I received a free copy of this title to read and review for Wicked Reads
3.5 Stars
As a huge fan of KA Linde's, a great lover of angst, and as someone who adores the back and forth of timelines to draw an entire picture, it pains me to say At First Hate didn't work for me. I "wanted" to love it. While the premise was an engaging one, the execution and "voice" is what tore me from the story itself.
This is Marley & Derek's angsty tale, as told by Marley in several time spans. High School, the cheerleader from public and the rich boy from a rival private school, butting heads and love-hating one another in the past and in the present.
High school Marley is directly influenced by her mother's life choices- the teen mom of a pair of twins, dumping the toddlers on her own mother's doorstep, their grandmother, and never to parent again. Gram is exacting in the morality department, refusing to allow her grandchildren to repeat the parenting mistakes she made with her own daughter, and the mistakes her daughter made. This shapes Marley, creates a hard-working, people-pleaser, who is very innocent, sheltered, and world weary.
College Marley is still just as socially reserved as High School Marley, the same innocent voice.
In the present, Grams has passed away, and the twins are fighting tooth and nail for their inheritance (their ancestral home important to them outside of monetary value) against their mother and their aunt, neither good daughters which is why Gram didn't leave the home to them in the will.
Derek is your classic bad boy, rich boy, using girls as tissues boy. He gets beneath Marley's skin, irritating, aggravating, and making her blood boil in several ways. They begin a dance, Marley an active participant.
The past and the present collide when Derek serves Marley with a lawsuit, acting on behalf of her mother and aunt. Former crush, past aggravator, current enemy.
All of this sounds amazing. The plot deliciously angsty, ripe for love-hate, push-pull, and witty repartee. Except it felt forced to me. Very force, very fast, and not fully fleshed out into a whole story due to the back and forth timeline, something in which Linde usually excels.
Marley's voice does not change over the years. The sheltered teen who sounded years younger than her age, she still sounded like that in college, and as a grown adult in the now. It's hard to explain, as juvenile doesn't fit, as she's not silly and empty headed. Merely a beyond sheltered mindset for someone who had been out in the world, been to college, and is an adult. Her "voice" never changes, while Derek's matures as he ages. It was off-putting, as if Derek was dating a girl from junior high.
To be quite honest, I felt the shifting timelines chaotic, the introduction of nobody characters that fit into Marley's life at the time, the setting barebones as it was of little consequence. I felt as if they were just scenes woven together. Yes, it created a tapestry, but they felt incomplete, more focused on mundane daily trivialities than the actual plot. Characters were introduced, like a current boyfriend the reader only knows for a handful of paragraphs, what was to be a fun and angsty situation lessened because the scene itself is just a few short pages with no true depth, fun on the surface but emotionless. A few sentence summary, I could have just written them out in a linear timeline and understood the story but at the expense of experiencing the journey.
On the surface, At First Hate was a fun book. If you're an empathic person, if I told you Marley's grandmother died and her mother was suing her for the inheritance, you'd get the feels just from that statement. You could read between the lines. That was my problem, with the execution and the rapid way the back and forth scenes were written, I'm unsure if the story itself captivated me or if I was merely empathizing with the summary of the plot, since I never felt as if it was fully developed on the pages. The events were all there, but I never felt as if I was experiencing them.
I wanted to like At First Hate. I adored the premise. I just felt it wasn't actually on the pages. I overthought things, and that's entirely on me. Fans of Linde will no doubt adore the novel. If I had read it fast, not thought too deeply, moved on to the next portion without mulling over anything, I'm sure I would be in the 5-Star camp. But my mood was contemplative, and that in and of itself affected my entertainment value. While it was partially my mood's fault, it doesn't erase the fact that these issues did exist within the novel itself.
Commentary on the twins' behavior and Gram: (the "lying" about being at practice punishment)
Marley was dealing with her reputation being in tatters. All she did was wish to go see Derek after school in person for like five minutes, for him to put it to rights. All across the board, Gram would have been disappointed in Marley, when it was completely innocent, and not at all deserving of being in trouble. Marley lied because Grams was unreasonable in her treatment of the twins. At her age, with the level of trust she should have earned, with her loathing of her mother's behavior (teen behavior, outside of the abandonment) no way was Marley deserving of being treated as a small child on a leash at Disney.
To be honest, High School Marley was too respectful, too sweet, too perfect when dealing with her grandmother. While entirely deserving of trust, Gram treated her as an extension of her mother, to what I felt was an abusive degree. One of the twins just rolling over after being treated with zero trust I could understand, but both Marley and Maddox acted as if they had to toe the line or risk being tossed out. No backtalk from both teens ever. Not wanting any actual explanation, Gram grounds them both, taking Maddox's car away (side note: I also felt it odd and slightly misogynistic how the male twin got his license and a car first, while Marley was grounded from getting her license due to "lying". Why wasn't she allowed when Maddox got his?) They both shrugged, said okay, and just went about their lives and never even said a "That's not fair" to the other, as if they had to act like robots to make sure Gram still loved them, as if the love was conditional on them acting nothing like their mother.
I understand the twins were loved and well cared after by their grandparents. I'm hinting at the emotional mindset of Marley, judging by her behavior, as if she had to behave a specific way to apologize for her mother's behavior, as if she had to pay Gram with flawless behavior instead of being herself, an autonomous being with independent thoughts and feelings that she should be allowed to voice.
I'm not stating this is how Gram would have thought or felt, just how this dynamic creeped me out, how both had the voice of small children but neither acted like a teenager. As their grandmother, Gram should take care of them if she's capable and a good person, not act as if they have to repay her by acting like well-behaved 10-year-olds fearing their grandmother will toss them on the streets, well after the fact they become adults. I know this wasn't how it was meant to come across, but I read that scene three times, and all three times it creeped me out more and more.
Most will see it as a pair of loving twins respecting their sweet grandmother, a grandmother wishing to raise them right, but all I saw were two kids terrified of being tossed for acting like teenagers, paying the price for their mother's behavior (a mother Gram raised to behave as she did, seeing as how both of her daughters later sued the twins- I'd say Gram was a crappy mother overdoing it as a grandmother)