At first, this book reads like it's going to be a typical Fae & Human bargain tale in which a creepy Fae kidnaps humans to keep as amusement and pets. It has all the expected Fae lore elements from Celtic mythology: dangerous creatures, exchanges of gifts and favours because nothing is free, the eternal dance till you drop dead, an otherworldly Fae that lords over them all, a plucky human girl that resists their influence, the fear of iron... All the details, big and small.
Then, by the middle of the book, it starts to read like a retelling of the legend of Tam Lin, the fairy knight that the Queen of Fairies keeps as a slave and intends to offer as a teind (tithe) on Halloween and who is rescued by Janet. This element had a twist here, but was so apparent that I was sure this book was going to be it.
But then, by the end of the book, the story was its own. Neither a typical Fae/Human bargain tale nor a Tam Lin retelling. It had both, but was still a different story than I expected. I am both delighted and disappointed, truth be told.
Delighted because the story was unique. It starts in 1919 in a village in Scotland, one year after the war and with the Spanish Flu pandemic still ongoing, where we met Moira Jean Kinross and her five friends, all youths intending to leave the village for better futures, except for Moira Jean herself. She had intended to leave too, but her fiancé had survived the Great War only to fall to the Spanish Flu, so she stays with her mother. On the night before they all depart, the six friends go to a clearing in the woods to have some fun drinking and dancing around a fire, and there they are approached by and ultimately kidnapped by the Folk Under the Hill.
Except for, again, Moira Jean herself, whose fiancé's medal was of iron and saved her from the kidnapping. Determined to rescue her friends, she strikes a series of dangerous bargains with The Dreamer, the Lord of the Folk Under the Hill that feel abandoned and forgotten by humans and want to have them around again, and who becomes fascinated by Moira Jean. In the process of saving her friends, Moira Jean becomes the target of the villagers' distrust and has to learn what really matters to her.
I liked this aspect. Moira Jean is spunky and determined, but she has one big flaw: she's emotionally codependent. When we meet her, she's still mourning Angus and has whitewashed him in her memories. She's a people pleaser, always so nice and helpful to the villagers even when they're nosy and rude to her, and she's so clingy in her relationship with her mother. Given this psychological profile, you'd expect someone like her to cling like a woman drowning to The Dreamer when he offers her everything she'd ever wish for, including love. But that doesn't happen. Instead, Moira Jean has to break away from this codependency and break free from it all to go pursue a better future on her own, as she always wanted.
What's disappointing, then? The ending! It's rushed, abrupt, and leaves questions unanswered. How did The Dreamer deal with forsaking the tithe obligations and how was he allowed to live after that? How was he able to be there in that last scene? And I also didn't like that Moira Jean needed to be "rescued" from the villagers by her mother, that it had to be her mother who gave her that one last push to break her last bond of codependency instead of Moira Jean doing it by herself. That felt like it weakened her character progression.
It's a fine story if you like Fae stories in which they're not nice little pixies or just humans with pointy ears. The pace is annoying in the beginning, and annoying again in the ending, so writing-wise that's the worst problem. And there's some weird elements that seems to be there for . . . reasons, e.g. the scene where The Dreamer changes from a he into a she for . . . reasons. That felt out of the blue, and I have a suspicion that was the Token LGBTQ+ bone thrown in for the "make it gayer" crowd, because at no point before did we get a hint that Moira Jean was bi until that plot point demanded it. Moira Jean's petulant many times, which makes the dialogue feel childish and her character also feel childish, and you have to wonder sometimes what exactly The Dreamer sees in her. He must be too starved for human company that he'll take anyone. Props for a codependent Fae?
I did enjoy it most of the time. It's not the best Fae story I've read, but it isn't terrible, and it definitely deserves kudos for not going the way of all Fae/Human bargain stories these days with romance and pixie dust and powerful fairy lords that shift into sweet puppies the moment a pretty human female shows up.
Bottom line: Plot is decent, execution could've been much better.
I received an ARC through NetGalley in exchange for an honest review.