I can't believe US imperialism in the Middle East still exists in this timeline...
It feels weird to say, but this has actually been my favorite of the entire series so far. I made critiques in my reviews of books 1 & 2 about my misgivings about the clarity of character arcs, as they are sometimes not fully resolved in meaningful ways or are resolved too quickly and through more dialogue than action. I am happy to report that the arcs of all the characters in this book are more or less tightly bound and thus given adequate time to develop and resolve. There are two main threads that bind all of the main characters together. First is the realization (both in the sense of coming to know and the sense of coming into fruition) of Zeke's consanguineous kinship with Jaden, Alexina, and Embrik; his non-consanguineous kinship with the rest of team Hunter; and his partnership with Leah. The second thread is the external threat of war and the desire to both escape Ackerson's grasp and take down his circle of influence, which is tied up with Leah and Zeke's goals of saving the latter's moms and saving Trecheon's arms. Both threads are wound exceptionally well around themes of trust in beginning relationships and yielding to the inevitable ends of relationships.
Zeke's arc receives the most treatment by the text: he must both accept to let people into his life again after being repeatedly burned as an aro-ace person in an amatanormative world, creating both his (queer-platonic?) bond with Leah and his familial bond with the rest of team mage; and learn to come to terms with letting people go, that being his moms, whose death was another catalyst of his isolation. Leah, I feel, possesses a stronger and clearer version of Izzy's arc from the books 1 & 2. As a healer-s, Leah also feels that she is stigmatized both for her non-elemental magic and added -s ability, paralleling Izzy's feeling of stigmatization for her non-elemental magic and black bound ability. As noted in my first review, there was a bit of a conflict between whether she would embrace her healing magic as solely worthy of golden guardianship status, or whether she would lean into the offensive aspect with her increased use of hammer wielding and authority wielding in Matt's temporary absence. Leah also has a similar start, as she also possesses a staff that she demonstrates considerable prowess in already. However, unlike Izzy, Leah comes to totally embrace her status as a healer-s, not only becoming the primary healer in battle but also letting it guide her morality, as she consistently urges the team to reduce death counts and avoid revenge killing. She also still manages to tie her offensive ability with the theme of trust, becoming most powerful and adept at staff wielding when the emotional barriers between her and Zeke fall. Perhaps Izzy is meant for a multi-book arc regarding the balance between healing and offense, and Leah is meant to overcome this problem in this book only, but I still think Leah's character arc is exceptional. Jaden is the only other member of team Mage to receive POV chapters as far as I remember, and he too must overcome the same challenges of trust and grief as his son, only he deals with the weight of the near entire genocide of his people and the feeling that he is doomed to stay on Earth forever, separated from his beloved planet. His moral arc is well tied into his character development and Leah's emotional arc, as he grows once again to trust in the ideals of Zyearth and his role as a golden guardian thanks to Leah's influence.
In my first book review, I mentioned some misgivings I had about the role of time travel in this universe. The second book seemed to confirm that this is a fixed timeline scenario, at least for all intents and purposes; the Black Cloak hints that he has tried to manipulate the past before and that it leads to worse outcomes, hence why he "guides" it rather than attempts to outright change it. Although the cleanest to write, it introduces diegetic problems of agency and reader issues of what Paul Ricouer calls the totum simul, or entire temporal perception, of a narrative. I think this book does a pretty good job at dealing with both problems. On the agency front, the initial goal is to fix the past and brighten the future by saving Zeke's moms and Trecheon's arms; however, we know this attempt must fail because of the fixed timeline. Nevertheless, we still feel that the characters have some agency in, if not preventing, then coming to understand why things played out the way they did and doing their best to stop the physical outcome. It is somewhat like a tragedy, where we know things fall apart at the end, but we also feel a vicarious catharsis when characters come to yield to the fate of themselves and their loved ones. They do not feel powerless, but we feel their power in coming understand their own physical and emotional limits. The totum simul, as theorized by Ricouer in Time and Narrative, is the phenomenological idea that readers perceive the entire narrative at once in every scene: stories are only read one scene at a time, but we feel "retention", the impact of previous scenes and their bending towards the present, and "protention", a feeling that the story is bending towards a pregiven climactic moment. Time travel narratives, especially fixed time travel narratives, play with this by making the protention very clear: we know what will happen already, and so the story must appropriately build retention in order to make the payoff of what we already know happens clear. In Prisoner of Azkaban, unfortunately the only other fixed timeline narrative I know, retention is built through Harry's anticipation of his father's arrival, and is paid off when he realizes that he saves himself. Here, retention is built slowly and methodically through the journey of Mage to their several hits, through Canada (as an Albertan when I saw Alberta mentioned I went "WE DID IT ALBERTA STILL EXISTS IN THIS TIMELINE LET'S GO"), Zeke contacting his moms, and their final descent into the battle of DC. We feel the narrative bending towards the inevitable, Zeke's moms' deaths and Trecheon's double amputation, but we are well paid off with final hug and willing death of Zeke's moms and the Black Cloak's reassurances that Trecheon's injuries will lead to a better future, whether Jaden is willing to believe it or not. The totum simul is not wasted, and we feel appropriate tension and payoff even though we already know the outcome.
Despite these improvements from the first two books, I feel very conflicted about the ending chapters of the book. First of all, the copyeditor must've taken a day off because I found some capitalization, spelling and grammar errors; small nitpicks, but for a published book, this is a rather serious thing to overlook. I also did not like the rushed conclusion. I feel that the story would have much better narrative, emotional, and character arcs if it ended right after the battle of DC in the medical camp. This book's pacing was slower and much more focused on character development than worldbuilding than the last two books, and I think that is its best element, allowing everyone's arcs to come to full fruition. I would've preferred if the book ended when the general assembled them with the rest of teams Hunter and Guardian, laid out their new positions and the arraignment of Ackerson, picked their new name Defender, and then ended the book there. It would've left out the destruction of the desert wall and the death(?) of Ronan, but it would've tied the ending up nicely while teeing up the next book and military arc. Instead, we receive what feels like a relatively truncated battle sequence of the storming of the desert wall. With how much characters talked about that event as being the climactic moment of the War of the Eons, its rushed treatment seems narratively imbalanced. Since the next book deals with the aftermath of Leah and Zeke's newfound knowledge about Defender along with Trecheon's military past, I am unsure where else the destruction of the desert wall could have been placed. Perhaps that was the best place; doesn't mean I'm too happy about it though.
Yet again though, this was my favorite of the series so far. The slower pacing, regulated by missions given to the team by Ackerson, allowed for a deeper exploration of character motivations and actions through actual action, showing, rather than telling, a problem I had with previous books. The battle scenes as always are well done and engaging (with the exception of the desert wall, see above for why I have problems with it), and as a fellow aro-ace person I liked the representation of aro/ace characters and the queer-platonic relationships they can still develop. I originally thought that the first two books were the main duology and everything else was just backstory; now, with time travel and the Black Cloak playing a more active and purposeful role, I realize that there is much more development to be had with all the characters and the world. I very much look forward to reading the rest of what has been written about the series, once my friend again finds the author at a convention and picks up literally every other book in the series for me. I can say that I am hooked in a way that I have not felt about any other book series for many years. I also feel so vindicated about my feelings about this being Sonic inspired; I just checked out the author's website and they confirm that this did start out as Sonic fanfic. No shade, as a fellow Shadow stan.