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Doorkeeper
An immortal being.
Six individuals, trapped by fate.
All of time and space.
Doorkeeper has lived for an eternity and more, the unyielding guardian of the Ways of time and space. His task: to reveal to mortals the consequences of their choices. He does not interfere.
But then he meets a doomed warrior. A boy with an imaginary friend. A would-be king. A world-weary musician. A priest with a crisis of faith. A scientist faced with the ultimate choice.
And Doorkeeper travels with them, from prehistory to dictatorship, from World War II to the frontiers of the far future. Through colonial Intranuros, alleyway bars, and half-imagined queendoms.
Doorkeeper watches, listens, and learns. He maintains the Ways. He does his duty.
But perhaps even the oldest of beings can change.
Six individuals, trapped by fate.
All of time and space.
Doorkeeper has lived for an eternity and more, the unyielding guardian of the Ways of time and space. His task: to reveal to mortals the consequences of their choices. He does not interfere.
But then he meets a doomed warrior. A boy with an imaginary friend. A would-be king. A world-weary musician. A priest with a crisis of faith. A scientist faced with the ultimate choice.
And Doorkeeper travels with them, from prehistory to dictatorship, from World War II to the frontiers of the far future. Through colonial Intranuros, alleyway bars, and half-imagined queendoms.
Doorkeeper watches, listens, and learns. He maintains the Ways. He does his duty.
But perhaps even the oldest of beings can change.
Paperback
First published November 1, 2017
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Displaying 1 - 28 of 28 reviews
August 7, 2023
4 stars. An anthology of interwoven stories, Doorkeeper was wonderfully illustrated and written but left me wanting more from each individual narrative contained within it.
May 29, 2020
This was such a beautiful graphic novel!!! If not for quarantine, I would have lamented that this isn't available at our local bookstores. Good thing Scott released for free! I truly enjoyed the episodic progression and the writing style!!O'll definitely have to watch out for these artists soon :>
May 24, 2025
My first Pinoy comic
November 13, 2017
Great art, great stories! Full review tk.
September 10, 2020
"I will not run."
Doorkeeper is a graphic novel told in six parts, spanning an expansive timeline that begins at the dawn of life and ends at the twilight of humanity's existence. There are seven artists credited for the illustrations in this book, each of them showcasing their own unique artistry while also effectively representing their narrative era in a way that complements and never distracts from each other.
The Doorkeeper is a celestial being who has been keeping watch over everything even long before planets were formed. He's essentially a guardian, duty-bound to show the way, but never to interfere.
Through time, the Doorkeeper meets some very interesting characters who will gradually challenge what he knows about what he does. Is he really guarding and maintaining the balance in the Ways of time and space? Or could one of the feisty characters he met along the way be right all along: That he merely is just a servant of the Universe?
The stories may get a bit confusing at first, jumping around in time, introducing new characters and new narrative strings at each turn.
But I felt that the way things eventually fell into place to deliver the story's final act was so well-played that the tragical beauty of it all just caught my heartstrings unaware.
I absolutely loved the affinity the Doorkeeper shared with the brave warrior, Makaraeg, doomed to a life away from his family, tirelessly fighting and keeping the monstrous Bakunawa at bay.
That being said, I also loved how the stories incorporated elements from Filipino myth, folktale, and history—such a rich minefield of creative ideas that I hope to see more of in Filipino speculative works.
I mean, don’t you find it sad and strange that most of us grew up knowing more about the mythologies and old tales of other countries than that of our own? Breaks my heart every time.
I am really glad that we are seeing more of them these days, though. ♥
March 27, 2020
big thanks to the authors for putting the graphic novel up for free due to this coronavirus situation, and also for helping me hit my humble reading challenge goal this year lol. do read it! takes like half an hour and zero pesos
I liked this! Nice cohesive story tackling the nature of choice through six different angles. Plus, I will always champion Filipino comic artists. Come on. Favorite chapters were 4 and 6 - the former because its setting really made the bitterness of choice evident (and also contained my absolute favorite art in the book), the latter because it provided such a satisfying ending. Least favorite... probably Chapter 2. Started strong but the ending petered out.
I liked this! Nice cohesive story tackling the nature of choice through six different angles. Plus, I will always champion Filipino comic artists. Come on. Favorite chapters were 4 and 6 - the former because its setting really made the bitterness of choice evident (and also contained my absolute favorite art in the book), the latter because it provided such a satisfying ending. Least favorite... probably Chapter 2. Started strong but the ending petered out.
May 15, 2025
This reminds me of Marvel's What If...?. The Doorkeeper is very similar to The Watcher but doesn’t feel like a ripoff. The creators aimed for a "stern but humble" aura, and they definitely achieved that.
The stories were set in different timelines and atmospheres. They were good, although the pacing was a tad too fast at times. The stories were connected through the Doorkeeper; the execution was okay, but I wished the connection had been more apparent. It would have been better if there were more links beyond just the Doorkeeper.
The story was still enjoyable, paired with amazing illustrations. The difference in art styles also brought a sense of uniqueness to each story.
The stories were set in different timelines and atmospheres. They were good, although the pacing was a tad too fast at times. The stories were connected through the Doorkeeper; the execution was okay, but I wished the connection had been more apparent. It would have been better if there were more links beyond just the Doorkeeper.
The story was still enjoyable, paired with amazing illustrations. The difference in art styles also brought a sense of uniqueness to each story.
March 24, 2018
I came in judging the book one story at a time and by the end of the second story, I was wondering how it gained a high rating in goodreads. with the conclusion of the third story, though, I began to pay more attention and backtracked on the first two. the book is both the story of the respective lead characters in the story as well as that of doorkeeper and how it all tied together was absolutely brilliant. such genius in execution and the marvelous art make this a worthwhile read.
November 14, 2017
Extra love to chapters 4 and 6. ❤
July 30, 2026
I picked up Doorkeeper: 5th Anniversary Edition during the Philippine Book Festival 2026, where it happened to be one of the titles on sale at the Summit Books booth. It was honestly an unexpected purchase. The discounted price made it feel like a steal, but what truly convinced me to buy it was the title itself. Doorkeeper immediately sparked my curiosity, and after reading the synopsis, I knew it was the kind of graphic novel I would enjoy. I have always loved anthologies where seemingly separate stories are connected by a larger narrative, and I also appreciate seeing different artists interpret a single world through their own unique styles. Since this book combines speculative fiction, Philippine history, mythology, and science fiction into one anthology, I couldn't resist giving it a chance—and I'm glad I did because it exceeded my expectations.
Even before opening the book, the cover already hints at the journey waiting inside. At the center stands the mysterious Doorkeeper, his head shaped like a golden door and his body wrapped in an iridescent white cloak decorated with golden feathers. Beneath his cloak lies the vastness of space, where the Earth is encircled by an enormous crimson dragon, while the background is filled with arched windows containing the major characters from each chapter. Scattered throughout the cover are illustrations of doors and landscapes, reinforcing the book's central idea that every choice opens another path. It beautifully captures the spirit of the graphic novel without revealing too much, making it one of those covers that becomes even more meaningful after finishing the story.
Rather than telling one continuous narrative, Doorkeeper presents six interconnected stories spanning different periods of Philippine history and even humanity's distant future. Binding these stories together is the immortal Doorkeeper, the Keeper of the Ways and the Steward of Choice, whose responsibility is to guard the mysterious pathways that connect every place and every moment in time. Although he possesses unimaginable knowledge and can see countless possible futures, he follows one sacred rule: he may observe, but he must never interfere. Throughout the book, he quietly watches people face life-changing decisions, reminding readers that history is shaped not only by grand events but also by the countless choices made by ordinary individuals.
The opening chapter, set in Mindoro during the Year of the Eclipse, introduces Makaraeg and his encounter with the legendary Bakunawa. The Doorkeeper presents him with a choice, yet never tells him what to do. Makaraeg ultimately decides to stay and face the Bakunawa, fully accepting whatever fate awaits him. I immediately appreciated how the story established the book's central message: our choices define us, and once they are made, we must also accept their consequences. The Doorkeeper may open the door, but it is always the individual who chooses whether to walk through it.
The second chapter shifts to Leyte in 1941 during the Second World War and follows an innocent boy coping with the loss of his father through an imaginary friend. This chapter quietly became one of the most heartbreaking stories in the collection. It begins with warm childhood memories before gradually transitioning into the harsh realities of war, replacing the comforting smell of freshly baked pandesal with smoke and destruction. Although the scenes between the boy and his imaginary companion are tender and heartwarming, I could never fully enjoy them because I knew they were born from grief. When the story later jumps to Manila in 1958, the boy has outgrown his imaginary friend, symbolizing how childhood eventually fades while the memories of war remain. It is a gentle reminder that healing does not erase pain—it simply teaches us how to live with it.
The third chapter offers one of the most interesting reinterpretations in the entire book by reimagining Florante at Laura from Adolfo's perspective. Instead of portraying him as the traditional villain, the story explores his childhood, his ambitions, and the difficult choices that ultimately shaped his life. After sparing Florante during a duel because of the future shown to him by the Doorkeeper, Adolfo later becomes ruler and chooses peace instead of revenge. Ironically, this decision earns him condemnation rather than admiration. I found myself sympathizing with him far more than I expected. The chapter asks readers whether history has been too quick to label people as heroes or villains without understanding their motivations. It was fascinating to see such a well-known story challenged in a way that felt thoughtful rather than disrespectful.
The fourth chapter moves to Malate, Manila in 1980, during the Marcos dictatorship, and follows Cassandra Alvarez, a musician trying to find her voice during a time of political oppression. This chapter shows how art itself can become an act of resistance. While some people choose silence for survival, Cassandra chooses to continue speaking through her music despite the dangers. The Doorkeeper once again offers her a choice, but never influences her decision. What I found especially meaningful was Makaraeg's return later in the chapter, reminding readers that the Doorkeeper experiences every era simultaneously. Even after seeing another possible future, Makaraeg remains faithful to the decision he made long ago, reinforcing the idea that true conviction does not always change simply because we know the consequences.
The fifth chapter takes place in Intramuros in 1864 and centers on a priest struggling with doubt and faith. Compared to the previous chapters, it is much quieter and more introspective, focusing less on external conflict and more on internal struggles. It explores how certainty is often impossible to attain and suggests that faith itself exists because people continue believing despite uncertainty. It serves as another reminder that some of life's most important choices happen within ourselves rather than on battlefields or in moments of history.
The final chapter, set in Cavite in the year 2217, shifts into science fiction as humanity struggles to survive amid environmental collapse, war, and social unrest. Tara N. Lim, a scientist desperate to provide for her daughter Iris, is forced to choose between helping humanity or ensuring her daughter's survival. What makes this chapter especially devastating is the revelation that every possible future shown to Tara still leads toward destruction. It made me question whether our choices still matter if every path seems destined for the same outcome. Yet Tara's decision is deeply human. She chooses her daughter, not because it is objectively right, but because love outweighs everything else.
The conclusion was the moment that truly stayed with me. After witnessing humanity repeat the same mistakes across countless generations, the Doorkeeper finally reaches his own breaking point. For the first time, he decides to interfere, passing his responsibilities to Iris and allowing her to become the new Doorkeeper. Before fading away, he shares the story of a spider that endlessly rebuilds its web no matter how many times it is destroyed. That image perfectly summarizes the entire graphic novel. Humanity will continue making mistakes, civilizations will rise and fall, and history will repeat itself, but there will always be people willing to rebuild. The Doorkeeper's final word, "Rebuild," became my favorite moment in the entire book because it transforms what initially feels like a tragic ending into one filled with hope.
Another aspect that deserves recognition is the artwork. Since each chapter is illustrated by a different artist, every story develops its own visual identity while still feeling connected to the larger narrative. Allen Geneta's fantasy-inspired illustrations perfectly complement the mythological first chapter, Bianca Lesaca's watercolor style captures the innocence of childhood during wartime, Jap Mikel's textured artwork gives the reimagined Florante at Laura emotional depth, Dominique Duran's cinematic style suits the politically charged fourth chapter, Brent Sabas' pencil-like illustrations beautifully evoke nineteenth-century Intramuros, and Bow Guerrero's science fiction artwork creates an unforgettable vision of humanity's future. Rather than feeling inconsistent, the changing art styles mirror the Doorkeeper himself, whose appearance shifts depending on the era and the people he encounters.
Overall, Doorkeeper is much more than a collection of interconnected stories. It is a thoughtful meditation on history, memory, fate, free will, and the consequences of every decision we make. While its speculative fiction premise initially drew me in, it was the emotional storytelling and philosophical questions that stayed with me long after I finished reading. It reminded me that although we cannot undo the choices we have already made, we can always choose what comes next. Like the spider rebuilding its web, we may fall, fail, or lose our way, but we always have the opportunity to begin again. For me, that message is what makes Doorkeeper such a memorable and uniquely Filipino graphic novel—one that encourages readers not only to look back at history, but also to think carefully about the future they are helping create through the choices they make today.
Even before opening the book, the cover already hints at the journey waiting inside. At the center stands the mysterious Doorkeeper, his head shaped like a golden door and his body wrapped in an iridescent white cloak decorated with golden feathers. Beneath his cloak lies the vastness of space, where the Earth is encircled by an enormous crimson dragon, while the background is filled with arched windows containing the major characters from each chapter. Scattered throughout the cover are illustrations of doors and landscapes, reinforcing the book's central idea that every choice opens another path. It beautifully captures the spirit of the graphic novel without revealing too much, making it one of those covers that becomes even more meaningful after finishing the story.
Rather than telling one continuous narrative, Doorkeeper presents six interconnected stories spanning different periods of Philippine history and even humanity's distant future. Binding these stories together is the immortal Doorkeeper, the Keeper of the Ways and the Steward of Choice, whose responsibility is to guard the mysterious pathways that connect every place and every moment in time. Although he possesses unimaginable knowledge and can see countless possible futures, he follows one sacred rule: he may observe, but he must never interfere. Throughout the book, he quietly watches people face life-changing decisions, reminding readers that history is shaped not only by grand events but also by the countless choices made by ordinary individuals.
The opening chapter, set in Mindoro during the Year of the Eclipse, introduces Makaraeg and his encounter with the legendary Bakunawa. The Doorkeeper presents him with a choice, yet never tells him what to do. Makaraeg ultimately decides to stay and face the Bakunawa, fully accepting whatever fate awaits him. I immediately appreciated how the story established the book's central message: our choices define us, and once they are made, we must also accept their consequences. The Doorkeeper may open the door, but it is always the individual who chooses whether to walk through it.
The second chapter shifts to Leyte in 1941 during the Second World War and follows an innocent boy coping with the loss of his father through an imaginary friend. This chapter quietly became one of the most heartbreaking stories in the collection. It begins with warm childhood memories before gradually transitioning into the harsh realities of war, replacing the comforting smell of freshly baked pandesal with smoke and destruction. Although the scenes between the boy and his imaginary companion are tender and heartwarming, I could never fully enjoy them because I knew they were born from grief. When the story later jumps to Manila in 1958, the boy has outgrown his imaginary friend, symbolizing how childhood eventually fades while the memories of war remain. It is a gentle reminder that healing does not erase pain—it simply teaches us how to live with it.
The third chapter offers one of the most interesting reinterpretations in the entire book by reimagining Florante at Laura from Adolfo's perspective. Instead of portraying him as the traditional villain, the story explores his childhood, his ambitions, and the difficult choices that ultimately shaped his life. After sparing Florante during a duel because of the future shown to him by the Doorkeeper, Adolfo later becomes ruler and chooses peace instead of revenge. Ironically, this decision earns him condemnation rather than admiration. I found myself sympathizing with him far more than I expected. The chapter asks readers whether history has been too quick to label people as heroes or villains without understanding their motivations. It was fascinating to see such a well-known story challenged in a way that felt thoughtful rather than disrespectful.
The fourth chapter moves to Malate, Manila in 1980, during the Marcos dictatorship, and follows Cassandra Alvarez, a musician trying to find her voice during a time of political oppression. This chapter shows how art itself can become an act of resistance. While some people choose silence for survival, Cassandra chooses to continue speaking through her music despite the dangers. The Doorkeeper once again offers her a choice, but never influences her decision. What I found especially meaningful was Makaraeg's return later in the chapter, reminding readers that the Doorkeeper experiences every era simultaneously. Even after seeing another possible future, Makaraeg remains faithful to the decision he made long ago, reinforcing the idea that true conviction does not always change simply because we know the consequences.
The fifth chapter takes place in Intramuros in 1864 and centers on a priest struggling with doubt and faith. Compared to the previous chapters, it is much quieter and more introspective, focusing less on external conflict and more on internal struggles. It explores how certainty is often impossible to attain and suggests that faith itself exists because people continue believing despite uncertainty. It serves as another reminder that some of life's most important choices happen within ourselves rather than on battlefields or in moments of history.
The final chapter, set in Cavite in the year 2217, shifts into science fiction as humanity struggles to survive amid environmental collapse, war, and social unrest. Tara N. Lim, a scientist desperate to provide for her daughter Iris, is forced to choose between helping humanity or ensuring her daughter's survival. What makes this chapter especially devastating is the revelation that every possible future shown to Tara still leads toward destruction. It made me question whether our choices still matter if every path seems destined for the same outcome. Yet Tara's decision is deeply human. She chooses her daughter, not because it is objectively right, but because love outweighs everything else.
The conclusion was the moment that truly stayed with me. After witnessing humanity repeat the same mistakes across countless generations, the Doorkeeper finally reaches his own breaking point. For the first time, he decides to interfere, passing his responsibilities to Iris and allowing her to become the new Doorkeeper. Before fading away, he shares the story of a spider that endlessly rebuilds its web no matter how many times it is destroyed. That image perfectly summarizes the entire graphic novel. Humanity will continue making mistakes, civilizations will rise and fall, and history will repeat itself, but there will always be people willing to rebuild. The Doorkeeper's final word, "Rebuild," became my favorite moment in the entire book because it transforms what initially feels like a tragic ending into one filled with hope.
Another aspect that deserves recognition is the artwork. Since each chapter is illustrated by a different artist, every story develops its own visual identity while still feeling connected to the larger narrative. Allen Geneta's fantasy-inspired illustrations perfectly complement the mythological first chapter, Bianca Lesaca's watercolor style captures the innocence of childhood during wartime, Jap Mikel's textured artwork gives the reimagined Florante at Laura emotional depth, Dominique Duran's cinematic style suits the politically charged fourth chapter, Brent Sabas' pencil-like illustrations beautifully evoke nineteenth-century Intramuros, and Bow Guerrero's science fiction artwork creates an unforgettable vision of humanity's future. Rather than feeling inconsistent, the changing art styles mirror the Doorkeeper himself, whose appearance shifts depending on the era and the people he encounters.
Overall, Doorkeeper is much more than a collection of interconnected stories. It is a thoughtful meditation on history, memory, fate, free will, and the consequences of every decision we make. While its speculative fiction premise initially drew me in, it was the emotional storytelling and philosophical questions that stayed with me long after I finished reading. It reminded me that although we cannot undo the choices we have already made, we can always choose what comes next. Like the spider rebuilding its web, we may fall, fail, or lose our way, but we always have the opportunity to begin again. For me, that message is what makes Doorkeeper such a memorable and uniquely Filipino graphic novel—one that encourages readers not only to look back at history, but also to think carefully about the future they are helping create through the choices they make today.
February 15, 2021
I LOVE IT. This was actually a school requirement but I never expected to like it so much. I even finished reading it for less than an hour. I'm not into comics or graphic novels but the concept, plot, dialogues, and characters of Doorkeeper blew me away. I was stunned with how creative the writers and illustrators are. The stories are a combination of reality and fantasy...which what makes it a great read. I'm so glad that I gave this book a shot, required or not.
December 26, 2018
"Things don't change right away, but the revolution... It begins with whispers and murmurs, and an old tune that won't fade."
I truly believe Filipino authors and artists are world class, and this short work is proof! Comparisons to SANDMAN are inevitable, but DOORKEEPER is uniquely Filipino. With a collection of short stories that reinterpret our country's past and foretell a possible future... beautifully told and exquisitely illustrated... and a frame narrative that ultimately brought me to tears, this is a winner! My only complaint is that it was too short! I want, nay, NEED... more.
I hope a sequel will follow!
This book also made me realize that a re-read of FLORANTE AT LAURA is in order 😂
(Rated 4 out of 5 stars)
I truly believe Filipino authors and artists are world class, and this short work is proof! Comparisons to SANDMAN are inevitable, but DOORKEEPER is uniquely Filipino. With a collection of short stories that reinterpret our country's past and foretell a possible future... beautifully told and exquisitely illustrated... and a frame narrative that ultimately brought me to tears, this is a winner! My only complaint is that it was too short! I want, nay, NEED... more.
I hope a sequel will follow!
This book also made me realize that a re-read of FLORANTE AT LAURA is in order 😂
(Rated 4 out of 5 stars)
January 27, 2018
I was a sent a copy by the authors in exchange for an honest review and I feel awful that I only got to get to it now. I really enjoyed reading it, mostly because I love when stories are interlaced with other stories. The creators did a great job weaving most of the stories with those we are already familiar with. The art is also great and really helped move the story forward. I think my favorite is the story set in Manila circa Martial Law.
The Doorkeeper reminded me of Dream of The Sandman, and I would love for this to become a series of books, too. Congratulations to the authors and artists behind this book!
The Doorkeeper reminded me of Dream of The Sandman, and I would love for this to become a series of books, too. Congratulations to the authors and artists behind this book!
April 11, 2018
I’m quite upset on the outcome of this book. I really anticipated this book for a long time it piles up on my TBR, and I have a chance this month to read it.
This is my first graphic novel of Filipino authors that’s why i’m excited to read it. It focuses on the different story of each protagonist via their timeline base on the doorkeeper’s pace. Thus, the whole concept is really nice, but how I appreciate and understand the said novel is not so clear in many points.
This is my first graphic novel of Filipino authors that’s why i’m excited to read it. It focuses on the different story of each protagonist via their timeline base on the doorkeeper’s pace. Thus, the whole concept is really nice, but how I appreciate and understand the said novel is not so clear in many points.
December 30, 2017
Finished half of this while standing in Uniqlo waiting for friends. I love the concept, the art, and how fantasy and history can come together to create compelling stories.
September 9, 2020
> came and stayed for the art
> the challenge with compilations like this lie in its cohesion and coherence which was somewhat lost on me
> the challenge with compilations like this lie in its cohesion and coherence which was somewhat lost on me
April 19, 2026
The Doorkeeper is a graphic novel anthology about individuals who are about to make decisions with fatal consequences and a cosmic being that appears to them offering guidance.
The anthology drew most of its inspiration from Philippine myths, folklore, literature, and history. Each tale takes place from different time periods—literally, from the beginning of time to the end of the world.
It has six main storylines in addition to the interludes and an epilogue. Each story can be read as a standalone, so you can choose whichever you’d like to read first. But it’s ideal to read in the order it is in, since the interludes reference specific storylines. I believe there’s a story for everyone here. There’s epic battles with mythical creatures, court intrigue, geopolitical tensions, nuclear warfare, Catholic guilt, rock ‘n roll, and revolution!
Although relatively short and a little formulaic at times, each story made me go through several emotions at once. The stakes were high, the choices were not easy, and there’s no guaranteed happy ending in sight. Many times I asked myself: what would I do if I were in their position? Many times I left it unanswered because I couldn’t even decide on my order at a restaurant.
There were two stories in particular that stood out to me. First was the Florante and Laura retelling (III) that reimagines Adolfo as a misunderstood villain. The color palette in this story is easy on the eyes, and the illustrations are mesmerizing. It has a solid arc and its art style is my favorite.
The other was tells the story of a world-weary former musician (IV) caught in the crossroads of choosing to migrate to the US or stay in the country that’s under the Marcos dictatorship. It’s a gripping story full of tension and emotions, and a stunning art style that brings it to life. There’s also a sapphic romance subplot.
These were the two stories where I wish we had a full-length graphic novel—not because the story felt incomplete, but precisely because I couldn’t get enough of them! I would prefer a series, but I’m not one to complain if we’re blessed with a standalone.
There’s an interesting mix of art styles in this anthology. Each story has a distinct art style that effortlessly fits them like a glove. It reflects the time period, pacing, and tone the story is in, making it easier to fully immerse its readers into the different worlds they brought to life. I wish I could elaborate further, but because I’m no artist, you will just have to take my word for it and see how gorgeous the illustrations are for yourself!
One of the many things I also loved about this anthology were the character designs—the Doorkeeper’s in particular. Kind of like how angels and the Greek gods appear in different forms to mortals, the Doorkeeper likewise appears differently to the main character of each story. The different interpretations of the cosmic being’s persona among the different artists involved are fascinating. My favorite design was the one from the third story.
I own the fifth anniversary edition which includes bonus material showcasing the artists’ creative processes at the end of the book, which I loved reading about. The character design of the Doorkeeper takes inspiration from the Sandman, the titular character from a popular comic series with a Netflix show adaptation (and a creator with disturbing allegations). But because I had never watched the show or read the comics but am familiar with the Marvel Cinematic Universe, I’d say the Doorkeeper reminds me more of the Watcher.
As the eponymous character, though, the Doorkeeper feels underdeveloped. Its arc was underwhelming and so sudden. This can likely be attributed to the plots of the individual stories overshadowing it. Moreover, its existence feels random and does not make sense to me at all. I believe there’s a missing story in the collection and it should’ve focused on the Doorkeeper itself. I did not feel emotionally invested in the cosmic being. Or maybe I was not meant to and we’re not supposed to humanize it. Or maybe I just need more time to reflect on why that is.
Nevertheless, there were so many discussions that I read with great interest here—about responsibility, meaning, love, friendships, politics, and resilience among others. Each story asked important questions and leaves you wondering about things that could have been. I loved how political the stories were without being too on the nose about it.
Overall, the Doorkeeper is a must-read for anyone looking to read more or dip their toes in speculative works based on Filipino myths, folklore, and history. While Filipinos who are familiar with our basic literature and history may appreciate it more, I still think it’s worth giving it a shot even if you’re not familiar with any of these. In fact, I went into this anthology blind and could not pin some characters, but still enjoyed it. If you liked the Sandman series, but would like to discover and support talented storytellers of color, the Doorkeeper is a perfect fix for you!
The anthology drew most of its inspiration from Philippine myths, folklore, literature, and history. Each tale takes place from different time periods—literally, from the beginning of time to the end of the world.
It has six main storylines in addition to the interludes and an epilogue. Each story can be read as a standalone, so you can choose whichever you’d like to read first. But it’s ideal to read in the order it is in, since the interludes reference specific storylines. I believe there’s a story for everyone here. There’s epic battles with mythical creatures, court intrigue, geopolitical tensions, nuclear warfare, Catholic guilt, rock ‘n roll, and revolution!
Although relatively short and a little formulaic at times, each story made me go through several emotions at once. The stakes were high, the choices were not easy, and there’s no guaranteed happy ending in sight. Many times I asked myself: what would I do if I were in their position? Many times I left it unanswered because I couldn’t even decide on my order at a restaurant.
There were two stories in particular that stood out to me. First was the Florante and Laura retelling (III) that reimagines Adolfo as a misunderstood villain. The color palette in this story is easy on the eyes, and the illustrations are mesmerizing. It has a solid arc and its art style is my favorite.
The other was tells the story of a world-weary former musician (IV) caught in the crossroads of choosing to migrate to the US or stay in the country that’s under the Marcos dictatorship. It’s a gripping story full of tension and emotions, and a stunning art style that brings it to life. There’s also a sapphic romance subplot.
These were the two stories where I wish we had a full-length graphic novel—not because the story felt incomplete, but precisely because I couldn’t get enough of them! I would prefer a series, but I’m not one to complain if we’re blessed with a standalone.
There’s an interesting mix of art styles in this anthology. Each story has a distinct art style that effortlessly fits them like a glove. It reflects the time period, pacing, and tone the story is in, making it easier to fully immerse its readers into the different worlds they brought to life. I wish I could elaborate further, but because I’m no artist, you will just have to take my word for it and see how gorgeous the illustrations are for yourself!
One of the many things I also loved about this anthology were the character designs—the Doorkeeper’s in particular. Kind of like how angels and the Greek gods appear in different forms to mortals, the Doorkeeper likewise appears differently to the main character of each story. The different interpretations of the cosmic being’s persona among the different artists involved are fascinating. My favorite design was the one from the third story.
I own the fifth anniversary edition which includes bonus material showcasing the artists’ creative processes at the end of the book, which I loved reading about. The character design of the Doorkeeper takes inspiration from the Sandman, the titular character from a popular comic series with a Netflix show adaptation (and a creator with disturbing allegations). But because I had never watched the show or read the comics but am familiar with the Marvel Cinematic Universe, I’d say the Doorkeeper reminds me more of the Watcher.
As the eponymous character, though, the Doorkeeper feels underdeveloped. Its arc was underwhelming and so sudden. This can likely be attributed to the plots of the individual stories overshadowing it. Moreover, its existence feels random and does not make sense to me at all. I believe there’s a missing story in the collection and it should’ve focused on the Doorkeeper itself. I did not feel emotionally invested in the cosmic being. Or maybe I was not meant to and we’re not supposed to humanize it. Or maybe I just need more time to reflect on why that is.
Nevertheless, there were so many discussions that I read with great interest here—about responsibility, meaning, love, friendships, politics, and resilience among others. Each story asked important questions and leaves you wondering about things that could have been. I loved how political the stories were without being too on the nose about it.
Overall, the Doorkeeper is a must-read for anyone looking to read more or dip their toes in speculative works based on Filipino myths, folklore, and history. While Filipinos who are familiar with our basic literature and history may appreciate it more, I still think it’s worth giving it a shot even if you’re not familiar with any of these. In fact, I went into this anthology blind and could not pin some characters, but still enjoyed it. If you liked the Sandman series, but would like to discover and support talented storytellers of color, the Doorkeeper is a perfect fix for you!
June 8, 2025
#BernardReads | BOOK REVIEW 📚
#Doorkeeper by Scott Lee Chua, Ethan Chua and various illustrators 🚪
I've been trying to check this #comicbook #anthology even before when it had its first edition's cover. I bought a copy last #MIBF with the 5th anniversary edition. I knew so little about what this is about. The cover screams cosmic #fantasy at me.
After reading Sir Budjette Tan's foreword, I now understand that it is inspired by other comic book anthologies wherein a cosmic being serves as external observer, like the Watcher and Sandman.
I knew that they tried to had that familiar character, it's familiar if you read comic books. There's always this cosmic being who just watches within your comic book world or worlds. So I do appreciate that these amazing comic book artists were able to have our own version, the Doorkeeper.
Just the art alone is enough for this to be a must-read. So here are my short reviews for each story:
I. Allen Geneta
It tells a short origin of this world and a short encounter between a warrior and the Doorkeeper. It has that common story of giving choice to a special character during one of his climactic battles. The art of the Bakunawa was stunning, not so much in the human characters. But the art on the Doorkeeper is mesmerizing as well. And I'm satisfied with the character's final choice.
II. Bianca Lesaca
I liked the art more here. But the story was hard to follow yet I love the intrigues and the hisfic vibe.
III. Jap Mikel
I like how they rewrite histories and tales with this one, and at the same time, telling a compelling story within a short time. And the reveal that the Doorkeeper is The Kumakatok is brilliant. But I just not getting the vibe yet of this guardian messing with people's choices, past and future.
IV. Dominique Duran
I like the almost painting style art here. And the story as well. It's starting to shape. I like characters, the theme, and the abrupt ending. Fave so far.
Interlude. Bianca Lesaca
I'm not sure if she's still the artist for this one because this short interlude shows connections from previous stories so far. The Doorkeeper is becoming less cosmical and far away as he witnessed how and why some people chose pain over personal pleasure.
V. Brent Sabas
I think this was the shortest tale but it has a haunting artstyle and evoking ending.
IV. Bow Guerrero
Set in the future, the last story gave an epic and tearful ending. A beautiful art and a beautiful story.
Epilogue. Aaron Felizmenio
I'm not sure where the epilogue starts, when the artstyle changed or just the last few pages? Anyway, the last artstyle, although kinda jarring, but still pays off the cosmic ending.
Chapter Openers. Borg Sinaban
End Pages. Raymund Bermudez
Overall, this anthology has one of the most beautiful art styles gathered. Even the chapter openers alone are mesmerizing to look at. Most of the stories were great and fascinating. Ultimately, the weaving of these tales was an entertaining and emotional payoff. I wanted more!
#bookrecommendations #bookreview
#Doorkeeper by Scott Lee Chua, Ethan Chua and various illustrators 🚪
I've been trying to check this #comicbook #anthology even before when it had its first edition's cover. I bought a copy last #MIBF with the 5th anniversary edition. I knew so little about what this is about. The cover screams cosmic #fantasy at me.
After reading Sir Budjette Tan's foreword, I now understand that it is inspired by other comic book anthologies wherein a cosmic being serves as external observer, like the Watcher and Sandman.
I knew that they tried to had that familiar character, it's familiar if you read comic books. There's always this cosmic being who just watches within your comic book world or worlds. So I do appreciate that these amazing comic book artists were able to have our own version, the Doorkeeper.
Just the art alone is enough for this to be a must-read. So here are my short reviews for each story:
I. Allen Geneta
It tells a short origin of this world and a short encounter between a warrior and the Doorkeeper. It has that common story of giving choice to a special character during one of his climactic battles. The art of the Bakunawa was stunning, not so much in the human characters. But the art on the Doorkeeper is mesmerizing as well. And I'm satisfied with the character's final choice.
II. Bianca Lesaca
I liked the art more here. But the story was hard to follow yet I love the intrigues and the hisfic vibe.
III. Jap Mikel
I like how they rewrite histories and tales with this one, and at the same time, telling a compelling story within a short time. And the reveal that the Doorkeeper is The Kumakatok is brilliant. But I just not getting the vibe yet of this guardian messing with people's choices, past and future.
IV. Dominique Duran
I like the almost painting style art here. And the story as well. It's starting to shape. I like characters, the theme, and the abrupt ending. Fave so far.
Interlude. Bianca Lesaca
I'm not sure if she's still the artist for this one because this short interlude shows connections from previous stories so far. The Doorkeeper is becoming less cosmical and far away as he witnessed how and why some people chose pain over personal pleasure.
V. Brent Sabas
I think this was the shortest tale but it has a haunting artstyle and evoking ending.
IV. Bow Guerrero
Set in the future, the last story gave an epic and tearful ending. A beautiful art and a beautiful story.
Epilogue. Aaron Felizmenio
I'm not sure where the epilogue starts, when the artstyle changed or just the last few pages? Anyway, the last artstyle, although kinda jarring, but still pays off the cosmic ending.
Chapter Openers. Borg Sinaban
End Pages. Raymund Bermudez
Overall, this anthology has one of the most beautiful art styles gathered. Even the chapter openers alone are mesmerizing to look at. Most of the stories were great and fascinating. Ultimately, the weaving of these tales was an entertaining and emotional payoff. I wanted more!
#bookrecommendations #bookreview
July 1, 2021
*review by my 12 y/o student*
The book is about a guardian of time named Doorkeeper, he travels through time to give people options of their fate and destiny. The stories about these people are in stages from the past to the future.
What I liked about the book was the graphics, the characterters and the artwork. My favorite chapter was chapter three because of the time the story was set and the battles.
What I did not like about the book was that some parts didn’t make sense because there was not enough information in the stories to understand the context and the ending. It was not my type of reading because I am not familiar in Philippino mythology.
I would recommend this book to my friends and people who like philipino mythology, I personally think this book was not for me because I am a different type of reader and I like books that explain every detail of the story and not let you make your own conclusions. I would give this book a three out of five stars.
The book is about a guardian of time named Doorkeeper, he travels through time to give people options of their fate and destiny. The stories about these people are in stages from the past to the future.
What I liked about the book was the graphics, the characterters and the artwork. My favorite chapter was chapter three because of the time the story was set and the battles.
What I did not like about the book was that some parts didn’t make sense because there was not enough information in the stories to understand the context and the ending. It was not my type of reading because I am not familiar in Philippino mythology.
I would recommend this book to my friends and people who like philipino mythology, I personally think this book was not for me because I am a different type of reader and I like books that explain every detail of the story and not let you make your own conclusions. I would give this book a three out of five stars.
January 15, 2023
The illustrations were amazing! I really liked the concept of the story, but I think I was expecting more(?). Spoilers: I thought that the people in the stories would be connected someway instead of being their own separate story and having only Doorkeeper be the constant connection. I also thought it was random at the end of the book when the illustration changed (I have the 5th Anniversary edition, not sure if it’s the same for the others). However, it was awesome to see glimpses of the Filipino culture from different times.
Read
October 14, 2024dnf i’m so sorry i have no time
this is not an opinion i am proud of but (in general not necessarily applied to this specifically but i'm thinking abt it now also bc i don’t have enough time to fully appreciate it so like this is NOT applied to this thanks) if you don’t write your story in a way that the audience will get it it’s somewhat unsuccessful imo. trying to not think this way bc yes things have value even if I don’t get it but guys. rarely do i not understand pieces of lit. anyway sorry ill revisit this when i am sane again
this is not an opinion i am proud of but (in general not necessarily applied to this specifically but i'm thinking abt it now also bc i don’t have enough time to fully appreciate it so like this is NOT applied to this thanks) if you don’t write your story in a way that the audience will get it it’s somewhat unsuccessful imo. trying to not think this way bc yes things have value even if I don’t get it but guys. rarely do i not understand pieces of lit. anyway sorry ill revisit this when i am sane again
May 23, 2018
3.5 out of 5 stars
November 24, 2019
Awesome!
Review to come. Maybe. Idk anymore.
Review to come. Maybe. Idk anymore.
December 10, 2022
This is actually good though it's confusing at first read.
December 20, 2022
This book was the very first comics I have read,a very magical story with a powerful message about fate and decisions in life.A perfect Christmas gift I received for this year💟
April 4, 2026
Love this book so much!!!
May 22, 2020
An epic graphic novel event from the Philippines featuring the Doorkeeper, an immortal being and the guardian of time. He shows up at pivotal moments of people's lives to reveal the consequences of their actions.
With the collaboration of several graphic novelists, we are presented multiple stories that span different time periods from the distant past all the way into a far off future featuring a wild mix of characters. It's in these stories, these people, that makes the Doorkeeper do something he never did before. He interferes.
Touching on Phillipine history and literature, readers are in for a wild ride.
The creators have made it available for free to read here: https://issuu.com/scottchua/docs/door...
With the collaboration of several graphic novelists, we are presented multiple stories that span different time periods from the distant past all the way into a far off future featuring a wild mix of characters. It's in these stories, these people, that makes the Doorkeeper do something he never did before. He interferes.
Touching on Phillipine history and literature, readers are in for a wild ride.
The creators have made it available for free to read here: https://issuu.com/scottchua/docs/door...
March 21, 2026
Stories from various times told in the POV of a Doorkeeper that can give a person a chance to change their future by picking a different path. We see a hero, a mother, a friend, a martyr, and an all-powerful being making their own choices, and the reasons behind them, even when those choices meant doom.
This is a fun and meaningful read. The illustrations are beautiful. You will get lost in the story and sympathize with the characters—a perfect breather after a heavy read. Highly recommend!
This is a fun and meaningful read. The illustrations are beautiful. You will get lost in the story and sympathize with the characters—a perfect breather after a heavy read. Highly recommend!
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