The One and Only Dolly Jamieson by Lisa Ireland
Synopsis /
Life is full of downs and ups.
Dolly Jamieson is not homeless, she's merely between permanent abodes. The 78-year-old spends her days keeping warm at the local library, where she enjoys sparring with the officious head librarian and helping herself to the free morning tea. It's not so bad, really.
But it's certainly a far cry from the 1960s, when this humble girl from Geelong became an international star of the stage. As the acclaimed lead in the Broadway production of The Rose of France, all Dolly's dreams had come true.
So how, in her old age, did she end up here?
When Jane Leveson, a well-to-do newcomer to the library, shows an interest in Dolly, the pair strike up an unlikely friendship - and soon Jane is offering to help Dolly write her memoirs.
Yet Dolly can detect a deep sadness in the younger woman's eyes. Perhaps by working together to recount the glittering highs, devastating lows and tragic secrets of Dolly's life, both women can finally face their pasts and start to heal.
My Thoughts /
The One and Only Dolly Jamieson is Australian author, Lisa Ireland's seventh novel. Having only read one other, The Shape of Us, I have quite a few to catch up on. As with The Shape of Us, The One and Only Dolly Jamieson deals with some tough to talk about topics.
Dolly Jamieson is not homeless, she's merely between permanent abodes. The 78-year-old spends her days keeping warm at the local library, where she enjoys sparring with the officious head librarian and helping herself to the free morning tea. It's not so bad, really.
But it's certainly a far cry from the 1960s, when this humble girl from Geelong became an international star of the stage. As the acclaimed lead in the Broadway production of The Rose of France, all Dolly's dreams had come true.
So how, in her old age, did she end up here?
The story is narrated by 78-year-old Dolly Jamieson, whom I have to say, is an excellent narrator - she's a blunt, matter of fact, down-to-earth, no-nonsense type of lady. In the beginning, you're not sure whether it's because of her current circumstances or, whether it's because of her, um, mature age. In the beginning of the story, Dolly comes across as a bit of an enigma. It's only as the story unfolds you begin to understand her.
Lisa Ireland certainly knows how to bring her characters to life. Again, she has written warm, friendly, likeable characters, who could, no doubt, seamlessly slip right into your life.
Written in a dual timeline between the past and present, Ireland fills us in on how Dolly, (her birth name was, Margie Ferguson) was born in Geelong, Victoria and overcame hardship and tragedy in her childhood to have an illustrious acting career in the theatre and entertainment world. We lean that Dolly has lived a full and memorable life. However, now, decades later, Dolly is homeless, and her main source of companionship and shelter is the local library. As Dolly reflects on her life, she wonders how fortunes can change so quickly.
I am ashamed that I let myself become soft in old age. It's not as if I was born privileged. I grew up knowing the value of a dollar. But somewhere along the way I lost sight of that. I was wealthy and I didn't even appreciate it. After a while, I took it for granted. And then, when my circumstances changed, I had no idea how to deal with it. I just didn't have the required skill set. Losing track of my identity documents made things even harder and I just kept coming up against roadblocks. The system expects everyone to understand and to have access to technology, which I admit is not my strong suit. And every official form you fill out requires proof of identity and a mailing address. Navigating it all just seemed impossible for someone like me. I'm afraid you must think me very foolish.
And then, Dolly met Jane. Ireland hints that Jane has a story of her own to tell. We learn that something tragic has happened to her and her family, but we don’t know the details until late in the book.
In this book, Ireland explores themes of ageing in women, (women) becoming homeless and homelessness in general and the stigma which often surrounds it. And, on women who feel they have become invisible - even though they might be part of a family but, because they are seen to be in a 'caring' role, and not in 'stable' employment - they feel invisible, and because of that, feel alone and unsupported.
This is a book that will make you think. It will challenge your ideals and bring your emotions front and centre. This is not just a story about friendship, but, a friendship between women of different generations, circumstances and backgrounds. As much as Jane helps Dolly, we learn that, through the act of friendship and being friends, Dolly can help Jane. Sometimes it's not about money or privilege, it’s about the power of being present – showing kindness in simple ways, a hot meal, a safe place to sleep, clean clothes, a listening ear.
Of special note, is Ireland’s end chapter in her own words about the inspiration for this book, and some (shocking) statistics about the increasing prevalence of women’s homelessness.