Source of book: Bought by me
Relevant disclaimers: None
Please note: This review may not be reproduced or quoted, in whole or in part, without explicit consent from the author.
And remember: I am not here to judge your drag, I mean your book. Books are art and art is subjective. These are just my personal thoughts. They are not meant to be taken as broader commentary on the general quality of the work. Believe me, I have not enjoyed many an excellent book, and my individual lack of enjoyment has not made any of those books less excellent or (more relevantly) less successful.
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And let us continue with my attempt to write brief-ish reviews. This was one of a pile of a thrillers I’m slowly working my way through as the mood takes me. The theme of this one is, broadly, motherhood, which is naturally somewhat inextricable from themes of gender, patriarchy, and all the rest of it.
The book opens with the heroine Marissa trying to buy a house in which she and her partner Jake can try to have a baby together. As she’s being shown round, a magpie ominously swoops inside, before being removed with some difficulty. Nevertheless, Marissa is in love with the place, as she is in love with Jake, who she has only been dating for three months, their romance something of a whirlwind. Not long after Marissa successfully conceives, Jake confesses things aren’t going to well at work, and they’ll need to take in a lodger to help with their cash flow. When Kate initially moves in, she seems friendly enough, but Marissa finds her increasingly intrusive, even suspecting she may be having an affair with Jake.
You know, I ended up liking this pretty well. I felt it had a real emotional depth to it, especially when it came to talking about motherhood (both as a reality and as a concept) and the lose/lose proposition it is for many women, in that if don’t or can’t go that route, society makes you feel like you’ve failed your gender, and if you do, society strips you of personhood. I’ve seen some reviews expressing concern and/or distaste over the (mild spoiler incoming) fact mental illness is used as a twist/reveal but I actually found that, compared to a lot of thrillers I’ve read which have a borderline Victorian gothic approach to mental health, it was … semi-reasonably handled? In that the “shock value” aspect is quickly replaced by something more pragmatic and grounded.
In fact, this was a common thread to most of the thrillery reveals and reversals as the book progressed. And probably contributed to why I came away from the book feeling so positively about it. I mean, thrillers can have happy endings, for sure, but it’s mostly “and then the place burned down” or “and then whoever turned out to be villain after 300 pages fell off a cliff” and the focus is on catharsis and the restoration of order. Magpie, by contrast, ends on a note of unity and optimism that felt genuinely sincere.
So yes. A well-written, well-constructed domestic thriller with a heart and something to say.