#Binge Reviewing my previous Reads #Poirot
Agatha Christie’s The Harlequin Tea Set and Other Stories feels like a secret door into her creative attic—a place where she tucked away oddities, experiments, and tales that didn’t quite fit her usual series mold but still gleam with her unmistakable touch.
Published after her death, the collection brings together a range of short pieces that stretch beyond the neat confines of drawing-room murders. Yes, Poirot makes his presence felt, but this isn’t only about the little Belgian’s “grey cells.” Instead, it’s Christie in a freer, looser mode, playing with tones that range from the mysterious to the whimsical, sometimes even brushing against the eerie.
What strikes you while reading is the sheer variety. Some stories are classic Christie puzzles in miniature — all about hidden motives, sharp observations, and that sly final reveal she was so good at. Others take surprising turns, slipping into romance, suspense, or even allegory. They don’t always carry the polished inevitability of her most famous novels, but that’s part of their charm. You get to see Christie experimenting, trying out different textures, sometimes leaving a story as a fragmentary mood piece rather than a fully engineered puzzle box.
The title story, The Harlequin Tea Set, is a good example of her late-career imagination: playful, strange, tinged with symbolism, but still anchored in her fascination with human behaviour. Elsewhere, you find tales of chance encounters, hidden identities, and everyday lives suddenly disrupted by fate.
The collection has a slightly wistful air — as if you’re catching Christie in moments when she wasn’t under the pressure of delivering a “big” Poirot case or a country-house classic, but instead letting herself wander.
For fans of Poirot, this isn’t the place to find his grand finales or dazzling deductions. But if you’re interested in Christie’s breadth as a storyteller, it’s a quiet treasure. These stories remind you that she wasn’t only about meticulous plotting; she could also sketch character, mood, and irony in just a few pages.
Reading them feels a bit like sharing a pot of tea with Christie herself, hearing her say, “Here are some stories I never quite forgot.”