I received an ARC of “We Still Belong” from NetGalley and HarperCollins Publishers in exchange for an honest review. Prior to reading this middle grade novel, I had never read anything written by Christine Day. But I was attracted by the book’s title and the book’s description. It wasn’t until I actually began reading this book that I discovered what an excellent writer Day really is. And even though I read an uncorrected e-proof, I hope that both the editors and the publishers don’t change anything prior to publication.
The MC, 12-year-old Wesley, is Upper Skagit. Although Wesley is not an “official” tribal member according to the rolls, she is Upper Skagit both culturally and genealogically. The book’s title is named after a poem that Wesley wrote to celebrate Indigenous Peoples’ Day.
Although the MC and her family are Native, there is so much diversity among the characters that this book will be of interest to many kids, and adults, nationwide. In fact, I would venture to say that if any authors are struggling with how to include diversity in their books, they should read “We Still Belong.” I can easily see how this novel will become a benchmark on how to effectively do so.
I have read many other authors who make ***big*** mistakes when trying to incorporate diversity into their books. Usually, authors will go out of their ways to hyper-identify characters. Other times, they will add in something, usually at the end of the book, because they might not know how to incorporate it. Some even choose to make the whole book out of ethnicity or gender or discrimination. When any of the above is done, the books becomes overpowering and preachy. Day’s approach is much more muted. And, consequently, much more interesting.
The author masterfully incorporated an outpouring of diversity with only just a few words, and then mirrored that in other places in the book. For example, readers are introduced to Wesley’s uncle by name only—Uncle Kenji—but it wasn’t until Chapter 38 that we actually learn about his Japanese heritage. Likewise, Day lets us know that Hanan is Wesley’s best friend. But it isn’t until Chapter 12 when the author tells readers that Hanan’s mother speaks with a Syrian accent. Day didn’t spend 50 paragraphs discussing their ethnicity and/or backstories. She didn’t need to. The author added in just enough to let readers know without preaching about it.
Day doesn’t rely on the ‘I’m-different-and-everybody-hates-me-because-of-it’ trope. I’ve read books that do, and each time it was a disappointing read. Wesley discovers that people have a tendency to ignore Indigenous Peoples’ Day. This bothers Wesley, but she doesn’t harp on it. Likewise, the author doesn’t use this to scold non-Indigenous people. Instead, Day used this as an opportunity to reintroduce characters from earlier in the novel—characters that *do* understand and appreciate this holiday.
What I really love about this book is that the author takes a deep look at stereotypes without forcing readers to listen to a lecture. When a new girl at school (Skye) appears, Wesley doesn’t pay much attention to the girl with red hair, blue eyes, and white skin. But when Wesley sees that same girl dressed up as a Jingle Dress Dancer and learns that she’s Choctaw, it opens readers eyes that not all Natives can be stereotyped with black hair, brown eyes, and dark skin. I used to live on the Pine Ridge Indian Reservation and can tell you from first-hand experience that there is a huge amount of genetic diversity among Native peoples. I also really appreciate how the author revealed non-traditional extended families. You see this all the time, not just on reservations and among Native peoples, but around the world.
After reading the first few chapters, I really liked the MC. But when Wesley was faced with following her own needs and wants (asking Ryan to the dance), she chose compassion instead by following the emotionally wounded almost-nemesis Ella to the bathroom. There is so much to love about Wesley. And I see so much of myself in her. With so much diverse mixing of ethnicities in the country, I can see kids (and adults!) being really attracted to this book and falling in love with the character. Like Wesley, I am also mixed—a beautiful mix of European, Native American (Shawnee-Delaware) and Jewish. I never think of myself like that, but Day’s book makes me feel proud of myself. Like Wesley, I am unenrollable. But also like Wesley’s family, my son IS enrollable (Oglala). Our enrollment status doesn’t doesn’t define us, and Day makes this statement loud and clear.
When I first began reading this book, I was concerned because Wesley seemed preoccupied with asking Ryan to the school dance. In the past, I have been really disappointed when some authors made 12-year-olds boy crazy. But this ‘puppy love’ was completely appropriate. There is *never* a kiss in this book; only a hug. Likewise, there is no cursing.
I love how the author talks about fry bread at the powwow. In South Dakota, though, no powwow (or yard sale or birthday party or wake or anything really) was complete without Indian Tacos. Day’s descriptions made me feel like I was there. And like Wesley, the Grand Entry is one of my favorite parts (besides the hand drum competition!) I will admit to having an owl ‘superstition’; when you see an owl, it means somebody is going to die! And if one lands on your house, them OMG! I know folks on Pine Ridge who get so freaked out that they won’t even make a fan with owl feathers (and I don’t blame them!) My son, on the other hand, is a lot like Wesley’s grandpa—owls are just birds!
Wesley is brave and compassionate. She chooses to be kind. I could not ask for a better main character. Christine Day is an excellent writer and plotter. From what I’ve found, Day primarily writes books with a Native slant. I must admit that I love these types of stories. But to be perfectly honest, Day is far too talented to box herself into any corner or genre. If she were to push herself beyond these Native-only writing boundaries and invest in writing a more mainstream novel series, I can see her becoming a household name of PJ and HP fame. She is **that** good of a writer.
I recommend this book to everyone and especially to other writers as an example of how to incorporate diversity (both ethnic and gender) into their stories.