing how cut-throat and ambitious Gormflaith was, and found that Fódla served as a good juxtaposition with her tenderheartedness. I also really enjoyed seeing them grow and learn about the humans around them. The patriarchy and the misogyny served as real obstacles for them, so it was interesting to see how they navigated that in different ways (and not in an unbelievably anachronistic way either).
Although I didn't necessarily connect with either of the FMCs, my enjoyment wasn't dampened because I really loved some of the side characters. I think what makes the story so compelling is that we're constantly introduced to new characters that all have different motivations. As many have pointed out, this isn't a "good versus bad" story, it's more grey than that. There are selfish desires and noble wills at hand, and plenty of characters that aren't afraid to double-cross one another.
⚔️ Writing ⚔️
The writing and prose was good - simple, succinct, and clear. But in saying that, I found the beginning to be a little confusing at times, and the exposition through dialogue a little unrealistic. Luckily, this didn't last long. For my own personal enjoyment, I do prefer a more descriptive writing style though... I like to know details about a character's appearance and what the setting looks like, and unfortunately this book was a bit lacking in this area. So if you're like me, be forewarned.
⚔️ Other thoughts ⚔️
But to end on a positive note, I do want to say that I loved the authors note at the end where Lawless explains the creative license she took and even lists out resources for curious readers. I don't know much about Irish history or mythology, so I will definitely be checking those out.
Overall, I enjoyed this one and have already downloaded the next book, The Words of Kings and Prophets from Libby. This book isn't going to be for everyone though - it's very heavy on the history and politics, and light on the action, but if you're looking for a good blend of historical fiction and fantasy, The Children of the Gods and Fighting Men is definitely worth checking out.
Rating: 3.5/5
⚔️ Gael Song Series ⚔️
#o.5 Dreams of Fire: 4/5
#1 The Children of Gods and Fighting Men: 3.5/5
#2 The Words of Kings and Prophets: 4.25/5
#2.5 Dreams of Sorrow: cr
#3 The Land of the Living and the Dead: tbr
⚔️ Plot ⚔️
The Children of the Gods and Fighting Men essentially follows the war between the Tuatha Dé Danann (an ancient race of warriors) and the Fomorians (an "immortal" race with fire magic) in medieval Ireland during a time of tumultous upheaval where the Vikings and Irish were fighting for land and power, and the pagans were at odds with the fervent rise of Christianity.
⚔️ Characters ⚔️
This book was full of compelling characters. Gormflaith, the Fomorian Queen, and Fódla, a Tuatha Dé Danann healer, were strong female characters. I enjoyed seeing how cut-throat and ambitious Gormflaith was, and found that Fódla served as a good juxtaposition with her tenderheartedness. I also really enjoyed seeing them grow and learn about the humans around them. The patriarchy and the misogyny served as real obstacles for them, so it was interesting to see how they navigated that in different ways (and not in an unbelievably anachronistic way either).
Although I didn't necessarily connect with either of the FMCs, my enjoyment wasn't dampened because I really loved some of the side characters. I think what makes the story so compelling is that we're constantly introduced to new characters that all have different motivations. As many have pointed out, this isn't a "good versus bad" story, it's more grey than that. There are selfish desires and noble wills at hand, and plenty of characters that aren't afraid to double-cross one another.
⚔️ Writing ⚔️
The writing and prose was good - simple, succinct, and clear. But in saying that, I found the beginning to be a little confusing at times, and the exposition through dialogue a little unrealistic. Luckily, this didn't last long. For my own personal enjoyment, I do prefer a more descriptive writing style though... I like to know details about a character's appearance and what the setting looks like, and unfortunately this book was a bit lacking in this area. So if you're like me, be forewarned.
⚔️ Other thoughts ⚔️
But to end on a positive note, I do want to say that I loved the authors note at the end where Lawless explains the creative license she took and even lists out resources for curious readers. I don't know much about Irish history or mythology, so I will definitely be checking those out.
Overall, I enjoyed this one and have already downloaded the next book, The Words of Kings and Prophets from Libby. This book isn't going to be for everyone though - it's very heavy on the history and politics, and light on the action, but if you're looking for a good blend of historical fiction and fantasy, The Children of the Gods and Fighting Men is definitely worth checking out.
Rating: 3.5/5
⚔️ Gael Song Series ⚔️
#o.5 Dreams of Fire: 4/5
#1 The Children of Gods and Fighting Men: 3.5/5
#2 The Words of Kings and Prophets: 4.25/5
#2.5 Dreams of Sorrow: cr
#3 The Land of the Living and the Dead: tbr
March 14, 2025
Stories rooted in history about power and the realities faced by those in its sway have always drawn me in like a magnet. Children of Gods and Fighting Men was no different.
The storytelling style has an easy, pleasant current leading us through the intertwined tale of two women, Fodla and Gormflaith. One a naive and fearful healer, one a manipulative and spite-filled queen. Both welders of ancient magic.
I enjoyed both POVs and was intrigued by the layered reveal of betrayal, ambition, and succession, common themes in historical accounts. Oftentimes these historical stories reveal the painful truths faced by women in their time, and just as often I find myself setting them down with an unpleasant aftertaste. With this story, though, Lawless manages to reveal the power and the powerlessness of her characters in a way that really impressed me.
A fantastic opening to a trilogy I thoroughly look forward to continuing!
The storytelling style has an easy, pleasant current leading us through the intertwined tale of two women, Fodla and Gormflaith. One a naive and fearful healer, one a manipulative and spite-filled queen. Both welders of ancient magic.
I enjoyed both POVs and was intrigued by the layered reveal of betrayal, ambition, and succession, common themes in historical accounts. Oftentimes these historical stories reveal the painful truths faced by women in their time, and just as often I find myself setting them down with an unpleasant aftertaste. With this story, though, Lawless manages to reveal the power and the powerlessness of her characters in a way that really impressed me.
A fantastic opening to a trilogy I thoroughly look forward to continuing!
August 25, 2023
Maybe it’s just the mood I’m in, but I think this is a three star read that had a two star level of enjoyment for me.
I think the portrayal of the mythology was fairly accurate (though I thought maybe the Fomorians could have used a little more attention) and a lot of the way the Tuatha de Danann folklore is told felt info dumpy or was worked into awkward and clunky dialogue. If it’s not something a reader is familiar with, they may get more enjoyment out of it then I did.
The book was too on the nose in its messaging for me. I wish the reader had been allowed to read between the lines or draw their own conclusions in a lot of places.
I didn’t think it was too slowly paced overall although suffered from an ambiguous plot structure. I get it, it’s historical, I still think there should be some promise of where the story is headed or what’s to come.
Mostly though I think I just wasn’t drawn to these characters the way I needed to be. Gormflaith is probably the more compelling of the two, but she’s so unlikeable in the end you don’t want to spend any more time with her. Fodla just feels very one note. She wants to get back to/protect Broccan and that felt like it was it. I didn’t get a clear sense of her character outside of him. (Also I found her overwhelming naïveté annoying and relatively unbelievable. She’s supposed to be like 80 years old isn’t she? Does she really not believe there can be good mortal men too? Why did that keep coming up?)
In the end I almost felt like I was supposed to be rooting for one side over the other, but I’d much rather read a book where I’m rooting for both or that can at least make me conflicted about it. This doesn’t do that.
For now I have zero intention of continuing the series.
I think the portrayal of the mythology was fairly accurate (though I thought maybe the Fomorians could have used a little more attention) and a lot of the way the Tuatha de Danann folklore is told felt info dumpy or was worked into awkward and clunky dialogue. If it’s not something a reader is familiar with, they may get more enjoyment out of it then I did.
The book was too on the nose in its messaging for me. I wish the reader had been allowed to read between the lines or draw their own conclusions in a lot of places.
I didn’t think it was too slowly paced overall although suffered from an ambiguous plot structure. I get it, it’s historical, I still think there should be some promise of where the story is headed or what’s to come.
Mostly though I think I just wasn’t drawn to these characters the way I needed to be. Gormflaith is probably the more compelling of the two, but she’s so unlikeable in the end you don’t want to spend any more time with her. Fodla just feels very one note. She wants to get back to/protect Broccan and that felt like it was it. I didn’t get a clear sense of her character outside of him. (Also I found her overwhelming naïveté annoying and relatively unbelievable. She’s supposed to be like 80 years old isn’t she? Does she really not believe there can be good mortal men too? Why did that keep coming up?)
In the end I almost felt like I was supposed to be rooting for one side over the other, but I’d much rather read a book where I’m rooting for both or that can at least make me conflicted about it. This doesn’t do that.
For now I have zero intention of continuing the series.
August 31, 2023
I know it looks like I’m passing out 5-star reviews like Orange Tic Tacs. Ha, ha. This was truly a perfect March audio listen.
I wasn’t sure I was ready for Irish- historic-anything (because my bookish heart is deeply invested in the Exit Unicorn saga), but Lawless was able to hook my attention quickly.
I already pre-ordered book two, due out September 2023- because my curiosity is busting at the seams to see what happens to Fódla and Murchad! Maybe a new favorite fictional couple on the horizon? *fingers crossed* (Oh, and I’m excited to see what happens to sweet Broccan, too!
Recommend to fans of Juliet Marillier, Genevieve Gornichec and Amy Harmon
I wasn’t sure I was ready for Irish- historic-anything (because my bookish heart is deeply invested in the Exit Unicorn saga), but Lawless was able to hook my attention quickly.
I already pre-ordered book two, due out September 2023- because my curiosity is busting at the seams to see what happens to Fódla and Murchad! Maybe a new favorite fictional couple on the horizon? *fingers crossed* (Oh, and I’m excited to see what happens to sweet Broccan, too!
Recommend to fans of Juliet Marillier, Genevieve Gornichec and Amy Harmon
March 5, 2025
Okay, I absolutely loved this!! I already put a library hold on book 2 and will read it right away when it comes through. This book combined the feel of historical fiction with some great fantasy elements. Awesome female main characters that were complex, and relatable, and just felt real! Can’t wait to continue.
December 28, 2022
This book has taken me by surprise, and in a good way. All I had known about it before picking it up was that it was a well-written historical fantasy, blending Irish history and mythology, so I had a sort of general idea what to expect. I thought I would find it interesting, but didn’t expect to love it this much.
Shauna Lawless has an obvious passion for Irish history that shines through every chapter, effortlessly transporting the reader into a vivid, realistic representation of 10th century Ireland. But it’s her writing skills and talent which won me over, the tone of her storytelling bringing to mind books I had previously enjoyed from other authors, such as Philippa Gregory and Madeline Miller. Smooth, mesmerising, but with a dangerous, sharp edge to it, that is always ready to strike.
Writing the story from the point of view of two very different women, one power-hungry, selfish, devious, the other kind-hearted, caring, naive was a brilliant decision and done very well. I felt that on one hand we had Gormflaith, whose continuous scheming manipulated history and drove the plot, on the other Fódla, whose conduct was more reactive, resigned to her fate, up to a point where eventually her internal transition under external strains slowly reached a turning point. Both journeys were intriguing to follow.
The long lives of the members of the two mythical tribes, combined with hidden powers, and the grief they felt upon losing mortal loved ones gave me strong Highlander vibes, that fitted in with the traits of the medieval world remarkably well.
All in all, I would call The Children Of Gods And Fighting Men a very strong debut and I look forward to reading more books from this author in the future.
Shauna Lawless has an obvious passion for Irish history that shines through every chapter, effortlessly transporting the reader into a vivid, realistic representation of 10th century Ireland. But it’s her writing skills and talent which won me over, the tone of her storytelling bringing to mind books I had previously enjoyed from other authors, such as Philippa Gregory and Madeline Miller. Smooth, mesmerising, but with a dangerous, sharp edge to it, that is always ready to strike.
Writing the story from the point of view of two very different women, one power-hungry, selfish, devious, the other kind-hearted, caring, naive was a brilliant decision and done very well. I felt that on one hand we had Gormflaith, whose continuous scheming manipulated history and drove the plot, on the other Fódla, whose conduct was more reactive, resigned to her fate, up to a point where eventually her internal transition under external strains slowly reached a turning point. Both journeys were intriguing to follow.
The long lives of the members of the two mythical tribes, combined with hidden powers, and the grief they felt upon losing mortal loved ones gave me strong Highlander vibes, that fitted in with the traits of the medieval world remarkably well.
All in all, I would call The Children Of Gods And Fighting Men a very strong debut and I look forward to reading more books from this author in the future.
April 28, 2022
This is one of those stories where as soon as I put it down, I thirst for the rest of the series.
The Children of Gods and Fighting Men felt long but every second where I wasn't doing something, I had to read it. The urge to keep reading, and acquaint myself with the characters, swelled within me as soon as I woke up in the morning.
First, the most compelling part of this story are it's characters. The POV is mainly split between two characters: Fodla and Gormflaith. Two powerful, and vital women. The ways in which these two channel their power, and influence a society that women are widely unaccepted in as anything besides a mother, is fascinating. The Children of Gods and Fighting Men bleeds femininity, god knows I love it.
There is not a lot to say about this book without spoiling it, but if you thirst for a solid fantasy with strong female main-characters, invest in this one! Honestly, I don't care what your preferences usually are, invest in this novel anyways. I am confident Lawless' series will go far. Her characters and world are wonderfully forged. This is just the beginning.
The Children of Gods and Fighting Men felt long but every second where I wasn't doing something, I had to read it. The urge to keep reading, and acquaint myself with the characters, swelled within me as soon as I woke up in the morning.
First, the most compelling part of this story are it's characters. The POV is mainly split between two characters: Fodla and Gormflaith. Two powerful, and vital women. The ways in which these two channel their power, and influence a society that women are widely unaccepted in as anything besides a mother, is fascinating. The Children of Gods and Fighting Men bleeds femininity, god knows I love it.
There is not a lot to say about this book without spoiling it, but if you thirst for a solid fantasy with strong female main-characters, invest in this one! Honestly, I don't care what your preferences usually are, invest in this novel anyways. I am confident Lawless' series will go far. Her characters and world are wonderfully forged. This is just the beginning.
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