THE THEATRE MAY SEEM GLAMOROUS, BUT SECRETS WAIT BEHIND THE CURTAIN
1926. Running a theatre may appear to be all about the showbiz, but times are hard at The Empire. Following a turbulent period Jack Treadwell, erstwhile proprietor, his mother Lillian, and his playwright wife Grace, know they need to get things back on track - and how better than with the annual pantomime, a new venture, and an all-singing all-dancing talent contest, showcasing the best performers around.
But could Lillian's new admirer, Grand Duke Nikolai Kuznetsov, be bringing disaster in his wake? Will The Empire be caught up in the scandal surrounding West End star, Stella Stanmore? And what are their enemies in Highbridge planning?
While Jack and Grace fight to ensure the show does go on, a royal visitor raises the stakes and a young widow, Sally Blow, dares to dream that the talent contest might be her big break.
As the talent contest draws closer, tragedy strikes. Amid the glitz and glamour there are strange goings on and a plot afoot. Is everything Jack and Grace have worked so hard for about to come crashing down? And could this be curtains for The Empire?
Musical theatre legend Michael Ball brings his trademark warmth, wit and glamour to this sparkling new Empire Theatre novel.
Michael Ashley Ball OBE is a British singer, presenter and actor.
The Olivier award winning West End and Broadway star’s debut historical novel The Empire, based on the world of musical theatre, is due for publication in October 2022.
Michael lives in London with his partner Cathy and their two Tibetan terriers.
The first thing to say is there a detailed cast list at the beginning – this was useful however being familiar already with many of the characters I didn’t need to refer to it and new ones are easy to follow. Some old favourites from the first book return – Jack Treadwell, the Empire’s manager and his playwright wife Grace, the widowed co-owner Lady Lassister who now has her new beau in tow in the form of exiled Grand Duke Nikolai Kuznetsov from Marakovia, and the ever loyal (and wise) front of house manager Mr Poole. Surprisingly a favourite new character turned out to have four legs – Harry the rat, who survived Jack’s many attempts at removal and turned out to be worth his weight in cold cream (you need to read the book to get this!)
It’s 1926 and back in the Yorkshire town of Highbridge the Empire is in trouble following a difficult couple of years. However with political unrest and power games from overseas, scandal, sabotage and betrayal, it’s fortunes are not looking to improve any time soon and Jack and his colleagues need to constantly thwart those who wish them harm. Hopes are high for a new venture to ensure financial viability but even before it gets off the ground, disaster looms thanks to unscrupulous people.
I enjoyed the first book and this second quickly found its stride with intrigue aplenty. It helps to have read the first one but its not essential as sufficient backstory is given where needed. Family feuds are still ongoing as are criminal activities involving the local gangland boss who has his spies everywhere.
I loved the theatre setting with its glamour and backstage shenanigans but its the characters and their personal stories that also make this a great read. Alongside the upsets and traumas there is a little bit of romance together with a storyline that had me cheering our characters on with their endeavours for happier times.
Intriguing and heartwarming, A Backstage Betrayal is a super entertaining read from a writer and performer whose love of theatre shines out from every page. I do hope there will be a future performance from the Empire cast.
my hopes were not high for this book when there was already TWO double-page spreads just listing all of the characters in the book - no matter how small, literally every. single. one. which i understand was meant to be helpful, but it ended up being even more confusing and overwhelming, as it didn't highlight the main characters, or those who we should have actually being paying attention to. the plot started out as not too bad, then bad, then we kind of lost it because there was so much going on, by the end of it, i just didn't care anymore. this was a huge no for me.
When I read the first in this series I remember thinking, they really put every possible plot idea into this. The follow up takes the same strategy! Delightful, jam packed. Hope we get many more in the series and the sooner someone adapts it for television the better.
So,with this 2nd book by the author we find ourselves back in Highbridge and reunited with old and new cast at the Empire Theatre It’s towards the end of the 20’s and the theatre is a hub of ‘being seen’,’dressing to the 9’s’ and all the excitement and razzmatazz that goes hand in hand with it There are a lot of characters to meet and re meet and the cast list at the beginning is helpful with this,the main players soon become known and as they do the book unfurls with secrets and jealousies,local town gangsters and romance and the wonderful story of local cleaner turned pub singer whose dreams maybe can come true The writing took ( as it did with Book 1 ) a few chapters to flow with me but once it did there was no stopping the story and all it’s many sub stories within it Towards the end we have a Royal visitor who proves to be more than stoic when faced with adversity than expected and someone turns out to be not quite as they seemed It creates a very mind scenic view of the times and the world of theatre and makes you want to be there experiencing it all ( well most of it! ) with them Overall a comforting good yet at times thrilling read
The spotlight's hot, but backstage's where the real drama unfolds.
So, round two of The Empire series is here, and it's a real page-turner. We're back in good old Highbridge, 1926, and The Empire theatre's scraping the bottom of the money barrel. Running The Empire theatre isn't all jazz hands and glitter. Jack Treadwell, his mom Lillian, and his playwright wife Grace are in a tight spot. They need to turn things around, pronto. Their game plan? A killer pantomime, a fresh venture, and a talent show to end all talent shows.
But hold up - Lillian's new flame, this Grand Duke Nikolai guy, might be bad news. And what's the deal with West End diva Stella Stanmore causing a stir? Oh, and don't forget their rivals in Highbridge - they're up to something fishy.
While Jack and Grace are busting their butts to keep the show rolling, a royal drops by, raising the stakes. Meanwhile, Sally Blow, a young widow, is crossing her fingers that this talent show could be her ticket to stardom.
Heads up though - there's a boatload of characters to keep straight. I didn’t read the first book and found myself playing flip-the-page with the cast list on multiple occasions(ever so grateful that there was a character list available at the beginning of the book or else I would have been in trouble here). You might also find that this novel is a bit of a slow burn at first, but stick with it - it gets good, I promise.
Overall, this novel is a crazy ride, packed with juicy theatre gossip and behind-the-scenes drama. Michael Ball clearly knows his stuff - guess all those years on stage paid off, huh? Everyone's got skeletons in their closets, and when they come tumbling out... well, some aren't so bad, but others? Oh boy.
“A Backstage Betrayal” is a fun, entertaining read that'll keep you hooked. You'll probably finish it in one sitting, so maybe clear your schedule for this one. You won’t be disappointed.
❤️ Blurb - 1926. Running a theatre may appear to be all about the showbiz, but times are hard at The Empire. Following a turbulent period Jack Treadwell, erstwhile proprietor, his mother Lillian, and his playwright wife Grace, know they need to get things back on track - and how better than with the annual pantomime, a new venture, and an all-singing all-dancing talent contest, showcasing the best performers around. But could Lillian's new admirer, Grand Duke Nikolai Kuznetsov, be bringing disaster in his wake? Will The Empire be caught up in the scandal surrounding West End star, Stella Stanmore? And what are their enemies in Highbridge planning? While Jack and Grace fight to ensure the show does go on, a royal visitor raises the stakes and a young widow, Sally Blow, dares to dream that the talent contest might be her big break. As the talent contest draws closer, tragedy strikes. Amid the glitz and glamour there are strange goings on and a plot afoot. Is everything Jack and Grace have worked so hard for about to come crashing down? And could this be curtains for The Empire? 💜 Review - This was such an entertaining read. I was hooked from the very first page and I kept reading until the end as I wanted to know what happened. I loved all the glitz, glamour and backstage gossip of the time period. The author's writing is brilliant, I loved the story and the cast of characters and the pacing was just right. Overall, a very entertaining read that I highly recommend to other readers. 💝 Thank you to Tandem Collective, Zaffre books and the author, Michael Ball for my copy of the book in exchange for an honest review.
I was so excited to be able to read Micheal Ball's latest novel! I read the first and have been waiting so patiently! When I received the book, I had to start it immediately.
The book takes us back to The Empire Theatre in Highbridge with characters new and old. There are quite a few characters, but the cast list that is given to us at the beginning of the book does really help. The roaring twenties are definitely roaring at the theatre as the glamour and drama carry on.
As the story unfolds Jack Treadwell, his wife and his mum are struggling to keep the theatre afloat. They come up with the idea of a pantomime and the best talent show around. Hopefully, these will be just the ticket for bringing the customers! But with everything on the line, the last thing they need is pressure and drama. This is the Empire. It runs in drama and secrets... doesn't it?
I thoroughly enjoyed travelling back in time to The Empire and the many varied characters. The characterisations are all well done. They all have secrets, but can they keep them? Well, it's hard. It's a highly entertaining and fun novel and one that kept me with the book until late at night.
The glitz and glamour are not what it all seems, and Michael Ball does a great job with weaving a story. You can certainly tell he has so much experience in that world. It sent my imagination going, that's for sure. I now can't think about the theatrical world without wondering about what's going on backstage!
I also loved the fact that it's set in the twenties. Historical fiction is amongst my favourite genres. He has every detail so richly described I could have been there. I have my fingers crossed that we will visit The Empire again. Thanks to Compulsive Readers and Zaffre Books for the gifted copy of the book to write my honest review.
4.5 Stars 1926. Running a theatre may appear to be all about the showbiz, but times are hard at The Empire. Following a turbulent period Jack Treadwell, erstwhile proprietor, his mother Lillian, and his playwright wife Grace, know they need to get things back on track - and how better than with the annual pantomime, a new venture, and an all-singing all-dancing talent contest, showcasing the best performers around. The second book by the author & his love of the theatre oozes from the pages. This book is set two years after the dramatic end of the first. The Empire is rebuilt but whilst some productions have been a hit, others have flopped. You don’t have to have read the first book but having done so will certainly add to the enjoyment of this. We meet old friends & make new ones. Lillian has a new admirer, Grand Duke Nikolai & Stella Stanmore is caught up in a scandal, Jack & grace have suffered a couple of miscarriages so Jack is mollycoddling Grace. The book starts slowly but the pace & the tension increases as lives are in danger & unlikely sources help save the day. I thoroughly enjoyed the book & hope to read more from the author I voluntarily read and reviewed a special copy of this book; all thoughts and opinions are my own
I couldn't resist picking this book up for two reasons: 1) I'm a theatre actress myself (though currently inactive), and 2) one of my early theatre experiences was listening to the Les Miz 10th Anniversary Concert tapes, in which Michael Ball played Marius. And I wasn't disappointed! The theatre landscape might be different in the 1920s, but the story didn't fail to showcase the elements I've come to know and love in my years on the stage. Now I want to experience the backstage magic again!
I didn't realize until several chapters in that this is actually the second book in a series, but I also had no problem grasping the story without having read the first. Though it seems like Jack is the main character, much like a theatre production, there are plenty others with equally important roles regardless of their exposure. I enjoyed the cast variety and rooted for quite a lot of them!
Having only moved to England a few years ago, it was also really nice to see the workings of the English theatre scene. And while the novel doesn't take place in the West End, it has characters that help give a glimpse of that world, too. Plus the pantomime! I'm one of those who delighted in discovering panto, so I loved how it was featured.
The story might move a little slowly for some readers, but I for one enjoyed the details provided through the many different characters. (Don't be intimidated by the massive cast list! It's just a resource to go back to when you forget who's who, and also is a homage to having a show programme, I think?) And while I felt the plot wrapped up a little too neatly, at the same time, it was fitting because it was, well, theatrical? Like I left the theatre having watched a good show. But the twist was good and unexpected, and I loved the sheer chaos of the last act as it was very reminiscent of how chaotic a production could be backstage! (Though these days the chaos is less... life-threatening, haha.)
If you're a theatre fan, you just might really enjoy this! And while we're on the topic of theatre-themed novels, I also recommend The Showstopper by Kyle Robertson, which is set in Broadway in 1922 with a Phantom of the Opera-esque mystery, and The Theatre of Glass and Shadows by Anne Corlett, which is set in an alternate London in the mid-20th century and features an immersive theatrical world inspired by Punchdrunk.
This wasn't a technically perfect book, some points felt convoluted and I was confused for most of the Markovian plotline. BUT, I entirely enjoyed reading it and want to read more - 5/5 enjoyment rating for me. I hope there's a 3rd book! And it would make such a great TV show. ✨️
As a side note, I was surprised that in his author's note, as such an advocate for live theatre, Michael only mentioned issues of 1920s theatres; would've been a fab opportunity for such an influential figure to highlight the financial struggles of theatres today and encourage people to attend local theatres.
So this is your friendly reminder: See live theatre! Support your local arts centre! Your local arts venues need you now more than ever! 🎭
I so, so enjoyed this book! The Empire (book #1) took me totally by surprise. I picked it up as its author was Michael Ball, and I wanted to see what his writing chops were like as I knew well his singing and acting skills. I loved returning to The Empire in this, the sequel. I particularly love the supporting characters, the stage hands, and the theatre managers. Ball writes those characters incredibly well, but I'm not surprised considering his musical theatre background.
Would I recommend this novel? Absolutely! I didn't want it to end, and I really hope there's an Empire #3 in the near future!
This book really was amazing. I couldn't put it down. I loved how the characters were at the theatre. However I did find one bit funny. But turned out to be a good moment. I hope there will be another book.
A Backstage Betrayal picks up the fortunes of The Empire theatre and all those associated with it following the devastating fire that reduced it to ashes. It has been rebuilt and after its initial success things have taken a bit of a reversal of fortunes. The once heralded restaurant has closed, Jack is not as focused as he once was, concerned with his wife Grace’s health and not having a reliable assistant to cover the things he missed. Grace is struggling to write and also mourning following a miscarriage and Lillian has taken off on her travels. When she returns with her new partner Grand Duke Nikolai Kuznetsov, Jack is very suspicious of him and wonders just what he is after. Having really enjoyed the first book I was happy to revisit the characters that I had started to know and to find out how they had fared following the previous events and I was not disappointed. From the start you can see that as ever Jack is trying to take on the world and all its problems and running himself into the ground in the process. His devotion to his wife Grace while admirable also comes across as a little bit smothering and controlling even though you know that it is not really his intention. Grace is lost and still reeling from a bad review of one of her plays and knows she must do something to get herself back to where she once was no matter what her husband says. With a pantomime looming this may be the distraction she needs. It was nice to see Tom Lassiter stepping out from the dark shadow of his family and thrive in the theatre surrounded by people who genuinely care about him. His interest in newcomer Sally Blow could be over before its even begun thanks to his family, but he is determined not to give up without a fight. Lillian has found some much deserved happiness but even that does not come without issues thanks to some political shenanigans in the Grand Dukes home country. The action within this book takes place as much outside the theatre as it does inside and I love that as it draws in the reader to make connections with the characters and their lives and motivations. As ever there are plots aplenty to scupper both the success of the theatre and the betrayals come in many forms, putting lives at risk. What I loved about this book is that despite there being quite a few mini stories within the main one, I never felt that any one of them shouldn’t have been there as I felt they showed the many facets of life and how actions can cause ripples far outside their initial sphere. It was not all drama however and the comic relief came in the form of Harry, a four-legged cold cream loving rodent who was the real master of The Empire and he made sure that Jack never forgot it.
After reading the first book in this series, I have been eagerly awaiting the second. The Empire Theatre is in Highbridge, outside London and is run by the Treadwell family.
Jack Treadwell is the manager, wife Grace is currently at home convalescing and supposedly writing but has lost her mojo. Lillian, his Mother has returned with a new man in tow, this is unexpected but Nikolai makes her happy. Tom, a cousin, is a little enamoured when he sees a local woman singing, the singer is a single mum, Sally Blow and her son is Dougie. Then there are quite a few more of the cast to get acquainted with, but don't worry there is a cast list at the front of the book. I didn't bother with this as I was already aware of some of the characters from the beginning of the book. The introductions are gradually made as the story begins so you will soon get up to speed.
Drama is supposed to be on the stage, and while there certainly is that, the best of the drama is definitely backstage and behind the scenes in this story. Several threads are brought to this story: family betrayal and mistrust, some dodgy gang characters, some well-meaning, and some there because they are part of the furniture as such.
The Empire is having problems, things are not running as smoothly as they should, and things need to change and they certainly do, from the beginning to the end, the author weaves a tale that captured my attention. I do like the way the scenes are described so you do get a great image as you read, there are drama entrances and exits, some mystery, a murder and some unruly shenanigans. All the things that you would expect to see on the stage, but are actually taking place away from it and in the lives of the characters of the story.
There is an interesting author notes at the end where you are given some brief facts about the theatre in the 20s, the changes and this does add to the story.
I thoroughly enjoyed this book as it has so much happening in it, but it is done in a good way so I didn't feel lost or fet I had missed something. As the book gets towards the end it becomes very dramatic indeed with the various threads suddenly coming together, at times a little fast for me and it felt like the pacing had been taken up just a tad too fast, but what is a finale without something to keep you on your toes!
This is a story that has romance, humour, plenty of mystery and misdirection and I thoroughly enjoyed being back with the characters from the previous book. If you are a fan of historical fiction with a dash of romance and all the other things I have mentioned then give this one a look. I would happily recommend it.
Theatricals form a global Family, and those at “The Empire” in Highbridge exemplify this: Jack and Grace in the parental roles, Lillian as ‘grannie’, Tom and Stella as ‘the kids’, and a troop of musicians, front-of-house and stage crew as ‘cousins’. It is 1926, a transitional time for the Theatre, with repertoires expanding so that large provincial theatres, such as “The Empire” do not just rely on in-house writers (Grace) and composers (Ruby), or Rep, but also host touring companies and pre-West End try-outs. Much of this broadening is because recorded music has become popular and silent movies, already moderate competition, are known to be on the brink of becoming “the talkies”. “The Empire” is now technically “The New Empire”, because the original was destroyed in a, probably, arson event. Its new production is going well, and the family is expanding because Lillian has just introduced a new love, an exiled Grand Duke from Marakovia, an office manager and an electrical genius who understands microphones and record making. Things are looking up for the company. Things are not quite so bright for young, widowed mother Sally Blow, scraping a living as a grocer’s assistant and cleaner, but earning tips as a singer in the local pub, where her talent has been spotted by Tom and Ruby. Such peace and promise cannot go on for long, of course. Who is trying to sabotage the activities at the theatre? Who is passing information about the Grand Duke back to a group plotting against the Marakovian Crown Prince? Will Sally’s talent rescue her from a life of drudgery? Those are just three of the dozen or more questions that you will ask and eventually receive an answer to, in this multi-stranded plot. It’s the second in a series but works perfectly well as a standalone. Many will class this as a cosy crime story, but I’m inclined to think it more like a comfortable crime story, a family saga where crimes occur but primarily off-stage, where jeopardy happens but is resolved without chaos, without fuss. The main characters are solid, believable, mostly likeable and relatable (and I’m sure the author has named his ingénue Sally Blow as a reference to Sally Bowles of Cabaret fame). The writing style feels right for the time-period, but it isn’t pastiche (although the repetitive use of ‘fizzing’ did annoy me). Overall, it’s a highly enjoyable read. I would like to thank NetGalley, the publishers and the author for providing me with a draft proof copy for the purpose of this review.
As someone who works professionally in the theatre industry, I was very excited to get access to the ARC for the second book in the Empire series from Michael Ball – A Backstage Betrayal.
As excited as I was to start reading it, I was also very surprised that I had not known about the first book in the series – The Empire, which was published in 2022. As someone who is undoubtedly the target market for this kind of book and who has dedicated social media both for theatre and for reading – you would have thought it would have come to my attention sooner! If you, like me, haven’t read the first book, then don’t let this put you off – there are a lot of characters, but previous events and backstory are nicely woven into a narrative in a way to give you important context without feeling too much like an exposition dump.
There are a lot of characters in this book, and I must admit the dramatis personae at the beginning, which runs to 4 pages on my Kindle, did make me a little apprehensive at first. Even the smallest of characters feel well-rounded and fleshed out though, with their own quirks which makes the world feel real. The setting of the slightly crumbling Empire Theatre and the 1920s backdrop that surrounds it felt gritty and realistic and I felt fully immersed throughout. The book is quite cosy at times, with the characters trying to restore the glory of the theatre and even partaking on a new adventure to make some money. There’s a lot of sub-plots going on and some humour injected into the narrative as well. The over arching plot is does get quite political at times and I didn’t enjoy this thread as much as the others, but it all came to an action-packed climax, which tied together all the threads to make for a satisfying conclusion.
Overall, A Backstage Betrayal is a joy for any lover of theatre, if you’ve read The Empire then you’ll enjoy this next instalment, and if you haven’t then you’ll love being introduced and immersed in the world of the Empire Theatre. Thank you to NetGalley & Bonnier Books UK – Zaffre for the chance to read the ARC in exchange for an honest review.
As with the original book, the cast list is long but there is a detailed list at the beginning, and if you’ve read the first book many of the characters will be familiar.
The Empire is in trouble financially. Theatre manager Jack Treadwell and his wife Grace know they need something special to bring in the audiences. It’s imperative to get the theatre up and running again after the mishaps of opening night, which meant the theatre had to close again for a couple of weeks. Their focus was on a pantomime, although all doesn’t run to plan there either, and a talent show.
Sally Blow, a widow with a small child, sings in a pub in the evenings. She has caught the eye of Tom Lassiter, assistant to composer, Ruby Roundtree, one of my favourite characters in this book. Is she good enough to enter the talent show? Sally doesn’t think so, however someone else is sure she is more than good enough … but how to make her believe in herself.
Jack’s mother, Lady Lillian Lassiter, shakes things up for a little while as she arrives home with her new beau, exiled Grand Duke Nikolai Kuznetsov, a member of the Marakovian Royal Family. Power games begin to come into play and Jack, with help from front of house manager, Mr Poole and other close colleagues, needs to be on high alert for anything out of the ordinary. While all this is going on they have a royal visitor and a surprise visit from West End star, Stella Stanmore, a good friend of Lillian’s who is in trouble. Along with all that a completely new venture is decided upon.
I enjoyed my second visit to the Empire very much, a seemingly non stop roller coaster, with lots going on, full of drama, danger, glitz, glamour and a touch of romance. Humour is provided by Harry, the cold cream loving theatre rat, who defies all attempts by numerous people to capture him. Michael Ball’s theatre knowledge shines through the narrative, he must know pretty much all there is to know about theatre, onstage and behind the curtain, and it’s all brought to life with with warmth, obvious love for the theatre and colourful, descriptive prose.
This is book two in this series and follows on after the shenanigans of book one - The Empire - so, for full enjoyment, I would really recommend reading that first. We are now in 1926 and times are hard in theatre-land. Jack is barely keeping his head above water, and still desperately needs an assistant. His wife Grace is still suffering writers block, a situation not helped by her losing their baby. Meanwhile Lillian returns along with a new beau - Grand Duke Nikolai Kuznetsov, exiled from his native Marakovia, but feeling quite at home with Lillian! Meanwhile, we also meet a young widow, Sally Blow, who is trying to keep the wolf from the door she shares with her young son. Juggling jobs she has struck lucky singing in a pub for board and tips and has caught the eye of Tom and Ruby. And then there's Harry the rat... who I will leave you to get to know on, obviously, his terms! If you have read book one, you will know what to expect from this follow up. And it delivers exactly that! Again, as with book one, we start with a fair few pages of "who's who" which I still find unhelpful and scary. I learnt though, and just ignored it! There is an awful lot going on herein, plots and sub plots and wee little romantic asides which all sounds like it could be a bit busy and overwhelming, but the author juggles them all with aplomb, giving each its own voice and platform as they all meander around and about until the majority all comes together nicely at the end. It's fun, it's glamorous, glitzy, and ideal for those of us who love all things theatre... But it's also gritty and hard hitting on occasion and doesn't shy from the important things. Me, I'm now hanging for book three! My thanks go to the Publisher and Netgalley for the chance to read this book.
The second book in The Empire series and another enjoyable cosy mystery/family saga takes us back to Highbridge in 1926 and the Empire theatre needs a boost to return it to profit. There is a massive list of characters in the book and despite having read the previous book I still found myself referring to the cast list which is included in the book. This did mean that it took me longer than normal to get into the story but the wait was worth it.
Briefly, there are so many threads in the book, aside from the running of the theatre and its own stories, most notably Harry the rat who is an inspired inclusion and who stole the show on a particularly difficult pantomime performance. Lillian has a new beau, Grand Duke Nikolai Kuznetsov, much to her son Jack’s dismay. West End star, Stella Stanmore has come running back to Highbridge following the death of a friend in London. And there are criminal activities afoot at the Lassiter factory. And that’s just the start of it.
Fast paced with lots of action I did find this an enjoyable read and a wonderful insight into theatre of the era, both front of and backstage, but you would expect nothing less from this star of musical theatre. Everyone seems to be hiding something from someone and as the secrets are revealed it appears that not everything is as bad as is feared - although sometimes it is! Some great characters and Harry aside my favourite storyline was that of young widow, Sally Blow and her son, heartwarming stuff. An enjoyable and entertaining read.
The Empire Theatre is going from strength to strength under the care of Jack Treadwell and his team. But it isn't all smooth sailing with his wife having writer's block, his biological mother has a new romance, a starlet is involved in a death. There is also sabotage, intrigue and a feisty rat to contend with! A Backstage Betrayal is the second book to feature The Empire Theatre in the 1920s. There is enough information about events in the first book to catch up but I would advise reading the first book as it is fab! We meet the stars and backstage team of The Empire as they embark on bolstering their business. There are lots of plot threads and my favourite was the emotional journey of young widow Sally Blow as she dreams of a life on the stage. The contrast between Sally's paltry existance and the opulence of the theatre is striking and I instantly warmed to her. But despite the glitz, the theatre is under pressure and even in danger. Extra glamour is provided by Lillian's new fiance, an exiled foreign royal, and this leads to a cameo from a member of the British Royal Family. I was swept up in the life of the theatre and the characters all sprang to life. The style of writing is engaging and easy to read. The historical elements of the plot were well researched and underpinned the social and cultural dimensions to the plot and characters dynamics. I found myself really caring about the characters and willing them to succeed as they battle against intrigue, personal adversity and a bold rat! A Backstage Betrayal is a wonderful historical novel.
A Backstage Betrayal is the second book in the Empire series by Michael Ball set in the provincial theatre world of England in1926.
While this is the second book in the series, it was something that was unknown as a reader and while this can be read as a standalone, the novel will probably be enhanced by reading the first one before this.
While the novel at its heart is solely centred around the Theatre itself it does go on to explore fame both those who have it and people aiming for it in a world which is not ours but is at the start of its journey towards it.
While the novel does have an authentic feel about the theatrical industry, as would be expected by a writer who is part of the world.
A Backstage Betrayal is also part gangster, Spy, and family secrets and while these all worked as a plot line individually, they did seem to crowd each other out as they either vied for the attention of the writer and the reader.
As it felt that the book was 3 novels in one and while the story almost worked in its present format taking one of the plotlines out would have made the A Backstage Betrayal a more enjoyable novel, for the reader.
Having said all that if you looking for an historical novel that is set in an era and a location out of the ordinary then Backstage Betrayal by Michael Ball is worth giving it a read.
I received an advance review copy for free, and I am leaving this review voluntarily.
It is 1936 and The Empire is struggling to keep going. A pantomime is planned but Jack Lassiter’s wife,Grace, is struggling with writing the script. Jack’’s mother, Lady Lilian Lassiter (the owner of the theatre) arrives unexpectedly with her new lover, Grand Duke Nikolai Kuznetsov, who unexpectedly takes control of the pantomime to great success.
Meanwhile Sally Blow, a young widow with a small poorly son, struggling to make ends meet, is singing in The Bricklayers Arms several times a week and is spotted one night by Ruby (who composes a lot of music and songs for the theatre) and Tom, another close friend of Jack. Sally ends up doing odd jobs at The Empire but not for long as her feelings for Tom cause her anguish when she realises that his family own the company that caused her husband’s death. Jack, who always works amongst a muddle of everything offers employment to Miss Chisholm who turns up unexpectedly and proves to be a superb organiser.
They eventually learn that the Prince of Wales and the younger brother of Nikolai who is heir to the throne of his country will be visiting Highbridge and also the theatre. A talent contest is organised and Sally is finally persuaded to sing. Will the evening go smoothly or not.? Look out for the unexpected sting in the tail!
It’s 1926 and running a theatre isn't the glamorous life some think. Purse strings are tight and when the producer of the forthcoming pantomime has gone missing due to tax evasion, they need to find someone to step into the breach. Meanwhile Lillian the proprietor has a new beau with rather a background, and Sally Blow has found herself redundant so needs to find employment pronto in order to keep a roof over her son’s head, more than the singing at the pub she already does. This is Michaels second book (can be read alone) based in theatre land which he knows so well. It's one that I quickly got into and could almost hear Michael reading it as it has his style right through it if that makes sense? There are numerous threads including Harry the Rat(!) which makes for a very interesting read and the descriptions are enough to put the reader at the heart of things without too much to distract from what is going on, it's a nice balance. I particularly liked Sally’s story, the underdog so to speak, wanting things to pick up for her. A beautifully described evocative piece of the era with wonderful characters. Loved it.
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Musical theatre legend Michael Ball has turned his hand to writing novels. Backstage Betrayal is his second book. It’s an enjoyable read and has clearly been written by someone who loves the theatre and understands the world in which it’s set. For me there were some negatives. There’s a huge cast and it takes some time to work out who everyone is, how they’re connected and what they’re up to. Perhaps this is easier for people who have read the first book in the series. The other issue is that the book also felt a little old-fashioned in style, and somewhat clichéd with the choice and portrayal of the baddies. But for people looking for a light, unchallenging and entertaining glimpse at the backstage world of theatre and theatre folk in the 1920s, this book will be a lot of fun. I would have given it 3.5 if that were possible. With thanks to the publishers and NetGalley for an ARC
I'm so pleased I read the first of this series before reading this one, although I suspect the reader would follow the plot, it enhanced the story to know the back stories of Grace, Jack, Tom and Lillian. Time has moved on a little to the mid 1920s, Grace and Jack are married but still working at the Empire Theatre. Lillian has a new beau; Nikolai, an exile from Marakovia, and Tom is falling in love with a pub singer, Sally Blow. Tom's mother Constance is still resentful and plotting to bring about the downfall of the Empire after her last attempt failed.
The result is a joy to read for anyone who loves theatre, as well as being a darn good mystery making the reader jump here and there as they try to find out who is behind some of the nefarious goings on. I enjoyed this book very much.
Thank you to NetGalley and Bonnier Books UK for allowing me access to the ARC in exchange for an honest review.
Yet another fantastic book from Michael Ball, I really enjoyed it & being taken back into the life of The Empire theatre! It had so many ups & downs in the life of the various characters that I had grown to love in the first book. Sad though that one of my favourite characters passed away, even though I could see it coming! I didn't see the person who was the betrayer coming, but just before the reveal of this person I did work it out who it was from the little clue given before that reveal. Now I can't wait to find out what is going to happen next, when the next one comes out, as long as I don't have as much trouble in getting it, as I did with this book! The other good thing is that you don't have to have read the first one to understand what happens in this one, as they are both stand alone stories, but if you want to know more about the characters then it is a good idea to start at the very beginning with book one!
This entire review has been hidden because of spoilers.
This is an excellent period piece. This book is set in 1925/6. Author Michael Ball is not old enough to have first-hand experience of a provincial northern theatre of that time, but his research into it has clearly been very extensive. The story follows on from his earlier book, "The Empire," set some 3 years before, which introduces many of the characters here. I've not read that book, though I might well do in the future, but this works very well as a stand al9ne story,with previous incidents and happenings recalled where necessary. The book features a group of disparate characters from all levels of 1920s society, and it also explores the interactions between these levels and also the social changes that were beginning to take place. This work is very well written, and readers will be rewarded with a compelling story that is very well written..
This is the second book in the series about The Empire, a theatre in the 1920s. Jack is in charge and married to Grace. They’ve had problems and the restaurant attached to the Empire has folded, partly through a bad chef. Jack’s mum, Lillian has returned with a new boyfriend, Grand Duke Nickolia Kuznetsov. He is worried about the relationship. He’s also trying to catch a rat that has been called Harry whom.oves eating cold cream that the performers use. Sally Blow, a widow with a young son, performs in a local pub for tips from clients and briefly works as a cleaner at the Empire. There are lots of storylines in the book and lots of characters. As Michael Ball is a musical theatre star I presume he is writing about a subject he knows and has studied. It was an enjoyable easy read.
This is the second in Michael Ball's Empire series. This would work as a standalone, but I would recommend reading book one before this as there are a lot of characters to meet and it sets the scene for this one.
The theatre has been rebuilt following a fire in book 1. How will Jack cope as the manager, and can he and his team work out who is trying to sabotage them?
I enjoyed catching up with characters from the first book. I did find this one had a lot going on, and don't personally feel it needed the spy/gangster storyline. I loved Harry the rat, who added perfectly comedic elements. I really like the behind the scenes information that only someone from that environment would know. Looking forward to book three.