I was expecting a lot more from Kali than I got.
The art is great, but the storytelling leaves a lot to be desired. It feels like the story is only half-finished, with lots of hints at something greater, but it never quite gets there. Plus there are scenes where it's hard to follow the action, and too many scenes where the protagonist is mere seconds from being killed, and something random saves her, with little connection to the main plot.
The best part of the book is when Kali has been poisoned and is near death. She experiences something -- dreams, hallucinations, visions of another reality? It's not clear, but it's fascinating. This is where you get the feeling the writer had something deeper in mind. But there's no explanation or follow-up. it's just left there in the middle of the book. You wonder if maybe Freedman intends this as one chapter in a much bigger story. But as is, it's frustratingly incomplete.
We're never even told what kind of world this is. Clearly it's using all the post-apocalyptic action movie tropes, so we can still follow the basics. But what's distinctive about this world? There's enough in the story to make the reader think this should be significant, but we never see it. The focus is almost exclusively on non-stop action.
I also have questions about how this book treats women. One thing that attracted me to it is that it seemed to be doing something different in having a woman as protagonist in an action story. All the main characters are women, and they're not drawn to look like all the other attractive comic book women. They do, surprisingly, keep their clothes on.
But at the same time, they all act the same way male characters act in this kind of story. There's not a hint that being a woman has any meaning at all for these characters. Nor does it mean anything to any of the men in the story. It's very odd, and conveys the sense that the author didn't really think through what he was doing in writing about women this way.
So our protagonist is a fully-clothed bad-ass ultraviolent Hindu woman with, let's be candid, a fat ass. It's a great idea. It should have worked. Here was a chance to do something truly different. But instead, it sticks to most of the usual cliches. She never becomes fully human, though there are hints the writer was trying to add things to the story to make her more human. But he never makes it work, and in the end, we just have a mildly entertaining B-movie plot.