Looking at Our World through Lee Miller's Eyes
To appreciate this review, please take a moment to see the much longer review I posted yesterday about the major Carolyn Burke biography of photographer, artist and journalist Lee Miller. In that review, I explained why Lee Miller was such a multi-faceted artist and cultural provocateur that one arts magazine has reported that understanding her creative breadth requires the reading of at least five books about her. As odd as that sounds, I actually agree, so this is the second of at least five books I'll be reviewing about Lee Miller in 2024.
This is the "companion book" to Kate Winslet's new feature film, Lee. That film, which still has not been distributed across the US as of January 2024, is one of Winslet's longtime passion projects. To create this coffee-table-format book, she collaborated with Miller's son, Antony Penrose, an artist in his own right and co-director of the Lee Miller Archives. Antony Penrose's name appears somewhere in the credits to most of the many books available about Lee Miller's vast array of creative interests. And, beyond that background, please see my previous review for more about her remarkable life.
So, why am I giving this book 5 stars and why should you consider ordering a copy?
The heart of Lee Miller's creative life and expression beats through her photography: Photographs of her and, of course, thousands upon thousands of photographs made by her. To truly experience her vision of the world, one needs either a high-res big-screen film or a larger-format book like this with photographs reproduced in lavish quality.
The Carolyn Burke book contains many photos, but that book is printed on quality paperback paper stock and not on the much heavier, coated paperstock used in this book that really is organized as a photo album.
Kate Winslet writes a couple of pages. Antony Penrose writes a half dozen pages. The rest of the book is filled with photographs. (Oh, and there's a very interesting "notes" section at the end that provides a sentence or two of context for the photos. I'm so glad they added those couple of pages at the end.)
In the home library my wife and I have assembled over the last half century, we have two long shelves of large-format art books we've collected. Because I've been a journalist all those years, a good number of those books are about journalists, news media and photographers. And, I have to say: This new volume certainly earns its precious space on those overloaded shelves. The photographs here are simply dazzling. Each one is worth a long reflective gaze.
So, in my growing collection of Lee Miller books, this is No. 2 of the five books I plan to read and review this year—and that I now plan to keep in my library to remind me and our family and friends of her life and legacy.