An impressive collection of unsettling, uncanny tales from award-winning South Korean author Lim Sunwoo. The pleasingly whimsical cover is somewhat misleading. Lim Sunwoo does draw on the weird and the fantastical but in order to address quite weighty issues from urban alienation to overwhelming, personal trauma. It’s bookended by inventive variations on the traditional ghost story. The title piece introduces an entity that’s part spirit, part doppelganger to reflect on the soul-destroying sense of isolation that may result from years of repressing emotion. Despite flirting with elements of so-called ‘healing fiction’ it’s well-observed, rescued from sentimentality by Lim Sunwoo’s wonderfully wry delivery. “Curtain Call, Extra Inning, Last Pang” is told from the perspective of someone recently dead allowed to remain in the world for a few hours to bid farewell to their earthly surroundings. It gradually constructs a bleakly-comic meditation on feeling adrift in a fast-paced, highly competitive society.
Presumably inspired by coverage of the ongoing, so-called jellyfish crisis in which swarms of potentially toxic jellyfish have restricted entry to the sea in areas like Jeju and Gangwon, “You’re Not Glowing” depicts a future in which humanity’s continued existence is threatened by hordes of malignant jellyfish. Anyone who touches one is transformed into a zombie-like equivalent. Lim Sunwoo’s deft reworking of the familiar, creature-feature narrative turns this into a moving, insightful exploration of yearning and a search for meaningful connection. Themes around transformation and a thwarted desire for intimacy resurface in “Summer, Like the Colour of Water” where a man searching for his estranged girlfriend is literally rooted to the spot in the studio she once inhabited. His presence is a source of angst and, later, cautious optimism for the new tenant. It’s laced with memorable scenes and images, with intriguing echoes of Han Kang’s The Vegetarian.
Lim Sunwoo’s clearly fascinated by the possibilities arising from splicing together the fantastical and the slice-of-life - in keeping with key influences like Patrick Süskind’s short fiction and Kyoko Okazaki’s searing manga. In “Go Sleep at Home” the disappearance of a pet gecko leads to a bizarre, male bonding ritual involving housecleaning and an abundance of takeaway food. The disturbing, bordering on absurdist, “The Hibernating Guy” presents a low-paid worker in the gig economy with a situation that unexpectedly unleashes a torrent of rage and resentment. It’s an arresting take on the impact of social inequality on struggling, contemporary Koreans. “Even Though It’s Not Alaska” is one of the strangest Christmas stories I’ve ever encountered, centred on an outcast woman plotting to avenge the killing of her beloved cats who’s unexpectedly saved from grief and loneliness through a series of surreal encounters with her tattoo-artist neighbour. At its best, richly imaginative, I particularly enjoyed Lim Sunwoo’s distinctive imagery and eccentric, dreamlike perspective on the everyday. Translated by Chi-young Kim.
Thanks to Edelweiss and publisher The Unnamed Press for an ARC