We are in a golden age of archival TV research. And here is another gem, one which is more than just a dry making of...
Covering all the episodes made in 1988, when The Bill followed its ancestral predecessor Z Cars into the twice weekly format - except unlike Z Cars between 1967 and 1972, each episode of The Bill was its own self contained story. A phenomenal amount of writing and planning allowed this to happen.
This volume of Witness Statement is about as comprehensive as you could hope to get. As with the previous volume which covered the first three series, it is told mainly from the point of view by the people who made the programme, a trait and strength from the author Oliver Crocker, and you will find anecdotes and observations from other television programmes being made at the time. But this time round Crocker has secured location and production details making this a delightfully chunky book indeed, much larger than its predecessor, and one you will forever be referencing should you get the chance to watch the episodes documented herein, and yes, I've dug out some of the episodes and watched them myself.
This was a time when The Bill was about to become a colossus of TV viewing, although I would argue it began to steer away from the realism displayed in those early series where you wondered whether if they just stuck a camera inside a nick and let them get on with it, and now veering into more accepted TV drama tropes, except, thank god, no tedious Softly Softly/Z Cars/any other police procedural featuring kitchen table scenes where the villains talk about what petty crime they've just committed, how the Superhero nick are going to bang 'em up to rights, and some sister/daughter figure trying to calm them all down with a cup of tea. That's more a personal observation, but The Bill was from early on from the point of view of the police, warts and all.