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Hamra and the Jungle of Memories Lib/E
A Malaysian spin on Little Red Riding Hood from the critically acclaimed author of The Girl and the Ghost, Hanna Alkaf.
Courage is the strongest magic there is.
On Hamra's thirteenth birthday, she receives nothing but endless nagging and yet another errand to run in the Langkawi jungle that looms behind her home.
No one has remembered her special day.
And so, stifled and angry, Hamra ignores something she shouldn't: the rules of the jungle.
Always ask permission before you enter. Hamra walks boldly in.
Never take what isn't yours. Hamra finds the most perfect jambu and picks it.
Of course, rules exist for a reason, and soon an enormous weretiger is stalking her dreams, demanding payment for her crimes--and Hamra embarks on a quest deep into the jungle to set things right.
For fans of Ikegna and A Tale Dark and Grimm comes a story of a brave heroine, a beguiling villain, fantastical worlds, magical adventures, and a journey that will remind you that hope, friendship, and love endures all.
Courage is the strongest magic there is.
On Hamra's thirteenth birthday, she receives nothing but endless nagging and yet another errand to run in the Langkawi jungle that looms behind her home.
No one has remembered her special day.
And so, stifled and angry, Hamra ignores something she shouldn't: the rules of the jungle.
Always ask permission before you enter. Hamra walks boldly in.
Never take what isn't yours. Hamra finds the most perfect jambu and picks it.
Of course, rules exist for a reason, and soon an enormous weretiger is stalking her dreams, demanding payment for her crimes--and Hamra embarks on a quest deep into the jungle to set things right.
For fans of Ikegna and A Tale Dark and Grimm comes a story of a brave heroine, a beguiling villain, fantastical worlds, magical adventures, and a journey that will remind you that hope, friendship, and love endures all.
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First published March 28, 2023
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Displaying 1 - 30 of 223 reviews
March 10, 2023
A captivating Malaysia retelling of Little Red Riding Hood. Hamra and the Jungle of Memories sets in Langkawi during the pandemic in 2020. I am not sure about others but I am okay with the setting sets during Covid19 pandemic. Consider this as a trigger warning before you read this book.
Hamra has always been a dutiful and responsible daughter and always wants to be the perfect daughter for her parents and her grandparents. During pandemic, Hamra has to babysit her grandparents while her mom is working to save others during the crucial time. But, on her 13th birthday, she couldn’t take it anymore. She has always been given tasks to do and on her special day, everyone seems to forget that the day is her birthday. She went into the jungle to pick up some ulam-ulam for her grandmother who now is suffering from the dementia, but this time around, she ignores the rules of the jungle that her grandparents told her and that’s when the weretiger called Pak Belang started to haunt her. She realized that she needs to make things right.
I honestly love this cerita-cerita dongeng and I remember how I was being told the story of Malay folktales. Some creatures like Pontianak and Orang Bunian. I think Hamra and the Jungle of the Memories is my most favorite story from Hanna Alkaf. The pacing is perfect. The storyline is fascinating. The way Hanna Alkaf introduces about Malay culture is the best thing I read in this book.
I love the theme where friendship and family are in the top of the list. Hamra is a strong and also relatable character. She has this fierce and anger but she learns how to control it. Ilyas Chang Abdullah, her neighbour/best friend but sometimes just a pain in the ass who also happened to be in the jungle after hearing Hamra's yelling. Their adventures start there. Please read this book if you want to experience their journey.
I highly recommend this book to everyone who loves or wants to know more about Malay culture and folktales. This book is suitable for younger and older readers.
Thank you Times Reads for sending me Hamra and the Jungle of Memories in return for an honest review.
Hamra has always been a dutiful and responsible daughter and always wants to be the perfect daughter for her parents and her grandparents. During pandemic, Hamra has to babysit her grandparents while her mom is working to save others during the crucial time. But, on her 13th birthday, she couldn’t take it anymore. She has always been given tasks to do and on her special day, everyone seems to forget that the day is her birthday. She went into the jungle to pick up some ulam-ulam for her grandmother who now is suffering from the dementia, but this time around, she ignores the rules of the jungle that her grandparents told her and that’s when the weretiger called Pak Belang started to haunt her. She realized that she needs to make things right.
I honestly love this cerita-cerita dongeng and I remember how I was being told the story of Malay folktales. Some creatures like Pontianak and Orang Bunian. I think Hamra and the Jungle of the Memories is my most favorite story from Hanna Alkaf. The pacing is perfect. The storyline is fascinating. The way Hanna Alkaf introduces about Malay culture is the best thing I read in this book.
I love the theme where friendship and family are in the top of the list. Hamra is a strong and also relatable character. She has this fierce and anger but she learns how to control it. Ilyas Chang Abdullah, her neighbour/best friend but sometimes just a pain in the ass who also happened to be in the jungle after hearing Hamra's yelling. Their adventures start there. Please read this book if you want to experience their journey.
I highly recommend this book to everyone who loves or wants to know more about Malay culture and folktales. This book is suitable for younger and older readers.
Thank you Times Reads for sending me Hamra and the Jungle of Memories in return for an honest review.
November 30, 2022
2.5 || I really wanted to love this, but, alas, that wasn't the case. Kinda hate that as of right now, my review will be the one with the lowest star rating 😅
Let me just say that I LOVE middle grade. I do not regard it as "low art" whatsoever. I critique each genre a bit differently, but I hold them all to a high standard.
Let's start with some praise...
WHAT I LIKED
🐯 The writing. I have no real qualms with the writing style. Some phrases were reused quite a bit and things got repetitive at times, but all in all, I enjoyed Alkaf's prose. The narrative flowed nicely—very readable without being overly simplistic.
🐯 The setting. I have never read anything set in Malaysia before, so that was exciting. I love reading about what life looks like for kids around the world. This story is magical realism, so I am of course referring to the details I'm assuming are based on facts. But even learning more about Malaysian folklore was a fun insight into a culture I know little about.
🐯 The concept. Hamra and her bestie work alongside a weretiger (you've heard of a werewolf, well Alkaf gives us the tiger version) after accidentally stealing a magical fruit. A bargain is struck—the weretiger forgot he was once a man and can no longer return to his human form, so Hamra agrees to help him if he uses his magic to help Hamra's grandmother, whose memory is slipping away.
This take on Little Red Riding Hood is a very exciting premise, one that I think many people will enjoy. There's magic, myth, talking animals galore (which is one of my fave things ever in books), riddles, fairies, etc. I can appreciate these elements and how the author spun them.
WHAT DIDN'T WORK FOR ME
🐍 The execution. Following the last point above, this was my biggest issue with the book: the fact that I loved the concept, but was thoroughly unimpressed by its execution. The magical elements were dimmed by their lack in depth. Everything was explained very quickly or not given enough importance. There was no suspense to any new magical discovery because it didn't hold enough weight. The characters would brush things off as "well, that's just how it is," instead of letting their curiosity open a door into further exploring the magic around them. As Hamra and company move forward in their quest, riddles are solved and tasks are completed, but each one was sooooo underwhelming. And not because Alkaf didn't deliver with her imagination, but because it was over before it started, and the characters had little to add to the situation. And it wasn't just the poor execution in regards to the world building...
The overall plot execution let me down. I actually could not believe I reached the end when I read the last paragraph. I hate to use this word again, but, underwhelming. In the end, the story fell flat despite the promise of magic and whimsy.
🐍 Character development. My other big gripe was Hamra. Our mc really annoyed me. Her arc was nothing special, mainly because it was not so subtly (but very conveniently) thrown in towards the very end. The side characters were more endearing, but still pretty bland and predictable. I could overlook the previous point if I fell in love with the characters, but nope.
Another thing that I didn't enjoy (but I am not gonna include as a con because it's very subjective) is that this is a pandemic book. This isn't mentioned in the synopsis, but I would not have requested this on NetGalley if I had known that little detail. I know I am not alone in this—some of us just don't wanna read things set in 2020. The covid talk was a bit much for me. I know this is literally no big deal to some people, and that's great, but just in case you are like me, know that this book is very much set during lockdown and mentions covid and isolation quite a bit.
All in all, there is absolutely an audience for this kind of middle grade story. I hope the target demographic enjoys this one! Also, the cover is 10/10 😍
✨ Thanks so much to NetGalley and Harper Collin's CB for an advanced reader's copy in exchange for my honest review ✨
Let me just say that I LOVE middle grade. I do not regard it as "low art" whatsoever. I critique each genre a bit differently, but I hold them all to a high standard.
Let's start with some praise...
WHAT I LIKED
🐯 The writing. I have no real qualms with the writing style. Some phrases were reused quite a bit and things got repetitive at times, but all in all, I enjoyed Alkaf's prose. The narrative flowed nicely—very readable without being overly simplistic.
🐯 The setting. I have never read anything set in Malaysia before, so that was exciting. I love reading about what life looks like for kids around the world. This story is magical realism, so I am of course referring to the details I'm assuming are based on facts. But even learning more about Malaysian folklore was a fun insight into a culture I know little about.
🐯 The concept. Hamra and her bestie work alongside a weretiger (you've heard of a werewolf, well Alkaf gives us the tiger version) after accidentally stealing a magical fruit. A bargain is struck—the weretiger forgot he was once a man and can no longer return to his human form, so Hamra agrees to help him if he uses his magic to help Hamra's grandmother, whose memory is slipping away.
This take on Little Red Riding Hood is a very exciting premise, one that I think many people will enjoy. There's magic, myth, talking animals galore (which is one of my fave things ever in books), riddles, fairies, etc. I can appreciate these elements and how the author spun them.
WHAT DIDN'T WORK FOR ME
🐍 The execution. Following the last point above, this was my biggest issue with the book: the fact that I loved the concept, but was thoroughly unimpressed by its execution. The magical elements were dimmed by their lack in depth. Everything was explained very quickly or not given enough importance. There was no suspense to any new magical discovery because it didn't hold enough weight. The characters would brush things off as "well, that's just how it is," instead of letting their curiosity open a door into further exploring the magic around them. As Hamra and company move forward in their quest, riddles are solved and tasks are completed, but each one was sooooo underwhelming. And not because Alkaf didn't deliver with her imagination, but because it was over before it started, and the characters had little to add to the situation. And it wasn't just the poor execution in regards to the world building...
The overall plot execution let me down. I actually could not believe I reached the end when I read the last paragraph. I hate to use this word again, but, underwhelming. In the end, the story fell flat despite the promise of magic and whimsy.
🐍 Character development. My other big gripe was Hamra. Our mc really annoyed me. Her arc was nothing special, mainly because it was not so subtly (but very conveniently) thrown in towards the very end. The side characters were more endearing, but still pretty bland and predictable. I could overlook the previous point if I fell in love with the characters, but nope.
Another thing that I didn't enjoy (but I am not gonna include as a con because it's very subjective) is that this is a pandemic book. This isn't mentioned in the synopsis, but I would not have requested this on NetGalley if I had known that little detail. I know I am not alone in this—some of us just don't wanna read things set in 2020. The covid talk was a bit much for me. I know this is literally no big deal to some people, and that's great, but just in case you are like me, know that this book is very much set during lockdown and mentions covid and isolation quite a bit.
All in all, there is absolutely an audience for this kind of middle grade story. I hope the target demographic enjoys this one! Also, the cover is 10/10 😍
✨ Thanks so much to NetGalley and Harper Collin's CB for an advanced reader's copy in exchange for my honest review ✨
October 30, 2024
After having read the masterpiece that was Queen of the Tiles, I was so ready to dig into more of Hanna Alkaf's work. This book sounded the most up my alley and I was so excited to get to it. I mean what's not to love about a Little Red Riding Hood retelling set in Malaysia and depicts grandparent-grandchild relationships? But alas, this unfortunately bored me to death because everything felt too rushed both in terms of plot and character development. There were a few strong moments in the story, but I reckon I'd forget them as soon as in a few hours.
February 10, 2024
Hamra and the Jungle of Memories is my latest read from Malaysian powerhouse Hanna Alkaf and, like literally everything she’s ever written, I loved it. There’s a certain charm to middle grade novels that I, even though I’m literally 30 years old and definitely not the target audience, feel can’t truly be replicated by adult novels. There’s so much magic and hope in the way a child on the cusp of growing up views the world, and Hanna Alkaf truly knows how to tap into that point of view and really draw out the emotions of a reader.
But this book is even more special to me for two reasons. First, although it’s a fantasy novel, it’s also set in the real world during the height of the lockdowns. I’ve always joked about how glad I am that the C-word came about when I was an adult, because I can’t imagine facing the unending loneliness and cabin fever children must have faced during this time. In the book, Hamra is petulant, emotional, and infuriating, but rather than being irritated by this supposed unlikeable character, I couldn’t help but feel so sorry for her. The world has taken so much from her, and it continues to take from her, and as a child she’s in control of almost nothing in her life.
And second, this book really made me miss my Lola. My maternal grandmother passed away last November and Hamra's devotion to her Opah, to the point of braving a quest through the jungles of Langkawi, made me think of her. In the book, Opah has dementia, but even though Hamra misses the Opah who knew her well, was soft and warm and gentle and loving, she knows that that version of her Opah is still there somehow. Every time Hamra described the relationship she had with her grandmother, it made me remember my own. But not in a sad way. I miss my Lola, but I know she’s always loved me, and that will never change.
Lastly, one of my favorite things to do when reading from Southeast Asian authors is compare and contrast between the book and my own knowledge of life in the Philippines, and it’s always such a joy to spot the similarities and note the differences. For instance, in this book I learned that what we call makopa is called jambu in Malaysia!
But this book is even more special to me for two reasons. First, although it’s a fantasy novel, it’s also set in the real world during the height of the lockdowns. I’ve always joked about how glad I am that the C-word came about when I was an adult, because I can’t imagine facing the unending loneliness and cabin fever children must have faced during this time. In the book, Hamra is petulant, emotional, and infuriating, but rather than being irritated by this supposed unlikeable character, I couldn’t help but feel so sorry for her. The world has taken so much from her, and it continues to take from her, and as a child she’s in control of almost nothing in her life.
And second, this book really made me miss my Lola. My maternal grandmother passed away last November and Hamra's devotion to her Opah, to the point of braving a quest through the jungles of Langkawi, made me think of her. In the book, Opah has dementia, but even though Hamra misses the Opah who knew her well, was soft and warm and gentle and loving, she knows that that version of her Opah is still there somehow. Every time Hamra described the relationship she had with her grandmother, it made me remember my own. But not in a sad way. I miss my Lola, but I know she’s always loved me, and that will never change.
Lastly, one of my favorite things to do when reading from Southeast Asian authors is compare and contrast between the book and my own knowledge of life in the Philippines, and it’s always such a joy to spot the similarities and note the differences. For instance, in this book I learned that what we call makopa is called jambu in Malaysia!
September 22, 2025
4.5/5
اولین کتابی بود که از ادبیات مالزی خوندم و خیلی دوسش داشتم.
حمرا که مادربزرگش دچار زوال عقل و فراموشی شده، قانون جنگل رو زیر پا گذاشته و مجبوره با ببرینه جنگل همراه شه تا اون دوباره بتونه به انسان تبدیل شه.
الیاس، دوست حمرا هم همراهشونه و راهی بازار شبانه و جنگل میشن و در این سفر جادویی با موجودات جادویی و افسانهای متقاوتی که برگرفته از افسانههای مالاییه روبهرو میشن. ماجراهای خیلی قشنگ جادویی که من رو یاد کارتونها انداخت که عناصر جادویی خیالانگیزی ازجمله پریها توش نقش دارن.
ماجراجویی حمرا و الیاس و ببرینه فرازونشیب زیادی داره. لحظاتی سرشار از ترس و دلهره، زیرکی، فداکاری، شجاعت که منجر به این میشه که ببرینه چطور دوباره بتونه تبدیل به انسان بشه.
ماجرایی که در دل داستان زندگی ببرینه بود و ارتباطش با حمرا و همچین کل این اتفاقات که حاصل فراموشی مادربزرگ حمرا بود،همه و همه داستان شیرین و افسانهای قشنگی رو به تصویر کشیده که از خوندنش لذت بردم و مطمئنم بچهها و نوجوونها هم خیلی ازش لذت میبرن.
اولین کتابی بود که از ادبیات مالزی خوندم و خیلی دوسش داشتم.
حمرا که مادربزرگش دچار زوال عقل و فراموشی شده، قانون جنگل رو زیر پا گذاشته و مجبوره با ببرینه جنگل همراه شه تا اون دوباره بتونه به انسان تبدیل شه.
الیاس، دوست حمرا هم همراهشونه و راهی بازار شبانه و جنگل میشن و در این سفر جادویی با موجودات جادویی و افسانهای متقاوتی که برگرفته از افسانههای مالاییه روبهرو میشن. ماجراهای خیلی قشنگ جادویی که من رو یاد کارتونها انداخت که عناصر جادویی خیالانگیزی ازجمله پریها توش نقش دارن.
ماجراجویی حمرا و الیاس و ببرینه فرازونشیب زیادی داره. لحظاتی سرشار از ترس و دلهره، زیرکی، فداکاری، شجاعت که منجر به این میشه که ببرینه چطور دوباره بتونه تبدیل به انسان بشه.
ماجرایی که در دل داستان زندگی ببرینه بود و ارتباطش با حمرا و همچین کل این اتفاقات که حاصل فراموشی مادربزرگ حمرا بود،همه و همه داستان شیرین و افسانهای قشنگی رو به تصویر کشیده که از خوندنش لذت بردم و مطمئنم بچهها و نوجوونها هم خیلی ازش لذت میبرن.
April 1, 2024
4 stars
Fun, adventurous story with likeable characters. Enjoyed it very much.
Characters 8
Atmosphere 8
Writing Style 8
Premise 8
Execution/Plot 8
Execution/Pace 8
Execution/Setup 8
Enjoyment/Engrossment 8
Narration 7
Fun, adventurous story with likeable characters. Enjoyed it very much.
Characters 8
Atmosphere 8
Writing Style 8
Premise 8
Execution/Plot 8
Execution/Pace 8
Execution/Setup 8
Enjoyment/Engrossment 8
Narration 7
July 18, 2022
Wow! This story captivated me from the very first second and I was so immersed until the very last second!!!❤️
Genre: Upper MG Magical Realism
Ages: 11/12 and up
Preorder before the March 2023 Pub DATE!! (Preorders help authors!!)
Hamra lives with her family in the Jungle, and her grandmother is starting to forget her because of dementia. Hamra struggles with the feelings of being on lockdown due to Covid, feeling isolated from the world and her front-liner parents, and caring for her aging grandparents.
When she steals a fruit from the jungle, a Were-tiger demands she comes with him on a quest, and claims she can cure her Opah’s dementia if she succeeds.
Accompanied by her best friend Ilyas, Hamra enters the jungle and faces riddles, fairies, fantastical creatures, and her own fears. She has to hold on to friendship and family, and find her courage inside to be able to survive.
Ahhhhh!!! This book truly had me soooooo engrossed and I was flipping page after page of the #arc to find out what happened! The fantasy adventure will be sure to entertain and suck in any young reader and the intricate worldbuilding had me marveling at the storytelling power of the brilliant author!
Islam was present in the book so much- and I LOVED it! Hamra uses her hijab collection to get herself out of tricky situations, she calls on Allah for help, makes duaas, dhikr, prays, recites Quran, etc!
Malaysian culture is always gorgeously represented by this author and this book is no exception!! Malay words are unapologetically written and beautifully blended in the Malaysian setting, with folktales and riddles and songs that truly transport the reader into a new place! So authentic and rich, I was truly blown away!!
I love the lessons of the book, about friendship and family and healing from the isolation of Covid, and I see this being a timeless book that readers will read over and over again, discovering new wonders each time.
Genre: Upper MG Magical Realism
Ages: 11/12 and up
Preorder before the March 2023 Pub DATE!! (Preorders help authors!!)
Hamra lives with her family in the Jungle, and her grandmother is starting to forget her because of dementia. Hamra struggles with the feelings of being on lockdown due to Covid, feeling isolated from the world and her front-liner parents, and caring for her aging grandparents.
When she steals a fruit from the jungle, a Were-tiger demands she comes with him on a quest, and claims she can cure her Opah’s dementia if she succeeds.
Accompanied by her best friend Ilyas, Hamra enters the jungle and faces riddles, fairies, fantastical creatures, and her own fears. She has to hold on to friendship and family, and find her courage inside to be able to survive.
Ahhhhh!!! This book truly had me soooooo engrossed and I was flipping page after page of the #arc to find out what happened! The fantasy adventure will be sure to entertain and suck in any young reader and the intricate worldbuilding had me marveling at the storytelling power of the brilliant author!
Islam was present in the book so much- and I LOVED it! Hamra uses her hijab collection to get herself out of tricky situations, she calls on Allah for help, makes duaas, dhikr, prays, recites Quran, etc!
Malaysian culture is always gorgeously represented by this author and this book is no exception!! Malay words are unapologetically written and beautifully blended in the Malaysian setting, with folktales and riddles and songs that truly transport the reader into a new place! So authentic and rich, I was truly blown away!!
I love the lessons of the book, about friendship and family and healing from the isolation of Covid, and I see this being a timeless book that readers will read over and over again, discovering new wonders each time.
July 23, 2022
HAMRA AND THE JUNGLE OF MEMORIES is a powerful reimagining of the classic fairy tale Red Riding Hood set in the jungles of Malaysia. The author Hanna Alkaf has balanced her story between two worlds: the modern and all too real one of the global pandemic and a fantasy world that draws on Malaysian folklore. The heroine, Hamra, or Little Red, is a young girl with a fiery temper, struggling with the slow loss of her once equally spirited grandmother to dementia. In an impulsive act Hamra ignores the rules of the jungle, and is forced to go on a quest to make amends. Accompanying her on this quest are two companions: her best friend and neighbor, Ilyas, and a mysterious weretiger who goes by the name Pak Belang. The journey is fraught with danger and painful lessons about forgiveness, friendship, and the power of memory. Alkaf weaves an exquisite tale with echoes of C.S. Lewis' Chronicles of Narnia series. Not since I was a little girl reading about Aslan and Lucy have I been so transported to a magical setting and moved to tears by the connection between fantasy and human characters. The descriptions of both the mythological creatures of Malay folklore and the diverse geography are vivid. This middle grade novel is not only my favorite read of the summer, but one of my favorites ever, one that I can't wait to share with readers both young and old.
April 29, 2023
actual rating: 4.5 stars
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October 10, 2024
2.5 rounded up / rtc
October 8, 2023
The bayan bent to caress its beak gently against her palm. "Oh, Hamra. As the tiniest seed grows into the mightiest tree, as the smallest nail brings down the most powerful stallion, so too can a child change the shape of the story and in doing so, the shape of the world." Hamra swallowed the lump in her throat. "You can see the future. Do we succeed? "There was a silence. "My visitors so seldom understand destiny," the bayan said quietly. "They view it as a fork in the road, where one choice determines the outcome. In truth, destinies are as many-forked as the branches of a tree, where each decision, small or large, brings you to one of a hundred fates. For you, Hamra, I see light. But only if you make the right choices. Do you see?" "No," she said honestly. The bayan nipped her finger gently. "You will," it said. "Now put me back on the table." She did as it asked.
- Hamra and The Jungle of Memories by Hanna Alkaf
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I felt like i was revisiting my childhood reading this book - The retelling of local folk tales, The ‘Teka-Teki’ & The unspoken rules when visiting jungle / caves / waterfall, The ‘Nenek Kebayan’ , The ‘Langsuir’ and The ‘Harimau Jadian’ / Were-Tiger. This is such a comfy read that i can see myself re-reading the book. I usually rated Hanna Alkaf’s books 5 stars without question because FINALLY WE Malaysian Muslim Girl story that has a positive representation but this book is on another level. The writing is really grounded and left no loopholes for a plot. This book probably have unseated ‘The girl and The Ghost’ as the first book of Hanna Alkaf that i will recommend to everyone. The story revolved around Hamra and the quest of helping the were-tiger known as ‘Pak Belang’ to return to his human form. Hamra was kinda forced to be part of the quest due to her stubbornness in following some of the unspoken rules (ask permission, dont take things that is not yours, dont use your real name) in the jungle nearby her house. These rules might be illogical for westerners but for Majority of Southeast Asians / Malaysians, that is how just things has been set by our ancestors and generation before us. Knowing about the quest, Ilyas - Hamra’s friend decided to tag along just in case Hamra needed extra hands during the journey. I tried not to spill much details in my review as i did not want to accidentally posting any spoiler in it. BUT, the book got MAGIC weaved with ‘Kiasan’ - together with all the stories Malaysians have heard of when we were younger - of the ‘Bunian’ and their kidnapping tales, The other side of the world that cannot be perceived by human eyes, The advice behind the those folklores and folk songs and even the origin or history behind those myth and monsters. Hanna Alkaf created this story that took part during Pandemic and showed how both of Hamra’s parents were out there helping and contributing the communities in their line of work. Her mom is a doctor - A front liner during Covid-19 Pandemic in Malaysia. Her father, on the other hand, is a social worker and has been volunteering to send the food and other assistance during the Movement Control Order phase that was implemented throughout the country. Hamra lived with her grandparents and enjoyed being pampered by them until Dementia came and took over her grandmother. Hamra knew her parents depended on her to look after them given the time that they are living in with Pandemic and restricted movement here and there set by government, i think readers can find themselves emphatized with Hamra. She was frustrated, lonely and the situation she is in didnt help much specifically being a teenage girl, with hormonal rage and high tendency to rebel. That frustration led to foolishness of her action and it led to the Were-Tiger / ‘Pak Belang’. Overall, this book has it all. an enthralling story that has heart and emotion but it also promise enjoyable adventure and unforgettable fantasy. Hanna Alkaf is a magnificent storyteller and no one can say otherwise.
.
P/S : Hamra’s grandpa is so chill when Haram told her about ‘Pak Belang’ that i aspire to be that unbothered when i am older (To be fair, 33 years old me is still growing up). And maybe, its time to visit Langkawi again as it has been 8 years since i went there.
- Hamra and The Jungle of Memories by Hanna Alkaf
.
.
I felt like i was revisiting my childhood reading this book - The retelling of local folk tales, The ‘Teka-Teki’ & The unspoken rules when visiting jungle / caves / waterfall, The ‘Nenek Kebayan’ , The ‘Langsuir’ and The ‘Harimau Jadian’ / Were-Tiger. This is such a comfy read that i can see myself re-reading the book. I usually rated Hanna Alkaf’s books 5 stars without question because FINALLY WE Malaysian Muslim Girl story that has a positive representation but this book is on another level. The writing is really grounded and left no loopholes for a plot. This book probably have unseated ‘The girl and The Ghost’ as the first book of Hanna Alkaf that i will recommend to everyone. The story revolved around Hamra and the quest of helping the were-tiger known as ‘Pak Belang’ to return to his human form. Hamra was kinda forced to be part of the quest due to her stubbornness in following some of the unspoken rules (ask permission, dont take things that is not yours, dont use your real name) in the jungle nearby her house. These rules might be illogical for westerners but for Majority of Southeast Asians / Malaysians, that is how just things has been set by our ancestors and generation before us. Knowing about the quest, Ilyas - Hamra’s friend decided to tag along just in case Hamra needed extra hands during the journey. I tried not to spill much details in my review as i did not want to accidentally posting any spoiler in it. BUT, the book got MAGIC weaved with ‘Kiasan’ - together with all the stories Malaysians have heard of when we were younger - of the ‘Bunian’ and their kidnapping tales, The other side of the world that cannot be perceived by human eyes, The advice behind the those folklores and folk songs and even the origin or history behind those myth and monsters. Hanna Alkaf created this story that took part during Pandemic and showed how both of Hamra’s parents were out there helping and contributing the communities in their line of work. Her mom is a doctor - A front liner during Covid-19 Pandemic in Malaysia. Her father, on the other hand, is a social worker and has been volunteering to send the food and other assistance during the Movement Control Order phase that was implemented throughout the country. Hamra lived with her grandparents and enjoyed being pampered by them until Dementia came and took over her grandmother. Hamra knew her parents depended on her to look after them given the time that they are living in with Pandemic and restricted movement here and there set by government, i think readers can find themselves emphatized with Hamra. She was frustrated, lonely and the situation she is in didnt help much specifically being a teenage girl, with hormonal rage and high tendency to rebel. That frustration led to foolishness of her action and it led to the Were-Tiger / ‘Pak Belang’. Overall, this book has it all. an enthralling story that has heart and emotion but it also promise enjoyable adventure and unforgettable fantasy. Hanna Alkaf is a magnificent storyteller and no one can say otherwise.
.
P/S : Hamra’s grandpa is so chill when Haram told her about ‘Pak Belang’ that i aspire to be that unbothered when i am older (To be fair, 33 years old me is still growing up). And maybe, its time to visit Langkawi again as it has been 8 years since i went there.
September 26, 2023
Set with Malaysian folktales, this book follows Hamra’s journey when she turns thirteen and decides to break all of the rules before entering the sacred jungle. One single mistake and Hamra found herself to be chained with a deal in the jungle. Together with Ilyas, her best friend, they meet up with all the legends they only herald before and collect clues and answers to finish the deal and come back home safely.
Malaysian folktales are very intricate and every story I've ever heard before has many versions which makes me wonder which one is truly true. The world of Hamra and the jungle blending smoothly makes me thoroughly enjoy the entire book. Her quirks made me annoyed sometimes but that’s how a thirteen year old is supposed to act. The past of this book was neither too fast nor too slow, it's just perfect.
Not just that, this book also shows what isolation does to a child and how he or she chooses to react because they feel isolated from the outside world. While I was grinning at this book, I also felt saddened when learning how dementia and Alzheimer's can devastate the whole family. It takes such a great length to be patient with all of this.
I also liked how this book promoted Langkawi because it is such a great place to be. All of the amazing stories in Langkawi were also presented in this book. Aside from that, I am amazed at how calmly Hanna is when she meets with several people who I only heard in stories. I mean…what 13 year old would be cool to meet pontianak, bunian and nenek kebayan right? Cause if I was her, I would cry first 😂
For a fan of fantasy and magical realism, this one is definitely for you. I absolutely loved this book. Thank god I'm not giving up on Hanna Alkaf’s work yet.
Thank you @times.reads and Miss @putrifariza for this copy in exchange for an honest review.
June 15, 2023
I truly wanted to love this book; as how I loved Hanna Alkaf's other books; but I can't. I found it lacking in magic and its storyline felt rushed. Besides, I do not really the main character itself, Hamra. Despite my reservations about the book, it is worth mentioning that literary taste is subjective, and there might be readers who appreciate the author's writing style or find enjoyment in the fast-paced narrative.
Want to read
May 11, 2023dnf 50%
the main character has the mental age of a immature seven year old or perhaps younger
Her in a nutshell:
"Shut! UP!"
"I'M HAMRA! ME. HAMRA!!! THAT'S ME"
*points aggressively
*lets go scream in the jungle I am mad and break all these rules
*oh no I broke the rules because I was having a MoMeNt
the main character has the mental age of a immature seven year old or perhaps younger
Her in a nutshell:
"Shut! UP!"
"I'M HAMRA! ME. HAMRA!!! THAT'S ME"
*points aggressively
*lets go scream in the jungle I am mad and break all these rules
*oh no I broke the rules because I was having a MoMeNt
April 17, 2023
What you get from this book:
1. Little Red Riding Hood vibes
2. Urban fantasy
3. Langkawi Island forest setting
4. Magical adventures
5. Malay culture and folktales
6. Friendship and family
7. Found family
Easy 5/5 read for me. Love it! 🐯
1. Little Red Riding Hood vibes
2. Urban fantasy
3. Langkawi Island forest setting
4. Magical adventures
5. Malay culture and folktales
6. Friendship and family
7. Found family
Easy 5/5 read for me. Love it! 🐯
November 10, 2023
"It has a tiger on the cover. Maybe it'll be good." ~ Me before I read this novel.
(A Malaysian spin on Little Red Riding Hood from the critically acclaimed author of The Girl and the Ghost, Hanna Alkaf.
Courage is the strongest magic there is.
On Hamra's thirteenth birthday, she receives nothing but endless nagging and yet another errand to run in the Langkawi jungle that looms behind her home.
No one has remembered her special day.
And so, stifled and angry, Hamra ignores something she shouldn't: the rules of the jungle.
Always ask permission before you enter. Hamra walks boldly in.
Never take what isn't yours. Hamra finds the most perfect jambu and picks it.
Of course, rules exist for a reason, and soon an enormous weretiger is stalking her dreams, demanding payment for her crimes--and Hamra embarks on a quest deep into the jungle to set things right.
For fans of Ikegna and A Tale Dark and Grimm comes a story of a brave heroine, a beguiling villain, fantastical worlds, magical adventures, and a journey that will remind you that hope, friendship, and love endures all.) ~ Blurb from Goodreads
I found Hamra to be an interesting character. While I don't agree with some of her actions, the novel did help me really understand why she took them. It's her thirteenth birthday, no one seems to care, she has to look after her grandparents whose health is failing since her parents are too busy working, she takes the jambu fruit because it's her grandma's favorite and she wants to make her happy for the first time in God knows when, and so on. What's also interesting is that, while the novel may offer explanations into her behavior, it in no way excuses it and makes it very clear that her actions have consequences, most notably through the tiger making Hamra find a way to turn him human again as punishment for taking the jambu fruit.
The narration style was cool too. So the novel is told in third person past tense, but there's a sense of fun to it. However, that sense of fun does not at all distract from the more serious and emotional moments.
There was a moment in chapter that I loved. So in this chapter, It's adorable and absolutely hilarious at the same time.
This novel's take on some of the Malaysian mythology really surprised me. So the way it depicts various figures from Malaysian mythology is very similar in style to the Percy Jackson series (a series that I absolutely adore) in the sense that it modernizes these figures in a way that's not super dated or cringey while staying true to their roots and even incorporating some humor whenever appropriate. Honestly, I'm shocked that Rick Riordan didn't have a hand in this because if he were to write a series around this mythology, this is what it would most likely look like. But, despite all that, the novel's take still has a bit of its own identity.
The moonrat was one of the funniest characters in the novel. He's so pathetic, that I couldn't help but laugh at him, but at the same time, feel bad for him. Like, "Gosh darn it! He's trying so hard."
I'm kind of split on the ending. So On the one hand, On the other hand,
The way the Malay language is used is quite strange. So besides the word for "Grandma" and "Grandpa", various foods like apam balek, and Ilyas briefly explaining the meaning behind the name, "Katak", there are no context clues given as to what certain words or phrases are supposed to mean. Take, for example, this part from chapter seven, "Puteri Gunung Ledang, Cik Siti Wan Kembang, Puteri Saadong, Hamra." and this part in chapter eight, "Let’s go home, dah Maghrib dah ni." Some might argue I could've just put them through a translation program. But here's the problem. I put these parts into not one, but two different translation programs that supported the Malay language, and I wasn't able to get anything comprehensible.
There's also some major plot holes.
The first is with Pak Belang the tiger. So in chapter eight, it's established that he apparently has the ability to Jedi Mind Trick people if the encounter with the police officer is anything to go by. If that's the case, why doesn't he use this power all the time? Like, he could've used it to help Hamra get out of paying for the services of others or pay a much smaller price throughout this whole journey. He could've used it to get past the horde of police officers in chapter nineteen. I could understand if the power got less powerful the more it got used or the power didn't work on supernatural creatures. But, there's no restrictions established. If the idea is that the tiger didn't want to use it more often because it would make him seem untrustworthy to Hamra and her friend, why did he use it on the police officer in the first place? What makes this even more nonsensical is that it's established he wants to accomplish the mission to turn him human again as fast as possible, as demonstrated by him helping Hamra and her friend climb to get to a cave in chapter fourteen, yet he doesn't use the one ability that would actually help him do that. Why? It makes no sense! Honestly, the power should've just been given some restrictions or not been included at all.
Speaking of plot holes, there's another big one in chapter twenty-seven. So in order to get Pek Belang the tiger one step closer to becoming human, Hamra and the gang need to rip out the tiger's teeth. They do so, but they aren't sure what to do with the teeth and they don't want them to fall into the hands of the bunian, as it would basically spell game over due to the power of the teeth. Hamra and the gang are sitting around a fire. Why don't they just burn the teeth? Like, there's literally nothing stopping them from doing so. Campfires that aren't bonfires can reach internal temperatures of up to 1,650 degrees Fahrenheit, so it's not like the fire wouldn't be hot enough to burn them. Hell, Melur can do magic, so why doesn't she just cast a spell or something to make the teeth disappear or render them useless? Instead, they do... nothing! They lose! They get captured by the bunian! Good day sirs (and madams)!
I wasn't a fan of the COVID thing. Now on paper, the COVID element is partly intended to provide a reason for why Hamra's parents aren't around and provide a sense of isolation amongst the characters. But in actuality, it's plagued by what I'll call "the illusion of purpose". Let me explain. For one thing, this novel takes place in a rural jungle, especially in the early portions. There's very few neighbors around, it's difficult to navigate, and Hamra's grandparents don't have a vehicle because of a car accident prior to the events of the story. Also, Hamra and her friend Ilyas now have other things on top of their regular studies so, despite being neighbors, they can't hang out that much anymore. So even without the COVID element, this sense of isolation is still effectively established and established in subtle ways. On top of that, as the novel goes on, the presence of the COVID element gets less and less prominent, to the point where the vast, vast majority is nothing more than occasional "blink and you'll miss it" reminders. In other words, the COVID element really doesn't add anything to the story. It's an element that could be removed and very little would actually change. In fact, I would argue that the this story could still work just fine without the COVID element. For example, instead of COVID, maybe the reason why Hamra's parents aren't around could be that they had to pick up a lot more hours at their respective workplaces in order to keep up with the added costs brought on by taking care of people whose health is failing on top of taking care of a child. They could also have Hamra participate in homeschooling as a way to care for her grandparents and keep up with her studies. Because she's busy with her studies and taking care of her grandparents and the naturally isolating nature of her rural jungle neighborhood, it has been next to impossible for her to socialize with her friends. For the times where Hamra, Ilyas, and Pek Belang the tiger go to a major landmark, maybe they go at a time where there's few to no people or have the place be closed for maintenance.
There's a scene in chapter twenty-four that's just straight up cringe. So Hamra and the gang (which now includes a fairy girl named Melur) are at the bottom of this waterfall and as they're trying to get to this trail, they see a couple police officers. One has a mask on and one doesn't and apparently, police officers have been handing out hefty fines to people for removing their masks, even if it was only for a moment. This leads to the following: (“When do you think we’ll be able to stop patrolling like this?” she heard one say as they walked softly past, doing their best to make as little noise as possible, though Melur’s charms kept them hidden from sight. “When the so-called virus is declared over, I guess,” the maskless officer said, smirking. “What do you mean ‘so-called’? Surely you don’t think it’s made up.” “Oh come on, man. It’s obviously just a conspiracy so the government can exert even more control over us! Inject us with goodness-knows-what so they can monitor our every move! I saw this video on Facebook where they’re making microchips so small, bro, you wouldn’t believe it. . . .” The masked officer cleared his throat. “Maybe you should stay off Facebook, man.” “Don’t blame me when you realize you’ve become a government guinea pig for an experimental vaccine, is all I’m saying.” Hamra couldn’t take it anymore. She leaned over to Melur. “Can’t you maybe just . . . I don’t know . . . give him a little present?” “We don’t have time for this,” the tiger rumbled from ahead, and Hamra rolled her eyes. “We should always have time to make sure ridiculous conspiracy theorists endangering the lives of other people get their due, but hey what do I know,” she muttered as she walked. Melur flashed her a smile. “Do not worry,” she whispered. “He shall get what he deserves.” Quickly, she drew a small glass ball from her brown bag and tossed it at the maskless officer’s feet, where it popped into nothingness, like a bubble. From Melur’s shoulder, Katak let out what sounded suspiciously like a snicker, if frogs could do such things. Immediately, Hamra saw the officer’s face change in the dying light of the setting sun. “What is it?” she heard the masked officer say. “I . . . I . . . I need a toilet,” the other man said hurriedly as he rushed off, dancing with every step. Hamra and Melur dissolved into helpless giggles, and the masked officer snapped to attention, staring in their direction. “Who’s there?” The girl and the fairy immediately fell silent, gazing at each other in wide-eyed shock, not daring to move a muscle. Even Katak stayed still and silent. “You’re not meant to be wandering around here,” the officer said warningly, his voice carrying loudly in the twilight stillness. “That’s against the SOPs.” Hamra’s heart was pounding so loudly she wondered if the officer could hear it. “Stay still,” Melur whispered. “He can’t see us. He’s only saying things, just in case.”) This scene is so preachy, so over the top, that it doesn't even know what it's trying to preach. "Don't you trust those evil conspiracy theorists. But also don't trust official authority figures like police officers because they are hypocritical and untrustworthy, so don't trust them." Like, what? Now keep in mind. This is a middle grade novel. A novel intended for eight to twelve year olds. If I, an adult, am struggling to figure out what you are trying to convey, then how are eight to twelve year olds supposed to fare any better? I know kids can be smart, but this is really pushing it. Oh, and the kicker? This scene has absolutely no purpose. It doesn't even get a little callback at a later point.
Overall, Hamra and The Jungle of Memories was a novel that had so much greatness to offer and a novel that clearly had a lot of passion and effort put into it, but was tragically bogged down by its numerous, severe flaws.
Overall Grade: F+
(A Malaysian spin on Little Red Riding Hood from the critically acclaimed author of The Girl and the Ghost, Hanna Alkaf.
Courage is the strongest magic there is.
On Hamra's thirteenth birthday, she receives nothing but endless nagging and yet another errand to run in the Langkawi jungle that looms behind her home.
No one has remembered her special day.
And so, stifled and angry, Hamra ignores something she shouldn't: the rules of the jungle.
Always ask permission before you enter. Hamra walks boldly in.
Never take what isn't yours. Hamra finds the most perfect jambu and picks it.
Of course, rules exist for a reason, and soon an enormous weretiger is stalking her dreams, demanding payment for her crimes--and Hamra embarks on a quest deep into the jungle to set things right.
For fans of Ikegna and A Tale Dark and Grimm comes a story of a brave heroine, a beguiling villain, fantastical worlds, magical adventures, and a journey that will remind you that hope, friendship, and love endures all.) ~ Blurb from Goodreads
I found Hamra to be an interesting character. While I don't agree with some of her actions, the novel did help me really understand why she took them. It's her thirteenth birthday, no one seems to care, she has to look after her grandparents whose health is failing since her parents are too busy working, she takes the jambu fruit because it's her grandma's favorite and she wants to make her happy for the first time in God knows when, and so on. What's also interesting is that, while the novel may offer explanations into her behavior, it in no way excuses it and makes it very clear that her actions have consequences, most notably through the tiger making Hamra find a way to turn him human again as punishment for taking the jambu fruit.
The narration style was cool too. So the novel is told in third person past tense, but there's a sense of fun to it. However, that sense of fun does not at all distract from the more serious and emotional moments.
There was a moment in chapter that I loved. So in this chapter, It's adorable and absolutely hilarious at the same time.
This novel's take on some of the Malaysian mythology really surprised me. So the way it depicts various figures from Malaysian mythology is very similar in style to the Percy Jackson series (a series that I absolutely adore) in the sense that it modernizes these figures in a way that's not super dated or cringey while staying true to their roots and even incorporating some humor whenever appropriate. Honestly, I'm shocked that Rick Riordan didn't have a hand in this because if he were to write a series around this mythology, this is what it would most likely look like. But, despite all that, the novel's take still has a bit of its own identity.
The moonrat was one of the funniest characters in the novel. He's so pathetic, that I couldn't help but laugh at him, but at the same time, feel bad for him. Like, "Gosh darn it! He's trying so hard."
I'm kind of split on the ending. So On the one hand, On the other hand,
The way the Malay language is used is quite strange. So besides the word for "Grandma" and "Grandpa", various foods like apam balek, and Ilyas briefly explaining the meaning behind the name, "Katak", there are no context clues given as to what certain words or phrases are supposed to mean. Take, for example, this part from chapter seven, "Puteri Gunung Ledang, Cik Siti Wan Kembang, Puteri Saadong, Hamra." and this part in chapter eight, "Let’s go home, dah Maghrib dah ni." Some might argue I could've just put them through a translation program. But here's the problem. I put these parts into not one, but two different translation programs that supported the Malay language, and I wasn't able to get anything comprehensible.
There's also some major plot holes.
The first is with Pak Belang the tiger. So in chapter eight, it's established that he apparently has the ability to Jedi Mind Trick people if the encounter with the police officer is anything to go by. If that's the case, why doesn't he use this power all the time? Like, he could've used it to help Hamra get out of paying for the services of others or pay a much smaller price throughout this whole journey. He could've used it to get past the horde of police officers in chapter nineteen. I could understand if the power got less powerful the more it got used or the power didn't work on supernatural creatures. But, there's no restrictions established. If the idea is that the tiger didn't want to use it more often because it would make him seem untrustworthy to Hamra and her friend, why did he use it on the police officer in the first place? What makes this even more nonsensical is that it's established he wants to accomplish the mission to turn him human again as fast as possible, as demonstrated by him helping Hamra and her friend climb to get to a cave in chapter fourteen, yet he doesn't use the one ability that would actually help him do that. Why? It makes no sense! Honestly, the power should've just been given some restrictions or not been included at all.
Speaking of plot holes, there's another big one in chapter twenty-seven. So in order to get Pek Belang the tiger one step closer to becoming human, Hamra and the gang need to rip out the tiger's teeth. They do so, but they aren't sure what to do with the teeth and they don't want them to fall into the hands of the bunian, as it would basically spell game over due to the power of the teeth. Hamra and the gang are sitting around a fire. Why don't they just burn the teeth? Like, there's literally nothing stopping them from doing so. Campfires that aren't bonfires can reach internal temperatures of up to 1,650 degrees Fahrenheit, so it's not like the fire wouldn't be hot enough to burn them. Hell, Melur can do magic, so why doesn't she just cast a spell or something to make the teeth disappear or render them useless? Instead, they do... nothing! They lose! They get captured by the bunian! Good day sirs (and madams)!
I wasn't a fan of the COVID thing. Now on paper, the COVID element is partly intended to provide a reason for why Hamra's parents aren't around and provide a sense of isolation amongst the characters. But in actuality, it's plagued by what I'll call "the illusion of purpose". Let me explain. For one thing, this novel takes place in a rural jungle, especially in the early portions. There's very few neighbors around, it's difficult to navigate, and Hamra's grandparents don't have a vehicle because of a car accident prior to the events of the story. Also, Hamra and her friend Ilyas now have other things on top of their regular studies so, despite being neighbors, they can't hang out that much anymore. So even without the COVID element, this sense of isolation is still effectively established and established in subtle ways. On top of that, as the novel goes on, the presence of the COVID element gets less and less prominent, to the point where the vast, vast majority is nothing more than occasional "blink and you'll miss it" reminders. In other words, the COVID element really doesn't add anything to the story. It's an element that could be removed and very little would actually change. In fact, I would argue that the this story could still work just fine without the COVID element. For example, instead of COVID, maybe the reason why Hamra's parents aren't around could be that they had to pick up a lot more hours at their respective workplaces in order to keep up with the added costs brought on by taking care of people whose health is failing on top of taking care of a child. They could also have Hamra participate in homeschooling as a way to care for her grandparents and keep up with her studies. Because she's busy with her studies and taking care of her grandparents and the naturally isolating nature of her rural jungle neighborhood, it has been next to impossible for her to socialize with her friends. For the times where Hamra, Ilyas, and Pek Belang the tiger go to a major landmark, maybe they go at a time where there's few to no people or have the place be closed for maintenance.
There's a scene in chapter twenty-four that's just straight up cringe. So Hamra and the gang (which now includes a fairy girl named Melur) are at the bottom of this waterfall and as they're trying to get to this trail, they see a couple police officers. One has a mask on and one doesn't and apparently, police officers have been handing out hefty fines to people for removing their masks, even if it was only for a moment. This leads to the following: (“When do you think we’ll be able to stop patrolling like this?” she heard one say as they walked softly past, doing their best to make as little noise as possible, though Melur’s charms kept them hidden from sight. “When the so-called virus is declared over, I guess,” the maskless officer said, smirking. “What do you mean ‘so-called’? Surely you don’t think it’s made up.” “Oh come on, man. It’s obviously just a conspiracy so the government can exert even more control over us! Inject us with goodness-knows-what so they can monitor our every move! I saw this video on Facebook where they’re making microchips so small, bro, you wouldn’t believe it. . . .” The masked officer cleared his throat. “Maybe you should stay off Facebook, man.” “Don’t blame me when you realize you’ve become a government guinea pig for an experimental vaccine, is all I’m saying.” Hamra couldn’t take it anymore. She leaned over to Melur. “Can’t you maybe just . . . I don’t know . . . give him a little present?” “We don’t have time for this,” the tiger rumbled from ahead, and Hamra rolled her eyes. “We should always have time to make sure ridiculous conspiracy theorists endangering the lives of other people get their due, but hey what do I know,” she muttered as she walked. Melur flashed her a smile. “Do not worry,” she whispered. “He shall get what he deserves.” Quickly, she drew a small glass ball from her brown bag and tossed it at the maskless officer’s feet, where it popped into nothingness, like a bubble. From Melur’s shoulder, Katak let out what sounded suspiciously like a snicker, if frogs could do such things. Immediately, Hamra saw the officer’s face change in the dying light of the setting sun. “What is it?” she heard the masked officer say. “I . . . I . . . I need a toilet,” the other man said hurriedly as he rushed off, dancing with every step. Hamra and Melur dissolved into helpless giggles, and the masked officer snapped to attention, staring in their direction. “Who’s there?” The girl and the fairy immediately fell silent, gazing at each other in wide-eyed shock, not daring to move a muscle. Even Katak stayed still and silent. “You’re not meant to be wandering around here,” the officer said warningly, his voice carrying loudly in the twilight stillness. “That’s against the SOPs.” Hamra’s heart was pounding so loudly she wondered if the officer could hear it. “Stay still,” Melur whispered. “He can’t see us. He’s only saying things, just in case.”) This scene is so preachy, so over the top, that it doesn't even know what it's trying to preach. "Don't you trust those evil conspiracy theorists. But also don't trust official authority figures like police officers because they are hypocritical and untrustworthy, so don't trust them." Like, what? Now keep in mind. This is a middle grade novel. A novel intended for eight to twelve year olds. If I, an adult, am struggling to figure out what you are trying to convey, then how are eight to twelve year olds supposed to fare any better? I know kids can be smart, but this is really pushing it. Oh, and the kicker? This scene has absolutely no purpose. It doesn't even get a little callback at a later point.
Overall, Hamra and The Jungle of Memories was a novel that had so much greatness to offer and a novel that clearly had a lot of passion and effort put into it, but was tragically bogged down by its numerous, severe flaws.
Overall Grade: F+
Read
April 9, 20234.9.2023
DNF @20%
NetGalley ARC/Kindle
I was really looking forward to this book and spent a lot of time looking for an audiobook as well. Unfortunately, I didn't know what this book was about and I am finding I am unable to read it.
Both my maternal grandmother and her sister [my great aunt] had Alzheimer's and Dementia [respectively] and my beloved mom is currently in the middle of her battle with it [and declining daily] and I found myself weeping by the end of reading 20% and knew I could not go on.
Between the mix of this being set during the Pandemic [which had I known this was set in such a current time, I would not have requested it; add that to the Alzheimer's and well, here we are] and the Alzheimer's side story [I am not sure if the author has ever dealt personally with someone that has this insidious disease, but her handling of it also bothered me and the idea that "magic", even in a fiction/fantasy book, can "cure" someone with Alzheimer's/Dementia is cruel to those of us that know there IS NO MIRACLE and no magic that will save our loved ones and this just caused so much more pain], and a teen who is insolent and doesn't seem to care that she has broken the rules and only agrees to pay retribution and apologize once the idea of magic saving her grandmother [who she currently has little tolerance for], this was just too much for me overall.
I am sure that many people will love this book and I am glad for them, but for me...no.
Thank you to NetGalley, Hanna Alkaf, and HarperCollins Children's Books for providing this ARC in exchange for an honest review.
DNF @20%
NetGalley ARC/Kindle
I was really looking forward to this book and spent a lot of time looking for an audiobook as well. Unfortunately, I didn't know what this book was about and I am finding I am unable to read it.
Both my maternal grandmother and her sister [my great aunt] had Alzheimer's and Dementia [respectively] and my beloved mom is currently in the middle of her battle with it [and declining daily] and I found myself weeping by the end of reading 20% and knew I could not go on.
Between the mix of this being set during the Pandemic [which had I known this was set in such a current time, I would not have requested it; add that to the Alzheimer's and well, here we are] and the Alzheimer's side story [I am not sure if the author has ever dealt personally with someone that has this insidious disease, but her handling of it also bothered me and the idea that "magic", even in a fiction/fantasy book, can "cure" someone with Alzheimer's/Dementia is cruel to those of us that know there IS NO MIRACLE and no magic that will save our loved ones and this just caused so much more pain], and a teen who is insolent and doesn't seem to care that she has broken the rules and only agrees to pay retribution and apologize once the idea of magic saving her grandmother [who she currently has little tolerance for], this was just too much for me overall.
I am sure that many people will love this book and I am glad for them, but for me...no.
Thank you to NetGalley, Hanna Alkaf, and HarperCollins Children's Books for providing this ARC in exchange for an honest review.
October 9, 2023
"Every lost thing wants to be found"
I feel immensely privileged to be living in the same world as Hanna Alkaf. To read her stories and experience joy, hope, thrill, sorrow, and loss in such an intimate way, a Malaysian relevance to every word on the page is truly a gift.
This book is a Malaysian spin on the classic "Little Red Riding Hood". It is a middle grade so the writing is easy to understand, perfect for beginner readers. It can be read by everyone and I think you should read it too! It has Hanna Alkaf's signature touch of being unapologetically Malaysian with Malaysian foods, culture, and Malay words. It is set in Langkawi, Malaysia during the pandemic.
It gives voice to the heaviness of dementia and the pain of slowly losing your loved one to the sickness but also gives hope that your loved one is temporarily visiting another world and they'll come back to visit still! It allows you to experience the pandemic in such a rare light - an adventure with mythical creatures from Malaysian folklore. It remade the bleak pandemic with harsh MCOs and SOPs into a magical journey with friendship with unlikely creatures and fellowship with your closest friends and family. It touches on everything; friends, family, girlhood, growing up too soon, nurses on the front lines, police drunk with power and the kind people you meet along the way.
The story is as vibrant as the cover suggests. To say more would take away the whimsy fun since every adventure is best savoured - with the unknown. My biggest takeaway from this book is everything comes full circle, it will all work out the way it should with love, courage and friendship.
"There is always wonder and magic in the trying"
I feel immensely privileged to be living in the same world as Hanna Alkaf. To read her stories and experience joy, hope, thrill, sorrow, and loss in such an intimate way, a Malaysian relevance to every word on the page is truly a gift.
This book is a Malaysian spin on the classic "Little Red Riding Hood". It is a middle grade so the writing is easy to understand, perfect for beginner readers. It can be read by everyone and I think you should read it too! It has Hanna Alkaf's signature touch of being unapologetically Malaysian with Malaysian foods, culture, and Malay words. It is set in Langkawi, Malaysia during the pandemic.
It gives voice to the heaviness of dementia and the pain of slowly losing your loved one to the sickness but also gives hope that your loved one is temporarily visiting another world and they'll come back to visit still! It allows you to experience the pandemic in such a rare light - an adventure with mythical creatures from Malaysian folklore. It remade the bleak pandemic with harsh MCOs and SOPs into a magical journey with friendship with unlikely creatures and fellowship with your closest friends and family. It touches on everything; friends, family, girlhood, growing up too soon, nurses on the front lines, police drunk with power and the kind people you meet along the way.
The story is as vibrant as the cover suggests. To say more would take away the whimsy fun since every adventure is best savoured - with the unknown. My biggest takeaway from this book is everything comes full circle, it will all work out the way it should with love, courage and friendship.
"There is always wonder and magic in the trying"
June 11, 2024
I loved this Little Red Riding Hood re-telling for its unique setting in Malaysia, incorporating the local culture and language into the story. I do think however, that too many local myths and fairy tale references were crammed into a single story, making the journey feel very shallow. The journeying characters keep jumping from scene to scene really quickly, making it difficult to immerse in the atmosphere. These brief scenes are numerous though, which ended up making the journey feel quite long, but nothing really happened that gave the story much depth.
I still had fun though, and I loved one particular theme: Hamra struggling with her grandmother gradually succumbing to dementia. A theme close to my heart that I wish I can read more of in books to help with the specific grief of torturously and slowly losing one still alive.
I still had fun though, and I loved one particular theme: Hamra struggling with her grandmother gradually succumbing to dementia. A theme close to my heart that I wish I can read more of in books to help with the specific grief of torturously and slowly losing one still alive.
May 24, 2023
I enjoyed this middle grade novel that was a combination of a COVID background & a Little Red Riding Hood fantasy ish based set in Malaysia. If you have a pre-teen or even young high schooler who likes Disney (or more specifically talking animals) I think they would enjoy this a lot. So much Malaysian culture was shown & respected in addition to dementia / Alzheimer’s 😞
March 28, 2023
I enjoy this so much😭
It's very atmospheric I can taste the jambu. I love how this book explored places and fruits and birds around Malaysia and I'm familiar with them and can't wait for the international readers to feel them too!!!
The story set in Mayalsia, 2020, during the COVID pandemic. It's nice to see an entertaining adventure during those struggling time.
Hamra, a 13th yo girl, ever so tired and obedient first girl in an Asian household, took something from the jungle and had to pay the price for her action. Accompanied by her neighbour/ best friend, they went on a quest with the weretiger to undo the curse. The story laced with the devastating social distancing policy, being away from parents, and taking care of grandparents (with grandma having the dementia).
What I love:
- The pace is okay. The quest woven perfectly one after another.
- ILYAS AND HAMRA RELATIONSHIP:( that's what friendship are for
- HAMRA AND THE WERETIGER CHARACTER DEVELOPMENT
Anyone who love middle grade should give this book a go💓
Thanks Netgalley and HarperCollins Children's book
It's very atmospheric I can taste the jambu. I love how this book explored places and fruits and birds around Malaysia and I'm familiar with them and can't wait for the international readers to feel them too!!!
The story set in Mayalsia, 2020, during the COVID pandemic. It's nice to see an entertaining adventure during those struggling time.
Hamra, a 13th yo girl, ever so tired and obedient first girl in an Asian household, took something from the jungle and had to pay the price for her action. Accompanied by her neighbour/ best friend, they went on a quest with the weretiger to undo the curse. The story laced with the devastating social distancing policy, being away from parents, and taking care of grandparents (with grandma having the dementia).
What I love:
- The pace is okay. The quest woven perfectly one after another.
- ILYAS AND HAMRA RELATIONSHIP:( that's what friendship are for
- HAMRA AND THE WERETIGER CHARACTER DEVELOPMENT
Anyone who love middle grade should give this book a go💓
Thanks Netgalley and HarperCollins Children's book
August 28, 2023
Every time I go to the library I peruse the "new titles" section in the children's area and if there's one I think has a chance of being decent, I grab it. This is one of those titles.
Pros:
It is set in Malaysia during the Covid-19 shutdowns. I do not know much about Malaysia, so I was pleased to learn a bit about their culture. She also wove Malaysian folklore into the story, which I loved.
The main character is far from perfect. She struggles with the shutdowns and with her grandma getting dementia. Because of all of this she lashes out and breaks the rules. There are consequences for this. She also struggles with her temper and faces the consequences of that.
Cons:
There are Malay words and even phrases sprinkled throughout the book, which normally I would love, but not all of them come with enough context to figure out so I had to keep googling terms. At one point I just kept the Malay to English translator page up on my phone so I could get the phrases translated. I don't mind doing that but most kids aren't going to.
There is one swear word, but she says the swear word knowing it is wrong (and even says so) while in the midst of a string of bad choices brought on by her temper. I still don't like that it's there, but at least it is acknowledged as bad behavior.
There is a part toward the end that gets preachy about conspiracy theorists and Covid-19. I rolled my eyes and moved past it, but it did spoil the magic of the moment. There's also a subtle "humans ruin everything" theme throughout.
The ending leaves me wondering if the main character actually learned her lesson. She sees that there are consequences for her choices, but as it all works out in the long run, I'm not sure the character arch is really there or if I just want it to be there. It seems rushed and like the opportunity to really drive a point home was lost.
Overall, it was fine. I enjoyed parts of it and if my daughter really wanted to I'd let her read it. But it's not a book I would choose for her (when there are so many better to choose from) or one I would add to my personal library.
CC: dementia, magical creatures, violence, Covid-19, one swear word, the main character is Muslim and talks about praying to Allah several times, the concept of powerful magic corrupting you
Pros:
It is set in Malaysia during the Covid-19 shutdowns. I do not know much about Malaysia, so I was pleased to learn a bit about their culture. She also wove Malaysian folklore into the story, which I loved.
The main character is far from perfect. She struggles with the shutdowns and with her grandma getting dementia. Because of all of this she lashes out and breaks the rules. There are consequences for this. She also struggles with her temper and faces the consequences of that.
Cons:
There are Malay words and even phrases sprinkled throughout the book, which normally I would love, but not all of them come with enough context to figure out so I had to keep googling terms. At one point I just kept the Malay to English translator page up on my phone so I could get the phrases translated. I don't mind doing that but most kids aren't going to.
There is one swear word, but she says the swear word knowing it is wrong (and even says so) while in the midst of a string of bad choices brought on by her temper. I still don't like that it's there, but at least it is acknowledged as bad behavior.
There is a part toward the end that gets preachy about conspiracy theorists and Covid-19. I rolled my eyes and moved past it, but it did spoil the magic of the moment. There's also a subtle "humans ruin everything" theme throughout.
The ending leaves me wondering if the main character actually learned her lesson. She sees that there are consequences for her choices, but as it all works out in the long run, I'm not sure the character arch is really there or if I just want it to be there. It seems rushed and like the opportunity to really drive a point home was lost.
Overall, it was fine. I enjoyed parts of it and if my daughter really wanted to I'd let her read it. But it's not a book I would choose for her (when there are so many better to choose from) or one I would add to my personal library.
CC: dementia, magical creatures, violence, Covid-19, one swear word, the main character is Muslim and talks about praying to Allah several times, the concept of powerful magic corrupting you
Read
April 2, 2023hanna alkaf's middle grade The Girl and the Ghost remains a fave, so i will be reading this at the first opportunity, no synopsis necessary!
February 6, 2023
4.5
This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure. The main character and her family are Muslim and hijab, duas, zikr, halal, Qur'an and salat are included throughout. The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue. The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy. The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn't convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking. Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent. As with all of the author's books there are also dated pop culture references, that slow the narrative down for today's readers. The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.
SYNOPSIS:
It is Hamra's birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother. When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter. 2- Don't challenge what you can't even see. 3- Never use your true name. 4-Never take what isn't yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn't listen to the regular reminders to tie her shoes. Simple rules, that when broken set the story in to motion. Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success. The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.
WHY I LIKE IT:
I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it. I wish there was stronger world building blending the world of the known and the fantasy for the reader. The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out. At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story. I did enjoy the characters' quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn't feel it lacking in development. For much of the book I didn't quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent's out of the way; a little more development though would have had the uncertainty of so much more fully realized.
FLAGS:
Fear, trickery, danger, loss, death, music, musical references, dammit is said. There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one. There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts. If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.
TOOLS FOR LEADING THE DISCUSSION:
I have taught two of her books in middle school book club discussions, and I would teach this one as well. It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.
This 400 page middle grade retelling of Little Red Riding Hood bursts with Malaysian culture, magic, action, and adventure. The main character and her family are Muslim and hijab, duas, zikr, halal, Qur'an and salat are included throughout. The mix of legends and characters from Malaysian culture in building the fae world is not contrasted with religious faith, but assumed to both coexist without issue. The book is clean for ages nine and up and the only concepts worth noting are some intense life and death situations, close male and female friendships, dementia, and the element of fantasy. The book is set during the Covid-19 pandemic which will ultimately date the book as it doesn't convey the tone for readers unfamiliar with the curfews, social distancing, controversies, and masking. Those who have just lived through it, will not need the framing, but in a few years I do fear that the book will be lacking in fully understanding why the tourists, parents, and markets are so absent. As with all of the author's books there are also dated pop culture references, that slow the narrative down for today's readers. The book grabs you from the start and the second half flies by smoothly, but the middle quarter is a bit slow as the world building is not robust, and the reader is thrust into a magical world that is just accepted without pause, and the reader is asked to accept it at face value as well.
SYNOPSIS:
It is Hamra's birthday, but the independent 13 year old is not being celebrated- everyone has forgotten: her mother is a front line worker, her father helping those with limited resources, and her aging grandfather and her are left to care for her memory slipping grandmother. When Hamra, Little Red, storms off to the jungle to collect some herbs, in an act of spite, she defies the rules drilled in to her 1- Always ask permission before you enter. 2- Don't challenge what you can't even see. 3- Never use your true name. 4-Never take what isn't yours. 5-If you hear someone calling your name, never, ever look behind you. She also doesn't listen to the regular reminders to tie her shoes. Simple rules, that when broken set the story in to motion. Along with her best friend Ilyas, the two will strike a deal with a weretiger for their transgressions that takes them on a journey to try and save Opah, themselves, and prove their quest a success. The characters they meet, the clues they unravel, the legends they understand, and the scenic islands they explore are as lush as the love Hamra has for her family and the drive she has to return home safely.
WHY I LIKE IT:
I love the way Islam is truly part of the characters, and a natural extension of how they see the world and act within it. I wish there was stronger world building blending the world of the known and the fantasy for the reader. The writing of the Malaysian setting is beautifully unapologetic and I love that there is not a glossary or overly explained descriptions, it is immersive and I appreciate that, but the framing of the two worlds I felt was a bit disjointed and needed some fleshing out. At times it feels more telling than showing in detailing the depths of the legends or the superstitions that are true for the story. I did enjoy the characters' quirks and stubbornness, there is not a lot of arc and growth, but with the intensity of the adventure and culture, I didn't feel it lacking in development. For much of the book I didn't quite appreciate the Covid-19 framing, but by the end I understood that it was a way to have the tourist spots void of people, the parent's out of the way; a little more development though would have had the uncertainty of so much more fully realized.
FLAGS:
Fear, trickery, danger, loss, death, music, musical references, dammit is said. There is some violence, close male and female friendships, and a possible trigger of dementia in a loved one. There is myth, legend, magic, fairies, fae, and fantasy, if you are ok with the concepts in general the presentation is clean even with mixing religion and these concepts. If you are uncomfortable of fantasy and Islam coexisting, this book draws the two worlds very close.
TOOLS FOR LEADING THE DISCUSSION:
I have taught two of her books in middle school book club discussions, and I would teach this one as well. It is enjoyable to see Malaysian Muslim characters so confident in their identity and having adventures that are enhanced by their faith and culture while focusing on larger themes of friendship, family, forgiveness, and adventure.
March 8, 2023
Thanks so much to NetGalley for this ARC!
4.5/5 stars
This was an amazing Malaysian retelling of Little Red Rood - absolutely stellar! The story was familiar and yet different, refreshing in all the right ways. Hamra was the flawed, obnoxious, tender hearted 13 year old we all know and want to root for; Ilyas was the awkward, sweet 13 year old we all adore; and the tiger….well, he’s the once villain you want to believe can change.
The writing was very well done, the pacing was perfect, the characters and stories were enticing, and the world-building was beautiful. Even as an adult, this was a fantastic and fun middle grade read. And while it was wonderful as a story, it touches on important topics like the chaos Covid 19 wrought on the world and how that kind of change and isolation affects a child. It reminds us of the devastation dementia and Alzheimer’s can bring, not only on the person but their family. And most of all it warns against the destruction of unchecked and unresolved anger and how it can turn the sweetest boy into the most vile villain.
My only complaint was the incredibly specific modern day references - cops talking about conspiracy videos on Facebook and the like. Using Covid didn’t bother me as it was a global phenomenon that will never stop being known or relevant; but referencing things like Facebook ages a book and can take future readers out of the story.
Overall - phenomenal read, highly recommend to readers of all ages.
4.5/5 stars
This was an amazing Malaysian retelling of Little Red Rood - absolutely stellar! The story was familiar and yet different, refreshing in all the right ways. Hamra was the flawed, obnoxious, tender hearted 13 year old we all know and want to root for; Ilyas was the awkward, sweet 13 year old we all adore; and the tiger….well, he’s the once villain you want to believe can change.
The writing was very well done, the pacing was perfect, the characters and stories were enticing, and the world-building was beautiful. Even as an adult, this was a fantastic and fun middle grade read. And while it was wonderful as a story, it touches on important topics like the chaos Covid 19 wrought on the world and how that kind of change and isolation affects a child. It reminds us of the devastation dementia and Alzheimer’s can bring, not only on the person but their family. And most of all it warns against the destruction of unchecked and unresolved anger and how it can turn the sweetest boy into the most vile villain.
My only complaint was the incredibly specific modern day references - cops talking about conspiracy videos on Facebook and the like. Using Covid didn’t bother me as it was a global phenomenon that will never stop being known or relevant; but referencing things like Facebook ages a book and can take future readers out of the story.
Overall - phenomenal read, highly recommend to readers of all ages.
February 24, 2023
I don’t have the cultural knowledge to speak to the Malaysian elements of this tale, but I can say that it was a thoroughly enjoyable adventure across islands and through jungles. I found Hamra to be a great protagonist to see the story through, and her struggles with her own insecurities and anger were well-executed, in my opinion. I found her relatable and her journey emotionally engaging. I had a few quibbles with the story, but they were minor. Most prominently, I’m not sure if I enjoyed the message that in order to earn redemption, the tiger deserves first to suffer and be in pain. I think the same events and requirements could have been presented in a slightly different way (and perhaps this was just my own perception of the events) but it felt a bit cruel to state that, rather than just sometimes journeys can be painful, that he deserves to be in pain for what he’s done, and he deserves to suffer before he can return to his humanity. I think I understand what the intention was, but that conclusion left me slightly sour. Overall, it was a delightful and suspenseful middle grade adventure with a fun cast, a good bit of humor, and lots of magical creatures, talking animals, and making friends along the way. A very enjoyable read.
September 11, 2023
There aren’t that many books out there that took the Pandemic and used it to make the story make sense, and only make sense during that time. In this case, the story used the pandemic and lock down to explain why Hamra could go away with her best friend, and a very large tiger, and people didn’t run for the hills, so to speak.
It kept the crowds away from the tourist places they had to go to as well, which made it easier for them to complete their tasks. In this case, Hamra had to find the Weretiger’s name, which he has forgotten. And in a sort of reverse of little red riding hood, who had to recognize that the wolf was not her grandmother, in this case, we have to remove the big teeth, the big ears, the big eyes that were better to eat, hear and see her with.
I love how when the tiger loses his hearing, he can no longer hear the stars singing.
A beautiful story, all told. And though Hamra is most annoying in the beginning, as often heroes are, by the end, she has learned what she needs to learn, as also a true hero does.
Such an amazing story of heroes journey and all. Loved it. Had me wondering what was giving to happen next, throughout, even though I hoped I knew, I did not, in the end.
This book is out now, and you should go seek it out.
It kept the crowds away from the tourist places they had to go to as well, which made it easier for them to complete their tasks. In this case, Hamra had to find the Weretiger’s name, which he has forgotten. And in a sort of reverse of little red riding hood, who had to recognize that the wolf was not her grandmother, in this case, we have to remove the big teeth, the big ears, the big eyes that were better to eat, hear and see her with.
I love how when the tiger loses his hearing, he can no longer hear the stars singing.
A beautiful story, all told. And though Hamra is most annoying in the beginning, as often heroes are, by the end, she has learned what she needs to learn, as also a true hero does.
Such an amazing story of heroes journey and all. Loved it. Had me wondering what was giving to happen next, throughout, even though I hoped I knew, I did not, in the end.
This book is out now, and you should go seek it out.
August 26, 2025
This is the second of Alkaf's books I have read, and I liked it every bit as much as the first. I was initially reading them to find books for a tween, but as she has grown, I will have to admit I just really like them for me. This is a primarily a gripping adventure story, involving a magical forest (and a wonderfully night market) and a series of quests. But Alkaf uses this frame to subtly explore memory, dementia and inter-generational connection. This would be an excellent read for a child or teen grappling with dementia of a family member. Alkaf is never preachy or on the nose, unlike much writing for this age range. As well as positioning Hamra's relationship with her grandparents are both close and frustrating for her, push all the characters into examining what makes them who they are, the role of memory in that construction, and we can be defined by our choices. But it never loses its primary focus on telling a good story, and certainly never feels patronising.
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