Nancy Graham's fictionalized account of a young German girl's coming-of-age during the rise of Nazism and the hardships she faces in the lead-up to and throughout WWII, including the brutal Russian occupation of Berlin, is delivered in a clear and compelling voice. Annalise, the central character, is wise beyond her years, a child who shuns frivolity in exchange for philosophical discussions with her professor father. Together they set the tone as members of a German family in opposition to growing Aryan propaganda and the increasing dangers the Nazi regime poses even to citizens not marked as “undesirable”. But not all the siblings share Annalise's cautious sympathies.
This book briefly chronicles the role each member plays. From 1933 when Germany became a one-party state under Nazism, through the build up to war and the creation of civilian "mobile killing units" to aid the Wehrmacht, we see the differing roles two of her brothers have thrust upon them while the youngest siblings are indoctrinated in school and required to join the Hitler Youth and League of German Girls. Graham explores the range of emotions, particularly fear, as Annalise deals with the choices made by each family member and the emotional cost of those choices. Annalise is positioned in this book as both the conscience and, at times, the therapist for her siblings. The reader will also cautiously herald her bravery as she sets out on a rescue mission into eastern Berlin in 1945 while the notorious Red Army advances. This is the most riveting part of Once We Were Family, but it does not come without SV trigger warnings.
The narrator's voice is consistent in her beliefs and her sense that everyone, including her German neighbors, her lost Jewish friend and classmates, and the Nazi sympathizers in her own family are ALL victims of this horrific ideology. Even though Annalise comes across as the healer, intending everyone in her orbit to find inner peace, (self) forgiveness, and a renewed degree of self-respect, I admit to struggling mightily with what I believe most readers will see as a false equivalence. Not everyone deserves a happy ending and Annalise must face the fact that for some people, despite her love for them, the bill will come due.
As a history buff, I feel that two books exist within the covers of Once We Were Family. The first half is indeed historical fiction developed through a series of chronologically accurate vignettes. This family of German "bystanders", however, receives the singular spotlight while the atrocities being waged all around them are barely noted. Terrible events like Kristallnacht or the German invasion of Poland are glossed over if even mentioned at all. Almost exactly at the midpoint of this book we come to a short chapter dated April 30- May 2, 1945. Not a word, at this point, about the suicide of Adolf Hitler. After May 2nd and the focus on the Russian invasion of East Berlin, the narrative jumps to July. Nowhere was the German surrender or VE Day (May 8, 1945) even mentioned, although it is accurately referenced that the Americans took control of her section of Berlin on July 4th.
I had a hard time showing sympathy for Berliners struggling to find enough food after the occupation, even as they exit movie theaters (sometimes retching in grief and mortification) having watched de-Nazification films showing the liberation of the camps and actions of the death squads. It is difficult to imagine that many people being unaware of the heinous actions, the genocide, being perpetrated in their names. Only at that point in her narrative does Graham have one character say, "Why did we let this happen? Why didn't the German citizens stand up and do more?" For all the wisdom she shows throughout the book, Annalise's only thought is, "I couldn't answer." And therein lies the difficulty of writing a story from the German point of view. I can only recall Hannah Arendt’s treatise on “the banality of evil.” Even if only 39% of the population voted for Hitler in 1933, his rise to power feeding on the self-centered German belief in their own victimization after WWI is never laid out for examination. Yet the book itself echoes that justification by focusing on the post-war deprivations and struggles of Berliners with only an occasional nod to the tens of millions of humans -- displaced or imprisoned by Nazi aggression -- seeking refuge after the war. If this book is to be viewed as a work of historical fiction, I feel that there must be greater context for the suffering and shame her German characters demonstrate.
From here, however, the novel becomes a work of historical romance. Annalise meets a series of soldiers who all treat her in different ways: Russian, Latvian, American. We do learn the struggles many Germans faced in the effort to leave a place they could no longer call home, though relegated to the end of unspeakably long lines of other Displaced Persons on whose behalf Annalise now works. But the focus here is largely on how to get HER, a new German war bride, into a country that has forbidden her immigration status.
The remainder of this other half follows Annalise into a new Cinderella life and waltzes lightly across the next few decades. We see the dispersal and slow demise of her natal family as well as personal losses even in her wonderful new world. Then we get even more romance, perhaps a requisite scene with a sexy younger man -- a cross between James Dean and a young Bobby Kennedy -- before the even more magical ending. Throughout the next two decades these romances are sprinkled with references to her still discernable German accent, shunning by her American neighbors, and prejudicial attitudes openly displayed by some of her academic colleagues and students in the college courses she teaches on Eastern European history and international affairs -- a context in which one would hope people know better.
These insertions, of course, are to remind us of the book's main purpose: to open our minds, if not exactly our hearts, to the plight -- if not before, most assuredly during and after the war -- of German citizens who did not consciously choose Aryan philosophy, the Nazi cause, or believe in the Final Solution to the Jewish Question. However, even a fairy tale ending could not erase the unease I felt while reading about the vindication of German bystanders.
For anyone reading without my degree of historical inquiry, Once We Were Family in Nazi Germany will be an easy read. The date-by-date chapters are short enough to create momentum and tension. The work, as noted above, is part coming-of-age story, part apologia, and part romance. I have already addressed my concerns about the second item, but as a coming-of-age story, I would give this book a 5-star rating. I am not a reader of romance works, so I am hard-pressed to rate the quality this book’s second half, but, young Annalise as well as her older self are thoroughly endearing characters and make a gifted delivery system for Nancy Graham's first novel.