Ikezawa has been described as one of the best short story writers in the world today. When he won his country's highest literary award ten years ago, readers hailed the arrival of a new voice in Japanese clear, unerring, and resonant. As the title itself suggests, all four of the stories in this collection are in some way about people moving away from ordinary life, seeing things from a distance, as though looking at their world through the window of a spaceship moving into orbit. In the last and most daring piece of all, an international team is sent to explore a ruined site in northern Afghanistan. A helicopter crash reduces their number to two, a Japanese and a Frenchman, who decide to press on. Watched by a high, circling eagle, they find what appears to be a ruined citadel, among whose stones they hear a form of music so strange it seems to call to them from another world. And the longer they stay the deeper they are drawn into it, until they're forced to to return, or to go beyond... Here, and we hope in other collections to come, readers will encounter a rare writer whose work attains the highest level of imagination, yet remains always anchored in a reassuring normality. Welcome to "a brave new lyrical world."
This was a brilliant set of novellas--elegantly composed, profound, brimming with subtle beauty. It's easy to see why Ikezawa is considered one of the foremost authors in Japan.
These stories sound impressive, and they're often interesting, but it seems to me they all have the same basic message, and one that is not terribly original or meaningful.
Prvi susret sa japanskom književnošću... i ne potpuno zadovoljavajući. Ikezava je fizičar, ili neki od te sorte, meni nepodnošljive, pa nije teško prepoznati njegovo opredeljenje i u pričama, gde mu svi glavni likovi imaju neke veze sa modernizacijom ili tehnologijom. Glavni problem jeste to, a između ostalog, i paralela koja ih veže pa deluju gotovo preslikano. Dijalozi su pomalo neuverljivi, retko kada baš osetim da je to dijalog kao pisana stvar a ne izgovorena, a ovde je to bio slučaj, što samim tim i smanjuje doživljaj novele. Čak postoje i propusti u zapletu, neki bizarni preokreti koji nisu nimalo u skladu sa ostatkom priče ili su u nelogičnosti, pa čak i veoma predvidivi preokreti. Prva priča, po kojoj je zbirka i dobila naziv je stvarno očaravajuća, ali kako se ide ka drugom delu knjige, sve je lošije stanje. Prva vuče prosek, otuda 3 zvezdice, inače bi bilo i gore.
C'est toujours aussi étrange de lire un livre qu'on a chez soi depuis des mois qui correspond pile à un état d'esprit du moment. Cette connivence muette avec un auteur parce qu'on ouvre son livre au bon moment. Le moment arrive au hasard, parfait ou pas. Les rencontres se font ou l'on ne fait que se croiser entre les lignes.