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39 pages, Kindle Edition
Published October 25, 2022
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"The Riddler: Year One" surely was a hyped-up series and made quite a few fans looking forward to it. Now it finally has arrived and what more can I say than "Oh my god this first issue rocks". The appearance of the Riddler on the big screen back in February already made a great impression but the comic brings the whole experience to a new level. This very issue fills the role of a prologue. The reader gets to know Edward Nashton. A more or less average man dealing with more or less average problems. Forensic accountant is his occupation which Eddie is very good at. Solving logical problems and calculating are his specialities. However despite working at this firm for five years already he hasn't been promoted. Others took the opportunity who may be less qualified but got connections and can sell themselves. Edward feels shamed and misunderstood. All his own tries are ultimately doomed to fail. Of course these missed opportunities aren't a great help with his already low self-esteem either. This early version of the future villain suffers from a tragic past and being failed by his surroundings as well as himself. A mix of frustration, loneliness and anger could be a potentially dangerous mix but the reader learns soon enough that there is still a long path from issue no. 1 to the rise of "The Riddler". Instead Nashton wants to help the people around him and make Gotham City a better place - a more than noble cause. You can see hope glimmer in his eyes when the news first announce the arrival of the vigilante "The Batman". Eddie finally has an idol which inspires him to give his best and stand up for his own motivations. Paul Dano presents a troubled but gold-hearted man with dreams in a city of danger and disease. Something fresh and exciting which really catches the reader's interest. Talking about "catching the interest": Subic's art is god-tier level here. The everyday life and the dark episodes in Nashton's life are symbolized by a sharp light-dark-contrast. On the one hand there are pages seeming like pencil drawings with very light colors and thin lines. On the other hand the darkness rises in Nashton's thoughts and the dimmed allys of the city. The color black and diffuse lines dominate these pictures. As a little gimmick the reader also gets presented some pages from Edward's notebook, which makes the whole comic feel even more realistic and intriguing.