SPOILER ALERT
This was a slog. While the basic story was all right, the author didn't seem to be able to decide if it was a mystery or a text on the culture, history, and mythology of Hawaii. It was as if the author didn't think the reader could appreciate the story, or understand the implications of it, if they did not have the complete history of Hawaii explained. I appreciated the page on the alphabet and pronunciation of Hawaiian names and other words, but it also meant that I spent too much time sounding out the copious Hawaiian names and words used in the story. While there were murders and other various criminal activities, they seemed to get lost in the minutiae of creating atmosphere and place. If there was an ancient spear used for the killing (yes, there was) then it was described thoroughly over and over, the possibilities of where it came from, who had used it in the past, who had owned it, did it have three or five barbs... was just too much, and just bogged the story down. There was a huge cast of characters, numerous suspects and various factions who were trying to return to the old Hawaii and its way back, and their machinations meant more confusion. For instance, some took on the names of ancient Hawaiians, complicated as they are, so that characters had more than one name. It was not an element that lent credence or richness to the story. Historical sites or artifacts were created to make an area more sacred for the purpose of the groups' agenda (to return Hawaii to a sovereign country) and confused what were the actual artifacts' characteristics. Later in the story an expert would clarify for Kawika that a heiau that was identified a sacred site initially, a subject of conflict between the developer (and murder victim) and a protesting group (Hui Heiau Hawaiian - HHH) and had been bulldozed by the developer, was in fact not a heiau. It was not shaped properly, and had not served as the group had declared, as a site at which King Kamehameha sacrificed humans to affect the flow of lava from an erupting volcano around fishponds that were important to their survival (we were given a lengthy explanation of Hawaiian human sacrifices). Then went on to describe in minute detail how an authentic heiau appeared and was made.
Another example of the kind of extra detail that only adds words and no substance: Kawika, at the end is traveling to Kailua-Kona, instead of Hilo. There was no extra charge. Seriously! Who cares if there was or was not an extra charge. The book is loaded with these kinds of unnecessary additions.
Additionally, the relationships of Det Kawika Wong and his girlfriend Carolyn Ka'aukai, and his lover Patience Quinn, a haole, and his conflicted feelings about his cheating was more than necessary to the story. The prior case for Kawika in Washington State and Ralph Fortunato's development and failures there, while good background seemed just too much more. Though the racial issues experienced there, involving Native Americans did serve to emphasize that the problems of honoring sacred sites are not limited to one people. It was enough that the mixed-race issues in the story, how they impact the history, the restoration or continuation of the culture and the crime itself were thoroughly explored and added richness to the narrative. It was fascinating that much as the percentage of indigenous blood a Native American has affects certain issues of their lives, so does the percentage of Hawaiian blood become important in similar ways. And the other ethnic side one has is used as a negative influence. Both the Tanaka and Wong surnames for the policemen of the story worked against them in the investigation and was used in a pejorative manner with the opposing groups and in the media. The opposing sides failed to clarify that they were both considered Hawaiians. I could not help but compare all of the current ways we align ourselves today: black/white, republican/democrat, liberal/conservative, to create divides in how we approach all of our experiences and opinions, in how we go about solving problems (perhaps creating more than solving).
I also don't think that the conclusion was satisfying. A killer was identified, Cushing, and (for political purposes?) then all murders are attributed to him, though Kawika has determined Fortunato was killed by someone else. (This was revealed by an extraneous character to Carolyn as an "Oh, by the way...") Tanaka wants the simplest solution and is willing to leave it. Again, more than necessary for me, to introduce an ethical issue at the end. Rather Machiavellian for Tanaka, as punishment of the guilty weather for the correct crime or not, is good. Right up through the end the author is still introducing other characters and actions. As a whole the story was very slow, complex and over-run with details that did nothing to enhance the narrative, and I was compelled to skim parts to finally finish. Another button for me in a book is the swift and brief wrap-up of loose threads, which the author uses here, telling us what happened to Shimazu, the developer's investor, Carolyn, who was conflicted on her career direction as well as her love for Kawika, and other of the many characters. Even Kawika's future is briefly alluded to. Almost as if: whoops, I forgot to mention... Further, it was as if the author remembered he had not clearly explained how something happened and created new characters and actions that happened outside the main story, to clear it up in the end. The excess of characters, many of whom had no purpose other than to add Hawaiian names, required I keep a list to keep them straight. I think this could have been a provocative story with more editing. Certainly, more enjoyable. Ho-hum.